MoMA pulls back from plan to raze former folk art museum

MoMA pulls back from plan to raze former folk art museum, photo by pov_steve

News: the Museum of Modern Art in New York is to reconsider its decision to demolish the former American Folk Art Museum next door following an outcry from architects, conservationists and critics.

In a board meeting yesterday, the museum’s directors heard that design studio Diller Scofidio & Renfro had been selected to oversee MoMA’s expansion and explore the option of integrating the former American Folk Art Museum into the plans.

Glenn D. Lowry, MoMA’s director, told trustees and staff that the architects wanted to consider “the entirety of the site, including the former American Folk Art Museum building, in devising an architectural solution to the inherent challenges of the project.”

Diller Scofidio & Renfro said the institution’s directors had given the design team “the time and flexibility to explore a full range of programmatic, spatial and urban options.”

“These possibilities include, but are not limited to, integrating the former American Folk Art Museum building, designed by our friends and admired colleagues, Tod Williams and Billie Tsien,” the studio said in a statement.

MoMA had planned to demolish the neighbouring building and replace it with a glass-fronted structure linking the art museum’s existing space on West 53rd Street with a planned 82-storey tower designed by French architect Jean Nouvel.

In its initial announcement last month, museum officials said the bronze-clad building had to be pulled down because its facade did not match MoMA’s glass aesthetic and its floors would not line up with MoMA’s.

Designed by US architects Tod Williams and Billie Tsien, the American Folk Art Museum opened its doors just 12 years ago but was sold to MoMA in 2011 to pay off a $32 million loan.

The museum’s collection of paintings, sculptures and crafts by self-taught and outsider artists now resides at a smaller site on Lincoln Square, further north in Manhattan.

MoMA’s initial decision to tear down the building was met with disappointment by Tsien, who told the New York Times it was “a loss for architecture”.

Later this year MoMA will host a major retrospective of the work of modernist architect Le Corbusier – see all news about MoMA and see more architecture in New York.

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MoMA Design Store Destination: NYC: Treats from the Big Apple carefully selected by one of its top museums

MoMA Design Store Destination: NYC


Bursting with talent and plenty of places to show it off, New York as a design story is arguably a massive late pass. But, as MoMA Store proves by selecting the Big Apple as this year’s…

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Portraits of 4 sisters every year for 36 years

Découverte de ce concept et de cette série photo en noir et blanc durant 36 années du visage des 4 sœurs. Un travail illustrant le temps qui passe par le photographe Nicholas Nixon, extrait du livre « The Brown Sisters » édité par le MoMA. Voici les clichés de 1975 à 2010 dans la suite, afin de suivre l’évolution.

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MoMA in May: New exhibitions, extended hours and an interactive café hit the MoMA

MoMA in May


by Stephen Pulvirent There are a lot of new things going on at the New York Museum of Modern Art this May. A few new exhibitions, the 100th installation in the Projects series, an interactive studio café and even a new schedule all come into play. To keep you…

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MoMA to demolish Williams and Tsien folk art museum

MoMA to demolish Williams and Tsien folk art museum, photo by Dan Nguyen

News: the Museum of Modern Art in New York is to raze the former American Folk Art Museum next door just 12 years after its completion by US architects Tod Williams and Billie Tsien.

The bronze-clad museum, which opened its doors in December 2001, will be demolished and replaced with a glass-fronted building linking MoMA’s existing space on West 53rd Street with a planned 82-storey tower designed by French architect Jean Nouvel.

The American Folk Art Museum, which holds a collection of paintings, sculptures and crafts by self-taught and outsider artists, was sold to MoMA in 2011 to pay off a $32 million loan. It currently exists at a smaller site on Lincoln Square, further north in Manhattan.

While the MoMA director Glenn D. Lowry said the demolition was not a comment on the architectural quality of the building, the news was met with disappointment by Tsien, who told the New York Times she saw the building as a “beloved small child”.

“It’s a kind of loss for architecture,” she said, “because it’s a special building, a kind of small building that’s crafted, that’s particular and thoughtful at a time when so many buildings are about bigness.”

