Micro house by Yasutaka Yoshimura slotted between two huge windows

This tiny seaside home in Kanagawa by Japanese office Yasutaka Yoshimura Architects is contained within little more than a pair of oversized windows raised up on stilts (+ slideshow).

Window House by Yasutaka Yoshimura Architects

Yasutaka Yoshimura designed the small building as a weekend house for a single resident and positioned it on a site measuring just three by eight metres on the edge of Sagami Bay.

Window House by Yasutaka Yoshimura Architects

Named Window House, the residence holds all its living spaces in the narrow gap between two framed windows, which offer views west towards the distant Mount Fuji from both inside the house and behind it.

Window House by Yasutaka Yoshimura Architects

“It seemed too difficult to avoid blocking the view of the neighbourhood behind. So I designed a large opening of the same size as the sea side on the road side in order to keep the view passing through the building in the absence of the owner,” said Yoshimura.

Window House by Yasutaka Yoshimura Architects

“It stands between land and sea and became a house as a window to see through,” he added.

Window House by Yasutaka Yoshimura Architects

The house is raised off the ground on concrete pilotis to protect it from high tides. This creates a sheltered patio underneath with a view of the shoreline.

Window House by Yasutaka Yoshimura Architects

Concrete blocks with triangular profiles lead up into the house, arriving at a dining room and kitchen on the first floor. An indoor staircase ascends to a living room and then on to a tiny bedroom.

Window House by Yasutaka Yoshimura Architects

There’s also a small storage loft slotted beneath a floor, which can be accessed using a ladder that is fixed in a vertical position.

Window House by Yasutaka Yoshimura Architects
Floor plans – click for larger image
Window House by Yasutaka Yoshimura Architects
Sections – click for larger image
Window House by Yasutaka Yoshimura Architects
East and north elevations – click for larger image
Window House by Yasutaka Yoshimura Architects
South and west elevations – click for larger image

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Translucent fabric divides Aesop store in Kyoto by Simplicity

Sheets of translucent black material separate areas of this Aesop skincare store in Kyoto by Japanese studio Simplicity (+ slideshow).

Aesop store in Kyoto by Simplicity

Simplicity took different elements from Japanese artistic principles through the ages and applied them to the Aesop shop interior.

Aesop store in Kyoto by Simplicity

“The design draws inspiration from Jun’ichirō Tanizaki’s In Praise of Shadows, the aesthetics of fourteenth-century actor and playwright Zeami Motokiyo, Kyoto’s machiya townhouses and the vertical alignment of Japanese text,” said the designers.

Aesop store in Kyoto by Simplicity

Bottles of the skin and haircare products are hung in columns against the sheer fabric to reference vertical Japanese calligraphy.

Aesop store in Kyoto by Simplicity

An antique water pump installed in an alcove can be spotted through the large glazed section of wall facing the street.

Aesop store in Kyoto by Simplicity

On entering the store, shoppers walk up a ramp and past a shelf displaying a selection of Aesop products before emerging into the main space behind the veils.

Aesop store in Kyoto by Simplicity

Past the blinds, the floor changes from dark polished concrete to a clean white surface.

Aesop store in Kyoto by Simplicity

Copper plumbing runs down from the ceiling and branches into taps, which are positioned over sinks set into white islands.

Aesop store in Kyoto by Simplicity

Lamps hang off the pipes like climbing plants and the cashier’s desk is also clad in copper. More products are on show in rounded niches set into the stark white walls.

Aesop store in Kyoto by Simplicity

Three of the brand’s signature bottles are also presented outside the store, attached to a horizontal grey element that contrast with the white facade.

Aesop store in Kyoto by Simplicity

When we spoke to Aesop’s founder Dennis Paphitis, he explained why no two of the brand’s stores have the same design. Another Aesop store that recently opened in Kyoto features lighting previously used on squid fishing boats.

