Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

This solitary wooden cottage on the Norwegian island of Vega was designed by Swedish studio Kolman Boye Architects to resemble the weather-beaten boathouses that are dotted along the island’s coastline (+ slideshow).

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

The traditional sheds, known as Naust, are common to Norway’s seaside towns and villages, so architects Erik Kolman Janouch and Victor Boye Julebäk decided to pay tribute by creating a small residence that resembles a pair of cabins.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

“We have aimed to build a contemporary Naust with an unpretentious presence and a distinctive character, developing themes from the vernacular architecture,” they said, referencing the simple materials and gabled profiles.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

Vega Cottage was built over the uneven terrain of a rocky outcrop near the coastline. “The site is distinctive for its grand and harsh northern landscape with wide panoramas of the Norwegian Sea and the jagged mountains rising from it,” said the architects.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

A pathway leading to the entrance sits within a natural ravine, so as not to disturb views across the landscape. As a result, the house appears to be completely cut off from any other traces of civilisation.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

The architects used pine to build the structure then added birch joinery details. Exterior walls are left exposed, while interior surfaces are painted white.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

“The interior is kept subtle with a character of being hand-built, promoting tactile qualities and the attractive patina developed over time,” added Kolman Janouch and Boye Julebäk.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

The largest space in the two-storey building is a family living room that occupies one half of the ground floor and features a stone fireplace.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

Two oversized windows offer views out towards the ocean and the surrounding mountain range, while a door opens the space out a terrace flanked by two walls.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

Other spaces on this floor include a lobby with a wall of storage. Bedrooms and smaller family rooms are located upstairs.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

Photography is by Åke E:son Lindman.

Read on for the full description from Kolman Boye Architects:


Vega Cottage

The house stands on the island of Vega in the Norwegian archipelago not far from the polar circle. The site is distinctive for its grand and harsh northern landscape with wide panoramas of the Norwegian Sea and the jagged mountains rising from it.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

Not far from the site, near the ocean shore, stands a group of traditional seaside huts, in Norwegian called Naust, whose forms and materials reflect many years’ experience of building in these conditions. The outermost hut shelters those behind – the huts being placed at odd angles to each other, partly due to topography and partly due to chance. The windowless weathered wooden facades have a straightforward tectonic and a strong material vocabulary.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

We believe that good buildings engender the refinement of everyday life, having a curious, evocative and empathic nature. We have aimed to build a contemporary Naust with an unpretentious presence and a distinctive character, developing themes from the vernacular architecture.

Seemingly growing from the landscape, the house sits on a rock beneath a granite shoulder negotiating the uneven terrain. As not to disturb the dominant view towards the sea, access to the house is given through a narrow natural ravine densely grown with gnarled birch shrubs and laid out with sea-sand from the nearby shore. The landscape remains untouched and wild.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses
Floor plan – click for larger image

The large windows of the house face three directions, each with its strong unique characteristic. They are simple and robust in detailing and the optically white glass conveys undisturbed frames of the ocean, the mountain range and the bedrock.

Organised on two levels adapting to the terrain, the plan is compact, providing generous social spaces within a limited floor area. The upper level is comprised of smaller scale bedrooms and family rooms, whereas the lower level is a large gallery-like space structured around a stone hearth. Completed in linseed oil painted pine with untreated birch skirting, frames and reveals, the interior is kept subtle with a character of being hand-built, promoting tactile qualities and the attractive patina developed over time.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses
Section – click for larger image

Upon completion of the house the clients’ father, who spent his childhood in the close vicinity, visited the cottage. Being able to sit down – for the first time – sheltered from the elements; he stayed seated for several hours silently observing the ever-changing light over the sea.

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Hinged shutters camouflage with facade of Humberto Conde’s Portugal townhouse

Hinged panels discretely integrated into the facade of this house in Parede, Portugal, by Lisbon architect Humberto Conde protect the property when the owners are away. (+ slideshow).

Parede 11 house by Humberto Conde has hinged protective panels

Humberto Conde designed the family home for a narrow plot next to a three-storey property that informed the overall dimensions of the new building and the position of its street-facing elevation.

Unifamiliar-House-in-Parede-26

To the street, the house presents a minimal facade covered in cement panels and punctuated by narrow vertical windows. The hinged shutters fold down to conceal the windows, protecting the property at night and when the family is on holiday.

Unifamiliar-House-in-Parede-25

“The new building promotes a dialogue between the surrounding area by a language of contrast in its image and shape regarding all the spatial articulation principles that mark the adjacent building,” said Conde.

Parede 11 house by Humberto Conde has hinged protective panels

At ground-floor level, the entrance is shielded by a small boxy canopy, while the hinged shutters that conceal the kitchen and laundry can be folded upwards to admit natural light and views toward the street.

Unifamiliar-House-in-Parede-21

The gently sloping courtyard at the front of the house provides space for parking two cars, while a large patio at the back is surrounded by vegetation and incorporates a lap pool that is illuminated at night.

Parede 11 house by Humberto Conde has hinged protective panels

A long corridor leads from the entrance to the kitchen on the left and into the main living and dining area, which is connected to the garden by full-height sliding glass doors.

Parede 11 house by Humberto Conde has hinged protective panels

A staircase located to the right of the entrance ascends from the corridor to a first floor containing two bedrooms.

Parede 11 house by Humberto Conde has hinged protective panels

Next to the master bedroom is an antechamber between the dressing area and en suite bathroom, which contains a square, swivelling window.

Parede 11 house by Humberto Conde has hinged protective panels

This window looks out at a sculptural tree in a sheltered courtyard with frosted windows on either side, allowing light and ventilation to reach the bathrooms.

Parede 11 house by Humberto Conde has hinged protective panels

A door from the master bedroom provides access to a balcony overlooking the garden at the rear of the house, which projects over the patio below to shade the living spaces.

