Cube House by Plasma Studio

Since publishing a residential extension in Italy by architects Plasma Studio earlier this month, we’ve picked another faceted house from the studio’s archives located in the same South Tyrollean village.

Cube House by Plasma Studio

Plasma Studio designed the Cube House on a steep site between two existing properties in the village of Sesto, high in the Dolomite mountains.

Cube House by Plasma Studio

Triangular sections of the facade jut out to meet the slope, fusing the building with the site.

Cube House by Plasma Studio

Main access to the house is past two parking spaces on the lower level dug into the hillside.

Cube House by Plasma Studio

The staircase dog-legs up through the centre of the house, surrounded by the living, dining and kitchen area on the first floor. Bedrooms occupy the top storey.

Cube House by Plasma Studio

Generous south and east-facing balconies and terraces double the amount of useable floor space. “We opened the facade as much as possible in order to widen up the tight interior,” said the architects.

Cube House by Plasma Studio

The house is wrapped in slanted wooden slats, which help to screen balconies and terraces from the main road while still offering views to the mountains through angled openings.

Cube House by Plasma Studio

Facing the hill behind, the back corner of the property is rendered white like the surrounding buildings and punctured with small rectangular windows.

Cube House by Plasma Studio

Plasma Studio have designed another project in the area – a hotel clad with similar angled wood panels just down the valley.

Cube House by Plasma Studio

See more Italian houses »
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Photography is by Cristobal Palma.

Here’s the project description from Plasma Studio:


The major constraints of this project, its steep site, compressed between existing buildings and very limited allowance of development volume have shaped the form of this house.

Cube House by Plasma Studio
Ground floor plan

It is inserted into the earth with two covered parking spaces to the front from where a small stair case leads up to the main living zones in the first floor and further to the bedrooms in the second floor.

Cube House by Plasma Studio
First floor plan

Compact circulation

Because of the limited available floor area the staircase and circulation had to be designed in a very space-saving way – this lead to the continuous organisation in the first floor: the single functions cooking, eating and living are positioned around the circulation core in order to give connectivity and privacy at the same time to the single activities.

Cube House by Plasma Studio
Second floor plan

The staircase and built-in furniture piece, which is storage, oven and service cavity at the same time, divides and connects as a short cut at the same time. On the second floor the single sleeping rooms are connected to each other in the shortest possible way.

Cube House by Plasma Studio
Long section

View and shelter

Given prominent location of the site directed towards the south and the Dolomites we opened the facade as much as possible in order to widen up the tight interiors – on both main floors ample balconies and terraces double the available floor area and offer great places to play for the kids and rest for the parents.

Cube House by Plasma Studio
South elevation

In order to provide shelter from the views of the passing by road a layer of wooden sticks was wrapped around the big openings directed to the south – depending on the varying size of the openings they provide different degrees of shelter and intimacy.

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Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

Vietnamese studio Vo Trong Nghia Architects has completed a house in Ho Chi Minh City with half of its floors screened behind hollow concrete blocks and the other half exposed to the elements (+ slideshow).

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

Working alongside architects Sanuki + Nishizawa, Vo Trong Nghia Architects designed the six-storey Binh Thanh House for three generations of a single family, adding curved concrete ceilings, a spiral staircase and gardens on each floor.

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

Alternating levels offer a mixture of both air-conditioned and naturally ventilated spaces. “The concept of the house is to accommodate two different lifestyles in a tropical climate,” said the architects.

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

The second and fourth floors have glazed facades that slide open, bringing natural light and cross ventilation through a pair of family living rooms that both occupy an entire storey. One features an undulating concrete ceiling, while the other is framed by a row of barrel vaults.

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

The hollow concrete blocks create patterned walls either side of the first, third and fifth floors on the building, allowing light to filter through to bedrooms, a kitchen, a small dining room and a home gym.

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

“Pattern blocks […] used to be a popular shading device in Vietnam to bring in natural ventilation,” said the architects. “While this house looks different from the stereotypical townhouses in Ho Chi Minh City, all the architectural solutions are derived from the local lifestyle and wisdom.”

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

These upper floors are staggered back and forth, creating balcony gardens on both sides of the residence, while the sunken ground floor accommodates a parking area.

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

Vo Trong Nghia Architects has offices in Ho Chi Minh City and Hanoi. Recent residential projects by the firm include a spiralling stone house with a grass roof and a “tube house” with a vertical garden on its facade.

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

See more architecture by Vo Trong Nghia Architects »
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Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

Here’s a project description from Vo Trong Nghia Architects:


Binh Thanh House

Located in the centre of Ho Chi Minh city in Vietnam, Binh Thanh House was designed for two families; a couple in their sixties, their son, his wife and a child.

