Natalia Ilyin’s Take on RISD’s Vote of No Confidence for John Maeda

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Just a few short years ago, the design world was thrilled to hear that MIT tech guru, John Maeda, was going to be taking the helm at the Rhode Island School of Design. However, shortly after taking control, the trouble began. Between Hope Alwang‘s high-profile quick and mysterious exit and a variety of missteps along the way, Maeda’s management came to be something of an ongoing battle, culminating in last week’s faculty vote of no confidence of their still relatively-new president. While both the school and Maeda himself are now attempting to repair the damage, reporting on all the good things he’s done in his tenure, design writer, educator, and one-time critic at RISD, Natalia Ilyin, has filed this great read on her personal blog, telling the other side of the story. While she places much of the blame on Maeda’s head, she also makes note that the school itself is to blame, believing that bringing in a well-known innovator would make them more cutting edge and improve their abilities to teach in new ways. In the end, to paraphrase, everyone failed. Here’s a section of her essay, painting particularly negative portrait of the school’s now-struggling president:

Maeda’s made so many enemies and done so many wrong-headed things in such a short amount of time that I am reminded once again that IQ and intelligence are not the same thing. He’s made many sweeping administrative errors, but it is this that bothers me: he thinks himself more intelligent than those who surround him and those who have gone before him. And since he believes himself more intelligent and advanced than the people that went before him, he assumes that what they believed is not true anymore, is outdated. This is a false syllogism.

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American Institute of Architects Selects NY Times Columnist Thomas Friedman as National Convention’s Keynote Speaker

Since we seem to be on a celebrity kick this morning, let’s turn to something a little different than those last couple of posts, in that 1) it’s about something that’s definitely going to happen and 2) it’s not negative news. The American Institute of Architects have named NY Times columnist and author Thomas Friedman as their keynote speaker for this year’s AIA National Convention. Apparently the theme of the annual event this year is to be all about getting more green, a topic Mr. Friedman is familiar with, having just written a book, Hot, Flat and Crowded, all about dwindling resources and the need for a “green revolution.” Here’s a bit:

“Having Mr. Friedman as our keynote speaker is an ideal representation of the theme, ‘Regional Design Evolution: Ecology Matters,’” said AIA President Clark Manus, FAIA. “With unprecedented growth in urban population, we are going to explore the opportunities that cities and their larger regions offer because of their advantages of scale and proximity. The essential fact is, design needs must be looked at not from the viewpoint of an individual building, but rather how buildings factor into a broader examination of community, regional and even global perspectives. Regional character will ultimately define the uniqueness of the place and ensure a sound economic underpinning.”

The convention kicks off on May 12th in New Orleans. You can read up on it here.

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Artsicle, a Netflix-Like Art Rental Service, Launches in New York

Over the past weekend, we were having a conversation we’re sure thousands of other people were also having either right at that very moment or close to it: the second coming of the internet bubble. With more and more headlines including words like startup, v.c. funding, and IPO, it’s a serious case of deja vu. However, the fun part of a budding boom is learning about companies eager to try something new, crazy as their idea might sound. Enter Artsicle, who we found by way of ArtInfo. The elevator pitch of their service is essentially “Netflix for art.” You pay them $50 per month, they lend you a piece of art by an up-and-coming artist. If you don’t like how it looks on your wall or you want to try something new, you simply return the piece and get something else. If you decide you can’t live without it, you simply purchase it outright. They’re still a startup, so they’re only operating in New York (where they’ll deliver for free), and browsing through their samples, it doesn’t look like you’re going to be able to show off a Damien Hirst diamond skull in your living room anytime soon. But in a world where dozens of services offer monthly rental of designer shoes and handbags (and heck, remember the first time you heard about Netflix?), we suppose anything’s possible. And we certainly dig the idea, both on the money-making front for its founders and for supporting artists. Here’s to hoping Boom 2.0 is good to them.

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TED2011: Julie Taymor on Creation, Spider-Man, and a Narrow Escape

The TEDsters have generously granted us a press pass to this year’s annual ideas confab in Long Beach, California, and while we’re still processing yesterday’s brain-bending line-up—which ranged from never-before-seen photos of an elusive polar creature, a paean to doodling, and the a capella musical stylings of Bobby McFerrin—we wanted to update you on today’s inspiring talk by designer and director Julie Taymor.

Preceded onto the TED stage by a stunning video montage of her greatest hits (The Lion King, Frida, The Magic Flute), Taymor began by alluding to her ongoing “turbulent times”—as her embattled Broadway extravaganza Spider-Man is poised to set a new record for previews—and then regaled the audience with the story of a transformational experience with Indonesian villagers. In the late 1970s on the island of Bali, she surreptitiously witnessed a tribal ceremony that would inform and inspire her subsequent work.