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Cedar-clad villa by Naka Studio shelters a huge terrace beneath its roof

Toshiharu Naka of Tokyo-based Naka Studio added an asymmetric roof with overhanging eaves to this house in a Japanese skiing village to create a huge sheltered terrace for residents (+ slideshow).

Villa in Hakuba by Naka Studio

Located within a patch of woodland in Nagano Prefecture, Villa in Hakuba was designed to adapt to a dramatically changing climate that switches between heavy snowfall in winter and soaring temperatures in summer.

Villa in Hakuba by Naka Studio

Toshiharu Naka said he wanted to create a house that could open itself up to the surrounding woods, unlike the typical houses of the area that are raised a metre off the ground to protect them from deep snow.

Villa in Hakuba by Naka Studio

“As a result, these houses are visually and functionally separated from the surrounding nature,” he explained.

Villa in Hakuba by Naka Studio

To avoid this, the architect built a large polycarbonate roof canopy that shelters both the house and patio from snowfall.

Villa in Hakuba by Naka Studio

“This large roof, made of polycarbonate panels to bear the weight of severe snow, is transparent to gain a lot of sunlight onto the roofed terrace. So, we can enjoy time and light in the forest,” he added.

Villa in Hakuba by Naka Studio

Three ladders are positioned around the edges so that residents can hang curtains around the terrace. In summer these are nets to keep out mosquitoes, while in winter they are made of plastic to keep the heat in.

Villa in Hakuba by Naka Studio

Sliding glass doors connect the patio with the main family room, which accommodates living, dining and kitchen areas, but can also be transformed into a bedroom by extending the length of a built-in bench.

Villa in Hakuba by Naka Studio

Stairs lead up to a small study on an intermediate floor, then continue up to a larger bedroom space on the first floor.

Villa in Hakuba by Naka Studio

The bathroom is housed within a small shed at the centre of the terrace and residents can use one of the ladders to climb onto its roof.

Villa in Hakuba by Naka Studio

Exterior walls are clad with pale cedar siding and a concrete floor slab enables a passive geothermal heating system that gently warms and cools the house.

Villa in Hakuba by Naka Studio

Photography is by Torimura Koichi.

Read on for a project description from Toshiharu Naka:


Villa in Hakuba

This small villa is an environmental device, where we can find ourselves as a part of nature throughout the year.

This villa is built in Hakuba, famous for its international snow resort. In this area, many houses have ground floor, which is set at 1 metre high from the ground because of the deep snow. As a result, these houses are visually and functionally separated from the surrounding nature.

Villa in Hakuba by Naka Studio

So, I set the large roof upon the site at first, which enables a floor continuous with the ground level. This large roof, made of polycarbonate panels to bear the weight of severe snow, is transparent to gain a lot of sunlight onto the roofed terrace. So, we can enjoy time and light in the forest.

Villa in Hakuba by Naka Studio

These architectural components work as a passive system at the same time. The floor, continuous with the ground, gains geothermal heat to store the slab under the floor. Surrounding snow works as an insulation in an environment below the freezing point. The transparent roof builds double skin, which enables natural ventilation by sunlight in summer and avoids ice dam problem in winter.

Villa in Hakuba by Naka Studio

Architecture: Toshiharu Naka / Naka architects studio
Structural Engineer: Hirotsugu Tsuboi
Thermal analysis: Yoshitsugu Yamamoto
Location: Hakuba, Nagano Pref. Japan
Area: 84 sqm

Villa in Hakuba by Naka Studio
Concept diagram – click for larger image
Villa in Hakuba by Naka Studio
Site plan – click for larger image
Villa in Hakuba by Naka Studio
Ground floor plan – click for larger image
Villa in Hakuba by Naka Studio
First floor plan – click for larger image
Villa in Hakuba by Naka Studio
Summer section – click for larger image
Villa in Hakuba by Naka Studio
Winter section – click for larger image

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Fukita Pavillon in Japan

L’architecte japonais Ryue Nishizawa a imaginé dans une zone résidentielle à Kagawa une structure extérieure pensée autour d’un arbre en son centre. Invitant à la relaxation et au confort, cette jolie création appelée « Fukita Pavillion » est une tente géante à découvrir en images dans la suite de l’article.