Parede 11 house by Humberto Conde has hinged protective panels

On the second floor is a third bedroom and doors that open onto a large roof terrace.

Parede 11 house by Humberto Conde has hinged protective panels

Similarly to the hinged panels on the house’s minimal front facade, these doors sit flush with a dark wall that gives the terrace a contrasting appearance to the rest of the white exterior.

Parede 11 house by Humberto Conde has hinged protective panels

Photography is by Fernando Guerra.

Here’s a project description from Humberto Conde:


Parede 11 House, Cascais, Portugal

Principles

The project aims to develop a single house located in the centre of Parede, Cascais, in a site characterised as Historical Urban Space. The lot of the house as a particular elongated and thin configuration like the adjacent lot on the left side – south. The nearby buildings are part of a summer houses morph-typological group that proliferated in the Portuguese coastline in the 40s, 50s and 60s.

Parede 11 house by Humberto Conde has hinged protective panels

These houses were usually built as second houses or summer residences, presenting, in general, a garden that involves them throughout their perimeter. The exception is made in smaller lots of recent date where it was usual the implantation of terraced houses, as a way to potentiate the opposite top sideband.

Parede 11 house by Humberto Conde has hinged protective panels

In this particular case, given the lot’s configuration and taking into account the adjacent house (with three floors above the ground and one basement), we believe that the new construction should certainly be marked out through these alignments, namely the build’s height, volumetry and the alignments of the main facade.

Parede 11 house by Humberto Conde has hinged protective panels

The new building should promote a dialogue between the surrounding area by a language of contrast in its image and shape regarding all the spatial articulation principles that mark the adjacent building – as well as by the used construction details, such as window openings, metric of the facades and visual relation with the exterior.

Parede 11 house by Humberto Conde has hinged protective panels

Safeguarding a small courtyard at the entrance of the house – access area to the parking lot and the house – that assures the alignments, the new building is developed in three floors above ground, freeing at the back (West), a green space which is in direct relation with the social spaces of the house.

Unifamiliar-House-in-Parede-19

Access / Outdoor Spaces

The building is focused on the alignments with the adjacent house, with a East/West orientation, which allows to free part of the lot at East as a reception and decompression space, providing an area for two parking spaces inside the lot.

Unifamiliar-House-in-Parede-20

There’s a longitudinal corridor, delimited by the contiguous lots’ walls, with the introduction of a single vegetable element – a tree – allowing the automobile and pedestrian access to the interior of the housing. It’s also considered the interest in maintaining the permeability of the soil by applying a large green surface at the back of the house. This will allow the infiltration of a significant percentage of rainwater and the optimisation of the access to the infrastructure network derived from extensions installed on the public road.

Parede 11 house by Humberto Conde has hinged protective panels

Functional Structure

The access to the interior of the house is made by a small and slightly inclined ramp, which is also use as a common distribution atrium of the automobile and pedestrian access.

Parede 11 house by Humberto Conde has hinged protective panels

At the ground floor level are the social spaces of the house. Through a central corridor, which serves as the house’s entrance hall, it’s made the distribution to the different spaces of the house. On the left side of the hallway are the kitchen and clothing treatment areas, accessed laterally. In front is the living room, a big space that establishes a close relationship with the exterior, through the use of a garden. Finally, on right side of the corridor are the staircases for the upper floors – the private spaces of the house.

Parede 11 house by Humberto Conde has hinged protective panels

Reaching the first floor through the distribution staircase, located on the right side of the house’s main access, we’ve got two bedrooms equipped with their own private bathroom and closet. Both bedrooms are naturally lit through the openings located on the East and West facades, having been also created a small outdoor garden to canalise natural light and ventilation of the bathrooms of both bedrooms.

Unifamiliar-House-in-Parede-23

The second floor consists on a single space – the third bedroom and a bathroom. Both spaces enjoy natural light and a strong relationship with a terrace facing the West, where a tree coming from the garden on the lower floor emerges.

Parede 11 house by Humberto Conde has hinged protective panels
Site plan – click for larger image
Parede 11 house by Humberto Conde has hinged protective panels
Ground floor plan – click for larger image
Parede 11 house by Humberto Conde has hinged protective panels
First floor plan – click for larger image
Parede 11 house by Humberto Conde has hinged protective panels
Second floor plan – click for larger image
Parede 11 house by Humberto Conde has hinged protective panels
Roof plan – click for larger image
Parede 11 house by Humberto Conde has hinged protective panels
Section A – click for larger image
Parede 11 house by Humberto Conde has hinged protective panels
Section B – click for larger image
Parede 11 house by Humberto Conde has hinged protective panels
Section C – click for larger image

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Curvaceous oak staircase ascends through converted convent by John Smart Architects

A dramatic oak staircase with a sweeping handrail connects the five storeys of this Victorian convent building in south London, which has been converted into four homes by John Smart Architects (+ slideshow).

Curvacious oak staircase ascends through converted London convent by John Smart Architects

The Old St John’s Convent and Orchard was renovated by London firm John Smart Architects to create four five-storey properties that retain the original order of the facades while adding modern interventions and overhauling the interiors.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

“The distinctive Victorian skin was largely renovated and reinstated to retain as much of the character of the original convent as possible,” the architects told Dezeen.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

“New interventions remained largely hidden where possible on the front facing facade, whereas the back facade required opening up to benefit from the south facing aspect and to improve visual connections with the large gardens,” they added.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

Extensions to two of the properties incorporate large windows and Juliet balconies looking out onto the garden, and are clad in pale limestone that contrasts with the existing facade.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

“Moleanos limestone was chosen as a pure, unapologetically modern solid element which contrasted against the original London brick,” said the architects.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

Inside one of the extensions, a double-height void rises from the lower ground floor kitchen and dining area to a reading room above that features a glass balustrade to retain views of the garden.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

The kitchen floor is made from polished screed, while oak was used for built-in cabinetry and an adjoining partition that screens the utility area.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

A fluid oak staircase at the centre of the house was constructed from staves with standardised sections and assembled on-site. The wood was exposed to ammonia fumes to darken its colour.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

Just two types of wedge-shaped staves were used to build the inner and outer curves that form the handrail and the stringer supporting the treads.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

“The stairwell concept was to design a heavy vertical sculptured element, providing a solid core to the overall programmatic framing of the house,” the architects explained. “The building’s history meant it felt appropriate for the staircase to have a strong robust presence, which suggested dark oak.”

