Before I die I want to…

A little over a month ago, installation artist Candy Chang turned the side of an abandoned house in her New Orleans neighbourhood into a giant chalkboard where passersby could write up their personal aspirations…

Before I Die, “transforms neglected spaces into constructive ones where we can learn the hopes and aspirations of the people around us,” Chang writes on her website.

As the founder of Civic Center, a design studio in the city that aims to “make thoughtful public spaces and communication tools for everyday issue of city life,” Chang has been following the progress of the messages as they have accumulated on the chalkboard.

The latest pictures from the Before I Die project, the first two images shown here, are from just a few days ago.

From “understand why I’m here” to “do a cartweel”…

The self-initiated piece (Chang sought permission from the property owner) is at 900 Marigny Street, on the corner of Marigny and Burgundy, in New Orleans. It was made using boarding and chalkboard paint – and plenty of chalk – in collaboration with the neighborhood association’s blight committee, the Historic District Landmarks Commission, the Arts Council, and the City Planning Commission.

The boards as of mid-March

“I believe the design of our public spaces can better reflect what’s important to us as residents and as human beings,” says Chang. “The responses and stories from passersby while we were installing it have already hit me hard in the heart. More installations to come.”

And after squinting hard at the shot below, I think I’ve worked out what this little girl’s immediate priorities are: “Before I die I want to eat all the candy…”. More images from the project at candychang.com.

UPDATE: Candy emailed us with update of what the girl finally wrote: “Before I die I want to eat all the candy and sushi in the world.” Brilliant.

Thanks to Kristina Kassem, Alan Williams, Cory Klemmer, Anamaria Vizcaino, James Reeves, Alex Vialou, Sean Knowlton, Carolina Caballero, and Gary Hustwit for installation assistance.


CR in print

Thanks for reading the CR Blog, but if you’re not reading us in print too, you’re missing out on a richer, deeper view of your world. Our April issue features our Top 20 logos of all time. You can buy it today by calling +44(0)207 292 3703. Better yet, subscribe to CR, save yourself almost a third and get Monograph for free plus a host of special deals from the CR Shop. Go on, treat yourself.

Illustration Annual: new judge and deadline extension

We’re pleased to announce that we’ve added a new judge to this year’s Illustration Annual panel. Graham Wood is one of the founders of the multi-disciplined creative company Tomato. Graham will join this year’s other judges, Liz Farrelly and Kuchar Swara.

We’ve also decided to extend the Illustration Annual deadline to the 26th April, which gives you all some more time to submit your entries.

We’ll be judging entries at the end of April, and informing winners in May. The Illustration Annual will be published with the July issue of Creative Review.

If you would like to see last year’s winners, you can take a look at the 2010 Illustration Annual here (subscribers only).

Exhibition: R.S.V.P.H.R.H.

Two ad creatives, Nick Pringle and Clark Edwards have approached a host of their favourite image makers to design an alternative Royal wedding invite, in a project titled R.S.V.P.H.R.H...

The resulting images – by the likes of Andy Smith (his contribution, shown above, and larger at the bottom of the post), Billie Jean, Crispin FinnMelvin Galapon, Village Green, Richard Hogg, Craig Ward, and HelloVon – will be exhibited next week at the Rag Factory, off Brick Lane in London.


Kyle Bean’s knot-tastic submission


Above, a collaborative effort by Timba Smits and Alison Carmichael


It’s not just prints, there will be some one-off sculptural pieces too, such as this take on a commemorative plate, by Craig Ward

R.S.V.P.H.R.H. will show between 6.30pm and 10.30pm on Thursday April 7 at the Rag Factory, off Brick Lane in London. The work will be printed as one off, large scale digital prints which will be auctioned. The profit made from the sale of each print will go to a charity chosen by the artist responsible. For more info and for a full list of participating artists, visit rsvphrh.com

CR in print

Thanks for reading the CR Blog, but if you’re not reading us in print too, you’re missing out on a richer, deeper view of your world. Our April issue features our Top 20 logos of all time. You can buy it today by calling +44(0)207 292 3703. Better yet, subscribe to CR, save yourself almost a third and get Monograph for free plus a host of special deals from the CR Shop. Go on, treat yourself.

