House in Rokko by Tato Architects

This hilltop house by Japanese studio Tato Architects comprises a metal barn on top of a glass box (+ slideshow).

House in Rokko by Tato Architects

Located between a mountainous district and the harbour-side town of Kobe in southern Japan, the two-storey House in Rokko contains a kitchen and dining room inside its transparent ground-level storey.

House in Rokko by Tato Architects

A balcony surrounds the gabled first floor, creating an overhang that shades the glazed facade below.

House in Rokko by Tato Architects

Upstairs, the bathroom is separated by a transparent glass partition.

House in Rokko by Tato Architects

During construction, the foundations had to be dug by hand as no machines were able to climb the steep terrain to reach the site, while the streel structure had to be pieced together from sections small enough to be carried up one by one.

House in Rokko by Tato Architects

We’ve featured a few houses in Japan with glazed bathrooms, including one with a garden behind its walls and one with a whole room dedicated to plants.

House in Rokko by Tato Architects

See more Japanese houses on Dezeen »

House in Rokko by Tato Architects

Here’s a project description from Tato Architects:


House in Rokko

Looking for the way an architecture does not fix the affect to the environment too much I have been somewhat anxious about what an architecture in a place commanding a fine view should be. It is the state of affairs freezing affect towards the environment. What is the way, while enjoying the view, not to be dominant to the environment?

House in Rokko by Tato Architects

At an end of the residential area developed in the past halfway up Mt. Rokko the site was broad but too steep to bring in heavy machines for driving piles. A plane of 3.5 m by 13.5 m was left when a sufficient distance was secured, for manual digging for foundation, from the old breast wall and heaped soil.

House in Rokko by Tato Architects

The site was not necessitating much anxiety about people’s eyes. As people’s eyes from below would not reach the first floor, the first floor was walled with glass all around so that the fine view could be commanded to full extent, which was equipped with kitchen and visitor’s toilet.

House in Rokko by Tato Architects

The first floor, while functioning as what is called LDK, was assumed to be used for such varieties of activities out of daily life as treating guests, creating music with friends, or taking care of his bicycles.

House in Rokko by Tato Architects

A bedroom, storing facilities, facilities using water were arranged on the second floor, which was leveled high with a roof of conventional appearance to join in the existing rows of old houses. The high- leveled second floor was walled around with wide openings distributed equally for the ease of natural ventilation.

House in Rokko by Tato Architects

Thermal storage system using midnight electricity was laid into slab concrete and on the second floor far-infrared radiation film floor heating system was supplemented. And in summer it is expected that balcony and eaves will block the sunlight and breeze from Mt. Rokko will carry indoor heat through.

House in Rokko by Tato Architects

Steel-frame construction was adopted complying with the client’s wishes. As physical labor was obliged, small 100 mm by 100 mm H-section steel was selected and each construction material was limited to weigh about 100 kg for carrying up to the site.

House in Rokko by Tato Architects

Steel plate of 4.5 mm thick was laid for the cantilever balcony all around to make up for the loss of level structural plane caused by a large cutout of the second floor for stairway.

House in Rokko by Tato Architects

Observing the environment carefully without responding downright resulted in this house of hollow bare mortar floor ceilinged high and walled around with glass.

House in Rokko by Tato Architects

I feel I have found a way to cope, on an equal footing, with the environment peculiar to this scenic site where the environment, the architecture and the resident’s various things of various styles and ages are mingling with each other.

House in Rokko by Tato Architects

Project name: House in Rokko
Location of site: Kobe Japan

House in Rokko by Tato Architects

Site area: 295.31m2
Building area: 56.00m2

House in Rokko by Tato Architects

Total floor area: 94.50m2
Type of Construction: Steel
Program: house & atelier

House in Rokko by Tato Architects

Project by: Tato architects
Principal designer: Yo shimada

Design period: Jan. 2010 – Mar. 2011
Construction period: Aug. 2011 – Nov. 2011

House in Motoyawata by Naya Architects

House in Motoyawata by Naya Architects

This house by Japanese firm Naya Architects is so closely surrounded by apartment blocks that its walls have to lean away from them.