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Fukita Pavillon in Japan4
Fukita Pavillon in Japan3
Fukita Pavillon in Japan2
Fukita Pavillon in Japan
Fukita Pavillon in Japan6

Squair Curvaceous Bumper for iPhone 5: Machined aluminum offers protection and a soft, elegant edge to Apple’s latest smartphones

Squair Curvaceous Bumper for iPhone 5


Few protective cases match the sophisticated design of the iPhone—though rare, they are out there. Take the fantastically named Curvaceous Bumper for iPhone 5 and 5s from Japanese accessories brand Squair, for example. Made entirely in…

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Jun Igarashi’s Case house comes with two twisting staircases

A wooden ladder and a pair of winding steel staircases link the rooms of this lofty house in Sapporo, Japan, by Jun Igarashi Architects (+ slideshow).

Case house with two staircases by Jun Igarashi Architects

Named Case, the three-storey residence was designed by Japanese firm Jun Igarashi Architects to centre around a family living room with a seven-metre-high ceiling, from which residents can see into almost every other room of the house.

Case house with two staircases by Jun Igarashi Architects

The first of two lightweight steel staircases curves up from the living room to lead to a wooden mezzanine just below the roof, which can be used as a study, a children’s playroom, or simply as a corridor.

Case house with two staircases by Jun Igarashi Architects

Another staircase winds down from this level to a bedroom on a second mezzanine, while a third platform is positioned directly above and can be accessed by climbing a wooden ladder that clips around the edge of the floor.

Case house with two staircases by Jun Igarashi Architects

All three wooden lofts are connected to ceiling by slender steel rods, which double as supports for handrails that extend around both the floors and the staircases.

Case house with two staircases by Jun Igarashi Architects

A full-height partition runs along one side of the living room to separate it from the adjacent kitchen, but a large rectangular hole in its centre allows a view into not only this space, but the bedroom and storage level overhead.

Case house with two staircases by Jun Igarashi Architects

Rather than adding simple doorways between rooms on the ground floor, the architects built three curvy corridors that extend out beyond the house’s rear wall. One leads to bathroom spaces at the back, while another sits at the end of a long and narrow entrance lobby.

Case house with two staircases by Jun Igarashi Architects

Externally, the house is surrounded by vertical wires that the architects hope will become a framework for climbing plants.

Case house with two staircases by Jun Igarashi Architects

Photography is by Daici Ano.

Here’s a short project description from Jun Igarashi Architects:


Case

This house is located on the suburb of the city of Sapporo. The site is a typical suburban subdivision and height difference between the road is large. Footprint isdetermined by building coverage and wall retreat of the architectural law and the slope of the site approach.

Case house with two staircases by Jun Igarashi Architects

I set the long corridor of entrance as a buffer zone (windbreak room) between the large heat load space.

Case house with two staircases by Jun Igarashi Architects

Because of the site area is small, to set the buffer space into the inside is difficult. So I spread the thoughts and invent the space of growing plant on stainless steel wire around the house as the new type of buffer zone between outside and inside.

Case house with two staircases by Jun Igarashi Architects

Location: Sapporo, Hokkaido
Principal use: Private residence
Design period: 2011
Construction period: 2011-2012

Case house with two staircases by Jun Igarashi Architects

Architects: Jun Igarashi Architects
Structural engineer: Daisuke Hasegawa & Partners
Construction firm: Oooka Industry

Case house with two staircases by Jun Igarashi Architects

Site area: 197.50 sqm
Building area: 50.52 sqm
Total floor area: 80.84 sqm
Number of storeys: 3 above ground
Structure: Timber frame

Case house with two staircases by Jun Igarashi Architects
Cross section – click for larger image
Case house with two staircases by Jun Igarashi Architects
Floor plans – click for larger image

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Atelier Tekuto creates an angular house with a pattern of pointy skylights

A geometric pattern of skylights frames views of the sky from inside this angular white residence in Tokyo by Japanese firm Atelier Tekuto (+ slideshow).

