The Monastery by Eriksen Skajaa Architects

The Monastery by Eriksen Skajaa Architects

Employees at web consultancy Netlife Research in Oslo can take a moment for contemplation inside one of three wooden rooms dedicated to silence.

The Monastery by Eriksen Skajaa Architects

Designed by Norwegian architects Eriksen Skajaa, the birch veneer-clad rooms are punctured on every side by arched doorways, windows and recesses.

The Monastery by Eriksen Skajaa Architects

Potted plants are housed inside the smaller recesses, while others are large enough for a person to climb inside.

The Monastery by Eriksen Skajaa Architects

We’ve also published offices for other internet companies – why not check out our stories about offices for AOL, Google and Dreamhost?

The Monastery by Eriksen Skajaa Architects

Photography is by Ivan Brodey.

The Monastery by Eriksen Skajaa Architects

Here’s some more information from Eriksen Skajaa Architects:


The user-experience consultancy firm Netlife Research commissioned Eriksen Skajaa Architects to rethink their offices to create new spaces for reflection and creativity.

When faced with the challenge of how to create three spaces for silence and the occasional phone call the ar- chitects proposed a Monastery with a monastery garden.

The room partitioning is based on the remains of existing brick walls, while the outer walls are white pigmented birch veneer that form an enclosed box.

Some of the niches are places to put the plants of the monastery garden, while others are windows with a window sill to maintain visual contact with the office outside. One of the niches outside is even just a bench to sit and read or relax.

Architect: Eriksen Skajaa Architects
Project Team: Arild Eriksen, Joakim Skajaa
Project Year: 2011
Client: Netlife Research / Thon Eiendom

Roadside Reststop Akkarvikodden by Manthey Kula Architects

Roadside Reststop Akkarvikodden by Manthey Kula Architects

This small rusty cabin designed by Oslo architects Manthey Kula provides public toilets along one of Norway’s tourist routes.

Roadside Reststop Akkarvikodden by Manthey Kula Architects

Completed in 2009, the Roadside Reststop Akkarvikodden is located north of the Artic Circle and replaces a former rest stop that was swept away in strong winds.

Roadside Reststop Akkarvikodden by Manthey Kula Architects

The welded Corten steel walls of the building are screened with glass on the inside to prevent rust rubbing onto the clothing of anyone using the facilities.

Roadside Reststop Akkarvikodden by Manthey Kula Architects

There are no windows on the walls, apparently so that visitors can have a break from the scenery.

Roadside Reststop Akkarvikodden by Manthey Kula Architects

You can read about Dezeen’s top ten toilets here, which includes a tree-mounted urinal.

Roadside Reststop Akkarvikodden by Manthey Kula Architects

Photography is by Paul Warchol.

Here’s a little more from the architects:


Roadside Reststop Akkarvikodden, Lofoten, Norway

Manthey Kula Architects

The project is situated in Lofoten, along one of the National Tourist Routes in Norway. There are eighteen such routes in Norway, all chosen for their spectacular and characteristic landscape. The facilities for the tourists that drive along these roads; such as rest stops, viewing platforms and links to local points of interest are carried out by architects and landscape architects with the purpose of offering an experience of both nature and design. By now 6 routes already have Tourist Routes status and 12 more are in the planning. The project will be finished by 2016.

Roadside Reststop Akkarvikodden by Manthey Kula Architects

The Roadside Toilet Facility at Akkarvikodden is built in connection with existing rest stop designed by landscape architect Inge Dahlmann/Landskapsfabrikken. The commission given to Manthey Kula was to design a toilet facility that could replace an existing structure that had been lifted off its foundations by the strong winds from the Atlantic Ocean. Lofoten is located at the 67th and 68th parallels north of the Arctic Circle in North Norway. The site for the project is extraordinary. The road runs on a narrow plateau between the mountains and the sea. Were the rest stop is the plateau widens out and one experience entering a space between the mountains from where the view to the horizon is very powerful.

Roadside Reststop Akkarvikodden by Manthey Kula Architects

The design had two aims. One was to make the small building very heavy so it would not be lifted off ground. The other was to make interiors that shut the scenery out. The first objective was of course very pragmatic, a direct response to the history of the building’s predecessor. The other objective was more obscure. The experience of the place, mountains and sea and the ever-present coastal climate is very intense. The restrooms were conceived to present a pause from the impressions of the surrounding nature, offering an experience of different sensuous qualities.