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

The plot has a bilateral character, one is facing to a noisy and dusty street in a typical developing and urbanising area in the city and one is very close to a canal and Saigon Zoo with plenty of greenery.

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

Against a backdrop of this duality of its setting, the concept of the house is to accommodate two different lifestyles in a tropical climate; a modern and well-tempered lifestyle with mechanical equipments such as air-conditioners, and a natural and traditional lifestyle, utilising natural lighting and ventilation with water and greenery.

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

The house is composed of two different spaces positioned alternately. Spaces for modern lifestyle are allocated in three floating volumes wrapped by concrete pattern blocks. And the spaces between these three volumes are widely open to the exterior and allocated for the natural lifestyle where the residents enjoy wind, sunlight, green and water.

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

Three volumes are shifted back and forth to bring natural light into the in-between spaces, as well as to create small gardens on each floor. The bottoms of the volumes become the ceilings for the in-between spaces. These surfaces are designed with various curved shapes, providing each in-between space with different lighting effects.

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

Bedrooms and other small rooms are contained in the floating semi-closed volumes to enhance security and privacy. On the other hand, the open in-between spaces are designed to be independent living spaces for two families.

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

Pattern blocks, which used to be a popular shading device in Vietnam to bring in natural ventilation, are made of pre-cast concrete with 60cm width and 40cm height. It not only prevents the harsh sunlight and heavy rain but also enhances the privacy and the safety.

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa

While this house looks different from the stereotypical townhouses in Ho Chi Minh City, all the architectural solutions are derived from the local lifestyle and wisdom. The house offers an interpretation of the ecological lifestyle in the modern tropical city. It is where modern and natural life are compatible with each other.

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa
Site plan – click for larger image

Architect Firms: Vo Trong Nghia Architects, Sanuki + Nishizawa architects
Principal architects: Vo Trong Nghia, Shunri Nishizawa, Daisuke Sanuki
Status: built in June, 2013
Program: Private house for two families
Location: Binh Thanh, Ho Chi Minh City, Vietnam
GFA: 516 sqm
Site area: 140 sqm

Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa
Ground floor plan – click for larger image
Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa
First floor plan – click for larger image
Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa
Second floor plan – click for larger image
Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa
Third floor plan – click for larger image
Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa
Fourth floor plan – click for larger image
Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa
Fifth floor plan – click for larger image
Binh Thanh House by Vo Trong Nghia and Sanuki + Nishizawa
Long section – click for larger image

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Conan House by Moon Hoon

South Korean architect Moon Hoon designed this home with missing corners for a figurine collector and his family (+ slideshow).

Conan House by Moon Hoon

Moon Hoon designed the house for an empty plot beside a lake in Bangdong, an area of South Korea popular with tourists.

Conan House by Moon Hoon

“The vacant site seemed to invite some kind of a sculptural object, unhindered by its neighbours, standing rather conspicuously,” said the architect.

Conan House by Moon Hoon

Polygonal facades are created by slicing the corners off a narrow cuboid. On each wall these outlines are repeatedly scaled down and recessed until they form windows in the centre.

Conan House by Moon Hoon

Conan House, which translates as Toy House, was designed for a local TV producer who wanted somewhere to display his toy collection.

Conan House by Moon Hoon

“He is an avid collector of miniature robots and figures,” said the architect, “a hobby that started from an early age that has not stopped.”

Conan House by Moon Hoon

Hoon created square niches in the railings that surround the central staircase to display the best objects in the client’s collection.

Conan House by Moon Hoon

The staircase spirals up the centre of the building around a skylit atrium, dotted with the display cases all the way up.

Conan House by Moon Hoon

More paraphernalia is stored on a wooden bookcase in the basement that nestles in the bottom of the stairwell and wraps around a study area.

Conan House by Moon Hoon

Moving up the building, levels are staggered to separate the entrance and living room from the dining and kitchen area.

Conan House by Moon Hoon

The main bedroom and ensuite bathroom sit a few steps down from two children’s rooms that share a window.

Conan House by Moon Hoon

A red slide cuts across the atrium to join the play areas split over the top floors, which have a yellow ceiling and are lit by windows in the sliced-off corners.

Conan House by Moon Hoon

Wooden floors and stair treads run throughout the dominantly white interiors. The entrance is through one of the cleaved wall junctions, easily noticeable from the outside as it’s painted red.

Conan House by Moon Hoon

Moon Hoon has also designed a house with a wooden slide slotted between a combined staircase and bookshelf.

Conan House by Moon Hoon

Other residences in South Korea include a countryside retreat for a retired couple and villas covered in volcanic rubbleSee more houses in South Korea »

Conan House by Moon Hoon

Photography is by Nam Goung Son.

Here’s some extra information from Moon Hoon:


Conan House, Moon Hoon

The site

Bangdong is a famous place for sight seeing and leisure for nearby dwellers. It can be quite crowded during the holiday seasons.