The expansion across both the folk art museum site and the Nouvel building will provide MoMA with approximately 4600 square metres of additional floor space.

When Nouvel’s tower is complete in 2017 or 2018, its second, fourth and fifth floors will line up with the same levels in MoMA’s existing building over the road, but the art museum is still deciding what to put at ground level on the site of Williams and Tsien’s building.

In January this year, the architects’ Barnes Foundation art gallery in Philadelphia won an Institute Honor Award from the American Institute of Architects.

A major retrospective of the work of modernist architect Le Corbusier opens at MoMA this June – see all news about MoMA and see more architecture in New York.

Photograph by Dan Nguyen.

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LittleBits at MoMA Design Store: Oversized kinetic sculptures made of minuscule components take over

LittleBits at MoMA Design Store


Small objects make big waves as the MoMA Design Store unveils a series of kinetic sculptures created from LittleBits electronic elements. Essentially the Legos of electrical…

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Milton Glaser ShopTalk: Memorable moments from our recent talk with the lauded designer

Milton Glaser ShopTalk

Now 83 years old, Milton Glaser has become a name synonymous with meaningful graphic design. With a decades-long career under his belt that includes creating the iconic “I (Heart) NY” logo and many others, as well as co-founding Pushpin Studios and New York Magazine, the beloved designer is still…

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MoMA announces major Le Corbusier retrospective

Le Corbusier: An Atlas of Modern Landscapes

News: a major retrospective of the work of celebrated architect Le Corbusier is to open at the Museum of Modern Art in New York this June.

Entitled Le Corbusier: An Atlas of Modern Landscapes, the exhibition will feature the architecture, design, art, photography and writings of the French architect, with a focus on the different places, buildings and landscapes he visited and imagined throughout his life and career.

The show will be divided into four sections, covering the landscape of found objects, the domestic landscape, the architectural landscape of the modern city and the vast territories the architect masterplanned. It will include five reconstructed interiors, as well as silent movies made by Le Corbusier in the 1930s, original models, sound recordings and watercolour paintings.

Le Corbusier: An Atlas of Modern Landscapes

The exhibition is set to open at the Museum of Modern Art (MoMA) on 15 June and will run until 23 September. It will be curated by architect and historian Jean-Louis Cohen and will also travel to the Fundació “la Caixa” museums in Madrid and Barcelona in 2014.

Le Corbusier is commonly regarded as one of the architectural masters of the twentieth century. Born in 1887 under the name Charles-Édouard Jeanneret, he coined the pseudonym in the 1920s, before going on to design iconic buildings such as the Villa Savoye in Poissy (model pictured, top), the Chapel of Notre Dame du Haut in Ronchamp and the Unité d’Habitation in Marseille.

See all our stories about Le Corbusier, or see more stories about MoMA.

Le Corbusier: An Atlas of Modern Landscapes

Here’s the full press release from MoMA:


The Museum of Modern Art presents major retrospective on the full range of Le Corbusier’s artistic output

For the first time in its history, The Museum of Modern Art presents a comprehensive exhibition on the work of Le Corbusier (Charles-Édouard Jeanneret, French, born Switzerland, 1887–1965), encompassing his work as architect, interior designer, artist, city planner, writer, and photographer. An Atlas of Modern Landscapes, on view from June 15 through September 23, 2013, reveals the ways in which Le Corbusier observed and imagined landscapes throughout his career, using all the artistic mediums and techniques at his disposal, from early watercolors of Italy, Greece, and Turkey, to sketches of India, and from photographs of his formative journeys to architectural models of his large-scale projects. All of these dimensions of his artistic process, including major paintings and five reconstructed interiors, are presented in the largest exhibition ever produced in New York of Le Corbusier’s protean and influential oeuvre. Le Corbusier: An Atlas of Modern Landscapes draws on MoMA’s own collection, and substantially on exclusive loans from the Paris-based Le Corbusier Foundation. MoMA is the only U.S. venue for the exhibition, which will travel to Fundació “la Caixa” in Madrid (April 1–June 29, 2014), and to Fundació “la Caixa” in Barcelona (July 15–October 19, 2014). The exhibition is organized by guest curator Jean-Louis Cohen, Sheldon H. Solow Professor in the History of Architecture, Institute of Fine Arts, New York University, with Barry Bergdoll, The Philip Johnson Chief Curator of Architecture and Design at MoMA.