Roadside Reststop Akkarvikodden by Manthey Kula Architects

Click above for larger image

The rest room is open only during summer season thus the building did not have to be insulated. Initially it was planned in concrete. However, after having checked the work of some local mechanical industries the designed changed to a body of welded plates. The structure of the small building is not unlike the structure of a ship: welded steel plates locally reinforced with steel flanges – every part specially designed for its specific use.

Roadside Reststop Akkarvikodden by Manthey Kula Architects

Click above for larger image

The foundation and the two walls that supports the stainless steel sanitary equipment are cast concrete. Glass panes are 12 and 20mm thick. Doors are built in 5 mm stainless steel plates. Walls and roof are made of 10mm corteen steel. To prevent rust from discoloring the clothes of the visitors parts of the walls are lined with glass panels. In the smallest rest room one glass panel is mounted in the ceiling. In this panel one can see the reflection of the horizon.

Steilneset Memorial by Peter Zumthor and Louise Bourgeois

Steilneset Memorial by Peter Zumthor and Louise Bourgeois

Architect Peter Zumthor designed this memorial on an island in Norway to commemorate suspected witches who were burned at the stake there in the seventeenth century (photographs by Andrew Meredith).

Steilneset Memorial by Peter Zumthor and Louise Bourgeois

The Steilneset Memorial in Vardø comprises two structures, one conceived entirely by Zumthor and a second housing an installation by the late Louise Bourgeois (1911-2010).

Steilneset Memorial by Peter Zumthor and Louise Bourgeois

The first structure comprises a pine scaffolding framework, inside which is a suspended fabric cocoon containing a long oak-floored corridor.

Steilneset Memorial by Peter Zumthor and Louise Bourgeois

Inside this corridor, light bulbs hang behind 91 windows to represent each of the men and women that were put to death during the witch trials.

Steilneset Memorial by Peter Zumthor and Louise Bourgeois

A plaque accompanies each lamp to record the individual stories of every victim.

Steilneset Memorial by Peter Zumthor and Louise Bourgeois

The installation by Bourgeois, entitled The Damned, The Possessed and The Beloved, occupies the smoked-glass-clad second structure.

Steilneset Memorial by Peter Zumthor and Louise Bourgeois

A circle of mirrors within surround and reflect a flaming steel chair inside a hollow concrete cone.

Steilneset Memorial by Peter Zumthor and Louise Bourgeois

This year Zumthor also completed the Serpentine Gallery Pavilion in London and designed a holiday home for Devon, England, that will complete next year.

Steilneset Memorial by Peter Zumthor and Louise Bourgeois

See all our stories about Peter Zumthor here.

Steilneset Memorial by Peter Zumthor and Louise Bourgeois

You can also read about more projects from Norway by clicking here.

Steilneset Memorial by Peter Zumthor and Louise Bourgeois

Photography is provided c/o Icon Magazine.

Steilneset Memorial by Peter Zumthor and Louise Bourgeois

Steilneset Memorial by Peter Zumthor and Louise Bourgeois

Steilneset Memorial by Peter Zumthor and Louise Bourgeois

Steilneset Memorial by Peter Zumthor and Louise Bourgeois

Leüthens Kulturhage by Henning Larsen Architects and Gullik Gulliksen

Kulturhage by Henning Larsen Architects

Danish architects Henning Larsen and Norwegian landscape architect Gullik Gulliksen have won a competition to design municipal offices and a public square in Trondheim, Norway.

Kulturhage by Henning Larsen Architects

Proposed for the southwest area of Leüthens, the project is entitled Leüthens Kulturhage, which translates as “Leüthen’s cultural garden”, and will also include a theatre and cinema.

Kulturhage by Henning Larsen Architects

Inside the office block, displaced floors accommodating meeting areas and balconies will overlook a large atrium that will face the new square.

Kulturhage by Henning Larsen Architects

The project is expected to complete in 2015.

This year Henning Larsen Architects also completed a concert hall in Iceland – see that project here.

Here’s some more information from the architects:


Henning Larsen Architects and the Norwegian landscape architect Gullik Gulliksen have won the international competition for a new urban district in Trondheim city centre.

Kulturhage by Henning Larsen Architects

With an innovative, open office building and a new cinema next to the city theatre, the project proposal titled ‘Leüthens Kulturhage’ – ‘Leüthen’s Cultural Garden’ – will bring new life to the area. The building will spearhead the development of green public buildings in Norway. Centered around a new square, the two buildings will create a common identity for the area and bring together the existing educational and cultural institutions.

