Construction begins on Bordeaux stadium by Herzog & de Meuron

Nouveau Stade de Bordeaux by Herzog & de Meuron

News: work has started on a football stadium in Bordeaux, France, by Swiss architects Herzog & de Meuron.

First unveiled in 2011, when it was referred to as the Stade Bordeaux Atlantique, Herzog & de Meuron’s Nouveau Stade de Bordeaux will provide seating for up to 42,000 spectators.

A rectangular white roof will cover the stadium, supported by a forest of slim white columns.

The structure is expected to be completed in 2015 ready to host matches during the Euro 2016 football championship.

Last week construction began on an outdoor bathing lake in Riehen, Switzerland, also by Herzog & de Meuron.

The architects previously completed the National Stadium in Beijing for the 2008 Olympic Games – see all architecture by Herzog & de Meuron or see all stadiums.

Earlier this year French designer Philippe Starck and car company Peugeot unveiled a prototype bicycle for a free cycle scheme in Bordeaux – see all projects in Bordeaux.

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Le Corbusier’s Cité Radieuse rooftop to open as art space

Le Corbusier's Cite Radieuse rooftop to open as art space

News: the rooftop of Le Corbusier’s Cité Radieuse housing block in Marseille is to open to the public this summer as a contemporary art space masterminded by French designer Ora-Ïto. Originally intended as an outdoor gymnasium for the self-contained community of Cité Radieuse – the first building in Le Corbusier’s influential Unité d’Habitation project – the rooftop gradually fell into disuse and was put up for sale three years ago.

Ora-Ïto, whose past designs include a spaceship and sedan chair for French auto maker Citroen, stepped in to buy the space and set to work transforming it into an arts centre with a cafe, shop and artists’ residences.

As part of a £6 million restoration jointly funded by Ora-Ïto, the building’s co-owners and the French state, a 1950s extension was removed to reveal a sun deck and shower room with coloured tiles. The exhibition space will be called MAMO, which is short for “Marseille Modulor” and intended as a playful reference to New York’s MoMA, where a major Le Corbusier retrospective will take place this summer.

Le Corbusier's Cite Radieuse rooftop to open as art space

Set to open in June as part of Marseille’s 2013 Capital of Culture celebrations, MAMO’s first show will be an exhibition by French sculptor Xavier Veilhan, whose Architectones installations are developed specifically for architectural sites.

Cité Radieuse was damaged by fire last August when a fire broke out in a first floor apartment – see all news about Le Corbusier’s architecture.

Earlier this year Foster + Partners completed a polished steel canopy in Marseille’s harbour, while we also recently featured Hufton + Crow’s photographs of Zaha Hadid’s new 142-metre tower in the city – see all projects in Marseille.

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Gantoli Cycling Gloves: Leather palmed cycling gloves find inspiration in the glory days of European road racing

Gantoli Cycling Gloves


Like many of us, the minds behind Montreal-based Gantoli Cycling Accoutrements are inspired by a bygone era they didn’t actually live through. For CH contributor Mike Giles and Garry Vickers that time is the early…

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JR Art App and E-Book: Follow the anonymous French street artist around the world with an interactive map that chronicles his works to date and more

JR Art App and E-Book


Working primarily with large scale wheat pastes of black and white portraits, street artist JR has gained recognition—although his actual identity is still considered unknown—among his peers and art-conscious citizens all over the world to win…

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CMA CGM Headquarters by Zaha Hadid photographed by Hufton+Crow

Zaha Hadid’s 142-metre tower for French shipping company CMA CGM in Marseille is documented in these new images by London photographers Hufton + Crow (+ slideshow).

CMA CGM Headquarters by Zaha Hadid

The 33-storey structure, which was completed in 2011, is currently the tallest building in the city and features a glazed facade with a seam of tinted glass running up through its centre.

