Target Partners with Hamilton Wood Type and Printing Museum on Graphic Gear

In a collaboration that is just our type, Target has teamed with Wisconsin’s Hamilton Wood Type and Printing Museum—dedicated to the preservation, study, production, and printing of wood type—on a collection of graphic gear. The t-shirts, hoodies, leggings, sweatshirts, sweatpants, and totes feature images from the museum’s Globe Printing Plate collection. Part of Target’s Vintage Varsity line, the items arrived in select Target stores yesterday and will be available for purchase online beginning July 17.

The idea for a partnership was sparked when a Target designer caught a screening of Typeface, Justine Nagan‘s 2009 documentary about the Hamilton Wood Type and Printing Museum. Members of the megaretailer’s design team later visited the institution to select antique woodblocks (Hamilton is home to 1.5 million pieces of wood type) ripe for Americana-infused apparel. They worked closely with museum staff to create more than 100 different hand-pressed prints before toying with scale, layering, and color. Look for the collection and the museum to be spotlighted in Target’s “Cool Never Fades” campaign, which will celebrate “timeless locations” such as Nashville’s Fry Recording Studio and Gruene Dance Hall in New Braunfels, Texas. Meanwhile, type nuts can wear their Target togs to Two Rivers, Wisconsin, this November, when Hamilton holds its annual “Wayzgoose” type conference. Confirmed speakers include Tracy Honn of Silver Buckle Press, Stan Nelson, and Matthew Carter, who designed Carter Latin—his first wood typeface—especially for the museum.

New Career Opportunities Daily: The best jobs in media.

Tech Museum in San Jose Suffers Hack, Museum Members’ Information Stolen

So what do you do if you’re a museum focused on telling the story of technology and you get attacked by a hacker? Do you report it as a crime and repair any damages, or do you also find it somewhat interesting, given your field of study? Such will likely be on the minds at The Tech Museum in the Bay Area, as the San Jose Mercury reports that the organization was recently hacked into, with information stolen that included “as many as 800 people who created an account on the museum website,” as well as various pieces about museum members, people who had signed up for events, and “nominees for the museum’s tech awards in 2009.” The Tech was reportedly swift into action once they’d learned about the hack, immediately sending off emails to those who were thought to have been affected, as well as updating their online security features. Fortunately, the damage seems minimal, the information was older and not particularly revealing (no credit card or social security details), and if anything, now the museum has a great lede, should it ever put together an exhibit on hackers.

New Career Opportunities Daily: The best jobs in media.

Interim No Longer, Director of Andy Warhol Museum, Eric Shiner, Made Permanent

The Andy Warhol Museum in Pittsburgh once again has a permanent captain piloting the ship. You might recall that the museum world was caught a bit off guard back in December when its director of fourteen years, Tom Sokolowski, announced that he was stepping down right away. There were some initial speculations and rumors as to why he’d made such a quick exit, but it turned out to be very tame: he was simply leaving after he’d decided it was time to move on. The museum scrambled, and by the end of that same month had put curator Eric Shiner in as an interim director. He clearly must have done well in his seven months in the role, as the museum has just announced that his director gig is now permanent. Here’s Shiner’s statement:

“I am honored to be named the director of an institution that is as dynamic as the city it calls home, the dedicated staff that propels it, and the supportive board and the public who cherish it. Having started my career in the art world here at The Warhol as an intern 17 years ago, it both humbles and excites me to be given the honor of promoting Andy Warhol and his legacy while doing my part to help The Andy Warhol Museum, Carnegie Museums, and Pittsburgh shine.”

New Career Opportunities Daily: The best jobs in media.

Around the Art and Design World in 180 Words: Midsummer Edition

  • Is summer really half over? The Parrish Art Museum suggests as much tomorrow with its annual Midsummer Party. We hear that Chuck Close, Ross Bleckner, John Chamberlain, Ilya and Emilia Kabakov, and Donald Sultan have RSVPed “yes” to the bash, which begins with cocktails and a viewing of the museum’s Dorothea Rockburne retrospective (her “Narcissus” of 1985 is pictured at right). The artist will be on hand to accept compliments and mingle with the night’s honorees: the Parrish Founding Partners, a group of art patrons that have helped to make the musuem’s expansion a reality. The new Parrish, a 34,500-square-foot showplace designed by Herzog & de Meuron, is slated to open next year.
  • As if you needed another reason to stop by the Bard Graduate Center’s terrific Knoll Textiles exhibition, the Center’s gallery will celebrate the release of the exhibition catalogue with a special book signing on Wednesday, July 13. Amsterdam-based graphic designer Irma Boom—who we hope signs her name with tiny explosions where the o’s should be—will be signing books from 6 p.m. to 8 p.m. at the Bard Graduate Center Gallery in NYC.

    New Career Opportunities Daily: The best jobs in media.