Conan House by Moon Hoon

The irregular plot of land situated right in front of Bangdong lake boasts a beautiful open view of the lake and a low mountain as a back drop. When visited for the first time, the vacant site seemed to invite some kind of a sculptural object, unhindered by its neighbours, standing rather conspicuously.

Conan House by Moon Hoon

The client

He is a producer for a local TV station, with one kid and a lovely wife. His family visited my office one day and asked for a skip-floored house like Lollipop House, which they had seen in the magazines.

Conan House by Moon Hoon

He was an avid collector of miniature robots and figures. A hobby that started from an early age, which has not stopped. His father was also an avid collector of natural stones shaped like something recognisable or possessing some abstract qualities. The collector gene was running in the family.

Conan House by Moon Hoon
Basement plan – click for larger image and key

The architect

I am a playful architect. I have met the right client, who has kept his child-like mind intact with him. The design went through two alternatives, one each floor stacked and rotating, the other of a box with small broken floors moving up in a spiral.

Conan House by Moon Hoon
Ground floor plan – click for larger image and key

Both had their ups and downs. The client chose the latter. The house has a central core that is used as an exhibition space and a railing for his toys.

Conan House by Moon Hoon
First floor plan – click for larger image and key

The spiral and jagged floor levels follow the spiral stair case all the way up to the attic, where you can find a small red slide that traverses the void. The exterior expresses the inner spiral energy in a simplified form.

Conan House by Moon Hoon
Second floor plan – click for larger image and key

The space

The spiral staircase is a place for movement, play and exhibition. It plays a central role in the house. the other functioning rooms such as living, kitchen, bedrooms are attached to the system.

Conan House by Moon Hoon
Long section – click for larger image and key

The windows are placed in the centre of each wall, mimicking the concept and inviting ample amount of light. The void in the middle gives much vertical depth in a otherwise a compact house.

Conan House by Moon Hoon
Cross section – click for larger image and key

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Casa Moliner by Alberto Campo Baeza

High concrete walls enclose a secret garden around this residence for a poet in Zaragoza – our second story this week from Spanish architect Alberto Campo Baeza.

Casa Moliner by Alberto Campo Baeza

Casa Moliner was designed by Alberto Campo Baeza as an introverted enclosure, with a clean white house surrounded by newly planted trees and a calming pool of water. Two-metre-high walls surround the site on every side, blocking views out as well as in.

Casa Moliner by Alberto Campo Baeza

“We raised high walls to create a box open to the sky, like a nude metaphysical garden with concrete walls and floor,” said the architect.

Casa Moliner by Alberto Campo Baeza

The three-storey house has two levels above ground, while a third floor is buried below the courtyard with sunken patios on each side. A staircase spirals up through the centre of the plan like a circular spine.

Casa Moliner by Alberto Campo Baeza

A library occupies the uppermost floor, creating a place for the poet to work. A wall of translucent glazing brings diffused light through the room, while a narrow window frames a single view across the neighbourhood.

Casa Moliner by Alberto Campo Baeza

“For dreaming, we created a cloud at the highest point,” said Campo Baeza, “with northern light for reading and writing, thinking and feeling.”

Casa Moliner by Alberto Campo Baeza

A single room on the ground floor forms a large living and dining area that opens out to the surrounding garden, while bedrooms and bathrooms are located downstairs.

Casa Moliner by Alberto Campo Baeza

Our first story this week about Campo Baeza featured a bulky concrete house on a hilltop in Toledo.

Casa Moliner by Alberto Campo Baeza

See more architecture by Alberto Campo Baeza »
See more houses in Spain »

Casa Moliner by Alberto Campo Baeza

Photography is by Javier Callejas.

Casa Moliner by Alberto Campo Baeza

Read on for a project description from Alberto Campo Baeza:


Moliner House, Zaragoza

To build a house for a poet. To make a house for dreaming, living and dying. A house in which to read, to write and to think.

Casa Moliner by Alberto Campo Baeza

We raised high walls to create a box open to the sky, like a nude, metaphysical garden, with concrete walls and floor. To create an interior world. We dug into the ground to plant leafy trees.

Casa Moliner by Alberto Campo Baeza

And floating in the centre, a box filled with the translucent light of the north. Three levels were established. The highest for dreaming. The garden level for living. The deepest level for sleeping.

Casa Moliner by Alberto Campo Baeza
Axonometric diagram one

For dreaming, we created a cloud at the highest point. A library constructed with high walls of light diffused through large translucent glass. With northern light for reading and writing, thinking and feeling.

Casa Moliner by Alberto Campo Baeza
Axonometric diagram two

For living, the garden with southern light, sunlight. A space that is all garden, with transparent walls that bring together inside and outside.

