Clint Eastwood Named Honorary Chairman of National Law Enforcement Officers Museum

We desperately wanted to begin this post with something like, “You’ve gotta ask yourself: do I feel lucky? Well, do you, museum?” but that would be tacky and we respect you too much. Instead, we’ll just tell you that the National Law Enforcement Officers Memorial and Museum in Washington, DC has signed on Clint Eastwood as its Honorary Chairman. The under-construction museum, which just broke ground this past fall across the street from the National Memorial, joined up with the museum largely in what sounds like a fundraising and awareness effort as they try and reach their $80 million goal to complete the Davis Buckley Architects and Planners-designed museum (thus far, they’ve received $43 million). Said Eastwood about becoming its honorary chairman, “The National Memorial and Museum are long overdue and richly deserved tributes to the men and women in law enforcement.” Below you’ll find a 2006 rendering of the building, which is expected to be completed and open for business some time by the end of 2013.

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Mark Your Calendar: NYC Art and Design Events


A plush pup made for The Jewish Museum in conjunction with the exhibition “Maira Kalman: Various Illuminations (of a Crazy World)” and Ragnar Kjartansson’s “Scandinavian Pain” (2006), now on view at Scandinavia House.

It’s Christmas in July for art and design fans in New York, with events galore offering edifying escapes from the lifeforce-sapping heat. Here are three of our favorites:

  • Robert Storr is in the house—Scandinavia House, that is. The always insightful scholar and critic will lecture tonight on “North by New York: New Nordic Art,” on view through August 19 at Scandinavia House. Storr, who curated the exhibition with Francesca Pietropaolo, will discuss the process of creating the show and guide you in the proper pronounciation of names such as Mieskuoro Huutajat. Wear your “I’m With Ólafur Ólafsson!” t-shirt and bring a notepad. The fun starts at 6:30 p.m., and admission is free. We suggest a pre-lecture viewing of the animated hijinks of Strindberg & Helium.
  • On Wednesday evening, the Whitney Museum of American Art takes a cue from the comic strip-inspired canvases of Lyonel Feininger (an exhibition of the artist’s work is on view through October 16 at the museum) to explore the fine art of comics in a panel discussion. We imagine tickets will sell out swiftly, because the speakers are master comic artists Gary Panter, Art Spiegelman, and Chris Ware. John Carlin will guide the discussion, which begins at 7 p.m.

  • You have until the end of the month to catch The Jewish Museum’s terrific Maira Kalman exhibition, but we suggest popping by this Friday, July 22, when the illustrator, author, and designer herself will be tending the in-show pop-up store from noon to 5:30 p.m. Kalman will be selling Einstein pins, Proust posters, James Joyce soap, fly swatters, egg slicers, and other ephemera of daily life at her eclectic concession, The Pop Up Store Called Milton. Proceeds from sales will be donated to charities that help the world to keep calm and carry on.

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  • Two Nicolas Poussin Paintings Attacked, Damaged at London’s National Gallery

    It’s perhaps proving not to be a good year to be a piece of art hanging on a museum wall. Just a few months after Andres Serranos‘ infamous and fairly-used-to-attacks “Piss Christ” was destroyed in France by a group of protestors wielding a hammer and an ice pick, and before that the attempted-but-failed attack on a Gauguin at Washington DC’s National Gallery of Art, this weekend saw “The Adoration of the Golden Calf” and “The Adoration of the Shepherds”, both by Nicolas Poussin, damaged at the National Gallery in London at the hands of a sole assailant. The Guardian reports that a man walked into the space wherein the painting was hung, defaced its lower half with a can of red spray paint, yelled something in French (presumably explaining why he had just done what he’d done), and then stood there waiting to be apprehended, which the authorities were more than happy to do. Thus far, the man’s identity hasn’t been released, nor his reason for the attack (apparently he picked the wrong time to yell in French when there were no French speakers in earshot). However, the paper quotes a visitor who witnessed the whole thing who speculates that it was “Maybe a protest at the nakedness of the painting. He covered it all.”

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    Nestlé Chocolate Museum by Metro

    Nestle Chocolate Museum by Metro

    Brazilian architects Metro have completed a red glass chocolate museum in the sky.