House in Motoyawata by Naya Architects

Named House in Motoyawata, the building has double doors inset on a small first floor terrace to let more light past the neighbouring block and into the living room.

House in Motoyawata by Naya Architects

Wooden ceiling beams are left exposed inside the house, while a spiral staircase connects the two storeys.

House in Motoyawata by Naya Architects

Providing a home for a family of four, the house is located on the outskirts of Tokyo and has bedrooms on its ground floor and an open-plan living room upstairs.

House in Motoyawata by Naya Architects

Other Japanese houses on Dezeen this week include two homes tangled around each other and a house with a terrace climbing over its roof.

House in Motoyawata by Naya Architects

See more stories about houses in Japan »

House in Motoyawata by Naya Architects

Photography is by Makoto Yoshida.

House in Motoyawata by Naya Architects

Here’s a few extra details from Naya Architects:


House in Motoyawata

Design to completion: October 2010-March 2011
Location: Ichikawa-Shi, CHIBA

House in Motoyawata by Naya Architects

Primary usage: Residence
Structure: wooden construction, two stories above ground
Family structure: Couple with children

House in Motoyawata by Naya Architects

Site area: 75.10 m2
Building area: 33.12 m2

House in Motoyawata by Naya Architects

Total floor space: 59.62m2
Architect: Naya Architects

House in Motoyawata by Naya Architects

First floor:
1.Master bedroom
2.Bathroom & Washroom
3.Child’s bedroom

House in Motoyawata by Naya Architects

Second floor:
4.Balcony
5.Living room & Dining room & Kitchen

Terrace Step House by HUG

The floors of this house by Tokyo studio HUG are connected by the steps of a courtyard that climbs over a roof (+ slideshow).

Terrace Step House by HUG

Starting just above ground level, the staggered terrace steps up on top of a metal-clad garage to connect the double-height living room of the residence with a first floor bedroom.

Terrace Step House by HUG

Parapet walls surround the courtyard on two sides to screen it from the street that runs along the front of the house.

Terrace Step House by HUG

More Japanese houses on Dezeen »

Terrace Step House by HUG

Photography is by Satoshi Asakawa.

Terrace Step House by HUG

The text below is from HUG:


Terrace Step House

The site is surrounded by fields and located within the comfortableness of light and wind.

Terrace Step House by HUG

Therefore, the main idea was to focus on the exterior space, and create a house holding an atmosphere of “outside” more than “inside”.

Terrace Step House by HUG

Main feature of the house is the large 50 sq m terrace steps.

Terrace Step House by HUG

The terrace steps connect the first and the second floor, and links to the living room, bedroom flatly.

Terrace Step House by HUG

The inner spaces unite with the terrace, and blends in with the outer space.

Terrace Step House by HUG

Second floor section of the terrace steps is located on top of the parking lot of the front road.

Terrace Step House by HUG

This location able to cut views from the road, but let in the light and wind into the linked living room, and create a flow throughout the outer space.

Terrace Step House by HUG

The pathway of the inner and outer spaces unite by looping dimensionally, and connecting the skip-floors organically.

Terrace Step House by HUG

The terrace steps are an extension of the interior, a large pathway, a stage, an open square, and a main feature of the house.

Terrace Step House by HUG

This house holding the vagueness of both inner and the outer space is filled with light, wind, and the comfortable life of “outside”.

House S by Suga Atelier

House S by Suga Atelier

This house in Osaka by architects Suga Atelier has a faceted concrete exterior that looks like a rockface.

House S by Suga Atelier

Located on a triangular site that is surrounded by roads, House S eschews typical windows and instead features a narrow glass wall recessed into one corner and a glazed atrium that extends down through the centre of all three floors.