Curvacious oak staircase ascends through converted London convent by John Smart Architects

On the original main floor of the convent, a large oak bookcase acts as a dividing wall between a living area and the staircase.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

The bookcase is constructed from the same fumed oak as the staircase, creating visual consistency between these two vertical elements while contrasting with the pale herringbone wooden floor.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

Bedrooms and bathrooms are contained on the second and third storeys, with the staircase continuing to a roof terrace fitted between two sections of the sloping roof.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

Photography is by Edmund Sumner.

Here’s some more information from the architects:


St John’s Orchard

Set within a tree lined neighbourhood in South London; a distinctive local landmark has been attentively refurbished and crafted into four elegant houses. The Old St John’s Convent and Orchard at 17 Grove Park has been given a fresh lease of life through combining the rich history of the original Victorian building with new contemporary spaces and interventions. Each house is set over 5 floors and spans over 4000 square feet.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

The Great Room Floor

Conceived as an open single space, the Great Room Floor provides three distinct areas within the original ground floor of the convent, whilst still maintaining an open dialogue across the floor.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

Library

The oak library unit forms a central ‘furniture wall’ in the Great Room. Concealed full height doors allow space to flow freely around it, creating a fluid space. The fumed oak joinery relates to the fumed oak stair, bringing the verticality of the central core into the spatial dynamic.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

Staircase Design

The five-storey oak stair is constructed using staves of standard section sizes that were laminated into a bespoke form. Crafted in a workshop, the elements were assembled on-site into a seamless flight that rises through the core of the house. Detailing is reduced to a minimum – just two types of wedged-shaped staves were used to achieve the inner and outer curves of the stair, which serves as both stringer and handrail.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

Kitchen and Dining

At the heart of each house is a cooking and dining space situated under a dramatic six-metre high double height void. Framed by a full height oak window and sliding door, it has vistas onto the gardens and terrace beyond. Inside merges with outside, giving a garden backdrop to cooking, eating and entertaining in one light-filled room. The double aspect space can be used to create two distinct atmospheres if desired, each with their own ambiance, for casual family dining and more structured formal dining. A monolithic polished screed floor unifies the space while storage and utility are concealed neatly behind bespoke cupboards and timber clad walls. The kitchen itself is crafted from fumed oak with framed black granite oak doors and an Italian white marble worktop.

Site plan of Curvacious oak staircase ascends through converted London convent by John Smart Architects
Site plan – click for larger image
Lower ground floor of Curvacious oak staircase ascends through converted London convent by John Smart Architects
Lower ground floor
Ground floor plan of Curvacious oak staircase ascends through converted London convent by John Smart Architects
Ground floor plan
First floor plan of Curvacious oak staircase ascends through converted London convent by John Smart Architects
First floor plan
Second floor plan of Curvacious oak staircase ascends through converted London convent by John Smart Architects
Second floor plan
Third floor plan of Curvacious oak staircase ascends through converted London convent by John Smart Architects
Third floor plan
Roof plan of Curvacious oak staircase ascends through converted London convent by John Smart Architects
Roof plan
Section of Curvacious oak staircase ascends through converted London convent by John Smart Architects
Section – click for larger image
North elevation of Curvacious oak staircase ascends through converted London convent by John Smart Architects
North elevation – click for larger image
South elevation of Curvacious oak staircase ascends through converted London convent by John Smart Architects
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Studio 360 adds walls of modular shelving and storage to Slovenian apartment

Slovenian firm Studio 360 built walls of modular white shelving inside every room of this L-shaped apartment in Ljubljana to maximise space whilst removing clutter (+ slideshow).

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

Studio 360 renovated a 100-square-metre apartment in the heart of the Slovenian capital to create the modern home, which contains a large living and dining room, two bedrooms, two bathrooms and a study.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

The designers didn’t make any changes to the layout of the apartment, but gave each room a different arrangement of shelving based on simple geometric shapes. This inspired the project’s name, Geometric Residence.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

The studio also made small structural adjustments by changing windows and doors, replacing the flooring and rewiring the electrics.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

“When the client approached us, this apartment was vacant and ruined,” explained studio director Lidija Dragisic. “In order to bring it back to life, the renovation was absolutely necessary.”

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

The interior combines basic materials and natural colours, with white walls, oak furniture and detail accents in black. “This approach allowed the residents the freedom of doing any additional decorations without disrupting the overall design statement,” said Dragisic.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

Entering the space, the apartment opens onto the open-plan living room, accessed by walking under a strip of mirrored glass.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

The lounge area is dominated by block white shelving, with gaps made of oak deliberately inserted to allow the addition of books, a TV and speakers.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

In contrast, the adjacent kitchen features uniform white units, which surround a custom-made 3.5-metre wooden table with a parquet finish.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

In the master bedroom, oak storage units are suspended from the wall above a bed made from the same wood. Both this room and the second bedroom feature full-height white wardrobes.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

Sandwiched between the two bedrooms is a small study with shelving divided into squares and rectangles.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

The two main bathrooms are finished in slate grey tiling and feature mirror-lined walls and white inlet shelving.

Photogaphy is by Miran Kambic.