Wearing “elaborate costumes and extraordinary headdresses,” the village elders danced in the dark while no one (save a crouching Taymor) was watching. “I realized that they were performing for God, whatever that means to you,” she said. “It didn’t matter about the publicity. There was no money involved. It wasn’t going to be written down.” This intimate ritual was followed by an all-night opera that was performed for the town’s residents on a more traditional illuminated stage. “What I gained from this incredible and seminal moment from my life as a young artist was that you must be true to what you believe as an artist, all the way through,” said Taymor. “But you also have to be aware that the audience is out there…and they need the light.”

The story resonated with the Spider-Man musical’s subtitle: Spider-Man’s subtitle: Turn Off the Dark. “It’s an incredible balance that we walk when we’re creating something that is breaking ground, that’s trying to do something that you’ve never seen before, where you actually don’t know where you’re going to end up,” she explained. “That’s the fine line on the edge of a crater that I have walked my whole life.”
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Facebook Invites 100 Designers and Architects for Marathon Session to Help Develop New Headquarters

If you want one of the hottest tickets going for the start of next month, that usually means you’ve already missed your chance. However, that’s not the case this time around. As you might have caught wind of earlier this month, social networking giant, Facebook, announced that it would be moving from its current headquarters in Palo Alto, California to the town not made famous by Thomas Edison, Menlo Park. The company is moving into the 57 acre campus that once housed Sun Microsystems before it was purchased early last year, with the first employees heading over in June (they also picked up 22 adjoining acres just to make sure they have enough room to stretch out a bit). The Palo Alto Daily News is now reporting that on March 5th, Facebook has invited “more than 100 architects and other design professionals” to spend a full day wandering their new headquarters and deciding what can be done to improve it. While it’s likely unexpected that they’ll have a fully fleshed out master plan or new architectural renderings all rendered, the marathon sessions, something its coders are familiar with, is an interesting concept to bring to what amounts to urban planning. Here’s from the Daily News about how the session will function:

The design professionals have been divided into four teams that will approach different elements of the area around the future Facebook campus, [AIA spokesperson Noemi Avram] said. One team will look at existing businesses, another will scope out the perimeter of the campus, a third will focus on an area northwest of the campus near two Constitution Drive properties Facebook recently bought for future use, and a fourth will explore housing possibilities.

The paper goes on to explain that residents of Menlo Park will be invited to share their own ideas and the public is welcome to come watch. The whole thing starts at 8:30am, Saturday March 5th, at the decidedly Silicon Valley-esque address, 10 Network Circle.

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The Art Guys Issue Final Statement Over Morgan Spurlock Suit Controversy

Speaking of copyright/intellectual property issues, our reporting earlier this month on the controversy over director Morgan Spurlock wearing a suit very similar ones worn in the 1990s by The Art Guys, wound up making the internet rounds fairly quickly. Ultimately, Spurlock himself responded, saying he hadn’t heard of the duo before and the accusations that he’d stolen the idea were baseless. The Art Guys don’t believe that that’s entirely accurate, but they’ve decided to drop the issue, no longer wishing to discuss it. They’ve issued their final statement on the matter, which you’ll find in full after the jump. No matter your opinion on the controversy, it’s a great read, particularly in their response to those who claimed they weren’t the first to have the branded-suit idea.

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Freakonomics Uses Recent Jeff Koons’ Battle to Examine Copyright Bullying

Now that the high-profile tussle between Jeff Koons and the makers of some balloon animal bookends has come to an end, with the artist walking away and the product still for sale on the shelf, the NY TimesFreakonomics blog got into the “what does it all mean?” territory, filing this great, short read by guest bloggers and intellectual property experts, Kal Raustiala and Chris Sprigman. The long and short of it turns out to be pure and simple bullying, using copyright threats to shut a person or company down, without actually having to go to court, since the bullied will often back down at just the threat of an expensive legal battle. While they don’t flat out accuse Koons of acting with that in mind, even suggesting that maybe the artist was just “attempting to point out how absurd copyright law can be” (we find this more than a bit generous and/or rooted in a very, very alternate reality), the lean in the bullying direction seems fairly clear. They mention the Chilling Effects website, an ongoing collection of these practices, which you’ll definitely get sucked into for the rest of the morning (and read some similarities to the Koons matter along the way).

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‘There is No Doubt That [Morgan] Spurlock Has Plagiarized Our Idea,’ says The Art Guys Concerning Director’s Latest Film and Promotional Efforts

While browsing through a magazine yesterday, we read something about director Morgan Spurlock‘s new documentary, The Greatest Movie Ever Sold. While the film itself sounds interesting, a tongue-in-cheek look into product placement, what stopped us was seeing the outfit the Super Size Me director was wearing to help promote the film at Sundance. A suit, otherwise indistinguishable from any other except for its wide assortment of sewn-on, embroidered corporate logos. Clever and well-made for promotional attention, certainly (here he is in an interview showing off his logo-adorned jacket), but it also seemed entirely similar to work made in the late-90s by the duo The Art Guys in their very successful and widely-seen project, SUITS: The Clothes Make the Man. In collaboration with designer Todd Oldham, the two wore black suits with sewn-on embroidered corporate logos for a full year as they traveled throughout the United States. To us, it seems, Spurlock’s new promotional suit isn’t just similar to The Art Guys’ project, it’s an exact copy.