Gracia Lam

Lui è Gracia Lam.

Gracia Lam

Jules Julien

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Simple, bold work by illustrator Jules Julien.

More work on his site.

Maurice Sendak Inks Deal for New Picture Book

Maurice Sendak turns 83 this June, but don’t expect him to go gently into the monster-filled night. He’s got a few wild rumpuses left in him. The Caldecott-winning author of classic children’s books such as Where the Wild Things Are has reached an agreement with HarperCollins to publish the first book illustrated and written by Sendak since Outside Over There in 1981, according to the deal database maintained by Publishers Marketplace. The new picture book, which began its life as an animated segment for Sesame Street that aired in the early 1970s, is Bumble-Ardy. It tells the tale of Bumble, a mischievous pig who has reached the age of nine without ever having had a birthday party. He takes matters into his own hands (well, cloven hooves) and invites all of his friends to a masquerade party that quickly gets out of hand. According to the description on Amazon’s pre-order page, Sendak “once again explores the exuberance of young children and the unshakable love between parent (in this case, an aunt) and child.” Or in this case, talking piglet. “As a child, I felt that books were holy objects to be caressed, rapturously sniffed, and devotedly provided for,” said Sendak in accepting the Hans Christian Andersen Award (for excellence in illustration of children’s books) in Bologna, Italy in 1970. “I gave my life to them. I still do. I continue to do what I did as a child: dream of books, make books, and collect books.” Bumble-Ardy will be published by HarperCollins in September.

New Career Opportunities Daily: The best jobs in media.

Tessar Lo at Show & Tell Gallery

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Indonesian-born, Toronto-raised Tessar Lo’s show ‘M A P S’ is up at Toronto’s Show & Tell Gallery from April 1st  to May 1st. Lo’s work has a mysterious, deep and colourful quality to it that explores where ‘dreams and reality meet’. 

More about Lo here. And for those insterested in checking it out, Show and Tell Gallery is located at 1161 Dundas St. West. Check out their site here.

Ko. Machiyama

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Simple and beautiful illustrations by Ko. Machiyama. More after the jump.

See more of his work on his site.

WSC Badge of the Week

Every Friday, ‘half-decent’ football magazine When Saturday Comes sends out its Weekly Howl email. Each one contains a detailed history of the badge design of an obscure football club.

The critiques are written by Cameron Carter. Here are a few recent favourites.

Sheikh Russel, Bangladesh
“A beautiful, lyrical badge. The story behind the image is as follows: Russel, a Bangladeshi boy of lowly stock, is given by his parents (father is a woodsman, mother a soap sculptor) a name so tedious it marginalises him in village society. One day, as he is wandering around the alluvial plan that makes up a large part of Bangladesh’s surface area, he spies a beautiful dove struggling to free itself from some plastic packaging, a by-product of the Coca-Cola corporation’s global imperialism. The dove is tired and is about to give up the struggle. Little Russel is powerless to help it (Russel has a condition called Learned Helplessness – he doesn’t problem-solve) and weeps over the dove’s snow-white drooping neck. One of the boy’s tears falls on the wound, pooling with ruby-red blood, and lies there like a pearl. Slowly the dove opens an eye, life returns to its broken body and, marvellous to see, it is able to raise itself into the limitless sky.


From that day hence the little village was smiled upon by the gods, its harvests were plentiful and its river never ran dry. Also it got a leisure centre that was opened by Jimi Mistry. For his part in this, Russel was feted in the area and loved and protected by all. He was named Dove Boy. After that he went into tertiary education – some say he got a City & Guilds in Retail & Distribution – and then he got a job and the village sort of lost touch with him.”

 

Skenderbeu Korce, Albania
“What kind of man – or woman, for that matter – takes on a commission to design a football team’s badge, goes away for a few days to his Imagineering room and emerges with an image of a creature half rabbit, half round-topped winter bonnet? Following extensive investigation there still appears to be no culture that will admit to including such an entity in its mythology. There are stories told in the rural north of Albania of a creature half-goat, half Alpine Homburg that inhabits dense forest and forewarns those it encounters of a death in the family or, at the very least, a work-based appraisal. But this is the closest our research gets us to the Skenderbeu icon.