Here’s a project description from the designers:


 Geometric Residence, Ljubljana, Slovenia 

The apartment is located in the heart of Ljubljana, the capital of Slovenia. It is divided into living area (consisting of a large living room with kitchen and dining room) and more intimate / sleeping area (two sleeping rooms and a study room). In between these two spaces there is a service part offering two contemporary bathrooms and one utility.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

When the client approached us, this apartment was vacant and ruined. In order to bring it back to life, the renovation was absolutely necessary. The adaptation didn’t make any significant changes to the floor plan, besides some bathroom enhancements, windows & door replacements, new flooring and electrical installations.The interior furnishing design is simple, with design-scheme combining basic materials and natural colours: oak, white furniture and some detail accents in black. This approach allowed the residents the freedom of doing any additional decorations (art, coloured cushions, carpets, accessories etc.) without disrupting the overall design-statement.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

The furniture along the walls is in a neutral white and designed in a geometrical pattern, which magnifies the flat’s ambience. Several carefully selected accents are wood, which create a pleasant and cozy atmosphere. The furniture is custom and unique – for example, a big 3.5 m long wooden table in the middle of the dining area or a huge pantry with parquet-finish, which brings the living and private spaces together. The marriage of white and oak is implemented in the master bedroom as well (master-bed and a geometrically-shaped wall closet above). The massive curtains throughout the apartment achieve additional intimacy, softness and consistency (they are also in a neutral black & white combination). The bathrooms are simple and without any unnecessary decorations, which allows the beautiful concrete-like tiles to stand out. These spaces are visually enhanced with the clever use of built-in mirrored walls.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment
Interior plan – click for larger image

Our aim was to adapt this interior to the versatile, ever changing needs of the modern customer. Besides the functionality, we wanted to create many different lighting scenarios and environments. This is achieved by combining basic lighting with the indirect led lighting, which are hidden in the furniture elements. The ceiling in the bedroom adorned with a crystal chandelier, which (along with the other vintage accessories) gives this residence a unique soul.

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Three white walls front Ripple house by Kichi Architectural Design

The three-layered facade of this riverside house in Tsukubamirai, Japan, was intended by local studio Kichi Architectural Design to reference rippling water (+ slideshow).

Three white walls front Ripple house by Kichi Architectural Design

Named Ripple, the three-storey family home has a blank white facade comprising three windowless walls,  which incrementally increase in size. Once conceals a balcony, while another screens the house’s entrance.

Three white walls front Ripple house by Kichi Architectural Design

“The facade which consists of three white outer walls, is suggestive of triple ripples on the surface of the river,” said Naoyuki Kikkawa, architect and co-founder of Kichi Architectural Design.

Three white walls front Ripple house by Kichi Architectural Design

The house is set back from the nearby river and is surrounded by cherry blossom trees, which the architect says are typical of this area.

Three white walls front Ripple house by Kichi Architectural Design

“It is a house that enables its residents to live closely with the cherry trees which manifest all kinds of expressions with the changing of the seasons in Japan,” he said.

Three white walls front Ripple house by Kichi Architectural Design

The house has a long and narrow plan, with a semi-enclosed courtyard at its centre and a sheltered patio at the back.

Three white walls front Ripple house by Kichi Architectural Design

Unlike the austere street facade, the rear elevation is fully glazed to bring light into the building and offer residents views out towards the river.

Three white walls front Ripple house by Kichi Architectural Design

“Based on the shape of the site, one that stretches in a narrow strip toward the cherry trees, I conceived the shape of the house, a U-shaped one, so that every one of its rooms would fully benefit from the light,” said Kikkawa.

Three white walls front Ripple house by Kichi Architectural Design

The house’s living, dining and kitchen areas occupy one room at the rear of the house. A void in the floorplate overhead creates a double-height space along one edge, while the sheltered patio provides an outdoor dining area.

Three white walls front Ripple house by Kichi Architectural Design

A lightweight steel staircase leads up to bedrooms and bathrooms on the first floor, then continues up to one of two lofts on the level above.

Three white walls front Ripple house by Kichi Architectural Design

The second loft sits above the children’s bedroom at the front of the house and can be accessed via a pair two ladders. Glass doors also open the space out to the balcony in front.

Three white walls front Ripple house by Kichi Architectural Design

Kichi Architectural Design is led by Naoyuki Kikkawa and partner Manami Kikkawa. The studio also recently completed the cube-shaped House of Kubogaoka and a converted farmyard barn named Scandinavian Middle.

Three white walls front Ripple house by Kichi Architectural Design

Photography is by Ippei Shinzawa.

Ground floor plan of Three white walls front Ripple house by Kichi Architectural Design
Ground floor plan – click for larger image
First floor plan of Three white walls front Ripple house by Kichi Architectural Design
First floor plan – click for larger image
Section of Three white walls front Ripple house by Kichi Architectural Design
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Slides, nets and drawbridges feature in Townhouse B14 by XTH-Berlin

This Berlin townhouse by architecture office XTH-Berlin features doors that open like drawbridges, sloping floors that function as slides and nets that cover holes in the floors (+ slideshow).

Townhouse B14 by XTH-berlin has slanted walls and doors

XTH-Berlin inserted staggered floors throughout the building’s 12-metre height to accommodate various living spaces, with bedrooms housed in slanted concrete volumes at the first and third levels featuring flaps that can be used to slide from one level to the next.

Townhouse B14 by XTH-berlin has slanted walls and doors

The house’s entrance contains wardrobes, a bathroom and a spare room that can be hidden by drawing a full-height curtain, while a gap in the ceiling provides a view of the zigzagging levels that ascend to the top of the house.

Townhouse B14 by XTH-berlin has slanted walls and doors

Two concrete-walled bedrooms situated above the ground floor feature sloping wooden flaps that can be raised to connect these rooms with a platform where the piano sits.

Townhouse B14 by XTH-berlin has slanted walls and doors

A gap in this platform level allows light and views between the storeys and is covered in netting to create a safe play area.

Townhouse B14 by XTH-berlin has slanted walls and doors

A staircase leads past the two bedrooms to a living room containing a bathroom that can be cordoned off using a curtain.