  • Messner Mountain Museum by EM2

    Messner Mountain Museum by EM2 Architects

    Italian architects EM2 have converted a castle into a mountain museum.

    Messner Mountain Museum by EM2 Architects

    The architects left the exterior untouched but constructed several new rooms in unfinished timber, added wooden staircases inside and opened up the basement.

    Messner Mountain Museum by EM2 Architects

    Located in the Alps, the Messner Mountain Museum houses a permanent exhibition about people who live in mountainous regions around the world.

    Messner Mountain Museum by EM2 Architects

    More stories about museums on Dezeen »

    Messner Mountain Museum by EM2 Architects

    Photography is by Harald Wisthaler.

    Messner Mountain Museum by EM2 Architects

    The following information is from EM2:


    Renovation and adaptation of Castle Bruneck to MMM Messner Mountain Museum by EM2 Architects. Castle Bruneck, which has been reorganised and extended for several times, has been redeveloped and adapted during the years 2008 – 2011 by EM2 Architects from Bruneck.

    Messner Mountain Museum by EM2 Architects

    The architects (Gerhard Mahlknecht, Heinrich Mutschlechner, Kurt Egger) aim consists on one hand in the cultural inheritance saving and restoring and on the other hand in accommodating the exhibition of “mountain people in the world”.

    Messner Mountain Museum by EM2 Architects

    Telling his own and the history of mountain people at the same time, was the order and cultural responsibility towards the history, the present and the future of the castle.

    Messner Mountain Museum by EM2 Architects

    The difficulty lay in integrating an museum concept for the exhibition “mountain people” in already built historical structures.

    Messner Mountain Museum by EM2 Architects

    The needed extending buildings should be clearly readable, reserved and are established in a contemporary architectural language

    Messner Mountain Museum by EM2 Architects

    The extending buildings in the access area are consciously made of wood.

    Messner Mountain Museum by EM2 Architects

    Wood is a material with a restricted life span, it’s aging and will once be gone like the MMM on castle Bruneck.

    Messner Mountain Museum by EM2 Architects

    The extension of the subterranean part “Zwinger” is hardly discernible and covered with a passable greenery free surface between castle and castle wall.

    Messner Mountain Museum by EM2 Architects

    About the subterranean extension, cellar rooms are opened in which, darkness and medieval walls are very perceptible.

    Messner Mountain Museum by EM2 Architects

    A modern, his technology showing elevator integrated in an late-Gothical part of the building, is part of the museum concept and opens the building for handicapped people.

    Messner Mountain Museum by EM2 Architects

    A massive wooden stair has been integrated to the round about the year 1282 built tower (Bergfried).

    Messner Mountain Museum by EM2 Architects

    While going up to the roof top of the tower, the museums visitor is able to watch the exhibition about “tourism in mountain regions.”

    Messner Mountain Museum by EM2 Architects

    The top of the tower offers a beautiful view over Bruneck up to the snowy summits of the Zillertaler Aplen in the Ahrntal valley.

    Messner Mountain Museum by EM2 Architects

    Click above for larger image

    Messner Mountain Museum by EM2 Architects

    Click above for larger image

    Messner Mountain Museum by EM2 Architects

    Click above for larger image

    Messner Mountain Museum by EM2 Architects

    Click above for larger image

    Messner Mountain Museum by EM2 Architects

    Click above for larger image

    Messner Mountain Museum by EM2 Architects

    Click above for larger image


    See also:

    .

    Museum Extension by Nieto Sobejano Castelo Novo by Comoco ArchitectsMuseum Extension by Nieto Sobejano

    Extension to the Serlachius Museum Gösta by MX_SI

    Extension to the Serlachius Museum Gösta by MX_SI

    Spanish architects MX_SI have won a competition to design an extension to a Finnish museum of art with this proposal that features recessed zigzagging windows.

    Extension of the Serlachius Museum Gösta by MX_SI

    The timber extension to the Serlachius Museum Gösta in Mänttä will be spread over two storeys to provide a foyer, a restaurant, offices, conference facilities, reception areas and 1000 square-metres of gallery space.

    Extension of the Serlachius Museum Gösta by MX_SI

    The existing museum is contained within a manor house and will connect to the extension via a new corridor.

    Extension of the Serlachius Museum Gösta by MX_SI

    Construction is scheduled to start in 2012 to target a spring 2014 opening.

    Extension of the Serlachius Museum Gösta by MX_SI

    More stories about museums on Dezeen »
    More projects in Finland on Dezeen »

    The following details are from the architects:


    The architectural studio MX_SI based in Barcelona, is the winner of the competition for the extension of the Gösta contemporary Art Museum in Finland.

