Joel Pirela’s Design Classics Posters

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Blue Ant Studio’s awesome design posters, designed by founder Joel Pirela, go for US $39 and honor the works of Rams, Eames, Saarinen, Nelson and others. The wording on their current promotional (accessible at the first link above) is a little vague, but it sounds like if you buy one you get a second random one for free.

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We’re digging the eye-chart one, even though we realize that’s a literacy test the Average Joe is going to fail.

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Sewing Furniture, Part 5: Large Cabinets

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As we’ll see here, bigger ain’t always better.

The nice thing about Singer’s No. 71 Cabinet is that it looks nice whether open or closed. The workings of its mechanical parts are largely invisible no matter where in the opening process you are.

In contrast, this gargantuan wall cabinet looks hideous and ill-considered the second you open the doors. Not exactly how I’d want to start off an activity.

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A dual-level table flips out of the cabinet.

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Inside are tilted spool holders.

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Michael Staley’s Car-Brella to Beat the Heat

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The amount of heat collected by a car in a summertime parking lot is amazing, and it’s a shame no one’s figured out how to harness that energy. Instead it wastes energy, as we put the A/C on full-blast with the windows down and try not to touch anything metal.

Kansas-City-based industrial designer Michael Staley might not be harnessing that power, but he’s at least devised an interesting way to keep his car in the shade independent of location. Staley built a rig that attaches to his car’s trailer hitch and supports a standard patio umbrella.

Staley bought the red patio umbrella last year on eBay, but it wasn’t until this summer—motivated by burning his fingers on his car’s steering wheel after work—that he started tinkering with parts he had in his workshop. The collapsed system fits in his car, as long as he doesn’t have a passenger.

Might not be practical in its current iteration, but if this is version 1.0, we’re looking forward to 2.0 and 3.0.

via kansas city star

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Sewing Furniture, Part 3: Storage With Drawers

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Continuing the eBay trawl for purpose-built furniture, I came across some smaller pieces that hold drawers. This first box caught my eye because it’s kind of like a Systainer for the Amish. I can’t decide if it’s furniture or a toolbox, but the idea of having drawers you can move over to your project holds a certain appeal.

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I have a feeling this piece is a one-off, because the design is peculiarly inconsistent—while there’s decorative trim around the top and bottom edges, the square cut-out for the handle is a bit too austere to match. The chunky handle does seem good and functional, but I’d prefer there were handles on the side instead, so that you could have three of these and stack them. But perhaps I’m just projecting modern tool storage principles on an object coming from a time when you only needed six small drawers (it’s double-sided, see the mirror shot) to hold your stuff.

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This next item might not be purpose-built for sewing at all; I thought it might be a jewelry box.

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More Purpose-Built Furniture: Sewing Baskets for Broad, Shallow Storage

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Sure, eBay can be a depository for people’s unwanted junk, but it can also be a good source of design inspiration if you look in certain areas. If casting about for more examples of purpose-built furniture like the sewing desk I showed you in the last entry, you’re bound to come back with a netful of interesting images. Sewing-related furniture, it turns out, is quite the treasure trove of primitive design innovation.

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Unfortunately the average Joe helping Aunt Nettie clear out her attic is unconcerned with design provenance; pieces are nearly always undated, unattributed and/or unnamed, leaving you to guess at their country or decade of origin, to say nothing of the original designer. But at least then you can just focus on the object, unfettered by the minutiae we were forced to memorize in History of Industrial Design class.

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Smoker’s Delight: The Porsche Hookah

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This morning, just a few blocks from the Core77 offices in downtown Manhattan, I passed what appears to be a Porsche Design retail space or gallery being prepared. Which made me curious, as it’s been a while since I’d heard about their consumer products. After arriving at the computer I Googled around to see what they’ve been up to recently, and found what you see above.

I guess we can’t really call it a bong unless we want to lawyer up, so we’ll name the object above what Porsche Design does: A Shisha, a/k/a water pipe.