Kulturhage by Henning Larsen Architects

A unanimous jury selected Henning Larsen Architects’ project as winner of the competition in which a number of Danish and Norwegian architecture studios participated. The jury emphasised the winning proposal’s use of the site potential and interaction with the city and surrounding buildings.

Kulturhage by Henning Larsen Architects

The project covers a total of 39,000 m2 and is expected to be completed during 2015. Henning Larsen Architects has worked in Norway for many years. In 1978, Trondheim University (today called The Norwegian University of Science and Technology) at Dragvoll was inaugurated. Currently, the company is working on a new commercial domicile in Oslo.

Troll Wall Restaurant by Reiulf Ramstad Architects

Trollwall Restaurant by Reiulf Ramstad Architects

The jagged glass edges of this restaurant by Norwegian studio Reiulf Ramstad Architects point up towards a sheer cliff face.

Trollwall Restaurant by Reiulf Ramstad Architects

Named the Troll Wall Restaurant, the building is located at the foot of the tallest vertical rock face in Europe, in Norway’s Romsdal Valley.

Trollwall Restaurant by Reiulf Ramstad Architects

Full-height glazing gives diners a view of the landscape, behind a criss-crossing pattern of structural beams.

Trollwall Restaurant by Reiulf Ramstad Architects

Charred timber clads the elevations at the rear of the building, where additional rooms provide a local service and information centre.

Trollwall Restaurant by Reiulf Ramstad Architects

Reiulf Ramstad Architects also completed a timber-clad nursery in Oslo this year – see our earlier story here.

Trollwall Restaurant by Reiulf Ramstad Architects

Photography is by the architects.

Trollwall Restaurant by Reiulf Ramstad Architects

Here’s some more text from Reiulf Ramstad Architects:


Trollwall Restaurant

It’s a new cursor at the foot of the Troll Wall; The architecture of the new visitors`center next to E139 is an outcome of the sites` close connection to the impressive mountain wall, Europe’s tallest vertical, overhanging rock face in The Romsdal Valley.

Trollwall Restaurant by Reiulf Ramstad Architects

The Romsdal valley has some of the tallest, sheerest cliffs in Europe and is a popular place for BASE jumping including “birdmen” jumping off cliffs in Wingsuits!

Trollwall Restaurant by Reiulf Ramstad Architects

This location allows for an exciting setting for the new service- and information center.

Trollwall Restaurant by Reiulf Ramstad Architects

RRAs proposal is carefully planned in relation to the Troll Wall.

Trollwall Restaurant by Reiulf Ramstad Architects

At the same time it is building a character and identity which in itself will be an attraction in the region.

Trollwall Restaurant by Reiulf Ramstad Architects

The building has a simple, though flexible plan, with a characteristic roof that has its character from the majestetic surrounding landscape.

Trollwall Restaurant by Reiulf Ramstad Architects

Geometry of the roof is also generated from the view to the mountains from the restaurant inside the building.

Trollwall Restaurant by Reiulf Ramstad Architects

These simple ways of design gives the building its character and identity that makes the Service center an eye-catcher and an architectural attraction in the region.

Trollwall Restaurant by Reiulf Ramstad Architects

Reiulf Ramstad Architects: Reiulf Ramstad, Sunniva Neuenkirchen Rosenberg and Espen Surnevik
Location: Trollveggen, Møre og Romsdal, Norway

Trollwall Restaurant by Reiulf Ramstad Architects

Program: New restaurant and service building
Client: Private

Trollwall Restaurant by Reiulf Ramstad Architects

Size: 700m2
Commission type: 1st price, Invited competition (2009)

Trollwall Restaurant by Reiulf Ramstad Architects

Status: Under construction
Year: Completed summer 2011

Trollwall Restaurant by Reiulf Ramstad Architects

Maritime Museum and Science Centre by COBE and Transform

Maritime Museum and Science Centre by Cobe and Transform

Construction has begun on an aluminium-clad museum in Norway by Danish architecture studios COBE and Transform.

Maritime Museum and Science Centre by Cobe and Transform

The Maritime Museum and Science Centre will be situated beside the river in the harbour town of Porsgrunn.