Casa Moliner by Alberto Campo Baeza
First floor plan

And for sleeping, perhaps dying, the deepest level. The bedrooms below, as if in a cave. Once again, the cave and the cabin. Dreaming, living, dying. The house of the poet.

Casa Moliner by Alberto Campo Baeza
Ground floor plan

Location: Avda. Ilustración, 40, Urbanización Montecanal, Zaragoza
Client: Luis Moliner Lorente
Surface area: 216 sqm

Casa Moliner by Alberto Campo Baeza
Basement plan

Architect: Alberto Campo Baeza
Collaborating architects: Ignacio Aguirre López, Emilio Delgado Martos
Structure: María Concepción Pérez Gutiérrez
Rigger: José Miguel Moya
Constructor: Construcciones Moya Valero, Rafael Moya, Ramón Moya

Casa Moliner by Alberto Campo Baeza
Long section

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Casa Rufo by Alberto Campo Baeza

Delicate glazing fits around a bulky concrete structure at this hilltop house in Toledo by Spanish architect Alberto Campo Baeza (+ slideshow).

Casa Rufo by Alberto Campo Baeza

With views stretching out towards the Sierra de Gredos mountains, the two-storey Casa Rufo was designed by Alberto Campo Baeza as “a hut on top of the cave”, with a sequence of ground-floor rooms overshadowed by a long and narrow rooftop podium.

Casa Rufo by Alberto Campo Baeza

A concrete canopy, described by the architect as like “a table with ten legs”, shelters a small section of the podium and is surrounded by frameless glazing, creating a transparent room that is visible from the surrounding garden.

Casa Rufo by Alberto Campo Baeza

A staircase leads directly down from here to the living and dining room below, where the architect has placed the entrance to the house.

slideshow

Rectangular cutaways transform some of the rooms into open-air courtyards. Two bedrooms face in towards these spaces, rather than out through the exterior walls.

Casa Rufo by Alberto Campo Baeza

Another opening reveals the location of a parking garage, while a smaller void functions as a rooftop swimming pool.

Casa Rufo by Alberto Campo Baeza

A row of poplar trees was planted behind the house, helping to screen it from views from the north-east.

Casa Rufo by Alberto Campo Baeza

Alberto Campo Baeza lives and works in Madrid, and also teaches architecture at the Madrid School of Architecture. His other projects include Offices for Junta de Castilla y León, a glazed office block concealed behind a sandstone enclosure.

Casa Rufo by Alberto Campo Baeza

Other Spanish houses on Dezeen include a converted stone stable and a residence that looks like a cluster of concrete cubes. See more houses in Spain »

Casa Rufo by Alberto Campo Baeza

Photography is by Javier Callejas.

Casa Rufo by Alberto Campo Baeza

Here’s a project description from the architect:


Rufo House, Toledo

The brief was to build a house on a hilltop outside of the city of Toledo. The hill faces southwest and offers interesting views of the distant horizon, reaching the Gredos Mountains to the northeast.

Casa Rufo by Alberto Campo Baeza

The site measures 60 x 40 m and has a 10-metre slope. At the highest point, we established a longitudinal podium, 6 meters wide and 3 meters high, that extends from side to side the entire length of the site. All of the house’s functions are developed inside of this long box, the length of concrete creating a long horizontal platform up high, as if it were a jetty that underlines the landscape with tremendous force.

Casa Rufo by Alberto Campo Baeza

This long concrete box is perforated and cut into, conveniently creating objects and voids to appropriately accommodate the requested functions (courtyard + covered courtyard, kitchen, living room-dining room-hall, bedroom, courtyard + courtyard, bedroom, garage, swimming pool, bedroom, courtyard).

Casa Rufo by Alberto Campo Baeza

In this distribution the living-dining room opens to the garden while the bedrooms face onto courtyards open to the sky and garden, affording them the necessary privacy. The stairway connecting the upper floor is situated in the area behind the living-dining room.

Casa Rufo by Alberto Campo Baeza
Isometric diagram

On top of the podium and aligned with it, a canopy with ten concrete columns with a square section support a simple flat roof, as if it were a table with ten legs. Under this roof, behind the columns, is a delicate glass box. To protect the views of the house from the back, a simple row of poplars were planted.

Casa Rufo by Alberto Campo Baeza
Lower floor plan

Once again, the theme of the hut on top of the cave. Once again, the theme of a tectonic architecture over a stereotomic architecture.

Casa Rufo by Alberto Campo Baeza
Upper floor plan

Location: Urbanización Montesión, Calle Brezo parcela nº 158. Toledo
Client: Rufino Delgado Mateos
Area: house: 200 sqm, patios 120 sqm

Casa Rufo by Alberto Campo Baeza
Cross section

Architect: Alberto Campo Baeza
Collaborating architects: Raúl Martinez, Petter Palander
Structure: Juan Antonio Domínguez (HCA)
Surveyor: José Miguel Agulló
Builder: José Miguel Agulló

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House in Nishimikuni by Arbol Design

A garden snakes between the cedar-clad walls of this house in Osaka by Japanese architects Arbol Design (+ slideshow).