Atelier Tekuto creates an angular house with a pattern of pointy skylights

Named Monoclinic House, the building was designed by Atelier Tekuto to accommodate a small three-level home for the client as well as a pair of compact studio apartments for rent.

Atelier Tekuto creates an angular house with a pattern of pointy skylights

When viewed from the street, the house appears to have no perpendicular edges. The skylights, which comprise a square and four triangles, are positioned on a diagonal surface that could be described as a wall or a ceiling.

Atelier Tekuto creates an angular house with a pattern of pointy skylights

“We have designed a few polyhedron houses, as they are often effective solutions in small and congested lots in urban residential districts,” said the architects, explaining how the angular surfaces also help rainwater to drain off the walls.

Atelier Tekuto creates an angular house with a pattern of pointy skylights

The main residence is positioned at the front of the building. The living room is on the first floor and benefits from a five metre-high ceiling at the front, allowing the skylights to bring daylight through both this space and a mezzanine bedroom above.

Atelier Tekuto creates an angular house with a pattern of pointy skylights

“One of the key concepts was to ‘design the sky’, because when designing a house in an urban context surrounded by buildings, the sky is the most important natural element in direct contact with architecture,” added the architects. “The top plane of this polyhedron form becomes a large top light, connecting the living space with the sky.”

Atelier Tekuto creates an angular house with a pattern of pointy skylights

A spiralling staircase with cantilevered metal treads leads down to another room that can be used as a garage or workshop, while the two single-room apartments are tucked away behind.

Atelier Tekuto creates an angular house with a pattern of pointy skylights

Entrances are positioned at different points around the perimeter, including one that is recessed into a narrow front wall.

Atelier Tekuto creates an angular house with a pattern of pointy skylights

All of the outer walls are covered with white render, while concrete surfaces are left exposed throughout the building’s interior.

Atelier Tekuto creates an angular house with a pattern of pointy skylights

Photography is by Toshihiro Sobajima.

Here are some more details from Atelier Tekuto:


Monoclinic

This house consists of a garage and two studio-type apartments for rent. Our client asked me to design architecture similar to “Reflection of Mineral” that we completed in 2006. Therefore basic concepts of ‘Mineral’ are taken into consideration. In order to further evolve from our previous design we focus on the following three issues:

1. Form should be carefully considered to protect white walls from dirt from rainwater.
2. Design and detailing of large skylight
3. Selection of materials to minimise cost.

Atelier Tekuto creates an angular house with a pattern of pointy skylights

The living room provides a unique and impressive space; it is narrow (15.8 m2 in floor area), its highest ceiling height is 5.5 metres, and a large quadrilateral skylight (18.2m2) connects the space to the sky. Square panel, punctured with smaller square in the middle, is inscribed in the quadrilateral shape, and dramatic contrast of light and shadow provides a new perceptive experience.

Atelier Tekuto creates an angular house with a pattern of pointy skylights

I have been exploring possibilities of polyhedron architecture in small lots of Tokyo for ten years. Moreover it is my long-time challenge to liberate one’s five senses with eye-opening spatial. This project is one of such successful cases.

Atelier Tekuto creates an angular house with a pattern of pointy skylights
Floor plans – click for larger image

Date of completion: September 2013
Location: Setagaya-ku, Tokyo
Program: Private house + apartments for rent
Site area: 85.92 sqm
Building area: 42.61 sqm
Total floor area: 90.82 sqm
Structure: Reinforced concrete
Architectural design: Yasuhiro Yamashita and Azusa Ishii/Atelier Tekuto
Structural engineer: Jun Sato and Yoshihiro Fukushima/Sato Structural Engineers
Construction: Yoshiya Uchida and Masaru Shibasaki/Uchida Sangyo

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Kengo Kuma stacks wooden layers inside office and cafe

Japanese architect Kengo Kuma has layered wooden boards to create striations inside this workspace and cafe for an online restaurant guide based in Osaka (+ slideshow).