CMA CGM Headquarters by Zaha Hadid

The darkened glass tapers outwards at the top, creating the illusion of swelling upper storeys although the building actually has a rectilinear body that only curves outwards at its base.

CMA CGM Headquarters by Zaha Hadid

Located within Marseille’s 480-hectare Euroméditerranée development zone in the north of the city, the CMA CGM Headquarters functions as the primary offices for the transportation company, bringing together over 2400 employees that had previously been located on seven different sites.

CMA CGM Headquarters by Zaha Hadid

Zaha Hadid Architects also designed a 135-metre-long annex building, which is joined to the tower with a curving glass bridge.

CMA CGM Headquarters by Zaha Hadid

In 2010, when the project was nearing completion, Marseilles studio Exmagina shot a time-lapse movie showing the surrounding activity over the course of one day – watch the movie.

CMA CGM Headquarters by Zaha Hadid

Zaha Hadid Architects has recently unveiled designs for a few new projects, including a cultural complex in Changsha, China, a cluster of towers in Bratislava and a masterplan for the site of an old textile factory in Belgrade.

CMA CGM Headquarters by Zaha Hadid

In recent months the studio has also completed the 330,000-square-metre Galaxy Soho complex in Beijing and a museum of contemporary art at Michigan State University. See more architecture by Zaha Hadid Architects.

CMA CGM Headquarters by Zaha Hadid

See more photography by Hufton + Crow on Dezeen, or on the photographers’ website.

CMA CGM Headquarters by Zaha Hadid

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The Beam by MVRDV and de Alzua+

Dutch office MVRDV and French architects de Alzua+ have won a competition to re-masterplan the French town of Villeneuve d’Ascq and are proposing a building that cantilevers over a motorway.

As the first phase in a wider redevelopment programme, the mixed-use complex is intended to signify the presence of the town to passing drivers. At present a number of oversized shopping malls are the only thing visible from the motorway, so the architects wanted to create a visual reference for the town centre.

The Beam by MVRDV and de Alzua+

Buildings are to be arranged around a series of grassy courtyards and will contain shops, offices and a new hotel. Surface parking areas that currently occupy the site will be relocated underground, freeing up space for pedestrian pathways.

MVRDV and de Alzua+ are progressing the plans alongside development corporation ADIM Nord. Construction is scheduled to begin in 2015.

The Beam by MVRDV and de Alzua+

MVRDV has completed a number of projects in recent months, including a shop and office complex disguised as an old farmhouse and a public library inside a glass pyramid. See more architecture by MVRDV.

Here’s a project description from MVRDV:


MVRDV win Competition with ‘The Beam’, Marking the Urban Renewal of Villeneuve d’Ascq, France

Development corporation ADIM Nord with MVRDV and de Alzua+ have been announced the winners of an urban renewal competition in the French town of Villeneuve d’Ascq, beating four other entries. The masterplan for a crucial site in the town centre adjacent to an inner city motorway, is the starting point of a wider regeneration of the area’s public space. An iconic building, The Beam, will hover over the motorway signalling urban renewal and acting as visual reference point for the town’s centre. A hotel, offices and retail space, totalling 15.000 m2, will be built on the site of a former petrol station, with construction expected to start in 2015.

Villeneuve d’Ascq is a new town located near Lille in the very north of France. The Beam will be icon of a larger urban generation effort in the town centre which is currently characterised by parking lots, large volumes and undefined green spaces. On an urban level the masterplan aims at a more sustainable form of development by densifying the town centre and adding identity and diversity to the site. The creation of pedestrian zones, and the demarcation and connection of the existing green spaces together also form part of the plan.

The parking spaces on the main square will be relocated into a 274 space underground car park on the new site. The adjacent buildings, which face away from the site will be extended to form urban blocks; each with a green patio at its centre. At the corner of the inner city motorway and the service road leading towards the main square of Villeneuve d’Ascq, The Beam will create an address for the town centre on the motorway.