House in Nishimikuni by Arbol Design

Arbol Design chose to enclose the garden within the high walls that surround the property to keep the spaces out of view from tall apartment buildings close by.

House in Nishimikuni by Arbol Design

“There was concern about overlooking from the park and the apartments nearby, plus views within the site to the buildings outside,” said the architects. “We solved it by encircling the entire house with a wall.”

House in Nishimikuni by Arbol Design

Designed for a retired couple, the single-storey wooden home stands out from the rendered concrete multi-storey apartment blocks in the Nishimikuni district of central Osaka.

House in Nishimikuni by Arbol Design

The gravel garden planted with small trees winds around the bedroom at the front of the property, passes the dining room and tatami area then ends beside the bathroom at the back.

House in Nishimikuni by Arbol Design

Its path is broken by a small portion of corridor in the centre of the plot that connects the front section of the house to the rear. Large windows along the route flood the rooms with natural light and allow the foliage to be appreciated without venturing outside.

House in Nishimikuni by Arbol Design

The perimeter wall blocks all views of the neighbourhood so only the sky is visible from inside, though thin vertical slits allow glimpses beyond.

House in Nishimikuni by Arbol Design

The same cedar cladding used externally also covers the floor, while other indoor finishes are kept neutral. Entry to the home is through an inconspicuous door off the side of the partly covered front driveway.

We’ve posted a couple of Japanese houses already this week. One features a staircase that folds around a double-height bookcase and another includes playground swings that can be hung inside or out.

See more Japanese houses »
See more architecture and design in Osaka »

Keep reading for more information from the designers:


House in Nishimikuni

What are one-storied houses like in the centre of cities? The surroundings and privacy matter, or how to use the outer space of the house. We pursued simplicity and richness the most.

House in Nishimikuni by Arbol Design

By decreasing the number of the rooms as much as possible, we made it possible to use rich materials in the spaces. Furthermore, take away unnecessary stories and let in the natural sunshine instead.

This house is designed for a retired couple, proposing a new style of one-storied house located in the centre of Osaka city.

There was concern about overlooking from the park and the apartments nearby, plus views within the site to the buildings outside. We solved it by encircling the entire house with a wall.

House in Nishimikuni by Arbol Design

You could see a beautiful colour contrast in green from planting within the site and in blue from the sky. We created a S-shaped garden across the house so you could enjoy it anywhere, and it is as if you were in the forest watching a river running!

This one-storey house surrounded with lined-up condominiums has created a new concept of richness, in the concept of not needing to be chained to thoughts about how large the ground space is, or how convenient it is.

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House in Chayagasaka by Tetsuo Kondo Architects

From the outside this house in Nagoya by Japanese architect Tetsuo Kondo looks like a pile of overlapping boxes, but inside it opens up to form one big bright space (+ slideshow).

House in Chayagasaka by Tetsuo Kondo Architects
Photograph by Ken’ichi Suzuki

As the home to family of four, House in Chayagasaka was planned by Tetsuo Kondo as a single space so that residents can always see what’s going on elsewhere in the house.

House in Chayagasaka by Tetsuo Kondo Architects
Photograph by Ken’ichi Suzuki

“As both of the parents work, they wanted to have as many common areas as possible, in order to spend more time together as a family,” said Kondo. “So I decided to build a one-room house, with a lot of subtle balance between connected and separated areas.”

House in Chayagasaka by Tetsuo Kondo Architects
Photograph by Ken’ichi Suzuki

The main body of the two-storey building comprises six cuboidal volumes, with small gardens and balconies squeezed into the spaces between.

House in Chayagasaka by Tetsuo Kondo Architects
Photograph by Ken’ichi Suzuki

A white metal staircase winds up through the centre of house, beginning as a rectilinear form but soon adopting a curved shape.

House in Chayagasaka by Tetsuo Kondo Architects

This staircase leads up from a central living area to two children’s bedrooms and a bathroom, each set at a different level. Two final steps ascend to a terrace in the far corner of the building.

House in Chayagasaka by Tetsuo Kondo Architects

“When making a house for a young family with children that will soon grow up, and the developing area around the house will change fast, it seems to make sense to design a house with very open architecture,” added Kondo.

House in Chayagasaka by Tetsuo Kondo Architects

Glazed screens surround the two small gardens that puncture the volume of the house at ground floor level. One is positioned alongside a dining room at the rear, while the other pushes into the space of the living room.

House in Chayagasaka by Tetsuo Kondo Architects

The floor steps down at the front of the house, defining the boundary of the master bedroom.