Le Corbusier constantly observed and imagined landscapes. These are deployed panoramically in the exhibition not only through his paintings and drawings of sites and cities, but also through original models, photographs, sound recordings, and even recently discovered silent films shot by Le Corbusier himself in the 1930s. Following a path from his youth in the Swiss Jura mountains to his death on the shores of the French Riviera, the exhibition focuses on four types of landscapes, observed or conceived at different scales, and documented in all the genres he practiced during six decades: the landscape of found objects; the domestic landscape; the architectural landscape of the modern city; and the vast territories he planned.

From the “typical objects” featured in his Purist still lifes to the “objects of poetic reaction” that inspired his paintings from the 1930s through the 1950s, the landscape of found objects is mainly documented with major paintings by Le Corbusier. Beginning with the interiors he designed for the watch-making industry of his native La Chaux-de-Fonds, in Switzerland, five reconstructed interiors, featuring original furniture, vividly present his concepts for domestic landscapes, and the notion of houses operating as machines to view landscapes. The dialectic between the picturesque perception of city form and the grand patterns that determined many of his large building projects is revealed as the generator of his architectural landscapes. Finally, projects such as the plans for Rio de Janeiro or Algiers, born out of the interpretation of urban geography, and the designs for the new Indian city of Chandigarh reveal how extended territories were interpreted as open landscapes.

Twenty-five years after Le Corbusier, une encyclopédie, published in Paris on the occasion of the centennial of his birth, a major multi-author sourcebook mapping Le Corbusier’s projects, plans, and worldwide travel will be published, under the same title as the exhibition, by The Museum of Modern Art. Building on the notion of the centrality of concepts of landscape and territory in the work of Le Corbusier, the publication brings together an array of authoritative but fresh viewpoints, and promises to provide a reference tool for years to come.

Le Corbusier: An Atlas of Modern Landscapes
June 15–September 23, 2013
The Joan and Preston Robert Tisch Exhibition Gallery, sixth floor

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Wall of skateboard offcuts wins MoMA/PS1 Young Architects Program 2013

News: American studio CODA has won this year’s MoMA/PS1 Young Architects Program competition and will insert a wall made from skateboard offcuts into the courtyard of the PS1 Contemporary Art Centre in New York.

Party Wall by CODA at PS1

The Young Architects Program is an annual contest organised by the Museum of Modern Art (MoMA) that invites emerging studios to propose a temporary installation that can host the summer events of the PS1 Contemporary Art Centre.

CODA‘s winning proposal, entitled Party Wall, is for a linear structure that will incorporate events spaces, seating areas, stages and projections areas, as well as pools of water that will function as “cooling stations”.

Party Wall by CODA at PS1

The installation will have a steel frame weighted down by a system of water-filled polyester pillows. More water will stream along the top of the wall, turning the structure into a large fountain, and clouds of mist will be generated from the water to cool down visitors during the hot summer season.

The interlocking cladding panels will be made from wooden offcuts donated by a skateboard manufacturer and some of them will be removable and used to build tables and benches.

Party Wall by CODA at PS1

“CODA’s proposal was selected because of its clever identification and use of locally available resources – the waste products of skateboard-making – to make an impactful and poetic architectural statement within MoMA PS1’s courtyard,” said MoMA curator Pedro Gadanho. “Party Wall arches over the various available spaces, activating them for different purposes, while making evident that even the most unexpected materials can always be reinvented to originate architectural form and its ability to communicate with the public.”

PS1 director Klaus Biesenbach added: “CODA developed an outstanding, iconic design that will support the many social functions connected to our large-scale group exhibition EXPO 1: New York, while creating a unique and stunning object for our outdoor galleries.”

Party Wall by CODA at PS1

CODA is an experimental design and research studio led by architect and university professor Caroline O’Donnell.