From its expression it doesn’t appear to be a terrorising kind of figure, it just appears to be cheerfully off-balance in a strong wind. So it is not obvious what the club are attempting to get across here, unless they are giving us a glimpse of an alternate reality inhabited by mild-mannered grotesques. An absolute enigma.

Espérance Sportive de Tunis, Tunisia

“Now, this badge displays the kind of citizen that former Tunisian president Zine al-Abidine Ben Ali presumably believed lived in his country. A cheery, placid young fellow, with no more thought of political dissent in his curly-mopped head than a badger might contemplate taking a taxi to the next field. Eager to Please is written all over his youthful face as he looks up towards his political leaders (out of picture), awaiting his next instruction. Unfortunately, after years of zero tolerance for any kind of oppositional protest or criticism of his regime, Ben Ali has found that there are among his population people with sterner countenances and less wavy hair who wish to be employed and also be permitted a little more freedom of expression.

This element, who likely do not dress in as colourful clothes as the pictured boy, has taken the country by surprise by marching around in large numbers and being rather uncivil. Some of them even went so far as to provoke their police into shooting them, simply by swarming around the place looking menacing. Perhaps, right now in a lonely hotel room, Ben Ali is wondering what became of the little stripy-topped smiley boy – at what point did he drop the plastic football and pick up a rock?”

 

Kecskeméti TE, Hungary
“I suppose this was considered very modern at the time. I suppose it is a very clever thing to have a badge with just shapes on it when you know everyone wants to see a tiger with a sword and a castle. The light arched shape across the top is symmetrical enough but just as we begin to relax and think we can show this design to mother, we come upon the violent shard of glass that is the lower light shape. And why place the year of the club’s founding on the level when you can just as easily make it lean at a 45-degree angle and disorientate the common herd? This daringly unnecessary innovation recalls the poet Baudelaire’s lines: “See the dead Years lean down, In dated dress, from balconies in heaven; Behold Regret rise from the deep, unbowed…” I forget the rest but it was probably about catching syphilis off a prostitute so this is almost certainly the cleanest bit anyway. So yes, very fresh at the time, one imagines, very shocking (it is reported by a contemporary critic that some ladies in Austro-Hungarian football stadiums screamed and fainted when first exposed to the badge) but ultimately, when the moment has passed and we have all calmed down, a little bit dull.”


FCM Targu Mures, Romania
“Last week’s badge was all about lines. No pictures, just lines. It was utterly shocking. This week’s badge is at the other end of the design spectrum. Targu Mures hope to intimidate the opposition with this image of an armed bear. In the olden days – that is pre-Premier League – errant knights would roam the hills and valleys of Romania, either seeking adventure and remuneration from the local landowner or, in some cases, preying on the weak and infirm. It is often hard to spot the difference between the weak and the infirm, but, as a rule of thumb, it is the infirm who are wandering about late at night dressed only in a car coat.

It soon became apparent that some of these opportunist knights were bears. This was bad news for the frightened Romanian villagers. Meeting a bear in the wild was bad enough, but they at least knew they could ward it off by fiddling with polystyrene or imitating the vocal inflections of Heather Small. But an armed bear – this would have been hard to prepare against. It was probably not the best time to be a Romanian villager. The bear in the picture is just about to hack down the halogen spotlights simply because he doesn’t understand them.”


Spielvereinigung Unterhaching
“This team is probably the German equivalent of Hamilton Academicals, the name being an absolute joy to enunciate when asked which team one follows: “Which team do I support you ask? Well, let me see now – stand well back everyone, mind those champagne flutes…” The badge itself is similarly enjoyable and has a rather jolly air about it. It seems that four friends are attending a funfair and, having perhaps drunk heavily, are now piled into a dodgem car, seeking kicks. Normally the tousle-haired ruffian who runs the dodgems would rebuke the party for health and safety reasons, but it appears he has given them the benefit of the doubt here because there are four of them and there is a military flavour to their singing. We all know there is a dark side to pleasure, as anyone would discover if they attempted to prevent these hearties having their fun. As for the message the club intend to convey, it is possibly just that they like going to the fair. Or there may be a deeper meaning here, one of solidarity – Togetherness Through Drink (which was also the old Arsenal motto when Tony Adams was captain).”