Townhouse B14 by XTH-berlin has slanted walls and doors

The third bedroom is connected to this living area by a gently sloping wooden bridge, while another flight of stairs leads to a reading platform.

Townhouse B14 by XTH-berlin has slanted walls and doors

A final set of stairs continues to the top floor kitchen and dining room, which opens onto a large terrace.

Townhouse B14 by XTH-berlin has slanted walls and doors

This open-plan level features a skylight that adds to the natural light entering the space through the full-height glazing.

Townhouse B14 by XTH-berlin has slanted walls and doors

A minimal palette of materials is used throughout the interior, including concrete, pinewood flooring, steel railings and laminated spruce used for dividing walls, stairs and doors.

Townhouse B14 by XTH-berlin has slanted walls and doors

The house is located beside a park marking the site of the former Berlin Wall. Entrances on either side of the property lead to a multipurpose space for storing bikes, clothes and shoes.

Here’s a project description from the architects:


Townhouse B14

The house is all about space and light.

Developed by the section it has a continuous space stretching out over the total height (12 mts), length and width of the building: from entrance hall and playing area to a music level to a living room with an open bath to a reading area to the kitchen with terrace.

Townhouse B14 by XTH-berlin has slanted walls and doors

This open space is zoned by two concrete elements ‘hung’ between the firewalls. They contain the private (bed) rooms. Due to their slants views are possible through the entire house.

Townhouse B14 by XTH-berlin has slanted walls and doors

Only few materials determine the interior space: fair faced concrete for the solids, plaster for the firewalls, glued-laminated spruce for dividing walls, stairs and doors, and pinewood planks for the floors, besides steel for the railings, glass for the facades and fringes for filtering views and light. Interiors like the shelves and trunks are designed by us.

Townhouse B14 by XTH-berlin has slanted walls and doors

According to the site along the former wall – the no-man’s land between East and West – now the Berlin Wall Memorial, the house has a severe outside contrasting the coloured balcony houses opposite in the former West.

Townhouse B14 by XTH-berlin has slanted walls and doors

The house is built on a trapezoid lot of land of 118 m2 with a small garden in the southeast towards a residential path and the wide side of the house to the northwest facing the plain of the Berlin Wall Memorial which is mainly a park. It’s part of a settlement of 16 townhouses, the two neighbouring houses are by XTH-berlin as well.

Townhouse B14 by XTH-berlin has slanted walls and doors

The nearly all-over glazed facades are structured by steel girders, which span from one dividing wall to the other and take over the cross bracing. Two lines of fringy draperies in front of the ground and second floor provide screen and cover the window frames.

Townhouse B14 by XTH-berlin has slanted walls and doors

Technically we use a heat pump (pipes going 80 mts into the ground) with panel heating and rainwater tanks in the garden for use in the toilets.

Townhouse B14 by XTH-berlin has slanted walls and doors

You enter the house from both sides: From the north beneath the concrete solid in an area with wardrobe, bathroom and the building services room. From the south directly in the living space which opens to the very top of the building. This is the level to put the bikes, do handicrafts, play kicker, a spare room and a storage room can be separated by a curtain.

Townhouse B14 by XTH-berlin has slanted walls and doors

The stairway leading up crosses the first concrete element with two sleeping rooms inside. Few steps up you reach the music area, a gallery with a horizontal net as a fall protection.

Townhouse B14 by XTH-berlin has slanted walls and doors

The two sleeping rooms can be opened to this area by the use of 2,5m x 1,5m big elevating flaps (which besides to slide and play are used to ventilate the sleeping rooms to the quiet side of the house). Further up you are on top of the first concrete element: Here you find the classic living space with sofa and oven, but also a bathroom included, to partition by curtain.

Townhouse B14 by XTH-berlin has slanted walls and doors

Via a bridge you enter the second concrete element, containing another sleeping room. The sloped wall is becoming a huge pillow.

Continuing your way up you come to an intermediate level, which is mostly used as a reading area, looking back down you view the small garden on the back side of the house and the memorial park in front.

Townhouse B14 by XTH-berlin has slanted walls and doors

Another stairway and you reach the highest level on top of the second concrete element: kitchen and dining area, opening to a terrace. A huge roof light (through which the stack-effect ventilates the to a maximum glazed house) lets the midday sun shine deep down on the lower levels.

Townhouse B14 by XTH-berlin has slanted walls and doors

Client: private
Completion: 2012
Area: approx. 230m2

Townhouse B14 by XTH-berlin has slanted walls and doors
Diagram showing the staircases and levels in the house
Site plan of Townhouse B14 by XTH-berlin has slanted walls and doors
Site plan – click for larger image
Ground floor plan of Townhouse B14 by XTH-berlin has slanted walls and doors
Ground floor plan – click for larger image
First level of Townhouse B14 by XTH-berlin has slanted walls and doors
First level – click for larger image
Second level of Townhouse B14 by XTH-berlin has slanted walls and doors
Second level – click for larger image
Third level of Townhouse B14 by XTH-berlin has slanted walls and doors
Third level – click for larger image
Section of Townhouse B14 by XTH-berlin has slanted walls and doors
Section – click for larger image

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Glebe House by Nobbs Radford Architects extends a Sydney residence

Chunky concrete slabs alternate with deeply recessed windows on the exterior of this Sydney house extension by Australian firm Nobbs Radford Architects (+ slideshow).

Glebe House by Nobbs Radford Architects extends a Sydney residence

Named Glebe House, the two-storey annex was designed by Nobbs Radford Architects to provide the family residence with a new open-plan living and dining space, as well as extra bedroom and bathroom spaces.

Glebe House by Nobbs Radford Architects extends a Sydney residence

The structure is located at the rear of the existing property, creating a new elevation facing the garden. Doors and windows are set right back from the facade, creating the illusion that walls are almost a metre thick.

Glebe House by Nobbs Radford Architects extends a Sydney residence

“The depth of the rear facade creates an interstitial threshold, which is a space in itself to be occupied and provides a sense of enclosure,” said studio founders Alison Nobbs and Sean Radford.