Gurunavi cafe and office by Kengo Kuma

Kengo Kuma designed the interiors of two spaces for Gurunavi: one that’s used as a physical base and information centre for the Japanese restaurant guide and another that serves as a cafe.

Gurunavi cafe and office by Kengo Kuma

Both follow the same design language, with surfaces created using layers of plywood to create a landscape that functions as furniture.

Gurunavi cafe and office by Kengo Kuma

“We piled up pieces of wooden panels to build the interior like topography,” said Kuma. “Various kinds of food-related items are laid out on this wooden ground.”

Gurunavi cafe and office by Kengo Kuma

At the Shun*Shoku Lounge cafe, the wooden boards are stacked from floor to ceiling in one corner and create a counter in the centre plus seating around the sides.

Gurunavi cafe and office by Kengo Kuma

Similarly in the workspace, the strata wrap around the edges of the room and extend out at various heights to form shelving, desks and seating.

Gurunavi cafe and office by Kengo Kuma
Shun*Shoku Lounge

The two spaces are both enclosed by glass walls on three sides and a solid wall at the back. They are separated by a tunnel that leads to further retail units at Osaka’s main railway station.

Gurunavi cafe and office by Kengo Kuma

A similar layering effect also features in Kuma’s design for the V&A museum in Dundee, which was granted planning permission in August last year.

Gurunavi cafe and office by Kengo Kuma

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Ryo Matsui’s Hairdo salon has a transparent house-shaped facade

In our second story today from Japanese firm Ryo Matsui Architects, a glazed facade reveals the two-storey interior of a house-shaped hair salon in Chiba, Japan (+ slideshow).

Hairdo by Ryo Matsui Architects

Ryo Matsui Architects designed the Hairdo beauty salon with a simple interior of plain white walls and timber surfaces, leaving roof trusses and other structural elements exposed.

Hairdo by Ryo Matsui Architects

Located next to Chiba’s train station, the salon’s transparent frontage allows pedestrians to look straight through and see what’s happening on both floors of the building.

Hairdo by Ryo Matsui Architects

“The big glass facade viewed from the frontal road raises the internal aspect and contributes a sense of unity,” the architects explained.

Hairdo by Ryo Matsui Architects

Glass entrance doors lead into a reception and waiting area that occupies the front half of the ground floor.

Hairdo by Ryo Matsui Architects

A row of mirrors and chairs are fixed down the side of the far wall, while a shampoo and colour area is tucked away at the rear along with a small courtyard.

Hairdo by Ryo Matsui Architects

Upstairs, a styling area covers much of the large open-plan space, with a staff room and extra shampoo area towards the back.

Hairdo by Ryo Matsui Architects

Photography is by Daici Ano.

Here’s a project description from the architects:


Hairdo hair salon

This salon is located in the prefectural road in front of Chiba Station where a monorail comes and goes.

Hairdo by Ryo Matsui Architects

We planned the two-story hair salon. In a condition called the ten years fixed-term land leasehold, it is required the coexistence as an intelligent architecture and effective interior.

Hairdo by Ryo Matsui Architects

In the big roof covering the second floor as a main, it is made from a gabled roof-shaped by the warren truss with a light steel frame.

Hairdo by Ryo Matsui Architects

It is matched up steel materials as thin as possible, for example chord members of 60×60mm, lattices of 40×40mm, and roof purlins of 60×30mm.

Hairdo by Ryo Matsui Architects

The contrast of the structure painted white and sheathing boards, applying to the furniture and fixtures, let them fused their visual expression.

Hairdo by Ryo Matsui Architects

The facade of the big glass viewed from the frontal road, raises the internal aspect contributed a sense of unity.

Ground and first floor plans of Hairdo by Ryo Matsui Architects
Ground and first floor plans – click for larger image

In restrictive temporal axis, it is expected that the salon is integrated into as a picture frame of the city to contribute to local activation.