    Nestlé Chocolate Museum by Metro

    The elevated Nestlé Chocolate Museum bridges roads and wraps around buildings at the existing chocolate factory in Brazil.

    Nestlé Chocolate Museum by Metro

    Windows between the tunnel and the factory walls allow visitors to see chocolate being produced inside.

    Nestle Chocolate Museum by Metro

    Two towers at either end of the steel-framed structure enclose entrance and exit stairwells.

    Nestlé Chocolate Museum by Metro

    Located beside a highway between São Paulo and Rio de Janeiro, the bright red Nestlé Chocolate Museum is visible to passing traffic.

    Nestlé Chocolate Museum by Metro

    The museum shares its colour with the Nestlé Chocolate Museum in Mexico City by Rojkind Arquitectos, who also designed a laboratory in Querétaro, Mexico for the chocolate manufacturer.

    Nestlé Chocolate Museum by Metro

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    Nestlé Chocolate Museum by Metro

    Photography is by Leonardo Finotti.

    Here are some more details from the architects:


    Nestlé’s Chocolate Museum, created by Metro Arquitetos Associados, opened this week.

    Nestle Chocolate Museum by Metro

    It’s a mega structure for public viewing at the Nestlé factory, the architectural design and museology were in charge of Metro Architects and consists of two towers and an elevated runway, all composed of steel and glass, spread over an area of ​​1850 sq m. The structure calls attention of travelers on the highway that connects São Paulo to Rio de Janeiro, the President Dutra, by their structural geometry. The factory is installed in Caçapava (near 110 km from São Paulo).

    Nestlé Chocolate Museum by Metro

    Click above for larger image

    Part of the communication project Chocolovers, developed by JWT, brazilian agency of Nestlé, which takes children and adults to tour the factory. Now visitors will not be conducted on the ground, but the high walkway that runs along the inside of the factory.

    Nestlé Chocolate Museum by Metro

    Click above for larger image

    With easy access structure provides a roadmap to visitors who, like in a museum, accompany the whole process of manufacture of Nestlé chocolates which will be presented in an interactive and engaging with information about the production process from raw material to the container without disturbing the production.


    See also:

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    Urban Elevator
    by Vaumm
    National Glass Museum
    by Bureau SLA
    Kinderstad by Sponge
    Architects & Rupali Gupta

    Bittersweet ‘Ostalgia’: Communist Bloc-buster Exhibition Debuts at New Museum


    “Nikolai Egorov’s Thread Spooler” (1994/2011) and “Igor Kachan’s Maraca” (1990/2011), from Vladimir Arkhipov’s Contemporary Russian Folk Artifacts series.

    A wall on the second floor of New York’s New Museum is currently filled with 35 photos of jerry-rigged objects that look to have been confiscated by the TSA or rescued from a thrift shop on Mars: a wafer of black rubber impaled by a fork, a tube of metal grating capped with a vaguely menacing wooden paddle, an empty Fanta can tethered to a hunk of foam-covered wood. Photographed with clinical precision against a pure white background, they are Vladimir Arkhipov‘s “Contemporary Russian Folk Artifacts,” part of an ongoing series documenting the extreme DIY survival tools discovered by the artist throughout Russia. That fork/rubber combo? The ingenious bathtub plug of one Evgenii Vasiliev. The metal tube and Fanta can served as a rat trap and a maraca, respectively.

    These fascinating traces of the communal apartment have come to the New Museum as part of “Ostalgia,” a survey exhibition devoted to Eastern Europe and the former Soviet Republics that opened today. “We wanted to bring to New York art that New York does not usually see,” said Massimiliano Gioni, associate director and director of exhibitions of the museum, at yesterday’s press preview. The title of the show is derived from ostologie, a German term that emerged in the 1990s to describe a sense of longing and nostalgia for the era before the collapse of the Communist Bloc. Standing in the lobby of the museum, temporarily transformed into a replica of a Polish puppet theater by artist Paulina Olowska, Gioni likened the show to memory itself. “It’s personal, often unreliable, and incredibly personally charged,” he said. “We knew it would be impossible to make an objective show.”
    continued…

