When We Built Things Solidly

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Photo by ElectroSpark

As we saw in Chevy’s old-vs.-new crash test, older doesn’t always mean safer, depending on the variables in a car crash; but looking at photos like the one above, it’s hard to deny that we really used to overbuild things. The A- and B-pillars on that ’69 Catalina don’t look all that thick, but as you can see, they didn’t crumple.

The photo is from ElectroSpark Studios, run by a Florida-based designer who’s made it his mission to “[Bring] you photos and ephemera liberated from the attics, garages and closets of America’s mid-century vacationers,” as he writes. “Most photos are from original Kodachromes for which I have a particular fondness of.” His Flickr photoset called Vintage Transportation is a pretty awesome browse—while it’s got plenty of cars in it like Remarkably Retro, he’s also got trains, planes and boats.

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Photos by ElectroSpark

Speaking of planes, the Pontiac photo above reminded me of something else I’d seen:

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That there is an astonishing reminder that America used to make ridiculously tough products: During combat in 1943, this B-17 Flying Fortress suffered a mid-air collision with a German Messerschmitt over Tunisia. The left horizontal stabilizer was completely ripped off, and as you can see, the fuselage itself was nearly torn in two. Take a closer look:

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The mid-air photo was taken by a U.S. airman in a neighboring plane, who had seen the damaged plane start to go down… and then come back up, and fly level. He probably couldn’t believe his eyes. Despite the damage, the pilot flew the plane 300-something miles back to base in Algeria and landed it safely.

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Remarkably Retro: A Vintage Visual Archive Filled With Desotos, Discos and Design

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A Dallas-based vintage enthusiast named David (no last name available) runs Remarkably Retro, a Tumblr page loaded up with images of vintage products, advertisements and photographs. And it isn’t just a reblogging operation: In addition to scouring the web, David painstakingly scans old books and magazines, which is why we find images on his site that we’ve never seen elsewhere. Remarkably Retro is the source of that fantastic B.F. Goodrich manufacturing photo from 1939, presumably scanned from a Life Magazine or similar from the time period.

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In addition to enjoying the interior design, product design and lifestyle photos from the ’40s, ’50s and ’60s, the car designers among you will have a field day with David’s curation of old car ads.

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The RoboReel: An Intelligently-Designed Motorized Extension Cord System

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The otherwise-useless skill I’ve picked up from working in a photography studio: Untangling and elbow-winding a kinked extension cord. It’s a pain in the neck to do, but after each and every shoot I have to go about the room collecting and organizing them.

Which is why this RoboReel Power Cord System is looking good to me. When I first saw it, my kneejerk reaction was “That’s ridiculous and bulky, who would want that?” but quickly came to realize how much time I’d save in the studio alone. For those in shop and garage environments it’s bound to be even more useful and, with the ceiling mount, out of the way. And I dig the built-in safety features you’ll see in the demo vid:

P.S. For those of you using compressor-driven tools, the company is working on an Air Reel variant; for those of you with lawns, their Water Hose Reel can be rigged up for hoses and sprinklers.

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Live Drone and Prosper: Promoting Star Trek via Quadrocopter

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While debate rages in the U.S. over drone surveillance of its citizens, drones were pressed into service over London on Saturday for a less contentious purpose: To promote the upcoming Star Trek movie. Ars Electronica Futurelab, an Austria-based media art lab, collaborated with German quadrocopter manufacturer Ascending Technologies to give Paramount Pictures publicity via “spaxel.”

Thirty autonomous, LED-equipped “Hummingbird” drones took to London’s evening skies, then self-assembled into the Star Trek logo, which then rotated as a whole. If that sounds simple, it sure ain’t; Futurelab’s software has to keep the drones from crashing into each other while they take off and find their positions, and the matter was complicated by both wind and snow, the former affecting the navigation and the latter affecting the drone-to-drone communication. Nevertheless, they were able to pull it off:

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Cube Sensors: Design to Improve (or Blame) Your Indoor Environment

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It’s starting to seem inevitable that we will end up on the bandwagon that is self-tracking, whether we like it or not. While most of the recent tech-enhanced products seem to focus on logging fitness data, you might be wondering, “What about other things I could be tracking?” Well, if there happens to be room in your cloud after an onslaught of Nike Fuel Band data, CubeSensors are a set of environmental sensors that allow you to keep tabs on your indoor spaces.

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The CubeSensors record interior conditions and store them in the cloud for access from any mobile device. A cleverly designed app sends you notices and suggestions about how you might better your indoor environment for greater productivity or comfort. Likewise, in contrast to the number of wearable tech items, the cubes are being pitched as an addition to both the home and the office. Essentially, they appear to give you the option of blaming your environment—not your boring powerpoint presentation—for low employee productivity.

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Making Straight Lines and Flat Surfaces: Hard for Man, Easy for Nature

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What do you think was the first absolutely straight line that a caveman ever saw? I’m guessing it was a shaft of sunlight poking through a cloud. Or maybe the horizon line on a large body of water, which also provided them their first view of a flat surface.

As soon as we humans could make our own flat and straight surfaces, we did. The Romans and Egyptians pulled it off with hand tools. Closer to modern times we invented sawmills and could make our own flat boards to build wooden houses with. Then the Industrial Revolution happened and we had straight and flat down to a science.