 

Pattaya United FC, Thailand
“I know what you’re thinking – another bleeding cetacean. We had a mostly-out-of-shot whale three weeks ago, the badge designer having opted for the daringly elliptical approach of depicting merely the departing tail and splash of his subject. Here, however, we have the subject centre stage, in full crowd-pleasing action pose. This is precisely the type of dolphin you would expect to see in any Ocean World Fun Park, balancing balls on its head, jumping through hoops and tottering along the surface for fish. This is a corporate, on-message cetacean. An Uncle Tom dolphin, posing for the camera in such a way as to perpetuate centuries of received wisdom of his kind as non-threatening human sidekick and anti-depressant aqua-buddy. This view of the dolphin is a relatively modern one, originating, it is widely thought, in a Victorian text by the Reverend AK Minton, Some Brief Notes on the Relative Approachability of Dolphins and Tiger Sharks. The Ancient Greeks believed dolphins were arseholes.”

Sign up for the Weekly Howl here

 

CR in print

Thanks for reading the CR Blog, but if you’re not reading us in print too, you’re missing out on a richer, deeper view of your world. Our April issue features our Top 20 logos of all time. You can buy it today by calling +44(0)207 292 3703. Better yet, subscribe to CR, save yourself almost a third and get Monograph for free plus a host of special deals from the CR Shop. Go on, treat yourself.

Designers for Japan

Designers for Japan prints for sale from Simon Taylor (left) and Graham Wood (right)

Designers for Japan is a collective of designers, photographers, art directors and imagemakers from around the world. Its aims are to offer support to peers, colleagues and friends in Japan, aid disaster relief and to act as a forum for anyone wishing to look at how visual communications can help in future disasters, wherever they may be

As soon as the terrible events of March 11 became known, there was a great urge to help among designers and imagemakers, many of whom have strong links to Japan. But how?

The website Designers for Japan was set up to focus that effort and, hopefully, to help create models for future responses to humanitarian crises by this community. It has three main aims: fundraising, long-term support and to drive practical ways in which visual communications can help both in Japan and in future crises.

First, fundraising. An auction of design and art-related items is planned for the near future. In the meantime, the dozens of imagemakers and designers who have already offered helped have been asked to create a print which can be sold to raise money for the Red Cross and for ShelterBox, the charity that provides emergency relief kits.

Designers for Japan prints for sale from Genevieve Gauckler (left) and M/M (Paris) (right)

Contributors were asked to create an image that reflected their admiration for Japan and to express their feelings towards the country, its people and its creative community. The prints are on sale via Print-Process at £30 for A2 or £60 for A1. All proceeds after print, paper, production and postage will be split between the two charities.

Buy here.

Designers for Japan prints for sale from Christopher Gray (left) and James Goggin (right)

Creative Review has leaned organisational support to the project and a selection of the prints will be featured in our May Monograph booklet. If you would like to contribute a print, please email info@designersforjapan.com

Maharishi Designers for Japan print

As well as fundraising, Designers for Japan hopes to promote practical means by which visual communications can aid in disaster relief, both in Japan and in any future crises. Currently, there is a desperate need for food, shelter, water and information. Our community can help with the latter.

Designers for Japan, which is supported by CR, will attempt to address these issues through contact with NGOs and organisations in Japan, discussion and, through that, the setting of briefs to both students and professionals, but more ideas are very much encouraged. Please email suggestions to info@designersforjapan.com

In addition, there is a daily letter from Tokyo on the site from designer Toru Yoshikawa, giving a street level view of the situation.

AKQA creative director Rei Inamoto recently joined the organisers of Designers for Japan: “For many victims who lost their homes and families, what’s really tough is not just behind them but ahead of them. The series of events – one alone is tragic enough, they had three – is unbelievably traumatic but the world is quickly moving on from it. It’s been only two weeks but the news has been replaced with other events (in some cases, rightfully so),” he says. “I’d like Designers for Japan to be an ongoing platform for many a designer around the world, long into the future.”

Please see designersforjapan.com. All contributions/help/advice welcome.

Designers for Japan prints for sale from Build, Hudson Powell and Blam. More here