Maritime Museum and Science Centre by Cobe and Transform

The roof of the two-storey building will be divided into square portions, all pitching in different directions.

Maritime Museum and Science Centre by Cobe and Transform

A staircase at the centre of the museum will lead visitors up to a flexible first-floor exhibition hall, where the visible profile of the roof will suggest the location of possible partitions.

Maritime Museum and Science Centre by Cobe and Transform

A central entrance hall leading to all other rooms will be located on the ground floor.

Maritime Museum and Science Centre by Cobe and Transform

This isn’t the first time the two Danish firms have collaborated – see our earlier story about a competition-winning design for a cultural centre and library in Copenhagen.

Maritime Museum and Science Centre by Cobe and Transform

Here’s some more information from COBE:


The Danish architecture offices COBE and TRANSFORM start construction of Porsgrunn’s new Maritime Museum and Science Center

Today the construction of the new Maritime Museum and Science Center starts in Porsgrunn in Norway. The building is designed by the Danish architecture offices COBE and TRANSFORM and conveys Norway’s trans- formation from a seafaring nation to a modern society based on knowledge industry. The new Maritime Museum and Science Center is expected to be completed already in autumn 2012.

A new landmark in Porsgrunn

The iconic character of the new Maritime Museum and its attractive location at the river close to the city center makes this new building a natural landmark for the city of Porsgrunn. Furthermore, the new museum building is the first step towards a big new master plan development for Porsgrunn City Center – also designed by COBE and TRANSFORM. The city of Porsgrunn has a long maritime history of shipping and the unique development of the region is clearly visible in the existing remarkable building structure of the area. The concept of the museum shows a high level of sensitivity towards the existing small buildings yet simultaneously stands out as a contemporary public building.

Lars Bendrup, director at TRANSFORM, says: ”The new Maritime Museum and Science Center starts up an important process to turn the back of the city to the front. In the future, the city of Porsgrunn will be oriented towards the river. The signaling effect will therefore be crucial to the city’s new situation”.

9 building volumes with pitched roofs

Taking into account the surrounding building structure, the new building is composed of 9 smaller building volumes with tilted and pitched roofs that are assembled into a larger building unit. A characteristic aluminum façade outlines the shape of the building and provides a vivid impression by reflecting the lights and colors of the surrounding landscape.

All public functions of the building are situated on the ground floor and have direct access to the outdoor areas including the new promenade towards the river. The central entrance area is the building’s main room from where all other rooms are distributed. This multifunctional space is defined by a central characteristic staircase that folds down from above and invites visitors upstairs to the large, enclosed exhibition area. Here various room heights and a distinct ceiling line emphasizes an airy and continuous space. The exhibition space is composed as an open flexible space, gently subdi- vided by the roof into 9 different spatial experiences. The 9 spatialities can be separated or combined thereby providing a sound functional setting for small and large exhibitions.
Dan Stubbergaard, owner of COBE, says: “The new Maritime Museum and Science Center balances between contextual adaptation and modernity.The interpretation of the context’s pitched roofs and small building volumes create the frames for a unique intenior with varying, vivid spatialities.”

The project is done in collaboration with the engineering firm Sweco and is expected to be completed in autumn 2012.

Norwegian Wild Reindeer Centre Pavilion by Snøhetta

Norwegian Wild Reindeer Centre Pavilion by Snøhetta

The rippled timber core of this reindeer observation pavilion by architects Snøhetta mirrors the curves of the surrounding Dovre Mountains in Norway.

Norwegian Wild Reindeer Centre Pavilion by Snøhetta

Above: photograph is by diephotodesigner

Named the Norwegian Wild Reindeer Centre Pavilion, the building is used as an education centre by charity the Wild Reindeer Foundation.

Norwegian Wild Reindeer Centre Pavilion by Snøhetta

A rectangular steel frame contains the pavilion and a glazed wall lines the observation area.

Norwegian Wild Reindeer Centre Pavilion by Snøhetta

Norwegian ship-builders constructed the curved timber centre from pine beams, which were milled using digital models and then pegged together.

Norwegian Wild Reindeer Centre Pavilion by Snøhetta

Visitors to the pavilion can sit on the wooden form, where they are warmed by a suspended furnace.

Norwegian Wild Reindeer Centre Pavilion by Snøhetta

Earlier this year Snøhetta also revealed their proposals for an extension to the San Francisco Museum of Modern Art – see more stories about the firm here.