    579 entries, the largest competition on Finish history MX_SI architectural studio based in Barcelona, wihich are the authors for the Federico Garcia Lorca Cultural Center in Granada, will build the extension of the Museum Gösta for Contemporary Art in Mänttä. This competition has been the largest architectural tender in Finish history with 579 participants from 42 countries.

    Extension of the Serlachius Museum Gösta by MX_SI

    Click above for larger image

    This international open competition was organised by the Serlachius Foundation supported by the Architecture Chamber of Finland SAFA, to extend the main building that originally was not planned as a museum. This new building, Serlachius Foundation will adequate their facilities in order to host large scale contemporary art travelling exhibitions as well as defining an appropriate space for their own collection.

    The jury was integrated by musem experts and professional finish architects. It was unanimously decided last 22nd of June, to give the first prize to the project presented by Mara Partida, Boris Bezan and Héctor Mendoza. According to jury’s statements, the architecture solution proposed a fine understanding on existing features such as main building, site landscape and finish traditional and contemporary culture. The jury outstands the respect that new construction has with the place, without losing own up to date architecture expression. Some other values read by the jury are the harmony of new volume with landscape. It is an integrated body taking a clever advantage of the use of wood as a main façade material. Interior spaces develop a dialogue with the exterior enriching the expressive journey.

    Construction work on the extension will begin in early 2012 and the new spaces will be opened to the public in spring 2014.

    Extension of the Serlachius Museum Gösta by MX_SI

    Click above for larger image

    The Project

    The site is understood as a green plateau where the manor’s monolithic figure stands imposingly along a landscape axis, sloping gently to the banks of Lake Melasjärvi. The strategy consists in placing the building out of the zone in between the manor, the plateau-park and the Taavetinsaari island, in mimicking the new building within the forest, and finally in respecting the recently renovated park, as well as the formal garden design. The new premises are located in parallel to the access, manor and garden axis, on the west side of the principal axis. It uses the parameters of topography and distance to accommodate the program. In this sense the Joenniemi Manor keeps being the dominant built structure of the area.

    The location of the new entrance reinforces the existing spacious access yard as access plaza of the whole intervention. The outside spatial quality is brought inside the new building. The heart of the building – foyer and restaurant – have the best view towards the lake and the island similar to the existing house main areas. The simple horizontal body of the extension building gathers all main areas in one great plateau: entrance, foyer, connection and exhibitions which facilitates visitors’ orientation. The new building is organized by a spacious foyer, placed at the same level of the ground floor of the manor. This space obtains visual continuity between outside and inside by introducing incisions of landscape to the main building body. To allow flexibility of exhibitions layout, the structure of the building is part of the façade liberating the whole space. All walls in the exhibition zone can be used for exposing.

    Extension of the Serlachius Museum Gösta by MX_SI

    Click above for larger image

    The project as a densified abstract forest. The forest in the placement where the new building will be constructed is conceptually transformed in an abstract way of parallel frames. In one hand they define the overall geometry of the new building, but at the same time they also allow transversal permeability. The result is that the parallel pattern of the structural frames is maintained from outside and inside structuring the whole building. The use of wood is a reference to the local industry’s history.

    Architect: MX_SI architectural studio. Marta Partida, Boris Bezan, Hector Mendoza
    Collaborators: Oscar Fabian Espinosa, Olga Bombač
    Site: Mäntta, Finland
    Surface: 3.000 m2
    Client : Serlachius Foundation


    See also:

    .

    Museum extension by
    Nieto Sobejano
    Museum Extension
    by Daniel Libeskind
    Museum Extension
    by Rafael Viñoly

    Last Chance to Visit the American Folk Art Museum In Its Current Form, Move to Smaller Location Begins Saturday

    0813folkamtrouble.jpg

    Much has been made about New York’s American Folk Art Museum‘s departure from its current home. From the crippling debt that forced it to sell off its West 53rd Street tower, to dueling critics debating the merits/demerits of said Tod Williams and Billie Tsien-designed building, to how much the MoMA paid to buy it from them ($31.2 million), there was a good deal of talk about the ins and outs as the museum prepares to move to its other location. If you’d like to see the AFAM in its current, familiar form, before it closes up shop and transitions over to decidedly smaller digs in New York’s Lincoln Square, this is the final week you have to do it. The museum has announced that it will start moving out of the building on July 9th, and the NY Times reports that the last day for public visits will be this Friday the 8th. After that, the museum will “have 90 days to vacate the building after the sale closes,” which is expected to happen sometime in the middle of this month. Here’s some from the museum’s announcement about the move:

    On July 9, 2011, the American Folk Art Museum will move to its home at 2 Lincoln Square, Columbus Avenue between 65th and 66th Streets. At Lincoln Square the museum will present a full schedule of exhibitions and related programming. Currently on view through September is the exhibition Super Stars, highlighting star-studded quilts from the collection, and the deeply affecting 9/11 National Tribute Quilt. For the fall, curator Stacy C. Hollander has organized “Life: Real and Imagined—A Decade of Collecting.” Among the artworks on view will be important portraits by 19th-century artists Ammi Phillips, Jacob Maentel, and the husband-and-wife team of Dr. Samuel and Ruth Shute; contemporary masters include James Castle, Henry Darger, and Martín Ramírez. Admission is always free.