We got in touch with the artists who told us, “in our opinion, there is no doubt that Spurlock has plagiarized our idea” and that they “find it unbelievable that this is just a coincidence,” considering the amount of attention their project received internationally (their suits are currently in the collection of the Museum of Fine Arts, Houston). Furthermore, they bring to light a number of other coincidences, like their appearance on CBS News Sunday Morning and Spurlock’s recent appearance on CBS News, which they feel, when placed together, sound incredibly similar (“If one watches closely, much of the conversation is almost word for word. Compare the sections of our ad pitches with his. Coincidental?”). The Art Guys arrive at a point of contention larger than in the copying of the suit itself, but point to Spurlock’s film as a whole as perhaps the larger issue of plagiarism. Here’s from The Art Guys:

In his promo on his website and on YouTube, he talks about having an archivist for the project. Any cursory search on Google would turn up the SUITS project. Again, with all the media attention the SUITS generated, both printed and electronic, including CNN, CBS News Sunday Morning , and given the fact that there’s even a book about it available on Amazon, we find it beyond belief that he did not just steal our idea. Additionally, there was a documentary about the SUITS made by Zenfilm in Houston, that covered all of the issues that Spurlock claims to in his movie including the saturation of marketing and product placement – everything! Here’s a link to a segment of that documentary.

In the CBS Sunday Morning interview and in the SUITS book, we credit various inspirations for the SUITS including race car drivers, to the extent of making efforts to have ourselves photographed with them. We acknowledge and credit our inspirations.

…Spurlock talks about making real money on this thing, on the order of millions. We wonder if the companies who have invested in this would appreciate this “coincidence.” Or maybe the companies associated with Spurlock don’t care as long as their brand gets out there. We have yet to decide what we will do about this.

Regardless, we think it’s nasty business. The Art Guys have made work about media and marketing in many different ways over the years. It’s one of the major themes that we deal with. We’ve even done work covering the topic of appropriation. But at least we’ve given it all serious thought and given credit where credit is due.

We have attempted to contact Morgan Spurlock through his website, but as of this posting, neither he nor a representative have replied.

Update: While the story made the rounds today, Spurlock quickly responded, repeatedly issuing a statement across a number of sites that picked it up (including a response to us on Twitter), reading in part, “This accusation is preposterous. I never even heard of these guys until today, and all of their claims are baseless.”

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Big Ideas, Little Books: TED Launches Digital Books

Brainy nonprofit TED is turning its passion for “ideas worth spreading” into slim volumes that it hopes readers will consider worth downloading. The technology, entertainment, and design mavens today launched TED Books, an imprint of short nonfiction works that will be available as Kindle Singles in Amazon’s Kindle Store. “TED Books are to Books as TED Talks are to lectures,” wrote TED curator Chris Anderson in an e-mail to the TED community. “They’re short, pithy, riveting. They’re designed to express a single big idea in a way that can be absorbed in a single sitting.” At between 10,000 and 20,000 words, TED Books fall between a TED Talk and a traditional book. They are priced at $2.99 each. The first three titles (pictured) are by TED conference alumni who detail an idea—promoting well-being on a national and personal level, a bold new world of human-directed evolution, and why you shouldn’t worry so much about the previous two ideas—alluded to in each of their talks. Six more TED Books are in production, and discussions with other authors are underway. Might we suggest that TED tap one of the design minds that have graced its stage in years past? The digital covers of the TED Books, which place their gesticulating authors against a spotlit black ground, have a goofy Sesame Street-meets-Instructional-Language-Video aesthetic that makes us flinch.

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Christopher Hawthorne Plans a Very Year of Reading About Los Angeles’ Architecture

Do you like books and what’s in them, but don’t really have the time to read them yourselves? Do you wish that your book club only had another person in it and they did all the talking and were super smart about stuff? How about Los Angeles? Do you like that? If you answered yes to all of those questions (even if you didn’t, we’re still going to continue), then you’ll appreciate and enjoy the project the LA Times‘ resident architecture critic, Christopher Hawthorne, has just launched. Called “Reading L.A.”, he’ll be “reading through 25 of the most significant books on Southern California architecture and urbanism, moving chronologically and posting a series of brief essays as [he goes].” While the Los Angeles area has long been an easy punchline for catty people like us who live in well-known architecturally significant cities, that’s far from the truth. And if you read this blog with any regularity, you’ll know what huge fans of Hawthorne’s we are, as should you be as well. His current plan is to read two books per month, and up first are 1927′s The Truth About Los Angeles and 1933′s Los Angeles. We can’t wait.

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