House S by Suga Atelier

Rain falling through the nine-sided roof void passes two doughnut-shaped benches and drains into a sunken basin at the lowest level, although canopies can also be folded across the floors for shelter.

House S by Suga Atelier

The house’s concrete walls were formed against plywood, which has been reused to create internal walls, kitchen worktops and the floor of the second storey loft.

House S by Suga Atelier

Floors and walls elsewhere in the house are lined with white plastic panels made from recycled bottles.

House S by Suga Atelier

We also published another story last year about a house that lets the rain in. See it here.

House S by Suga Atelier

Here’s some more text from the architects:


S

There are things that are hard to see even its existence, unless we find suitable words or expressions.

House S by Suga Atelier

Beside a major road, the house is present, resisting against traffic.

House S by Suga Atelier

Since the house uses structural plywood that has pits surfaces as a formwork, the whole looks like a rough concrete retaining wall.

House S by Suga Atelier

When looking through a slit that is protected by walls on both sides like an embrasure on the east side where the site extends, morning sun and the city could be viewed. However, the space is closed when the large entrance door that is the only major aperture is shut down.

House S by Suga Atelier

Yet, the space is always wide open to the sky by the light court positioning in the center of the space that is slightly deformed in the shape of “L” due to the entrance.

House S by Suga Atelier

The interior of the space is covered by recycled plastic bottles’ white polyester fiber mat in the same size of plywood (910mm×120mm), fixed to the walls and the ceilings with plastic screws using separators.

House S by Suga Atelier

Needle-punched mats made with the same material cover the floor.

House S by Suga Atelier

The idea was to express the light absorbing shining cocoon in addition to insulation and soundproofing.

House S by Suga Atelier

The space became very quiet and pure like a deep cave.

House S by Suga Atelier

The sense of walking onto it is like tatami-mat and the elastic walls are almost like a cushion.

House S by Suga Atelier

It is a trial of a new floor-sitting life style that offers sitting and lounging wherever in the house.

House S by Suga Atelier

On the other hand, furniture-like staircase and the loft, which are made relating the house, are made with recycled plywood used for formwork and keep the memoir.

House S by Suga Atelier

 

 

The light brought from the sky draws blinking picture of light on the white floor through enneagon glass that always maintains a positive position.

House S by Suga Atelier

Rain goes through the light court, beat down on the thin water basin on a garage floor and remain its traces.

Switch Box in House by Naf Architect & Design

Switch Box in House by Naf Architect and Design

All the rooms of this renovated Tokyo house by Japanese studio Naf Architect & Design are connected to a wooden box at its centre.

Switch Box in House by Naf Architect and Design

The architects liken this connecting room to an electrical switch box.

Switch Box in House by Naf Architect and Design

It contains staircases leading up and down, an entrance from the house into the client’s chiropractic surgery and a small seating area.

Switch Box in House by Naf Architect and Design

Narrow grooves between each of the wooden slats let light filter inside and provide space for hanging picture hooks.

Switch Box in House by Naf Architect and Design

The living and dining room is located on the first floor just above, where the the roof of the box forms the surface of a kitchen worktop.

Switch Box in House by Naf Architect and Design

See more stories about Japanese houses on Dezeen here.

Switch Box in House by Naf Architect and Design

Photography is by Toshiyuki Yano.

Here’s some more information from Naf Architect & Design:


Switch Box in House

This is a total interior renovation project of an existing house, installing a box made of deck lumber in the middle of the house.

Switch Box in House by Naf Architect and Design

The existing house is 17 year-old, two-story, 4-bedroom wooden structure on top of semi-underground garage. It could serve as home, but we could not see how and for whom the room layout was made.

New owner of the house is a family of three; a couple with a child. Installed in the center of the house is a hall-like space made by a large box which gives a doorway to chiropractic clinic run by the wife, to the bedroom of the couple, to the entrance of the house, to living and dining room upstairs, and to karaoke room in basement. As rooms of various purposes were relocated in the existing house, the composition of the house became more like that of a complex facility. The box-like space which brings together traffic lines and connects each room is, in a sense, switch box of traffic lines.