Section of Hairdo by Ryo Matsui Architects
Section – click for larger image

Building Site: Chiba-shi, Chiba
Principal Use: Hair salon
Architect: Ryo Matsui Architects Inc.
Structural Design: Ryo Kuwako
Construction: Nichinan Iron Corporation
Site Area: 141.99 m² Shampoo Area
Architectural Area: 106.7 m²
Total Floor Area: 220.8 m²
1st Floor Area: 113.41 m²
2nd Floor Area: 106.67 m²
Structure: Steel construction

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Four-storey house with tree-lined balconies by Ryo Matsui Architects

Trees line the protruding balconies of this concrete house in Nagoya, Japan, by Tokyo studio Ryo Matsui Architects (+ slideshow).

Balcony House by Ryo Matsui Architects

Named Balcony House, the four-storey dwelling was designed by Ryo Matsui Architects with three large balconies and a roof terrace that give views of the surrounding city, but are also screened behind planted trees.

Balcony House by Ryo Matsui Architects_dezeen_3

“The two metre wide balcony becomes the buffer area with the road and takes on the function of eaves,” said the architect. “We suggest that the balconies have a beneficial influence, not only for the interior, but they become part of the new cityscape.”

Balcony House by Ryo Matsui Architects_dezeen_4

Trees planted on the first and the second floor balconies can grow taller through openings in the floor slabs above.

Balcony House by Ryo Matsui Architects_dezeen_6

A side entrance leads into the house and ascends directly upstairs, bypassing two parking spaces and a study on the ground floor.

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A child’s playroom is located towards the rear of the first floor, while a glass wall exposes the stairwell and an en suite bedroom lined with wooden panels opens out onto the first balcony.

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On the second floor, dark wooden panels cover the walls and ceilings of the kitchen and living room, contrasting with sections of exposed concrete that shows the marks of its timber formwork.

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The third floor features a bathroom and a walk-in-wardrobe, accessed by a central corridor. An L-shaped balcony with timber decking wraps around the front bedroom.

Balcony House by Ryo Matsui Architects_dezeen_8

A outdoor staircase lead up from the third balcony to the roof terrace, which features an al fresco dining area with plants built into the decking.

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Photography is by Daici Ano.

Here is some more information from the architect:


The Balcony House

The balconies and new cityscape

In the residential area which have a low-rise building apartment complex and new houses with small balconies, we designed RC 4-floor house.

Balcony House by Ryo Matsui Architects

In Japan, especially the centre of Tokyo, the house next to each other extremely approaches the site boundary.

Balcony House by Ryo Matsui Architects_dezeen_11
Axonometric showing balcony exterior

Although it is the place where we want to expect the openness to the frontal road necessarily, the site facing each other is the same condition.

Balcony House by Ryo Matsui Architects_dezeen_12
Ground floor

There are small balconies, and the planters for blindfolds.

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First floor

It is not exaggeration even if it is said that balconies influence the cityscape in the crowd place of the residential area. The two-metre wide balcony becomes the buffer area with the road and takes on the function of eaves.

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Second floor

Getting plants grown wild by keeping enough depth of the balconies, it is higher than an upper balcony and brought it up. We suggest that the balconies have a beneficial influence not only for the interior, but they become part of the new cityscape.

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Third floor

Project name: Balcony House
Building Site: Minato-ku
Tokyo Architect: Ryo Matsui Architects Inc.
Structure Design: Akira Suzuki / ASA
Principal use: Private house

Balcony House by Ryo Matsui Architects_dezeen_16
Rooftop balcony

Architectural Area: 118.58 m²
Total Floor Area: 202.6 m²
1st Floor Area: 113.41 m²
2nd Floor Area: 106.67 m²
3rd Floor Area: 113.41 m²
4th Floor Area: 106.67 m²
Main Structure: Reinforced Concrete
Design Period: 2011.7-2012.6
Construction Period: 2012.7-2013.2

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by Ryo Matsui Architects
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