Glebe House by Nobbs Radford Architects extends a Sydney residence

Bare concrete surfaces continue into the interior, but are contrasted with warmer elements that include oak furniture and joinery, as well as pine floors.

Glebe House by Nobbs Radford Architects extends a Sydney residence

A double-height space sits behind the facade, while a series of alcoves are created by the stepped arrangement of the walls.

Glebe House by Nobbs Radford Architects extends a Sydney residence

“The project is primarily focused on the interconnections of cloistered spaces and selected framed openings,” said the architects.

Glebe House by Nobbs Radford Architects extends a Sydney residence

The ground floor space is left open-plan. A breakfast counter divides the kitchen from the lounge area, while a family dining table fits into a space at the rear.

Glebe House by Nobbs Radford Architects extends a Sydney residence

A wooden staircase with shelves slotted into the sides of its treads leads upstairs, arriving at a mezzanine study that overlooks the room below.

Glebe House by Nobbs Radford Architects extends a Sydney residence

A new bedroom is tucked away on one side and opens out to a rooftop balcony.

Glebe House by Nobbs Radford Architects extends a Sydney residence

Photography is by Murray Fredericks.

Here’s a project description from Nobbs Radford Architects:


Glebe House – a family home in Sydney, Australia

The project is primarily focused on the interconnections of cloistered spaces and selected framed openings. The outer concrete elements contrast with the timber elements that further define the various internal zones and functions within the house.

Glebe House by Nobbs Radford Architects extends a Sydney residence

The depth of the rear facade creates an interstitial threshold, which is a space in itself to be occupied and provide a sense of enclosure.

Glebe House by Nobbs Radford Architects extends a Sydney residence

The idea is to create intermediating spaces that ground the house in relation to both its interior and exterior. Within the house the void acts as a centralising space via which other areas of the house interconnect.

Glebe House by Nobbs Radford Architects extends a Sydney residence

The stacking of the elements of the facade are contrasted by the seeming point loading at the exterior. The interior reveals the alternate nature where the structural loads are revealed. This duality through the facade re-emphasises the nature of the threshold space itself.

Glebe House by Nobbs Radford Architects extends a Sydney residence

Complimenting materials of near raw continuous length floorboards and a restrained palette of black aluminium, black steel, stainless steel and oak appear throughout the house and create a cohesive connection between original and new. These materials were selected, partially, so as not to compete with the ornate patterning of the original house along with their own inherent qualities.

Glebe House by Nobbs Radford Architects extends a Sydney residence

The project’s fundamental rationale is to create a family home that recognised the various needs of the occupiers, spaces for children and adults with a flexibility for both retreat and engagement.

Glebe House by Nobbs Radford Architects extends a Sydney residence
Ground floor plan – click for larger image
Glebe House by Nobbs Radford Architects extends a Sydney residence
First floor plan – click for larger image
Glebe House by Nobbs Radford Architects extends a Sydney residence
Section – click for larger image

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House B.A.B.E. by Destilat is twisted to shelter the entrance

The shingle-clad upper storeys of this house on the outskirts of the Austrian city of Linz by Vienna practice Destilat are rotated to create a cantilevered overhang above the entrance (+ slideshow).

House B.A.B.E. by Destilat features windows dotted across shingle-clad facade

Destilat was asked to convert the existing property on a hillside in the Bachlberg suburb of Linz into a property accommodating three self-contained apartments.

House B.A.B.E. by Destilat features windows dotted across shingle-clad facade

The original house was gutted and rebuilt from the level of the existing concrete pedestal, with the storeys above rotated slightly to shelter the entrance and make the most of views towards the Alps.

House B.A.B.E. by Destilat features windows dotted across shingle-clad facade

Grey shingles covering the upper storeys give the exterior of the building a monolithic appearance, while the gabled profile typical of Alpine properties is interrupted by a scattered arrangement of windows.

House B.A.B.E. by Destilat features windows dotted across shingle-clad facade

At the front of the house a variety of outdoor spaces are created by openings in the facade.

House B.A.B.E. by Destilat features windows dotted across shingle-clad facade

A gap in the pitched roof provides a small balcony outside the dining space of the penthouse, while the first floor features a terrace framed by a long aperture.

House B.A.B.E. by Destilat features windows dotted across shingle-clad facade

Each of the storeys above the basement garage contains an apartment with its own sleeping, eating and living spaces, with the top floor also incorporating a mezzanine area housing a gallery and guest bedroom.

House B.A.B.E. by Destilat features windows dotted across shingle-clad facade

The ground floor apartment occupies an area previously used as an indoor pool and provides multiple points of access directly into the surrounding garden.

House B.A.B.E. by Destilat features windows dotted across shingle-clad facade

The penthouse apartment features an open plan living space with a fireplace that projects from one wall to provide some separation from the dining and kitchen area.

House B.A.B.E. by Destilat features windows dotted across shingle-clad facade

A black concrete base and rough plaster hood add to the monolithic and sculptural look of this central feature.

House B.A.B.E. by Destilat features windows dotted across shingle-clad facade

The massive ceiling height and pitched roof are accentuated by pendant lights suspended above the dining table.

House B.A.B.E. by Destilat features windows dotted across shingle-clad facade

Here’s a project description from the architects:


House B.A.B.E.

B.A.B.E. stands for exclusive living at Bachlberg.

The former domicile of a family of entrepreneurs from Linz is located near the top of Bachlberg, in very quiet area near the woods, overlooking the provincial capital of
Linz, with a panoramic view of the distant Alpine foothills.

House B.A.B.E. by Destilat features windows dotted across shingle-clad facade

In cooperation with W. Wimmer, this run-down object with its spacious garden was converted into a modern apartment house with three living units. The original structure was gutted completely and extended by an additional floor with insulated timber framing.