Party Wall is set to open in Long Island City at the end of June.

At Ps1 last year HWKN created a giant blue spiky sculpture that helped to clean the air, which has since been relocated to Abu Dhabi. Other installations at the gallery include a twisted rope canopy and a set of swinging poles.

See more stories about PS1 and MoMA »

Here’s the full press release:


CODA selected as winner of the 2013 Young Architects Program AT MoMA PS1 in New York

CODA’S Party Wall to Provide the Setting for the Warm Up Summer Music Series in the Courtyard of MoMA PS1

The Museum of Modern Art and MoMA PS1 announce CODA (Caroline O’Donnell, Ithaca, NY) as the winner of the annual Young Architects Program (YAP) in New York. Now in its 14th edition, the Young Architects Program at MoMA and MoMA PS1 is committed to offering emerging architectural talent the opportunity to design and present innovative projects, challenging each year’s winners to develop creative designs for a temporary, outdoor installation at MoMA PS1 that provides shade, seating, and water. The architects must also work within guidelines that address environmental issues, including sustainability and recycling. CODA, drawn from among five finalists, will design a temporary urban landscape for the 2013 Warm Up summer music series in MoMA PS1’s outdoor courtyard.

The winning project, Party Wall, opening at MoMA PS1 in Long Island City in late June, is a pavilion and flexible experimental space that uses its large-scale, linear form to provide shade for the Warm Up crowds, in addition to other functions.

The porous façade is affixed to a tall self-supporting steel frame that is balanced in place with large fabric containers filled with water, and clad with a screen of interlocking wooden elements donated by Comet, an Ithaca-based manufacturer of eco-friendly skateboards.

The lower portion of the Party Wall’s façade is capable of shedding its “exterior,” as 120 panels can be detached from the structure and used as benches and communal tables during Warm Up and other diverse events and programs such as lectures, classes, performances, and film screenings.

A shallow stage of reclaimed wood weaves around Party Wall’s base to create a series of micro-stages for performances of varying types and scales. At various locations under the structure, pools of water serve as refreshing cooling stations that can also be covered to provide additional staging space or a shaded area from the direct sunlight.

Party Wall’s steel-angle structure is ballasted by water-filled “pillows” made of polyester base fabric that will be lit at night to produce a luminous effect. Party Wall acts as an aqueduct by carrying a stream of water along the top of the structure. The water is projected from the structure, via a pressure-tank, into a fountain that feeds a misting station and a series of pools.

The other finalists for this year’s MoMA PS1 Young Architects Program were Leong Architects (New York, NY, Dominic Leong, Chris Leong); Moorhead & Moorhead (New York, NY, Granger Moorhead, Robert Moorehead); TempAgency (Charlottesville, VA, and Brooklyn, NY, Leena Cho, Rychlee Espinosa, Matthew Jull, Seth McDowell); and French 2D (Boston, MA, and Syracuse, NY, Anda French, Jenny French).

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Pac-Man, Tetris Join MoMA Collection; Mario, Zelda Soon to Follow

Ready your joysticks and cheat codes, design fans, because the Museum of Modern Art has opened its collection to video games. The initial selection of 14, ranging from Pac-Man and Tetris to Passage and Canabalt, is “the seedbed for an initial wish list of about 40 to be acquired in the near future, as well as for a new category of artworks in MoMA’s collection that we hope will grow in the future,” wrote MoMA curator Paola Antontelli in a recent post on the museum’s blog.

The newly acquired games will be installed at the museum in March 2013. Among the titles that MoMA is looking to add are some classics–Pong, Space Invaders, Donkey Kong, Super Mario Bros–and some wild cards (we didn’t see Marble Madness coming). Here’s hoping that Duck Hunt and Paperboy will eventually take their place alongside Pollocks and Picassos. So, does this mean that video games are art? “They sure are, but they are also design, and a design approach is what we chose for this new foray into this universe,” notes Antonelli. “The games are selected as outstanding examples of interaction design–a field that MoMA has already explored and collected extensively, and one of the most important and oft-discussed expressions of contemporary design creativity.”

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