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Singer No. 71 Cabinet: Mid-Century Modern Transforming Furniture Piece Points to Different Attitudes About Work

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If you visit the apartment of a creative friend who works from home, you’ll probably see whatever project they’re currently working on all over their desk. Stacks of paper, sketches, Pantone books, fabric swatches. We live in a time where work and leisure hours have blurry boundaries, we multitask, and we let our projects all hang out, visitors be damned.

In the past it was different, of course; societal rules dictated you cleaned up your pig-sty if company was coming over, and work and leisure were two different things. A household task like sewing fell into the “work” category, it was meant to be focused on a few hours at a time and then put away. And furniture design of the time reflected that with some pretty neat design solutions.

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Take the Mid-Century-Modern-looking table above, for instance. It appears an ordinary endtable, but as we shall see it has some surprising design features.

First off, what appears to be a drawer in the front, one that you’d assume occupied the same depth as the table, isn’t a drawer at all; it’s a flip-out panel containing small bins.

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Next you might notice the odd, subtle bevel along the front edge, which it turns out is there to give your fingers purchase. The top surface turns out to be two layers of material, the top one liftable.

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Dyson Award Concept: Getting Outside Light Inside

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Something that has always amazed me is that factories antedated electricity. Early machines could be made to run from steam power, but there was no such thing as electric lighting; the sole source of illumination came from outside, through big-ass windows and skylights.

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The “Daylight” entry in the James Dyson Award competition submitted by an anonymous German architecture student recognizes that it’s not practical to widen existing windows, nor add skylights to the 30th story of a 42-story office building, but proposes a solution to better channel natural light into the office spaces of today. Carefully-shaped aluminum reflectors would be attached to the outside of existing windows, shunting light towards additional ceiling-mounted reflectors inside, providing a one-time cost for permanently-free magnified and adjustable daylight.

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Marc Fornes & THEVERYMANY Present "nonLin/Lin Pavilion" at FRAC Centre

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Marc Fornes’ “nonLin/Lin Pavilion” is the latest “looks-cool-but-what-does-it-actually-do” project to land in the ol’ inbox. The installation—recently realized at the FRAC Centre (Center to those of us in the States) in Orleans, France—combines elements of biomimetic design, architecture, sculpture and technology in what can only be described as an organic form.

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nonLin/Lin Pavilion is a prototype which engages in a series of architectural experiments referred to as text based morphologies. Beyond its visual perception of sculptural and formal qualities, the prototypes are built forms developed through custom computational protocols. The parameters of these protocols are based on form finding (surface relaxation), form description (composition of developable linear elements), information modeling (re-assembly data), generational hierarchy (distributed networks), and digital fabrication (logistic of production).

The Pavilion project refers to its own scale. It is not considered a model of a larger structure or a building, neither is it an art installation. It is not made out of cardboard, or connected through paper clips. Its structural integrity does not rely on any camouflaged cables and it can resist water. It is light yet very strong. One could sit on it, even hang or climb it. It is scalable to a degree. It is not produced through academic facilities. It is a prototypical architecture.

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Why is the E-Type’s 50-Year-Old Design Still So Good?

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If you ever run into someone that’s a better-looking version of a person you had a crush on in high school, you can’t help but be enthralled. Similarly, I’ll always do a double take when I see a Jaguar E-Type, as my first car was a used Datsun 280ZX (not the exact one in the photo above, alas), whose predecessor 240Z owes a widely-acknowledged styling debt to the E-Type.

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I’m not the only one who finds the car attractive, of course; the E-Type is one of the few vehicles in the MoMA’s permanent collection. We wrote a more descriptive piece up on the E-Type last year, and here’s a video of Paola Antonelli discussing the car’s ellipse- and algorithm-based design in depth.

Popular Mechanics recently asked four car experts—Ford’s J Mays, Chrysler’s Ralph Gilles, Tesla Chief Designer Franz von Holzhausen and walking car history encyclopedia Jay Leno—what it is that makes the car so special. Read their answers and see some beauty shots here.

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