Switch Box in House by Naf Architect and Design

The box is made of deck lumber, whose top side has large interspace between lumber and let sunlight pour downstairs. On the sides of the box are smaller interspaces to avoid the gaze but large enough to let through the voices. It allows loose spatial continuity from the second floor to the basement and at the same time, interspaces are adjusted to keep privacy when there are guests. In the living-dining room on the second floor, the top of the box comes up to the height of a counter suitable for housework. High side windows on the sloped ceiling take in ample sunshine and the top of the box can be used as sunroom. Hooks can be placed between the deck lumber to hang pictures, hangers or foliage plants anywhere we like. There is almost no exterior space for garden within the premises, and it was our challenge to introduce various living scenes indoors by using the box.

Switch Box in House by Naf Architect and Design

The existing house before the renovation was one of many typical houses in the real estate market. In this renovation, we made Karaoke room in the basement, taking advantage of the sound insulation properties of concrete foundation. We see possibilities in creating new living environment by taking advantage of such properties.

Switch Box in House by Naf Architect and Design

Name of the Project: Switch Box in House
Location: Suginami ward, Tokyo
Category: detached house
Structure: Wood construction
Maximum height: 8.859m
Frontal road: 5.54m on the west
Site area: 71.51m2
Total floor area: 127.99m2
Completion: Desember 25, 2012
Architect: Akio NAKASA(director), Daisuke AOKI

Across the Ocean

Sundry Productions nous dévoile une vidéo qu’il a pu réaliser avec son Canon 7D durant un programme de bienveillance au Japon, en découvrant les conséquences terribles du tsunami dans le village Minamisanriku. Une vidéo pleine d’émotions à découvrir dans la suite.



across-the-ocean6

across-the-ocean5

across-the-ocean4

across-the-ocean3

across-the-ocean2

across-the-ocean1

across-the-ocean8
across-the-ocean7
across-the-ocean6
across-the-ocean5
across-the-ocean4
across-the-ocean3
across-the-ocean2
across-the-ocean1

ABE House by UAo

ABE House by UAo

The floor of the dining room becomes a worktop for the kitchen inside this Tokyo house by Japanese studio Urban Architecture Office (UAo).

ABE House by UAo

With concrete walls both inside and out, the three-storey house has a staggered ground floor, which creates the recessed lower level.

ABE House by UAo

Every doorway, window and opening in the house is arched, while four staircases connect rooms with two separate roof terraces.

ABE House by UAo

On the first floor, a wide corridor doubles up as an office workspace and separates a bedroom from the triangular balcony opposite.

ABE House by UAo

The uppermost staircase climbs one of the exterior walls to connect the second floor with the larger terrace, located on the top of the building.

ABE House by UAo

The plan of the house is also split into three overlapping blocks, which are arrayed to face five little gardens.

ABE House by UAo

This is the first project we’ve featured by UAo, but you can see more houses in Japan by other architects here.

ABE House by UAo

Here’s some more information from UAo:


ABE house
Dwelling as a Journey

Summary

This building’s site is a sectionalized residential district close to Tokyo.

ABE House by UAo

On each surrounding site, there is a court yard in front of the house, and almost the houses are built in a similar layout.

ABE House by UAo

In contrast, we treated the site as a garden and arranged our proposal thinking about how to make the garden comfortable.

ABE House by UAo

Thus, this house was created by connecting three types of volumes of different angle. From this a new life style “house into a garden” can begin.

ABE House by UAo

Concept

To arrange many gardens on this site, the form of this house is created by connecting three types of volumes.

ABE House by UAo

The garden constantly connects inside, creating a lifestyle inside the house close to the garden.

ABE House by UAo

Rounded openings softly separate spaces from where one stands and the spaces of different levels connect personal spaces to each other.