The site, one of the few places visible from this sunken dual-carriageway, allows the town centre to be visible to drivers passing by. The project is currently under development and will contain offices, a hotel and some retail space with a total area of around 15,000 m2, and the underground car park offering 274 parking spaces. The team ADIM with MVRDV and co-architect Jérôme de Alzua beat four competitors in a competition organised by Commune de Villeneuve d’Ascq.

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D House by Lode Architecture

Sliding back the glazed facade allows the upper storey to hang over the open living space of this house in Brittany by French firm Lode Architecture (+ slideshow).

D House by Lode Architecture

Located on the banks of an estuary, the D House by Lode Architecture is split between the open ground floor and a series of smaller rooms on the upper floor.

D House by Lode Architecture

The ground floor has a glazed facade with views down to the water and is centred around an open hearth on one side and a kitchen island on the other.

D House by Lode Architecture

The wooden steps of the staircase fan out into a cube of shelving. “The main issue here was to find a machine capable of cutting such large pieces,” architect Arnaud Lacoste told Dezeen. “Then the assembling was a huge puzzle game.”

D House by Lode Architecture

Upstairs is a series of smaller rooms with cork flooring and dark grey walls.

D House by Lode Architecture

Two of the bedrooms have their own outdoor balconies screened off by a trellis of narrow chestnut planks.

D House by Lode Architecture

The architects also extended the wooden trellises to wrap around the entire upper storey. “We used it as a rough material, keeping the natural shape of the wood. This rustic manner makes a strong contrast with the sophisticated glazed facade of the lower floor,” said Lacoste.

D House by Lode Architecture

We previously featured a house in Brittany with stone screens covering sections of its glazed facade.

D House by Lode Architecture

Other homes in France we’ve published include a 1970s-inspired beach apartment on the Mediterranean Sea and an angular dark brick extension to a house outside Lille – see all architecture in France.

D House by Lode Architecture

Photographs by Daniel Moulinet.

D House by Lode Architecture

Here’s some more information from the architects:


D house, Brittany, France

Lode Architecture, 2012

A house for two. Or for twenty.

Beached on the estuary’s banks, where fresh waters meet rising tides, the D house cultivates contradictions. It can be either a shelter or a reception place, an intimate space or the place for partying. It is driven by opposite currents and its character varies depending on its occupants’ moods and natural cycles.

D House by Lode Architecture

When discovering the house, the first thing we catch sight of is the overhanging section. Thanks to a retaining wall, a hollow space appears below. Life is organised here around the hearth, the stairs and a central cooking island.

D House by Lode Architecture

All around you, panoramic views of the undergrowth and beyond the river are offered by the upstairs floor. Wells of light passing through the upstairs floor invite the sky into this blended landscape.

D House by Lode Architecture

On the ground, the stone disappears, the windowed angles fade. We live inside the wood.

D House by Lode Architecture

Upstairs, a succession of small spaces creates a completely different hushed atmosphere. We cross a series of adjoining rooms, lit through wooden trellises which filter the view and dim the light.

D House by Lode Architecture

Above: site plan

From the bedrooms, you can access outside closed‐in spaces to get fresh air or sunbathe above the living‐room. Nature is all around and envelopes you.

D House by Lode Architecture

Above: ground floor plan – click above for larger image

The contrasting façades reflect the duality of these spaces. In very different ways they both adopt the same strategy of camouflage: the reflections of the leaves on the glazed surfaces, or the cladding made of untreated planks which imitate the surrounding nature and whose texture merges in the woody environment.

D House by Lode Architecture

Above: first floor plan – click above for larger image

Sophistication and rusticity, abstraction and materiality, the architecture of the house plays with dialectical sets, just like a landscape drawing its strength from the confrontation of the elements.