Photography is by Ketil Jacobsen, apart from where otherwise stated.

Here’s a bit more text from Snøhetta:


Norwegian Wild Reindeer Centre Pavilion

The Norwegian Wild Reindeer Centre Pavilion is located at Hjerkinn on the outskirts of Dovrefjell National Park, overlooking the Snøhetta mountain massif.

The 90m2 building is open to the public and serves as an observation pavilion for the Wild Reindeer Foundation educational programmes. A 1,5km nature path brings visitors to this spectacular site, 1200 meters above sea level.

Norwegian Wild Reindeer Centre Pavilion by Snøhetta

Background

Dovrefjell is a mountain range that forms a barrier between the northern and southern parts of Norway. It is home to Europe’s last wild reindeer herds and is the natural habitat for many rare plants and animals. A long history filled with travellers, hunting traditions, mining, and military activities has left its mark on this land. In addition to the natural and cultural landscape, the Dovre mountains also holds significant importance in the Norwegian consciousness. National legends, myths, poetry (Ibsen) and music (Grieg) celebrate the mystic and eternal qualities of this powerful place. The founding fathers of the Norwegian constitution are ”agreed and faithful, until the fall of Dovre!”

Norwegian Wild Reindeer Centre Pavilion by Snøhetta

Architectural idea

This unique natural, cultural and mythical landscape has formed the basis of the architectural idea. The building design is based on a rigid outer shell and an organic inner core. The south facing exterior wall and the interior create a protected and warm gathering place, while still preserving the visitor’s view of the spectacular panorama.

Considerable emphasis is put on the quality and durability of the materials to withstand the harsh climate. The rectangular frame is made in raw steel resembling the iron found in the local bedrock. The simple form and use of natural materials reference local building traditions. However, advanced technologies have been utilized both in the design and the fabrication process. Using digital 3D-models to drive the milling machines, Norwegian shipbuilders in Hardangerfjord created the organic shape from 10 inch square pine timber beams. The wood was then assembled in a traditional way using only wood pegs as fasteners. The exterior wall has been treated with pine tar while the interior wood has been oiled.

The pavilion is a robust yet nuanced building that gives visitors an opportunity to reflect and contemplate this vast and rich landscape.

Norwegian Wild Reindeer Centre Pavilion by Snøhetta

Project name: Tverrfjellhytta
Adress: Hjerkinn, Dovre Municipality, Norway
Building compleeted: June 2011
Client: Norwegian Wild Reindeer Centre

Architect: Snøhetta Oslo AS
Landscape Architect: Snøhetta Oslo AS
Interior Architect: Snøhetta Oslo AS

Norwegian Wild Reindeer Centre Pavilion by Snøhetta

Design Team leader: Knut Bjørgum landscape architect
Snøhetta Team: Kjetil T. Thorsen (Partner in charge, Principal architect), Erik Brett Jacobsen, Margit Tidemand Ruud, Rune Grasdal, Martin Brunner (Architects) Heidi Pettersvold.(Interior Architect)
Structural engineer: Dr.Techn. Kristoffer Apeland AS, Trond Gundersen
Floor area: 90m2/900sf
Cost: 4,0 mill. NOK (Total construction cost pavillion)
Main contractor: Prebygg AS
Subcontractor, steel: Lonbakken AS
Subcontractor, glass: Skandinaviska Glassystem AB
Contractor, wood: Djupevaag Ship Builders AS


See also:

.

Naust paa Aure
by TYIN tegnestue
Holmenkollen ski jump
by JDS Architects
Opera House Oslo
by Snøhetta

Dezeen archive: Norway

Dezeen archive: Norway

Dezeen archive: a waterside summerhouse in Norway (top left) was popular on Dezeen this week, so here’s a roundup of all our stories about Norwegian architecture and interiors. See all the stories »

See all our archive stories »

Naust paa Aure by TYIN tegnestue

Naust paa Aure by TYIN tegnestue Architects

Strips of glazing wrap the walls and roof of a timber waterside summerhouse in Aure, Norway.

Naust paa Aure by TYIN tegnestue Architects

Designed by architects TYIN tegnestue, the building is made of materials that were salvaged from a dilapidated boathouse on the site, plus new grey-patinated pine.

Naust paa Aure by TYIN tegnestue Architects

Flaps in the facade lift upwards to open the interior onto a deck.