House in Chayagasaka by Tetsuo Kondo Architects

Tetsuo Kondo founded his studio in 2006 and previously designed a house where every room leads through to a little garden. Other projects by the architect include a walkway that winds its way around tree trunks and a mirror that becomes cloudy when viewed from the side.

House in Chayagasaka by Tetsuo Kondo Architects
Photograph by Ken’ichi Suzuki

See more design by Tetsuo Kondo »
See more houses in Japan »

House in Chayagasaka by Tetsuo Kondo Architects

Photography is by Iwan Baan, apart from where otherwise stated.

Here’s a project description from Tetsuo Kondo Architects:


House in Chayagasaka

This is a private residential house for a family of four in Nagoya – a young couple and their two small children. The site is located close to a new metro station, in an area that is developing rapidly. As both of the parents work, they wanted to have as many common areas as possible, in order to spend more time together as a family. So I decided to build a one-room house, with a lot of subtle balance between connected and separated areas.

House in Chayagasaka by Tetsuo Kondo Architects

In this project, I tried to achieve architecture that welcomes a large variety of things, in a state where all the parts are mutually interrelated. This architecture is not one dominated by a strong system or built in a well-ordered manner, but rather one that incorporates various meanings and it seems difficult to understand why it was made that way. When making a house for a young family with children that will soon grow up, and the developing area around the house will change fast, it seems to make sense to design a house with very open architecture, one with balance that can accept diversity.

House in Chayagasaka by Tetsuo Kondo Architects

I designed a strange shaped one-room house by placing ordinary room-size boxes of variable shapes. I tried to deal at the same time with components which might normally not be directly related, such as widths, heights, structures, brightness, functions, shape, circulations, terrace, etc. The relationships between these things are very complex, and if one part would be changed, it would influence the whole building. However, from the perspective of a whole, it can be absorbed.

House in Chayagasaka by Tetsuo Kondo Architects
Ground floor plan – click for larger image

I think this type of architecture can achieve a new kind of residential comfort, by mixing various things including the present and the future course of life, as well as the history and culture of the location.

House in Chayagasaka by Tetsuo Kondo Architects
First floor plan – click for larger image

It manages to maintain the diversity of a certain state of equilibrium with order. The order should not constrain the system, but it should rather loosely define its relationship. I aimed to create an architecture in such a soft order.

House in Chayagasaka by Tetsuo Kondo Architects
Illustrative section

Location: Aichi, Japan
Program: Private house
Completion Period: September 2012
Total Floor Area : 89.55 sqm
Site Area: 97.58 sqm
Architect: Tetsuo Kondo Architects
Structural Engineer: Konishi Structural Engineers

House in Chayagasaka by Tetsuo Kondo Architects
Diagrammatic sections – click for larger image

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Emerald Art Glass House by Fisher Architecture

American architect Eric Fisher claims to have built the world’s largest residential cantilever with this house in Pittsburgh that protrudes by 16 metres to hover over the roof of a glass factory (+ slideshow).

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

Designed to house the owners of the factory, the Corten steel-clad Emerald Glass House was completed by Fisher Architecture in 2011, but the studio recently submitted it for entry into the Guinness Book of World Records.

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

The impressive cantilever forms the uppermost floor of the four-storey residence, which is set into a hillside to the south of the city. “It floats above the owner’s glass manufacturing facility like a foreman’s shack,” said Fisher.

Emerald Art Glass by Eric Fisher

The architect used Corten steel, mesh and exposed steel columns to create an industrial aesthetic, then added large areas of glazing to recognise the trade of the house’s residents.

Emerald Art Glass by Eric Fisher

This includes a fully glazed facade, designed as a beacon for visitors to the factory. Behind the facade, a living room occupies the whole cantilevered space, allowing the structure to function as a giant viewfinder.

Emerald Art Glass by Eric Fisher

Glass also surrounds the interior surfaces of the house’s concrete block core and was used for staircase balustrades and a breakfast counter in the kitchen.

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

Other cantilevered houses we’ve featured on Dezeen include a Seattle house with a twisted top floor and a house that extends over a river in Wales.

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

See more cantilevered buildings »
See more American houses on Dezeen »

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

Photography is by the architect, apart from where otherwise indicated.

Emerald Art Glass by Eric Fisher

Here’s a project description from Eric Fisher:


Emerald Art Glass House

The Emerald Art Glass House is a site-sensitive, cantilevered home for the owners of a glass company. This is contextual design: Located on Pittsburgh’s South Side slopes, it floats above the owner’s glass manufacturing facility like a foreman’s shack.