Starting at the socle storey, the entire structure was slightly turned to optimise its viewing angles.

House B.A.B.E. by Destilat features windows dotted across shingle-clad facade

Covered entirely with grey shingles made of asbestos cement (Eternit), the building has a very monolithic and sculptural character due to its seemingly random distribution of apertures for windows, loggias and terraces.

The apartments of this house have very diverse characters and usable floor areas ranging from 140 to 200 sq m.

House B.A.B.E. by Destilat features windows dotted across shingle-clad facade

The former indoor pool area on the ground floor was converted to an apartment with direct access to the property’s garden.

However, the crown jewel of this building is the penthouse with its open living, kitchen and dining area and up to 6.5 meter high, open pitched roof and a gallery. A massive open fireplace is the almost archaic centre due to its reduced design as well as its concrete base and rough plasterwork.

House B.A.B.E. by Destilat features windows dotted across shingle-clad facade

Besides the impressive main room, which includes a gallery, the entrance area as well as the bathrooms were individually designed to meet the client’s requirements.

Basement plan of House B.A.B.E. by Destilat features windows dotted across shingle-clad facade
Basement plan – click for larger image
Ground floor plan of House B.A.B.E. by Destilat features windows dotted across shingle-clad facade
Ground floor plan – click for larger image
First floor plan of House B.A.B.E. by Destilat features windows dotted across shingle-clad facade
First floor plan – click for larger image
Mezzanine and second floor plans of House B.A.B.E. by Destilat features windows dotted across shingle-clad facade
Mezzanine and second floor plans – click for larger image
North west facade of House B.A.B.E. by Destilat features windows dotted across shingle-clad facade
North west facade – click for larger image
North east facade of House B.A.B.E. by Destilat features windows dotted across shingle-clad facade
North east facade – click for larger image
South west facade of House B.A.B.E. by Destilat features windows dotted across shingle-clad facade
South west facade – click for larger image
South east facade of House B.A.B.E. by Destilat features windows dotted across shingle-clad facade
South east facade – click for larger image

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House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade

This house in the Scottish Highlands by London office Raw Architecture Workshop is partly buried into its sloping site and features a kinked plan that directs views towards the sunrise and sunset. (+ slideshow).

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade

Located on a patch of former grazing land on Scotland’s rugged northwest coast, the house was designed by Raw Architecture Workshop for a young couple who wanted to optimise views of the sun rising behind mountains in the east and setting over the islands in the west.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade

“During an initial visit we pinpointed specific axes that would provide [the] best views from the site,” said the architects. “These were translated into physical models and the symmetrical, splayed and cranked plan was derived.”

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade

Starting from the simple gabled form of typical Highland cottages, the architects created a building that provides the space required by a modern family and twisted the plan to direct one end towards the mountains and the other towards the islands.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade

The gable ends were widened to create space for expansive windows and the roofline lowered in the middle to reduce the building’s mass and exposure to the harsh climate.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade

Burying the exposed concrete base into the hillside also protects it from the weather and allows the surrounding soil to provide natural insulation.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade

Wild grasses that will gradually grow up around this submerged section will help to ground the house in its surroundings and the architects chose a black stained timber finish for the exterior surfaces to echo “the characteristics of the peat, gorse and stormy skies.”

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade

To make the most of the spectacular views, the main living spaces are arranged on the upper storeys, with the basement containing an entrance hall, boat room and spare bedroom.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade

“There is a clear distinction in internal arrangement of space and function across three levels denoted by changes in light levels, scale of spaces, floor to ceiling heights and materials,” said the architects.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade

From the dark entrance area, a birch ply staircase leads up to a first floor containing three more bedrooms and a hallway incorporating library shelving.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade

The staircase is filled with natural light from a long vertical window and continues to the open-plan upper floor containing the main living space, which is connected to a kitchen and dining area.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade

In this space the building’s pitched ceiling results in a complex series of angled surfaces as it kinks in the centre before framing windows in the gabled ends.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade

Pale wooden floors and cabinetry add to the light and bright feel of this room, which opens onto a narrow covered terrace with steps leading to the garden at the higher end of the site.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade

Photography is by David Barbour.

Here’s a description from the architect:


House at Camusdarach Sands, Scotland

Over 2000 years ago the occupants of Skara Brae, Orkney used locally sourced materials to build partially submerged dwellings providing thermal insulation and protection from the storm battered climate. The weather definitely hasn’t improved, but for the most part the buildings remain intact.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade
Location diagram – click for larger image

Incorporating these principles, Raw Architecture Workshop has completed a new build house on steeply sloping former rough grazing land at Camusdarach Sands.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade
Lower floor plan – click for larger image

The Clients, a young couple already living and working in this isolated location, were keen that we develop the proposals to capture the spectacular sun rise views over the mountains and sun set behind the islands. Given the topography of the site our early response was to locate the living spaces on the upper portion of the plot, with sleeping accommodation and entry level stacked below.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade
Middle floor plan – click for larger image

During an initial visit we pinpointed specific axis that would provide best views from the site. These were translated into physical models and the symmetrical, splayed and cranked plan was derived.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade
Upper floor plan – click for larger image

Similar forms were also explored in the section to reduce the visual mass, significantly improve the field of view from opposite ends of the space and increase daylight levels, which are critical in mid-winter around this line of latitude. In time the wild grasses will re-grow around the building to further reinforce the idea of a building built into, and not on top of, the hill.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade
Roof plan – click for larger image

Construction is low tech consisting of an exposed concrete base sitting beneath the more expressive timber frame superstructure. There is a clear distinction in internal arrangement of space and function across 3 levels denoted by changes in light levels, scale of spaces, floor to ceiling heights and materials.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade
Section – click for larger image

Entrance is at the lower level into a darker, utilitarian concrete bunker. As you progress up through the building, via the birch ply staircase, spaces enlarge, daylight levels and ceiling heights soar, and materials are characterised by a lighter finish. The angular form of the building is reflected in the black painted cedar internal door handles and handrail detail of the plywood balustrade.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade
North elevation – click for larger image

We were conscious that connection to the garden would be critical for a rural house and felt it important that you were able to step out of the main living spaces directly onto the landscape. This factor controlled the balance between elevating the top floor sufficiently to see the islands and keeping it low enough so that you were only 3 steps from the garden.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade
West elevation – click for larger image

Environmental considerations vary in scale and type, from building position and orientation, local labour, skills and materials, to the inclusion of an air source heat pump and super insulation to provide a U-Value of 0.15 [W/m2k] to walls and roof.