D House by Lode Architecture

Above: north elevation

Completion date: 2012
Area: Brittany, France

D House by Lode Architecture

Above: south elevation

Dimensions: L 16.10m x l 9.20m x h 6.00m
Living area: 250 m2

D House by Lode Architecture

Above: west elevation

Structure: concrete walls, steel frame, crosswise laminated timber panels
Façade materials : high insulation glass surfaces, chestnut cladding

D House by Lode Architecture

Above: east elevation

Flooring materials: stone, cork
Furniture materials: chestnut, laminated veneered lumber (stairs)

D House by Lode Architecture

Above: cross-section AA

Heating system: geothermal heat pump with vertical collectors
Collaborators: Arnaud Lacoste / Jérôme Vinçon

D House by Lode Architecture

Above: cross-section BB

D House by Lode Architecture

Above: cross-section CC

D House by Lode Architecture

Above: cross-section DD

D House by Lode Architecture

Above: cross-section EE

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Electric by Mathieu Lehanneur

Lighting projectors and cables hang from the spindly branches of chunky black trees inside this penthouse bar and nightclub in Paris by French designer Mathieu Lehanneur (+ slideshow).

Electric by Mathieu Lehanneur

Named Electric, the music venue features soundproofed music rooms, an outdoor terrace and a dance floor facing out over the city skyline.

Electric by Mathieu Lehanneur

Mathieu Lehanneur collaborated with architect Ana Moussinet to design the interior and added split levels to define different zones.

Electric by Mathieu Lehanneur

By day, sofas and trunk-shaped stools can be dotted around the space to form lounge seating areas. By night, these are stored away to open up a ballroom with a rippled DJ booth.

Electric by Mathieu Lehanneur

Faceted windows and diagonal panels give texture to the walls in one of the spaces. Others can be used as screens for lighting and video projections.

Electric by Mathieu Lehanneur

Mathieu Lehanneur launched his industrial design and interiors studio in 2001. Other interiors he’s designed include a renovation of a Romanesque church in France and an office filled with pulped paper caves. See more design by Mathieu Lehanneur.

Electric by Mathieu Lehanneur

Trees have featured in a few interiors recently. See a few more in our recent feature all about indoor forests.

Electric by Mathieu Lehanneur

Daytime photography is by Felipe Ribon and night photography is by Fred Fiol.

Electric by Mathieu Lehanneur

Here’s some more information from the design team:


Electric by Mathieu Lehanneur

“If Alice in Wonderland had liked rock this is where she would have spent her days and nights…” summarised Mathieu Lehanneur. Electric, the new cultural platform in Paris, is already an event in itself: a 1,000 m2 penthouse in which the designer has devised a canopy of sound suspended between heaven and earth, monumental electrical braids emerging like pitch black trees.

Electric by Mathieu Lehanneur

Impressive by day, magical by night, Electric is a venue which never sleeps. A lounge interspersed with soundproofed modules and an 80m2 terrace, Electric is a space equipped with a mixing console whose ballroom floor provides a new perspective over Paris, integrating the ring road as a perpetually moving graphic foreground facing the metal mesh of the Eiffel Tower.

Electric by Mathieu Lehanneur

An ephemeral restaurant at lunchtime, a lounge or a club from dusk ’til dawn, Lehanneur and Ana Moussinet have designed a space which can also be freely customised through video projections and an infinite number of layouts available to its customers.

Electric by Mathieu Lehanneur

A huge trompe l’œil window onto the city, surrounded by streams of LED lights, is an ultimate nod to a new Versailles, Electric has already been chosen by We Love Art, and Kavinski for the global launch of his next album, and Ducasse… Meanwhile there are already rumours about the installation of an enormous open-air swimming-pool on the site of the car park this summer.

Electric by Mathieu Lehanneur

A result of the high creative demands of the management ensured by curator John Michael Ramirez whose range of artists contributes to the cultural distinction of the venue: Greater Paris has found its centre of gravity.

Electric by Mathieu Lehanneur

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Vieux Port pavilion by Foster + Partners

A polished steel canopy reflects visitors walking underneath at this events pavilion in Marseille’s harbour by UK firm Foster + Partners (+ slideshow).