Naust paa Aure by TYIN tegnestue Architects

Interior walls are lined with unfinished timber and a wood-burning pan hangs from the ceiling.

Naust paa Aure by TYIN tegnestue Architects

Other projects in Norway from the Dezeen archive include a cantilevered ski jump and huts on railway trackssee all our stories about Norwegian architecture and interiors here.

Naust paa Aure by TYIN tegnestue Architects

Photography is by Pasi Aalto.

Naust paa Aure by TYIN tegnestue Architects

Here’s a description of the project from the architects:


TYIN tegnestue Architects

Traditional Norwegian boat houses have been used to store boats and fishing gear,but now many of them are being converted for recreational summer use.

Naust paa Aure by TYIN tegnestue Architects

At this site, the existing boat house was in bad shape and had to be torn down, but its simple shape, sensible placement and honest use of materials inspired the new building.

Naust paa Aure by TYIN tegnestue Architects

A lot of the materials were reused, either as shuttering for the concrete walls and footings or as internal panelling.

Naust paa Aure by TYIN tegnestue Architects

Windows from the client’s farmhouse were also reused. The exterior cladding is Norwegian pine impregnated with a by-product from the sugar cane industry, which will give grey patina.

Naust paa Aure by TYIN tegnestue Architects

The shutters on the long side swing open with the help of simple steel fittings. A flexible process, which allowed on-site design reactions, has been essential to the result.

Naust paa Aure by TYIN tegnestue Architects

Project Description: Naust paa Aure

Naust paa Aure by TYIN tegnestue Architects

Location: Aure Kommune, More og Romsdal, Norway

Naust paa Aure by TYIN tegnestue Architects

Client: Stein Erik Sørstrøm

Naust paa Aure by TYIN tegnestue Architects

Click above for larger image

Project: Boathouse

Naust paa Aure by TYIN tegnestue Architects

Click above for larger image

Cost: 250.000 NOK, (45,000 USD)

Naust paa Aure by TYIN tegnestue Architects

Click above for larger image

Time: April 2010 – January 2011

Naust paa Aure by TYIN tegnestue Architects

Click above for larger image

Built by: TYIN tegnestue Architects

Naust paa Aure by TYIN tegnestue Architects

Click above for larger image

Architects: Marianne Løbersli Sørstrøm, Yashar Hanstad


See also:

.

Holiday Cabana at Maduru
by Damith Premathilake
Aptos Retreat
by CCS Architecture
Inbetween House
by Koji Tsutsui

Fagerborg Kindergarten by RRA

Fagerborg Kindergarten by RRA

Norwegian architects RRA have completed this wood-clad nursery school in Oslo, Norway.

Fagerborg Kindergarten by RRA

Called Fagerborg Kindergarten, the project features four classrooms that can either be combined or operate separately.

Fagerborg Kindergarten by RRA

One end of the building is undercut and cantilevers out to shelter the entrances below.

Fagerborg Kindergarten by RRA

The interior is clad in wood with colourful staircases leading to administrative areas on the upper floors.

Fagerborg Kindergarten by RRA

More buildings for education on Dezeen »

Fagerborg Kindergarten by RRA

The information that follows is from the architects:


RRA has been involved in designing a new kindergarten for Fagerborg Congregation in central Oslo. The kindergarten offers 2 units for children between 1-3 years old and 2 units for children between 3-6 years old.

Fagerborg Kindergarten by RRA

Gross building area is around 1000m2.

Fagerborg Kindergarten by RRA

There are many cultural heritage guidelines to be considered in the project site. The area is characterised by residential buildings from 1900-1950. As a requirement from the local authority, the kindergarten is to have a contemporary expression.

Fagerborg Kindergarten by RRA

With its location in the middle of a small city park, the kindergarten has an outdoor area that is protected like an enclosed garden.

Fagerborg Kindergarten by RRA

The planning solution enables the 4 kindergarten units to function both independently and together as required. All units share a common area and a kitchen in the heart of the building. Administration is placed on the upper floor separate from children areas.

FAGERBORG KINDERGARDEN
Location: Fagerborg, Oslo
Program: Kindergarden
Client: Fagerborg Congregation
Size: 1000 m2
Commission type: Direct commission (2003)
Status: Built


See also:

.

Tellus Nursery School
by Tham & Videgård
Kindergarten Sighartstein by
Kadawittfeldarchitektur
Kindergarten in Granada by
Solinas + Verd Arquitectos