ABE House by UAo

Walking around various personal spaces of this house becomes like a “journey.”

ABE House by UAo

Location: Tama-shi, Tokyo
Architects: UAo

ABE House by UAo

Structural engineers: Kanebako Structural Engineers
General constructors: Hanabusa Construction

ABE House by UAo

Site area: 109.83 sq m
Building area: 43.81 sq m
Total floor area: 87.8 sq m

ABE House by UAo

Structure: steel frame; 3 storeys
Principal use: private residence
Construction period: December, 2011

ABE House by UAo

House NA by Sou Fujimoto Architects

House NA by Sou Fujimoto Architects

This Tokyo house by Japanese architect Sou Fujimoto has hardly any walls and looks like scaffolding (photos by Iwan Baan).

House NA by Sou Fujimoto Architects

House NA has three storeys that are subdivided into many staggered platforms.

House NA by Sou Fujimoto Architects

The few walls that do exist are mostly glass, making certain spaces secure without adding privacy.

House NA by Sou Fujimoto Architects

See more projects by Sou Fujimoto here, including a stack of four house-shaped apartments.

House NA by Sou Fujimoto Architects

See more images of this project on the photographer’s website.

Here’s some more information from the architects:


House like a single Tree

House standing within a residential district in central Tokyo.

House NA by Sou Fujimoto Architects

To dwell in a house, amongst the dense urbanity of small houses and structures can be associated to living within a tree. Tree has many branches, all being a setting for a place, and a source of activities of diverse scales.

House NA by Sou Fujimoto Architects

The intriguing point of a tree is that these places are not hermetically isolated but are connected to one another in its unique relativity. To hear one’s voice from across and above, hopping over to another branch, a discussion taking place across branches by members from separate branches. These are some of the moments of richness encountered through such spatially dense living.

House NA by Sou Fujimoto Architects

By stratifying floor plates almost furniture-like in scale, throughout the space, this house proposes living quarters orchestrated by its spatio-temporal relativity with one another, akin to a tree. The house can be considered a large single-room, and, if each floor is understood as rooms, it can equally be said that the house is a mansion of multifarious rooms. A unity of separation and coherence.

Elements from furniture scales come together to collectively form scale of rooms, and further unto those of dwellings, of which renders the city.

House NA by Sou Fujimoto Architects

The steps between the plates at times will become seating and desks, at times as a device segmenting a territory, and at times each akin to leaves of the foliage filtering light down into the space.

Providing intimacy for when two individuals chooses to be close to one another, or for a place afar still sharing each other’s being. For when accommodating a group of guests, the distribution of people across the entire house will form a platform for a network type communication in space.

House NA by Sou Fujimoto Architects

The white steel-frame structure itself shares no resemblance to a tree.

Yet the life lived and the moments experienced in this space is a contemporary adaptation of the richness once experienced by the ancient predecessors from the time when they inhabited trees. Such is an existence between city, architecture, furniture and the body, and is equally between nature and artificiality.

Le Cinq by Ninkipen!

Le Cinq by Ninkipen!

Japanese architects Ninkipen! have planted a tree at the centre of this hair salon in Kadoma and surrounded it with mirrored A-frames.

Le Cinq by Ninkipen!

Half of these mirrors are arranged at right angles to the other half so that customers don’t have to look one another in the eye when having a haircut.

Le Cinq by Ninkipen!

More plants are scattered around the salon, while a spotty dog statue greets customers at the door.

Le Cinq by Ninkipen!

Small splashes of colour also crop up around the space on chairs, ornaments and electrical cable surrounds.

Le Cinq by Ninkipen!

See more projects by Ninkipen! here, including an office with a bubbly facade.

Le Cinq by Ninkipen!

Photography is by Hiroki Kawata.

Le Cinq by Ninkipen!

Here’s some more text from the architects:


This is an interior design for a hair salon in Osaka, Japan.

Le Cinq by Ninkipen!