Vieux Port pavilion by Foster + Partners

Supported by eight slender columns, the stainless-steel structure stretches over the paving to create a sheltered events space in the city’s Old Port. The roof features sharply tapered edges, creating the impression of a paper-like thickness.

Vieux Port pavilion by Foster + Partners

“The new pavilion is quite literally a reflection of its surroundings,” explained head of design Spencer de Grey. “Its lightweight steel structure is a minimal intervention and appears as a simple silver line on the horizon.”

Vieux Port pavilion by Foster + Partners

The Vieux Port pavilion forms part of a masterplan of public realm projects that Foster + Partners has been working on along the seafront of the French city to tie in with its role as European Capital of Culture 2013. Other improvements includes new surfaces, wider pavements and a series of nautical pavilions.

“Our aim has been to make the Vieux Port accessible to all,” said De Grey. “The project is an invitation to the people of Marseille to enjoy and use this grand space for events, markets and celebrations once again.”

Vieux Port pavilion by Foster + Partners

The architects worked alongside landscape designer Michel Desvigne, who added granite paving to complement the original limestone cobbles.

London-based Foster + Partners has also released plans for several new projects in recent months. Others include a concept to 3D print buildings on the moon and a renovation of New York Public Library’s flagship branch. See more projects by Foster + Partners.

Vieux Port pavilion by Foster + Partners

Photography is by Nigel Young.

Here’s a project description from Foster + Partners:


President of Marseille leads opening celebrations for new Vieux Port pavilion

The transformation of Marseille’s World Heritage-listed harbour was officially inaugurated on Saturday during a ceremony attended by Eugène Caselli, President of Marseille Provence Métropole and Jean-Claude Gaudin, the Mayor of Marseille. The event marked the completion of the new ‘club nautique’ pavilions and a new sheltered events space on the Quai de la Fraternité at the eastern edge of the port, built to commemorate the city’s year as ‘European Capital of Culture’.

The new events pavilion is a simple, discreet canopy of highly reflective stainless steel, 46 by 22 metres in size, open on all sides and supported by slender pillars. Its polished, mirrored surface reflects the surrounding port and tapers towards the edges, minimising its profile and reducing the structure’s visual impact.

Reclaiming the quaysides as civic space and reconnecting the port with the city, the boat houses and technical installations that previously lined the quays have been moved to new platforms and clubhouses over the water. The pedestrian area around the harbour has been enlarged and traffic will be gradually reduced over the coming years to provide a safe, pedestrianised environment that extends to the water’s edge.

The landscape design, which was developed with Michel Desvigne, includes a new pale granite surface, in the same shade as the original limestone cobbles. The simple, hard-wearing, roughly textured materials are appropriate to the port setting, and to improve accessibility for all, kerbs and level changes have been eliminated.

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Movie: Basket Apartments by OFIS Arhitekti

A student housing block in Paris modelled on a stack of wooden baskets features in this latest movie about the work of Slovenian studio OFIS Arhitekti.

Basket Apartments by OFIS Arhitekti

Entitled Basket Apartments, the ten-storey building was completed in autumn 2012, but was officially opened at the end of January this year.

Basket Apartments by OFIS Arhitekti

OFIS Arhitekti conceived the building as a series of “spinning and rotating baskets”, that each contain a cluster of rooms with private balconies. See more information and images of Basket Apartments in our earlier story.

Basket Apartments by OFIS Arhitekti

Filmaker Carniolus has produced a series of movies about architecture by OFIS Arhitekti, including one about an Alpine holiday hut and another about three baroque houses converted into apartments.

Basket Apartments by OFIS Arhitekti

See more architecture by OFIS Arhitekti on Dezeen, including a culture and technology centre inspired by a conceptual space station.

Photography is by Tomaz Gregoric.

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by OFIS Arhitekti
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