Print-on-Demand Flexible Planner by Show Show Room

Although more and more of us are abandoning daily planner books for much more convenient digital calendars, there’s still something terribly satisfying about keeping your to-do list in the physical world.

New creative outfit Show Show Room are offering up a new way to jot down your schedule with their Flexible Day Planner. Layed out to provide as much freedom as possible, this print-on-demand service also allows you to start and end your planner on any dates in 2011—perfect, perhaps, for individual projects. The minimalist back and front covers feature white boxes that act as blank space, ripe for personalisation.

The 6″x9″ planners are available to order from the Show Show Room site for the duration of 2011.

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Casio goes innovative with Tryx camera design

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The blogs of CES-goers are abuzz with news of Casio’s new Tryx camera, which boasts the most unusual form factor we’ve ever seen on a point-and-shoot:

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The design of the “variable frame” allows it to act as a sort of tripod, giving you steadier shots for video or low-light exposure and giving you one less thing to carry. Another odd feature is that the lens is not a zoom, but instead a fixed wide-angle.

The model on display at CES is actually a non-working prototype, but Casio expects to have production models ready to ship by April of this year.

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For a treasure trove of neat objects, look no further than Goodwill

This morning while I was looking for Muller Mobelfabrikation’s website, I stumbled across an unrelated company called Muller & Schmidt, which makes neat cutlery like this:

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I knew I’d seen the name Muller & Schmidt before, so after digging through some old bookmarks I found the original place I’d spotted them. Turns out the company’s quite old, judging by this Muller & Schmidt vintage desk set of scissors, letter opener and sheath:

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Those were spotted on ShopGoodwill.com, which is that charity organization’s version of eBay. If you’re inspired by vintage forms, as I’ve recently been, or just need some inspiration the site is a great way to browse lots of cool objects you’ve probably never seen before: Old-school ceramic CPU’s, random wooden cases, vintage fire extinguishers, et cetera. Have at it!

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"Loewy, Dreyfuss, Teague, I know. Who’re them other fellers?"

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We were excited to report on the forthcoming Industrial Design History set of stamps, but we realize many of you may not have heard of everyone chosen for the stamps. Either because you didn’t study ID in college or, like me, your ID History professor’s droning monotone had anaesthetic properties that knocked you out every time.

Loewy, Teague, Bel Geddes, Dreyfuss you probably know. So let’s take a look at the rest, starting with Frederick Hurten Rhead.

Rhead was a potter from England who emigrated to the U.S. in 1902. And if you think your job sucks, Rhead’s probably got you beat–after bouncing around the ‘States, he found himself in California working at a tuberculosis sanatorium, teaching pottery to patients.

Eventually he opened his own pottery studio, and by 1927 got a job as art director for the Homer Laughlin China Company in West Virginia. In the ’30s he came up with a line of ceramics called Fiesta, and that’s what got him his own stamp.

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Anyone think the Eameses saw these and went “Hmmm….”?

The innovation of Fiesta was that, unlike other dinnerware at the time, Rhead decided it should be sold as individual pieces rather than in a set. Along with the bright, pop-py color palette he did them in, this would encourage consumers to mix and match, allowing for some fun customization in an era of drab product uniformity. (The fact that you could buy just one plate at a time rather than all four, in the midst of the Great Depression, probably didn’t hurt either.)

Interestingly enough, Rhead’s ceramic plates and other objects, like the water pitchers on the stamp, required uranium mixed in with the glaze to get those vibrant colors.

The Homer Laughlin China Company still makes Fiestaware today, albeit without the radioactive glaze.

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Muller Mobelfabrikation furniture: Handmade and Streamlined

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Been a while since I had my socks knocked off, but I’m writing this barefoot as I’ve just stumbled across the website of Muller Mobelfabrikation.

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Also written “Mueller Moebelfabrikation” to compensate for umlauts, the German company manufacturers desks, sideboards, trolleys, rolling bar refrigerators and more, all done up in an Art Deco/Streamlined style.

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Their pieces are gorgeous, made from sheet steel and natural woods, topped off with a durable, scratch-proof lacquer. And I like their ethic:

The most important tool: our hands.

We produce all our furniture by hand using traditional procedures. This guarantees excellent workmanship and the typical unique character. After cutting, pressing and stamping the steel plate for each piece of furniture is welded by hand. For the varnish we use acrylic varnish from the car industry. In this way we achieve high shine surfaces, which are both hard wearing and easy care…. In this way you experience handicraft expertise and maximum diversity in every piece from our workshops.

