Allan Peters
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The Curtain and Killer In The Rain (Graham Greene illustrations) by Geoff Grandfield
There’s an interesting line-up taking shape for the free Illywords illustration-themed event this Saturday at London’s Galleria Illy. Illustrators Lawrence Zeegen, Ian Noble, Nobrow, Geoff Grandfield and Neasden Control Centre will all be in attendence…
The evening is set to take the form of a discussion led by Pietro Corraini and takes place this weekend at the coffee company’s new gallery space; a ‘pop-up’ dedicated to art, literature, design and gastronomy, apparently, that is staging a range of talks and performances into the month of October.
The illustration evening is a free event but places must be booked via this link. You even get a free coffee when you get there.
7pm-8.30pm, Galleria Illy, 15 Rosebery Avenue, London EC1R 4SP.
More With Less exhibition, Eindhoven by Neasden Control Centre
Nobrow issue 4
Guardian illustration by Lawrence Zeegan
Visual Research and Picture Perfect books by Ian Noble
Californian wine merchant Barefoot Wine & Bubbly has backed One Beach, a film documenting ‘creative innovators who support clean and sustainable beaches’. To promote the film, BBDO SF created a poster made from 17,500 pieces of rubbish picked up from beaches in Southern California.
Directed by Jason Baffa, the film apparently “focuses on inspiring people with creativity, optimism and a deeper look at how people are cleaning our beaches and changing the world” (more here).
To promote the film, BBDO’s San Francisco office created this mural in Venice Beach.
The process is documented here
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Credits
Client: Barefoot Wine & Bubbly
Project: One Beach Trash Mosaic
Agency: BBDO San Francisco
Mike McKay, Executive Creative Director
Sean O’Brien, Creative Director
Melanie Simonich, Copywriter
Erin Butner, Art Director
Louise Doherty, VP Production Solutions
Michael Schwartz, Editor
Joanne Rotella, Production Manager
Brent Smart, Managing Partner
Kerri Martin, SVP Business Director
Molly Frost, Account Supervisor
Wyeth Whiting, Account Executive
Mark Himmelsbach, SVP Senior Director
Anar Joshi, Strategist
Amy Gilmer, Community Manager
BeCore Inc.
Mark Bilik, BeCore Inc. / CEO
Kelly Vaught, BeCore Inc. / Executive Producer
Stephen Zellhoefer, BeCore Inc. / Production Director
Production Team:
Stephen Miles, BeCore Inc. / Producer
Peter Schulberg, The Eco-LogicalART Gallery / Director
Keri Rosebraugh, Eco-logicalART Gallery / Lead Artist
Laura Schulberg, Art Assistant
Rocco Brovo, Art Assistant
Videographer Team:
Erik Craighead, CEO
Nick Lange, Executive Producer
Topher Smith, Lead Videographer
Fern Holiday, Assistant Videographer
For his new Outline Editions show, illustrator Noma Bar has been going die-cut crazy, feeding his enormous dog shaped, electric-powered die-cutting machine (which we blogged about last week) all kinds of material to die cut, from hand made paper through to old album covers, rubber flooring, carpet, ply wood and anything else he can think of. The results lend his work a new dimension and a whole lot of colour…
By using different materials, some textured, some patterned, in a variety of colours, Bar’s work takes on completely new appearances. Not only does the viewer have to work out what’s going on with the positive and negative space in each work, but also now there’s the extra dimension of trying to work out what materials have been used. Wood ply sits next to paper, plain paper is juxtaposed with patterned material, and smooth surfaces are paired with rough.
“Normally I’m a one colour person because I don’t really need to use colour combinations in my work,” explains Bar, “it’s about light and dark. Now I can swap what would normally be white [space] in my work with something else and this is how this project started to evolve. Actually, I’ve started to collect and use things I would never previously have considered using in my work, things I hate, like for example, flower-covered carpet – just to surprise myself with new materials. It’s almost as if as soon as I punch [cut] the material, it becomes mine. It’s a little bit like a dog pissing on the corner – you know, I can take a David Bowie sleeve and cut it and suddenly it becomes mine and there’s something really exciting about that.”
The work hanging on the walls will be sold as seen during the show’s run, with prices of each work being dependent on the materials used. As artworks leaves, so new work will fill the gaps as throughout the show Bar will continue creating new variations of his work using the materials and the die-cutting machine in the gallery.
As part of next week’s London Design Festival, Bar is hosting live drawing and also die cutting workshops on Saturdays September 17 and 24, from 2pm to 5pm. Attendees of the free workshops will be able to choose from a wide range of coloured papers and other materials to create their own unique Noma Bar artwork of choice using the die-cutting dog machine. Details at londondesignfestival.com
Cut It Out by Noma bar runs until October 1 at Outline Editions, 94 Berwick Street, London W1
To help promote its imminenet move, the Design Museum asked Kyle Bean to create a pop-up card of the former Commonwealth Institute that will house the Museum from 2014
Shown here is an A3 protype but A5-sized cards will go on sale at the Design Museum shop later this year. Principally, the cards will be used as a PR exercise to build awareness of the move. The prototype will be on show at the Commonwealth Institue this weekend (September 17-18) as part ofan open day, the last chance the public will have to visit the building before it closes for renovation. More on the project here
We’ve followed Kyle Bean’s work since first spotting him at his Brighton degree show in 2009 (we featured his paper models of mobile phones here). See more of his work here
Thanks for reading the CR website, but if you are not also getting the printed magazine, we think you’re missing out. This month’s issue has a superb feature on the Sainsbury’s Own Label packaging of the 60s and 70s, a profile of new Japanese creative supergroup Party and our pick of this year’s top graduates. Read all about it here.