All of those human advancements in the mastery of materials came from centuries of hard work. Which is why photographs like these are all the more amazing:

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That’s not a manmade object. That’s a microscopic-level photo of a platinum crystal, shot by photographer R. Tanaka. And it is astonishing to see how machined it looks; the bevels, angles, surfaces and edges are all so freakishly precise.

Here’s a shot of Ruthenium, another metal within the platinum group on the Periodic Table:

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Is that not almost disturbingly rectilinear? And that’s not even the cake-taker–have a look at this bismuth crystal:

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My mind is officially blown.

Tanaka, by the way, heads up Cat’s Glove, a Japan-based “microphotography studio,” and these shots are part of their documentation of the Periodic Table of the Elements. I’ve never seen these materials this close, and it strikes me that for most of human history we’ve been trying to make straight lines and flat surfaces (with the exception of Frank Gehry) and all this time, nature has been silently, invisibly mocking us.

Hit the jump for more shots.

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Watch Over Jimmy DiResta’s Shoulder as He Makes a Tool Bag

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For those of us that don’t work on the factory floor, it’s rare to see an object get made in its entirety, from start to finish. But here NYC-based designer Jimmy DiResta—you’ll remember him from Dirty Money, the Discovery show where he and his brother dumpster-dove for raw materials—shows us how he whips up a tool bag from scratch. While every step of the process is shown, it’s fast-forwarded during the tedious parts, providing a comprehensive look while still coming it at sub-six-minutes:

If you couldn’t guess by the watermarks, DiResta recorded the video for Make, who visits his studio twice a month. The complete materials list for the bag is posted here, along with a brief description of the project. “I think learning how to sew,” he writes, “is a must for all makers!”

See also: Kai Hsing × John Cho Moore: Beauty through Bamboo; Making-of the Dunhill Tradition Case

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Philips’ Minimalist, Monolithic DesignLine TVs

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If I’ve learned anything from watching movies, it is that you usually get involved in a motorcycle chase through narrow European alleys at the same time that two workmen are transporting a large sheet of glass. I believe this will change, and in the future it will be two workmen transporting a DesignLine television.

With 46″ and 55″ screens, Philips’ new DesignLine TVs might not be as large as Samsung’s recently-unveiled behemoths, but they arguably have a more elegant design approach. Whereas Samsung’s designers created metal frames—albeit sleek, sexy ones—to support the screen, Philips has adopted a monolithic approach for theirs. It simply looks like a gi-normous piece of glass leaning against the wall.

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Cynical industrial designers will see this as the World’s Simplest CAD Job, but there was a quite a bit more to it than that, as you’ll see in the video below.

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Acme Studios’ Germ-Killing Hatch Pen

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Speaking of copper and zinc, those two metals can be combined to create brass. And the copper is kind enough to pass on its antimicrobial properties to the resultant alloy, effectively rendering it a passive disinfectant. That’s why some hospitals have begun using copper-based alloys in their lightswitch covers and IV poles, things people touch all the time, in a bid to reduce the spread of viruses.

Brooklyn-based Karl Zahn is the latest designer to create a pen for Acme Studios, and he’s chosen to go with an all-brass construction for their new Hatch pen. Healthcare professionals all have to use pens, and they might as well use one that actually kills germs.

As for us civilians, well, let’s say you’re at the Post Office sending a package, and you brought your own Bic because you don’t like touching the germy one chained to the counter. That’s always when some grizzled, coughing drifter next to you asks “Hey can I borrow your pen for a sec?” Option #1 is to be a jerk and say no; option #2 is to say “Sure—keep it” and walk away; and now you’ve got option #3, snag a Hatch. While it’s true that brass can take one to two hours to kill bacteria, I’d lend the drifter my pen, then pull my pocket open and instruct him to place it back inside afterwards without touching me.

Seriously though, Zahn has made an interesting design choice that I dig: You can find other brass pens on the market, but as the Wall Street Journal reports, those pens are heavily coated with lacquer to stay shiny. Zahn spec’d out a thinner coat with a purposefully shorter lifespan. The Hatch’s finish will therefore wear over time, sacrificing its shininess to let the exposed brass do its work. I like things designed to wear, and function over appearance gets my vote every time.

[Editor’s Note: We saw Zahn’s work as recently as the Housewares Show at the beginning of the month—he recently designed a utensil set for Teroforma—and he was one of a couple designers who exhibited at both our OPEN exhibition and 12×12 at New York Design Week last year.]

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Muji’s New Bluetooth Speaker Tugs at the Minimalist Heartstrings. And You Can Tug it Right Back

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In the quest to go ultra-minimal—they’re practically channeling Braun—with their new wall-mounted Bluetooth speaker/radio Muji has made an interesting UI choice: The user pulls on the power cord (which doubles as a speaker cable) to turn the device on and off, like an old-school ceiling lamp.

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It seems a bit unusual particularly given that there are already playback control buttons on the top of the device…

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…but perhaps five was the magic number, and the anonymous Muji designer responsible could stomach no more.

In any case, it’s got a 30-foot range and comes in at under $100. What’s not clear is if they’ll let this baby break out of the Japanese market.

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