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade
East elevation – click for larger image

The final external colour was much debated and in the end black was chosen to tune into the characteristics of the peat, gorse and stormy skies. Perhaps, in a few years, we might try a deep red…

House at Camusdarach Sands by Raw Architecture Workshop has a kinked facade
South elevation – click for larger image

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Tunquen House by L2C sits high above the Chilean coastline

Perched on a clifftop along the Chilean shoreline, this idyllic residence by architecture studio L2C forms part of a self-sustaining community that produces its own energy and water, and deals with its own waste (+ slideshow).

Tunquen House by Nicolas Lipthay Allen and L2C

L2C’s Nicolás Lipthay built the single-storey family residence in Tunquén, a 90-minute drive from Santiago, where an assortment of wooden cabins and concrete houses are dotted across a vast landscape 50 metres above sea level.

Tunquen House by Nicolas Lipthay Allen and L2C

“Big and small, all [houses] share the tranquil and simple lifestyle that characterises this unique getaway location,” said Lipthay. “The disconnection from mainstream civilisation makes Tunquen an eco-friendly self-sustainable community.”

Tunquen House by Nicolas Lipthay Allen and L2C

Tunquen House is situated on the edge of the coastline, so its plan is arranged to offer wide-stretching views of the Pacific Ocean from most rooms but also to ensure courtyard spaces are protected from the strong prevailing winds.

Tunquen House by Nicolás Lipthay Allen and L2C

“The climatic conditions of the area, dominated by a powerful south wind, conditioned the design,” said the architect.

Tunquen House by Nicolas Lipthay Allen and L2C

Concrete walls surround the building and are rendered white both inside and out, while the roof is supported by a series of visible wooden joists that have been painted white to match.

Tunquen House by Nicolas Lipthay Allen and L2C

A combined living room, dining area and kitchen forms the centre of the plan. Glazed walls run along two sides of the space to open it out to a sea-facing terrace on one side and an entrance courtyard on the other.

Tunquen House by Nicolas Lipthay Allen and L2C

The master bedroom sits beside the living room and features a private bathroom and a walk-in dressing room.

Tunquen House by Nicolas Lipthay Allen and L2C

Childrens’ rooms and guest bedrooms are positioned on the opposite side of the building and lead out to a second courtyard.

Tunquen House by Nicolas Lipthay Allen and L2C

A separate outbuilding sits off to one side, accommodating solar panels, water tanks, sewage treatment and recycling facilities.

Tunquen House by Nicolas Lipthay Allen and L2C

Photography is by Nicolás Saieh.

Here’s a project description from Nicolás Lipthay Allen:


Tunquen House

Quiet, peaceful and with astonishing views of the Pacific Ocean, lies Tunquén, a group of a few hundred houses scattered over hills, cliffs and shore, overlooking the rugged Chilean coast, only an hour and a half away from the capital city Santiago.

Tunquen House by Nicolas Lipthay Allen and L2C

An enormous fair sanded beach – as well as beautiful small secluded ones – a protected wetland and the proximity to quaint fishing villages and the coastal town of Algarrobo, make Tunquén an ideal spot.

Tunquen House by Nicolas Lipthay Allen and L2C

A variety of architectural styles are found in this area, ranging from charming wooden cabins to grand sophisticated concrete houses. Big and small, all share the tranquil and simple lifestyle that characterises this unique getaway location. The disconnection from mainstream civilisation makes Tunquen an eco-friendly self-sustainable community. All of the houses count with solar power, water tanks and individual sewage treatment systems, and recycling is an important concern of the neighbours.

Tunquen House by Nicolas Lipthay Allen and L2C

Tunquen House, located 160 km from the city of Santiago, is on the first line of the waterfront on a cliff over 50 meters above sea level. The house sits on the oceanfront in a contemplative and respectful manner, as a frame for nature and the environment. It is defined as a single volume of white concrete which is divided into three areas.

Tunquen House by Nicolas Lipthay Allen and L2C

The main area houses the living room, dining and kitchen, leaving at one end the master bedroom and its services, and at the other the bedrooms for children and guests. This way, the house can set two scales of use, the first is when the owners are at the house by themselves, and the second is when they are there with the kids or guests.

Tunquen House by Nicolas Lipthay Allen and L2C

The climatic conditions of the area, dominated by a powerful south wind, conditioned the design. Attached to the living area is a courtyard that has multiple functions, the most important is to be outside sheltered from the wind, in connection with the view and the interior of the house. This same courtyard provides the access, an outdoor dining area and garden.

Tunquen House by Nicolas Lipthay Allen and L2C

The structure of the house is made up of a “bracket” of reinforced concrete which along with the fireplace and the walls of the exterior courtyards shape the projected volume, the roof is based on beams and wood, giving texture and greater height to the spaces.

Tunquen House by Nicolas Lipthay Allen and L2C
Ground floor plan – click for larger image
Tunquen House by Nicolas Lipthay Allen and L2C
Cross section one – click for larger image
Tunquen House by Nicolas Lipthay Allen and L2C
Cross section two – click for larger image
Tunquen House by Nicolas Lipthay Allen and L2C
Cross section three – click for larger image
Tunquen House by Nicolas Lipthay Allen and L2C
Long section one – click for larger image

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