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See their full lineup here.

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Yet another alternative design for wind farms

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The neat inflatable wind turbine we looked at earlier this week solves a materials/cost problem, but it doesn’t solve the eyesore problem that keeps some communities opposed to wind farms. So here comes yet another wind-harnessing solution, this time from a Japanese company called Zena: The Wind Tower.

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It’s a design for a 50-meter tall structure that collects wind from every which direction, compressing it within its structure and channeling it into a wind tunnel that runs down the core. It is supposedly more cost-efficient than putting up a wind farm and it’s arguably more sightly, as it just looks like another building, albeit a tall one.

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It’d be cool if the building was managed by a lone guy with an office inside the structure, but I’m guessing he’d need a manageable hairstyle and rather a lot of paperweights.

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Ascendings: Building a better staircase using modular components

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Stephen Ronsheim is the other kind of industrial designer, the kind that designs industrial machines and assembly lines. While remodeling his own home, he ran into a design problem. In solving it, may have revolutionized how staircases are built in the future–at least if enough architects, engineers and designers become aware of his product.

What tickled us the most: Ronsheim solved his staircase problem using both high technology–and the Amish.

The Indiana-based designer recently premiered his product and resulting company, Ascendings, at the Build Boston trade show. Core77 caught up with him afterwards for a brief interview on what makes these staircases so special and how he designed them.

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Core77: For those who aren’t familiar with how staircases are built, what’s the difference between your product and a standard staircase?
Ronsheim: The major difference from an Ascendings stairway and any other is the fact that the Ascendings stairway is modular in design. The modularity concept opens up many new doors. An example of that would be a remodel job in an existing structure, such as a condo or a loft. In most cases it is nearly impossible to rebuild stairways in this type of structure, due to the fact that most stairways are prefabricated and built prior to arriving at jobsite. It is then the responsibility of the builder to move that stairway into the building being remodeled. There have actually been cases where exterior brick walls have been removed so that a staircase may enter a building.

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Ten One Design bringing tactility to touchscreens

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We’ve seen this idea before, just not applied to the iPad: Ten One Design’s Fling, a suction-cup tactile controller for touchscreens, when your finger just won’t cut it.

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We know it sounds antithetical to try to analog-ize a touchscreen, but there are definitely applications that require more delicate fine-tuning than your sausage fingers will allow. Here they demonstrate it for gaming, but we believe this would also be invaluable for doing CAD on a touchscreen.

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Lastly we hope the idea will take off, simply because we think it’d be cool if in the future, everyone carries a variety of suction-cup buttons and controllers in their pockets and uses them to interact with touchscreens encountered throughout the day.

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Andrew Salomone’s amusing Identity-Preserving Balaclava offers "all the warmth and none of the anonymity"

It’s still freezing here in NYC, and having just come back inside, my exposed face feels like I shaved with gasoline.

Few weeks ago I wrote a post lamenting the unfriendly look of ski masks. In response, Brooklyn-based hackmistress Becky Stern sent us a link to artist Andrew Salomone’s recently updated ID-Preserving Balaclava.

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Salomone photographed his own head from multiple angles, blended them into a single image in Photoshop, and created a bitmap file of the image. He then used Stern’s hacktacular Electronic Knitting Machine to “plot” the file, as it were, into cotton yarn.

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Is the resultant mask cool? Heck yes. Does it solve my “scary” problem? Heck no! This look still says “I am always one step ahead of the cops.”

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Have a look at Stern’s machine:

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Pantone’s Color of the Year for 2011

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You would think they’d number it 2011, but no, that little chip above is sticking with 18-2120. The color’s name is Honeysuckle, and colormeister Pantone has designated it the Color of the Year for 2011. Some companies have been snapping to attention, with H&M and fashion label Cynthia Steffe reportedly incorporating the hue into their Spring 2011 lines.

Because I’m not much of a fashion or even color guy, I didn’t realize there even was a Color of the Year. Perusing the Pantone list for the past decade, I see romantic names like “Sand Dollar,” “Mimosa” and “Tigerlily.”

Call me a cynic, but I’d love to see a line of color names based on regional American tropes, i.e. the Hillbilly Line: “Faded Jeans,” “Barroom Brawl Black Eye” and “Rusty Truck;” or an NYC Line with classics like “Dog Pee on Snow,” “Window Curtain White” (which would actually be a sooty grey) and, of course, a shade of red labeled “The New Black.”

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