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    Former Director of National Portrait Gallery Takes Over as Acting Director of the National Museum of American History

    Brent Glass might be staying on for a month past his initial plans to exit as director of the National Museum of American History, just to make sure everything is taken care of properly, but now upon his departure, the museum will at least have a new temporary leader to lean upon. The Smithsonian has announced that Marc Pachter, former director of the National Portrait Gallery (where he worked for 33 years, 7 as director), will be coming on board as acting director, effective August 15th and lasting until they find a permanent replacement. Stepping in certainly won’t be anything new to Pachter, as he filled in with the same role at the NMAH for more than a year back in 2001-02 before the museum eventually brought in Glass. Here’s the Smithsonian’s statement:

    “We are happy to welcome Marc back home to the Smithsonian,” said Richard Kurin, Under Secretary for History, Art and Culture. “Marc was always an asset to the Institution as a museum director, scholar, author and interviewer. He knows the Institution so well and even served as acting director of American History once before. In 2001-02, he filled in while we searched for a new director at the same time he continued as director of the Portrait Gallery.”

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    Museo ABC by Aranguren + Gallegos

    Museo ABC by Aranguren and Gallegos

    Spanish architects Arranguren & Gallegos have converted a brewery in Madrid into a museum with an underground gallery and triangular windows.

    Museo ABC by Aranguren and Gallegos

    Access to the six-storey Museo ABC is through a courtyard paved with tessellated triangular glass and steel tiles that also cover one side of the building.

    Museo ABC by Aranguren and Gallegos

    The museum houses a collection of drawings and illustrations.

    Museo ABC by Aranguren and Gallegos

    The glazed triangles on the courtyard surface provide skylights to the basement exhibition hall below, where collections of illustrations are presented.

    Museo ABC by Aranguren and Gallegos

    Above ground, the former brewery contains a second exhibition hall, workshops, offices and a reception.

    Museo ABC by Aranguren and Gallegos

    The building was first designed by Spanish architect José López Salaberry, who was also responsible for street-planning in Madrid at the start of the twentieth century.

    Museo ABC by Aranguren and Gallegos

    The street-facing facades retain the original brick exterior and are abutted by a single-storey glass cafe that screens the entrance courtyard.

    Museo ABC by Aranguren and Gallegos

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    Museo ABC by Aranguren and Gallegos

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    Museo ABC by Aranguren and Gallegos

    Photographs are copyright Museo ABC.

    The following information is provided by the museum.


    A new museum for Madrid. A reference for Europe.

    The Museo ABC de Dibujo e Ilustración located in a modern and surprising building of 3,000 square metres which host the Colección ABC with a holding of 200,000 artworks signed by 1,500 artists. A centre dedicated to drawings and illustrations where there is also room for contemporary authors. A unique proposal both in Spain and in the Continent. Among its objectives: preserving, studying and disseminating the Colección ABC, as well as designing and developing activities related to drawings and illustrations to become and international reference.

    Museo ABC by Aranguren and Gallegos

    The Museo ABC has been conceived as an open and plural centre, both for the mainstream and for the specialized public. Its aims are clear: presenting and preserving the Colección ABC, as well as developing a wide cultural program. The celebration of temporary exhibitions, workshops, conferences, debates; the announcement of prices or internships; the edition of publications… will turn the new museum into a creative, live and very dynamic space.

    Museo ABC by Aranguren and Gallegos

    The centre expects focusing its view on the most current tendencies and on the most interesting creative proposals, starting mechanisms which will enable the production and promotion of contemporary drawings and illustrations, so that a large number of artists have access to the public dissemination of their work.

    Museo ABC by Aranguren and Gallegos

    This project, guaranteed by the Diario ABC and the Vocento group, is driven by Fundación Colección ABC, a non-profit organization which aim is to custody, disseminate and investigate the valuable legacy of the Colección ABC. Since its birth, it is supported by the Town Council and Government of Madrid.