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

The home’s industrial forms and Corten steel siding relate to the factory below while a living roof connects the house visually to the verdant slopes beyond. In a building this public, it’s possible to make larger references: Pittsburgh’s neighbourhoods are cut off from one another both geographically and culturally. The new horizontally massed house and the US Steel tower, Pittsburgh’s tallest building, are Corten steel peers. Together, they establish a small but meaningful new dialogue between the residential slopes and the commercial city centre.

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

Glass products are featured throughout, celebrating the owner’s craft: A radical, north-facing, butted, “Greenheat” radiant-heated glass facade functions from outside as a sign for the glass factory and from inside as a view catcher. A unique, glass rain-screen system clads a concrete block core. Inside the core, a glass stairway winds its way from the ground floor to the kitchen.

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

And it’s green: 21st century architects must learn to recycle space in the same way we recycle our garbage – finding value in waste. Here, we are putting to use the unused space above the owner’s warehouse in this dense urban neighbourhood. Recycled materials are used throughout. As well, geothermal well-generated forced air complements the radiant heated floors and glass.

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

Extending three times farther than nearby Falling Water, the Emerald Art Glass House may be the world’s longest residential cantilever. As Jean Paul Sartre once wrote, ‘The human body always extends across the tool that it utilises: it is at the end of the telescope, which shows me the stars; it is my adaptation to those tools. When a structure cantilevers in a daring way, we imagine ourselves leaning out over the space below, which explains why it moves us. This is the thing with feathers, an object that disrupts daily life just enough to make one believe that there is maybe more to life than the humdrum.

Emerald Art Glass by Eric Fisher
Long section north to south
Emerald Art Glass by Eric Fisher
Cross section west to east
Emerald Art Glass by Eric Fisher
Detailed long section south to north – click for larger image

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by Fisher Architecture
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House in Ofuna by Level Architects

Playground swings can be hung both inside and outside this Japanese house with a corner sliced off by Level Architects, the firm that previously completed a residence with a slide connecting its floors (+ slideshow).

House in Ofuna by Level Architects

Located in the city of Kamakura, the three-storey family house was designed by Level Architects with a series of children’s play areas, including a courtyard garden, a rooftop balcony, a large bedroom and a loft playroom.

House in Ofuna by Level Architects

Metal hooks allow residents to attach a swing to the ceiling in the ground-floor hallway. They can also hang either a swing or hammock across the L-shaped balcony on the middle floor.

House in Ofuna by Level Architects

From the street, the house appears as a large timber-clad cuboid that appears to have had its western corner sliced away, revealing the location of the courtyard garden and surrounding balcony.

House in Ofuna by Level Architects

“The cutaway corner of the exterior wall is adjusted so that it comes down to a height of a handrail, creating privacy at just the right level without completely enclosing the [first] floor outdoor terrace,” said the architects.

House in Ofuna by Level Architects

The building’s entrance leads through to an area that the architects refer to as an “inner terrace”, which is separated from the surrounding rooms by split levels. “The floor level can also be utilised as a bench,” added the architects.

House in Ofuna by Level Architects

The double-height living and dining room spans the width of the first floor and features high-level windows that bring in natural light without compromising privacy.

House in Ofuna by Level Architects

Two mezzanine loft rooms flank the space from above and feature internal windows so that parents can keep an eye on children playing upstairs.

House in Ofuna by Level Architects

Children’s playgrounds have provided the inspiration for several of Level Architects’ projects. The studio completed its house with an indoor slide in 2011 and have also worked on a residence with an indoor skateboarding area.

House in Ofuna by Level Architects

Other Japanese houses on Dezeen recently include a combined home and dog-grooming salon and a house raised up on pilotis. See more houses in Japan »

House in Ofuna by Level Architects

Photography is by Makoto Yoshida.

House in Ofuna by Level Architects

Read on for more details from Level Architects:


House in Ofuna

This design, which cuts away the western corner from this extruded volume of the site, created a focal point within the house, while still enabling a connection to the surrounding exterior environment. The cutaway corner is able to establish a direct view onto the small hills west of the house, as well as retaining privacy from the street below.

House in Ofuna by Level Architects

The use of natural wood material for the extruded volume itself allowed the design to incorporate a hard edge at the cutaway corner, creating a sharp and distinct separation from the rest of the design. This triangular surface edge also helps to break up the solid aspect of the design and somewhat control its presence onto the street.

House in Ofuna by Level Architects

The interior planning of the first floor revolves around layers of space; the terrace, inner terrace, and then the private bedrooms, all surround the enclosed symbolic tree planted in the inner garden. Level changes were also implemented to create different opportunities for the children’s room and its relation to the inner terrace; the floor level can also be utilised as a bench, allowing multiple uses to the open space. The inner terrace can also be viewed as a spacious entrance hall, which allows the extensive walls to be enjoyed as large storage areas as well.