    New Career Opportunities Daily: The best jobs in media.

    Despite Last Week’s Announcement, Brent Glass Moves Departure Date From Nation Museum of American History into August

    Speaking of comings and going at major museums, as we were in the post prior: despite last week’s news that Brent Glass, director of the National Museum of American History had announced his resignation from the Smithsonian museum, it looks like he’ll be there a bit longer than was originally planned. In his initial statement, he was expecting to leave for good on July 10th, though staying on as a senior adviser for the remainder of the year. However, now the AP reports that he will continue to lead the museum throughout August, staying on “an extra month to allow for a smooth transition.” So can we imply from this that his decision to resign was something of a surprise for the Smithsonian and now they’re scrambling or that Glass is such a powerhouse that they’re worried about getting all their ducks in a row before he exits? We’re guessing a mix of the two, though who’s to know. Whatever the case, if you’re out visiting the National Museum of American History over the next few weeks, you’ll now still have the opportunity of bumping into him in the halls and giving him an “attaboy.”

    New Career Opportunities Daily: The best jobs in media.

    Peter Katz Joins PS1 as Chief Operating Officer

    Today, not only do employees of MoMA‘s PS1 come back from the long holiday weekend (well, those who weren’t working within the presumably-packed museum), but they’ll also be meeting their new Chief Operating Officer. Late last week, PS1 announced that Peter Katz has joined on in the new position, soon to be taking over all the business sides of the operation, from financial planning to “enhancement of internal processes and resources.” Katz starts in the position today. Here’s a bit from the official announcement (pdf):

    “Peter has extensive experience in utilizing his financial expertise on behalf of museums and universities, and brings a breadth of knowledge and experience to MoMA PS1,” explains Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art. “His tenure at the Neue Galerie, MoMA, and the Guggenheim has well prepared him to manage MoMA PS1’s general operations and strengthen the museum’s financial position, which will enable MoMA PS1’s continued programmatic excellence.”

    New Career Opportunities Daily: The best jobs in media.

    Museum in Palmiry by WXCA

    Museum in Palmiry by WXCA

    Each bullet-sized hole piercing the skin of this museum by architects WXCA in Palmiry, Poland, represents a Polish civilian murdered there during the holocaust.

    Museum in Palmiry by WXCA

    The punctured panels surrounding the exterior of the Palmiry Museum are made of rusted steel.

    Museum in Palmiry by WXCA

    The museum showcases photographs, documents and memorabilia connected with victims of Nazi executions during World War II.

    Museum in Palmiry by WXCA

    A glass wall at the rear of the building overlooks a cemetery where each of the 2252 memorialised victims are buried.

    Museum in Palmiry by WXCA

    More stories about museums on Dezeen »

    Museum in Palmiry by WXCA

    Photography is by Rafał Kłos.

    Museum in Palmiry by WXCA

    The following text is from WXCA:


    Museum – A Place of Memory Palmiry

    The Palmiry Museum Place of Memory lies in a pine-birch forest surrounding the cemetery.

    Museum in Palmiry by WXCA

    The building is a part of the Kampinos National Park, with glass and steel walls, and a green roof.

    Museum in Palmiry by WXCA

    The exhibition space lies among trees – witnesses of past tragedies.

    Museum in Palmiry by WXCA

    During the Second World War, in Palmir woods, Nazis murdered over two thousand Polish civilians including intellectual elite.

    Museum in Palmiry by WXCA

    The building, ascetic in form and materials, tells a story, and forms a background for the exhibition.

    Museum in Palmiry by WXCA

    The exhibition part is surrounded by a wall with holes symbolizing bullets.

    Museum in Palmiry by WXCA

    The relation between the building and the surroundings is stressed by greenery inside the building and the patios.

    Museum in Palmiry by WXCA

    Click above for larger image

    The facility opens to the cemetery and three crosses.

    Museum in Palmiry by WXCA

    Click above for larger image

    The idea was to create an architecture of remembrance.

    Museum in Palmiry by WXCA

    Click above for larger image

    Architects: WXCA
    Location: Palmiry, Poland
    Design: 2009-2010

    Museum in Palmiry by WXCA

    Click above for larger image

    Site area: 8738 sqm
    Total area: 1133 sqm
    Usable floor area: 998,30 sqm
    Volume: 4400 m3


    See also:

    .

    Museo Casa de la
    Memoria
    Memorial for Tree
    of Knowledge
    Yehiam Memorial Hall
    by SO Architecture