    Museo ABC by Aranguren and Gallegos

    The Museo ABC is a private initiative to support, at present, cultural and artistic expressions. It is a self- managed entity which is sponsored by companies of all fields with a common initiative and interest on the artistic world. Currently, it counts with the collaboration of Fundación Santander, Fundación Mutua Madrileña, Caser, Prosegur and Schindler.

    Museo ABC by Aranguren and Gallegos

    The Museo ABC is a private initiative to support, at present, cultural and artistic expressions. It is a self- managed entity which is sponsored by companies of all fields with a common initiative and interest on the artistic world. Currently, it counts with the collaboration of Fundación Santander, Fundación Mutua Madrileña, Caser, Prosegur and Schindler.

    Museo ABC by Aranguren and Gallegos

    The editorial group with the longest history of the country has narrated current affairs since 1891, making an effort to promote on its pages the art and the culture through drawings and illustrations, first on the pagesof the weekly newspaper Blanco y Negro and then on Diario ABC.

    The Colección ABC gathers the works of more than 1,500 artists of all styles, techniques and tendencies, with nearly 200,000 pieces. Following the collection’s development throughout its history will enable substantiating the consolidation of the most important illustrators, the role played by certain artists of the highest relevance, the diverse changes of taste and the different historical and social events narrated through these media.

    Museo ABC by Aranguren and Gallegos

    It is a historical but decidedly contemporary collection. Thus, this exceptional material becomes a decisive contribution to our artistic heritage. It is a unique collection, unequalled in Europe. Additionally, it has an up-to-the-minute feature in so far as it interacts with other areas, such as graphic design, comic strips, animation or digital creation.

    Museo ABC by Aranguren and Gallegos

    Click above for larger image

    The venue of the new Museo ABC de Dibujo e Ilustración is located in Madrid, at calle Amaniel, a few metres away from the Conde Duque Cultural Centre, on a brick building which, at the beginning of the last Century, hosted one of the first beer factories of the Spanish capital.

    Its designer was José López Salaberry, an architect closely related to the development of the new Madrid urbanism at the beginning of the 20th Century. He is responsible for the transfer of La Cibeles to its current location, as well as one of the creators of the Gran Vía street plans and the architect of the building of the Casino of Madrid and of the facade of the building used by ABC and Blanco y Negro for many decades on calle Serrano.

    Museo ABC by Aranguren and Gallegos

    Click above for larger image

    In order to adapt this singular space to the needs of the new artistic centre, the Museo ABC has relied on the
    architect studio Aranguren & Gallegos, which has conceived its rehabilitation with a two-fold objective: remodelling the space for its new use and enriching the urban environment by contributing to the city with a respectful but innovative architectonic proposal.

    Museo ABC by Aranguren and Gallegos

    Click above for larger image

    The new Museum counts with a surface of over 3,000 m2 to develop its activities, distributed into six floors, two of which are underground. There are two spacious exhibition rooms, multifunctional spaces, a floor used for management duties, a deposit for the artworks, a restoration laboratory, warehouses, cafeteria and store. In short, it is the best scenario possible for the visitor to access and enjoy the centre’s wide program.

    Museo ABC by Aranguren and Gallegos

    Click above for larger image

    A large and surprising double-high-ceiling room under a new pedestrian square is the main exhibition space. The natural light penetrates through a system of skylights perforated on the floor of this square which, in turn, serve as entry vestibule for the Museum. This is the area which shows modern elements integrating with the historical building. Its floor is covered by blued steel on grey and crystal tones. These materials – with the same triangular exploded view – rise to cover the interior facade of the former factory. The setting is closed by a large glass and metal beam which functions as a lintel and houses the cafeteria.

    The ground entry floor, conceived a welcoming space, lodges the store-library and a flexible space prepared
    to host a small auditorium or projection room…There is a second room for exhibitions on the first floor. This large and open space recalls a loft, evidencing and respecting its industrial past.

    Museo ABC by Aranguren and Gallegos

    Click above for larger image

    The second floor is dedicated to the Museum’s management, administration and works. On the third floor, a large multipurpose space, roofed, will be dedicated to cultural and social activities. This space will also lodge didactic, training and creation activities. The building is topped by a cubic space, identical to the one which hosts the cafeteria, and raised over the roof as a large torch.

