Steven Heller visits Hecht Sewing Machine & Motor Co NYC

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Steven Heller had a nice profile of Hecht Sewing Machine & Motor Co., a collection of “all things mechanical” located in New York City’s Garment District.

The proprietor Steven Hecht is the proud collector of all things mechanical (his 94 year old father is the skilled repairer of all things machine) and the shop, the high walls and narrow 1920s-era space is filled with everything from mannequins to vintage sewing apparatus, with lights, lamps, buffers and stainless Mack Truck dogs sprinkled all around (and on two floors too.)

“What’s your favorite piece?,” Steve asked me. Thinking it was a trick question, I responded “the miniature chair pin cushions.” Then I paused, and added “and the row of vintage flash light (torches).” He pointed above my head to a canvas belt of 30 caliber bullets that once fed a Browning machine gun in World War I. “See that,” he said with a knowing smile, “that’s were the term ‘given ’em the whole 9 yards’ comes from.” Every piece in the shop had a story, and Steve knew them all.

Read the full piece and see more images of Hecht’s here!

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"Clean" vs. "Dirty" Loft Conversions: Which Do You Prefer?

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Last month we showed you Zecc Architects’ skillful repurposing of various structures—churches, schools, factories—into living spaces. The overall structures were left formally intact and recognizable while the surfaces were cleaned up and modernized, providing a beautiful “best of both worlds” combination that skewed more to the clean side of things.

Then there’s the visually “dirtier” side of things. Another firm doing industrial-to-living conversions is Barcelona-based MINIM, comprised of designers Elina Vila and Agnes Blanch, with a slightly different philosophy: Rather than cleaning, replacing or re-sheetrocking the surfaces, their goal in a recent printing factory conversion was to preserve and even expose as much of the original texture as possible, removing layers of plaster and cement in a procedure that’s more art than science:

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fLume by et al. collaborative

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et al. collaborative, a Brooklyn-based architectural design practice, recently found inspiration in discarded Christmas trees that had served their short-term purpose as decoration. Once they had rescued the trees from the purgatory of the curb, the designers at el al. re-imagine them as one-of-a-kind lamps:

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Influenced by themes of revival, nostalgia and nature, the trees have been returned to the focal point of light in the home as lamps. et al.’s found materials come not only from holiday trees, but also fallen from storms, and discarded from landscaping projects. Each of the trees is carefully stripped of its branches and pine needles, which are donated to a neighboring rooftop garden for mulch. The fLume lamps are minimalist and organic, staying true to form. The pieces are intended for display according to what suits their natural shape; table top, hanging and floor standing. Each piece is one of a kind and uses exposed filament bulbs of various shapes and sizes.

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A couple detail shots after the jump →

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Wunderboxes: PostlerFerguson’s Minimalist Dioramas

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It’s a far cry from the staid History Museum dioramas of frozen-faced cavemen: Wunderboxes are sleek, minimalist and monochromatic representations of random things that require your brain and memories to fill in the blanks.

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Archive Live” was a recent exhibit at London’s V&A Museum that examined the nature of archives, collecting, and documentation.

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The Latest in Airplane Cabin Design on Show at Upcoming Aircraft Interiors Expo

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This year’s Aircraft Interiors Expo, “the launch pad for cabin programmes showcasing tomorrow’s designs,” opens in Hamburg on April 5th. Exhibitors will be showing off everything from redesigned seats to entertainment systems to entire cabins:

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Solovyovdesign’s Brain Bulb

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For years, standard cartoon policy dictated that any character suddenly getting a flash of inspiration was represented by a light bulb popping up over the head. Belarus-based ID firm Solovyovdesign updates the concept with a bulb that looks it should be in the head, with its brain-shaped CFL design:

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Details are non-existent, so we’re willing to wager it’s just a concept.

via emily pilloton/interior design

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Salone Milan 2011 Preview: Studio DRIFT Presents FLYLIGHT

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Amsterdam’s Studio DRIFT recently sent along some images of their forthcoming light installation for the Salone del Mobile Milan, the centerpiece of their exhibition at Ventura Lambrate.

FLYLIGHT is an interactive light installation composed of 160 glass tubes and based on group behaviour of animals. The behaviour of each individual light has not been programmed, but is dependent on the DNA that has been given to the group. It reacts to the viewer as if it were a flock of starlings or a school of fish.

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While the photography is intriguing, I would recommend watching the teaser video (after the jump) to get a sense of how it actually works:

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Organization Porn

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The Things Organized Neatly blog is very addictive, particularly to those of us who have poorly-organized tool collections and lofty aspirations. Readers submit photos of anything and everything—coin envelopes, tools of particular usage, vehicle parts—all organized, well, very neatly. Now the porn becomes not about the objects or parts, but simply about the way the objects or parts are arranged.

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One project recently spotted there that doesn’t quite fit the mold, but speaks more to sequential transformation, is Brooklyn-based artist Daniel Bejar’s “The Visual Topography of a Generation Gap” project from ’06:

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"From Over Here": A Physical Representation of News Mentions

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Paul May is an Irish designer who is currently studying at NYU’s Interactive Telecommunications Program who recently impressed us with his “Photo Plus” project for the ITP Winter show, using QR codes to add a storytelling dimension to physical photographs.

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For his latest project, “From Over Here,” May explores information design—specifically, data visualization—as a physical, tangible object: he has produced a series of laser-cut cardboard cards, one for each month between 1992 and 2010, which vary in length according a criteria of personal significance for him:

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Production Methods circa 1947: Bookmaking Sure Provided a Lot of Jobs

This is a 1947 video from Encyclopedia Brittanica Films showing how books were made back then, and it’s mind-boggling. Typesetting, making copper plates, printing, folding, sewing, cutting, glueing—the sheer amount of labor, employees and machinery involved is staggering. Plus there’s some crazy bastard at 4:21 using a tablesaw freehand and without safety goggles. It’s also interesting to see how the work was divided along gender lines, with certain tasks relegated to men and others to women.

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