First of all, we plant a pachira is 3m in height, and put mirrors around it like a swirl. Next, we set more mirrors and plants around them.

Le Cinq by Ninkipen!

By this, you can relax in front of a mirror because your eyes don’t meet other costumers, and you can look increased images of plants reflected in mirrors.

Le Cinq by Ninkipen!

We try to create a new scenery of hair salon by an original placement of mirrors.

Le Cinq by Ninkipen!

Project name: LE CINQ

Le Cinq by Ninkipen!

Architect: YASUO IMAZU / ninkipen!
Use: hair salon

Le Cinq by Ninkipen!

Location: Kadoma city, Osaka, Japan

Le Cinq by Ninkipen!

Design: 2010.10〜2012.2
Construction: 2012.2〜2012.3

Le Cinq by Ninkipen!

Scale: 219.5m2

Le Cinq by Ninkipen!

House K by Takeshi Hamada

House K by Takeshi Hamada

Beyond the arched entrance of this metal-clad house in Kadoma, Japan by architect Takeshi Hamada is a corner light well surrounded by windows and balconies.

House K by Takeshi Hamada

Every room inside the three-storey House K faces this lightwell, with living and dining rooms on the first floor and bedrooms on the storey above.

House K by Takeshi Hamada

A staircase connecting each of the floors is positioned behind glass-panel walls at the centre of the house.

House K by Takeshi Hamada

This time last year Takeshi Hamada completed a house with a bare concrete gallery at its base – see it here.

House K by Takeshi Hamada

Photography is by Yohei Sasakura.

House K by Takeshi Hamada

The text below is from the architect:


House K Concept

A small, starkly white cuboid house built for a modest budget in a crowded residential area.

House K by Takeshi Hamada

Environs and site for construction

This relatively small-sized 20-tsubo (66 square meter) property is in Kadoma city in Osaka Prefecture, a short distance from the local railway station.

House K by Takeshi Hamada

The surrounding area was developed on a small scale several years previously for residential construction, and this was one of the remaining unsold lots.

House K by Takeshi Hamada

The neighboring buildings are typical three-storied residences, with very little open space between constructions.

House K by Takeshi Hamada

A daytime visitor to this cul-de-sac sees clusters of chattering housewives in the roadway outside the houses, and hears the sounds of children at play.

House K by Takeshi Hamada

Construction design

I designed a simple white box consisting of three floors. A light well extends vertically through all three floors and the inner space is ranged around it.

House K by Takeshi Hamada

Each of the rooms faces this light well, so while maintaining privacy from outside eyes, light floods the entire interior and there is a healthy air flow throughout.

House K by Takeshi Hamada

#First Floor

A spacious entranceway, bath-laundry space and multi-purpose room occupy this floor, and by converting the low-ceilinged space under the stairway into an arched tunnel, the constrictiveness is relieved and a sense of playfulness is created

House K by Takeshi Hamada

#Second Floor

The maximum possible floor space is a kitchen and living/dining room. The staircase was purposefully placed in the center and flanked by glass doors on both sides.

House K by Takeshi Hamada

Opening and closing the doors tailors this flexible space, adjusting the volume for a variety of needs.

House K by Takeshi Hamada

This design allows a maximum of area to be utilized as one continuous space, even on a small plot of land, and the inner balcony and light well increase the airy flow effect.

House K by Takeshi Hamada

#Third Floor

On the top floor are two bedrooms and a large balcony. Each area is contained within the outer walls of the light well which form the box-like shape of the house, and create a gentle sense of security.

House K by Takeshi Hamada

House Name: “House K”
Location: Kadoma city, Osaka, JAPAN
Construction: September 2011 – January 2012
Structure: Wooden Structure

House K by Takeshi Hamada

Site Area: 65.27 sq m
Building Area: 38.68 sq m
Floor Area: 97.69 sq m 1F(30.01 sq m)2F(36.90 sq m)3F(30.78 sq m)