House in Ofuna by Level Architects

The second floor living/dining/kitchen space enjoys a ceiling height of more than 3.5 meters. Looking towards the street you are able to view the triangular cutaway corner framing the hills beyond, as well as the symbolic tree sprouting up from the first floor. This tall ceiling brings in enough light to brighten up the loft, creating a sunny, playful space for the children, while still being connected to the living room below.

House in Ofuna by Level Architects
Ground floor plan – click for larger image

The cutaway corner of the exterior wall is adjusted so that it comes down to a height of a handrail, creating privacy at just the right level without completely enclosing the second floor outdoor terrace. The windows placed throughout the east and south side of the house take into consideration the neighbouring buildings and so are located at relatively high locations, controlling both light and the view into the home.

House in Ofuna by Level Architects
First floor plan – click for larger image

Site: Kanagawa Pref., Kamakura City
Site area: 135.44m²
Building footprint: 66.64 sqm
Total building area: 121.70 sqm
1F area: 66.64 sqm
1F terrace Area: 7.94 sqm
2F area: 55.06 sqm
2F terrace area: 11.43 sqm
Loft area: 10.69 sqm
Loft terrace area: 11.81 sqm
Construction type: Wood frame
Stories: 2 stories + Loft
Completion date: 03/2012

House in Ofuna by Level Architects
Second floor plan – click for larger image

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Level Architects
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Casa Klotz by Mathias Klotz photographed by Roland Halbe

German photographer Roland Halbe has taken new photographs of Casa Klotz, a rural beach house in Chile by architect Mathias Klotz (+ slideshow).

Casa Klotz by Mathias Klotz

The two-storey wooden house is located beside the seafront in Tongoy, north of Santiago. It was designed by Mathias Klotz in 1991 for his mother and was the Chilean architect’s first major project.

Casa Klotz by Mathias Klotz

Clad with white-painted timber boards, the rectangular house has barely any glazing on its southern facade, while its northern elevation features large windows and balconies that face out across the beach.

Casa Klotz by Mathias Klotz

The house centres around a large double-height living room with a chequerboard of floor-to-ceiling glazing stretching across one wall. Wooden decking covers the floor and extends out to a terrace suspended 30 centimetres above the ground.

Casa Klotz by Mathias Klotz

The rest of the house is arranged with a symmetrical layout, with a ground-floor dining room and small bedroom that mirror a larger bedroom and bathroom area. Two identical bedrooms are located upstairs and both open out to recessed balconies.

Casa Klotz by Mathias Klotz
Ground floor plan

The entrance to the house is a ramped bridge that angles up from the ground.

Casa Klotz by Mathias Klotz
First floor plan

Since completing Casa Klotz, Mathias Klotz has worked on a string of houses and other buildings. Recent projects include Casa 11 Mujeres, a holiday home for a family with 11 daughters.

Casa Klotz by Mathias Klotz
Section A-A

See more architecture in Chile »

Casa Klotz by Mathias Klotz
Section B-B

See more photography by Roland Halbe on Dezeen or on the photographer’s website.

Here’s a project description from Mathias Klotz:


Casa Klotz/Klotz House

The Klotz house is in the vicinity of Tongoy on a beach situated 400 km to the north of Santiago. The bay is 24 km long and has very few buildings along it. The outline of the cove is recognisable from a distance, as is the coastal mountain range in the background.

Casa Klotz by Mathias Klotz
Section C-C

The powerful contrast between the house and its surroundings is what defines the building. The work consists of a rectangle box 6 x 6 x 12 m which sits upon the ground and rises 30 cm above it.

Casa Klotz by Mathias Klotz
North elevation

The outside presents a blind face which serves as the access over a curved bridge. The opposite façade, facing the sea, has large openings.

Casa Klotz by Mathias Klotz
West elevation

The ground plan has two clearly defined sections on the first floor. The narrowest, of two meters, is for the entry, the stairs, the bathroom and a small bedroom. The larger, of four meters is for the main bedroom, the kitchen-dining room and the double-height living room. On the second floor, the bedrooms are set back from the sea facing façade to allow space for terraces. The staircase and bridge that connect the bedrooms continue the concept of the corridor or gallery on the first floor.

Casa Klotz by Mathias Klotz
South elevation

The fine white carpentry, the openings in the wall, the added and subtracted features, the interplay between the proportions, the horizontal lines of the wooden sealing fillets on the facades are all touches aimed at producing a detailed close-up effect in contrast with the panorama of the surroundings and the abstraction of the building itself.

Casa Klotz by Mathias Klotz
East elevation

Client: Isabel Germain
Construction: Mathias Klotz
Engineers: Jaime Frerk
Construction date: 1991
Completion date: 1991
Terrain surface: 5.700 sqm
Built surface: 99 sqm
Location: Playa grande, Tongoy, Chile

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photographed by Roland Halbe
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