If you would like to buy this issue and are based in the UK, you can search for your nearest stockist here. Based outside the UK? Simply call +44(0)207 292 3703 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.
Burger-loving Londoners with a penchant for graphic art are in for a treat. The Burgermat Show at Beach London‘s gallery and shop will showcase 24 burger-themed artworks, each created by a different image maker. Contributors to the show include Andy Rementer, Chrissie Macdonald, Crispin Finn, Holly Wales, James Joyce, Rob Flowers, Jon Boam, Malika Favre and Nishant Choksi...
The artworks originally appeared in the form of printed paper placemats in late June at a BurgerMonday pop-up restaurant event organised by Daniel Young of Young & Foodish in collaboration with a burger blogger by the name of Burgerac. However, this is the first time the artwork will be seen in a gallery context.
As well as the artwork on show, Burgerac and Beach London have worked together to produce a number of very limited edition Burgermat Show paper placemat packs. And what fetching placemats these artworks make:
Nishant Choksi’s Burgermat
by Andy Rementer
Here’s the full list of contributing artists:
Andy Rementer, Asbestos, Blam, BrenB, Chris Gray, Chrissie Macdonald (in collaboration with John Short), Crispin Finn, Dick Hogg, Emma Kelly, Gemma Shiel (Lazy Oaf), Holly Wales, Ian Stevenson, Intercity, James Joyce, Jen Bilik (Knock Knock), Jon Boam, Linzie Hunter, Malika Favre, Nishant Choksi, Peskimo, Ping Zhu, Richard Hart, Rob Flowers, and Timba Smits.
All the artwork can be viewed at burgermat.com and A2 Giclée prints of the artwork (in stamped and numbered editions of 50) are available through print-process.com for the princely sum of £30 each.
The Burgermat Show runs until September 18 at Beach London, 20 Cheshire Street, London E2.
Thanks for reading the CR website, but if you are not also getting the printed magazine, we think you’re missing out. This month’s issue has a superb feature on the Sainsbury’s Own Label packaging of the 60s and 70s, a profile of new Japanese creative supergroup Party and our pick of this year’s top graduates. Read all about it here.
If you would like to buy this issue and are based in the UK, you can search for your nearest stockist here. Based outside the UK? Simply call +44(0)207 292 3703 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.
Concrete Hermit was one of the first graphic art gallery boutiques to grace the environs of a now thriving Redchurch Street in London’s Shoreditch, opening originally back in 2007 on Club Row. Knowing it’s been closed for months we feared it had become a victim of the recession, and so we’re pleased to learn that Concrete Hermit has now re-opened and today launches Four Floods, a new exhibition of screenprints by a six artists all using a palate of pink, blue, yellow and black…
by Otecki
The six artsits, Dan Sparkes, Heretic, Joe Wilson, Otecki, Sarah King, and The Pit, were encouraged to “explore and challenge the possibilities of the process” of screenprinting, and the six resulting artworks have been produced in editions of 35 hand pulled screenprints. They are for sale in the shop and also online on the Hermit Editions website.
by Sarah King
by Heretic
by Joe Wilson
We asked Concrete Hermit’s Chris Knight about the re-opening of its Club Row gallery and shop:
CR: Since you brought the Concrete Hermit shop experience to this year’s Pick Me Up graphic art fair at Somerset House in March, you closed both the Shoreditch and the central London Concrete Hermit shops. Tell us a bit about what’s been going on at Concrete Hermit HQ.
Chris Knight: It has always been my intention that Concrete Hermit should be an entity that actively engages with art, design culture and fashion. That we produce things; clothing, books, prints and exhibitions rather than just being a ‘reseller’ of interesting things being produced elsewhere. Towards the end of last year I looked back over everything we had done in the past 6-7 years and realized that a lot of the goals I’d set out with, I had achieved – opening the gallery / shop space, exhibiting overseas, publishing books, working with a great range of artists, seeing the clothing and books stocked in shops around the world.
In September we had the opportunity to take on a shop space in Kingly Court, just off Carnaby Street in central London, on a 6 month basis, so we took that up for a new challenge. But it meant that we were spread a little thin keeping two spaces open. It had also got to the point with the exhibitions at Club Row that we were finding ourselves looking to fill space in the calendar rather than being able to spend the time to properly curate the shows and work closely with the artists in the way that I would want to.
CR: So it was time to regroup?
CK: Precisely. Following the close of the Central space we decided to try to define more clearly the different areas that we work in and to strike the right balance between making, selecting and selling. This meant that we set up two distinct ‘project’ websites, Hermit Editions and The Hermit Store. These are both ‘curated’ by Concrete Hermit and take over from the online shop [that sat within] the Concrete Hermit website. This frees up Concrete Hermit as a label in itself, to get back to producing things. We have various projects in the pipeline for Concrete Hermit products, keeping the ethos of design and collaborations going.
Four Floods runs until October 16 at Concrete Hermit, 5A Club Row, London E1 6JX
concretehermit.com
hermiteditions.com