    The deposit and warehouse are located on the basement, designed for the art pieces’ best security, optimal preservation and manipulation.


    See also:

    .

    Messner Mountain
    Museum by EM2
    Moritzburg Museum
    by Nieto Sobejano
    Lille Métropole Musée
    by Manuelle Gautrand

    Attention Stragglers: The Met Extends Alexander McQueen Exhibition Again

    How popular has the Metropolitan Museum of Art‘s “Alexander McQueen: Savage Beauty” exhibition been? If you need to ask, then maybe it will tell you something that, for the third time since the show opened in May, the museum has extended its hours and overall schedule to accommodate the record number of visitors who have been clamoring to get in. This time around, they’re apparently planning for a big batch of procrastinators, as they’ve announced extensions during the final week of the exhibition. From August 4th to the 7th (it was originally slated to close a week earlier), the Met will stay open until until 9pm each night. For members, the museum will begin opening up an hour early as of July 22nd and remain that way until the exhibition wraps up. Last, the Met has announced that they will be continuing the $50 per ticket special viewings on Monday, when the museum is usually closed. So if you’re not one of the 450,000+ people who have already seen the McQueen show, here’s your chance to make it before it all wraps up. Or until they extend it again.

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    ‘America’s Presidential Historian’ Arrested After Allegedly Stealing from the Maryland Historical Society

    Being as its summer reading season and that’s when you break out the guilty pleasures, we were really hoping for a good true crime heist story to break. Sure, there was that theft at Beijing’s Forbidden City a few months back and more recently, that New Jersey chef who was just caught after having swiped a Picasso, but we were holding out for something more sensational. Fortunately, the fates have provided. The Baltimore Sun was the first to report on the arrest of Barry H. Landau and his young accomplice after the pair were caught trying to steal artifacts from the Maryland Historical Society. What makes the story juicy is that Landau is a longtime and well-known collector of presidential memorabilia. On his site, he even calls himself “America’s Presidential Historian.” He’s hobnobbed with presidents and celebrities for more than 40 years, starting his collection after a visit with President Eisenhower when he was just ten years old, has made countless media appearances, and wrote the best-selling book The President’s Table: Two Hundred Years of Dining and Diplomacy. But now, as the Sun writes, he “sits in Central Booking and is being held without bail.” According to their report, Landau and the “24-year-old Jason Savedoff” spent most of Saturday at the museum looking at documents, after which museum officials eventually spotted the young accomplice “taking a document and concealing it in a portfolio, then walking out of the library.” Police were quick to act and he was apprehended, with Landau following shortly thereafter. It’s sure to be an interesting case, as we’re already riveted by just the crime. Of course it begs the question: what other skeletons are in Landau’s closet (figuratively and perhaps literally as well). Quality summer reading indeed.

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    Servers Crash as Passes to September 11th Memorial & Museum Opening Week are Snatched Up

    1220wtcmemorial.jpg

    What’s one of the unexpectedly hottest tickets in town, but in a slightly uncomfortable sort of way? If you answered “tickets to the opening of the National September 11th Memorial & Museum,” you’d be right. The organization’s online reservation system was launched on Monday, offering visiting times spaced out by 30 minutes, starting on September 12th, when the memorial and museum is set to open to the public. The NY Post reports that within minutes, the site was swarmed with people trying to get tickets, at one point with “up to 1,000 people logged on simultaneously,” which crashed the site for a short time before the organization was able to scramble and get it back up and running. The paper continues that “More than 5,000 tickets were issued in the first hour after reservations opened at 9 a.m.” Now that the site is functional again, if you’re eager to get your passes, you can visit this page to grab them. Just don’t expect to get in right away, as at the time of this writing, nearly all the availability for that first opening week are already accounted for. And as a follow-up to a previous story from a few weeks back, it looks as though the organization has figured out how to work with collecting fees after catching so much heat when talk of $20 per pass began circulating. We have no idea how it will look at a physical entry point to the grounds, but at least on that aforementioned page, it’s clearly stated that donations are optional and in varying amounts (though you’d have to enter $0 if you don’t chose to give to the museum).

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