Marc Jacobs Makes Acting Debut in Disconnect

Fashion designers are unusually skilled at deploying their creativity in non-sartorial realms: Tom Ford directed one of the best films ever made, Ralph Rucci‘s transcendent works on canvas rival those he shows on the runway, and Hedi Slimane is an accomplished photographer (meanwhile, have you heard Oscar de la Renta sing?). Marc Jacobs is giving acting a go. He appears in Disconnect, a thriller directed by Henry Alex Rubin (Murderball) that arrives in theaters on April 12 and stars the likes of Jason Bateman and Alexander Skarsgård.

“My character is Harvey and I run a house for minor [in age] Internet porn. It’s all virtual. People go online and they talk to these kids about their fantasies or whatever. I’m the sort of father of them in the house—the Fagan of all these wayward kids who come stay in this house,” Jacobs told Entertainment Weekly. “In the end, I’m really not a bad character. I’m actually the one who is protecting them in a way. I’ve taken them off the streets, and they don’t get harmed. They’re doing something that is virtual, though they are talking about sex. But you can look at it two ways. Harvey isn’t a pimp, having them meet up like street hookers or giving them drugs. He provided a home for the kids. But it is sleazy.” Here’s the freshly released trailer:

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In Brief: Warhol Web Sale, Paste Goes Digital, Architecture on Screen, Puffier Play-Doh


Warhol’s “I Love Your Kiss Forever Forever,” a trial proof lithograph made in 1964

• Bidding has begun in the inaugural Andy Warhol @ Christie’s online auction. Estimates range from $600 to $70,000 for the 125 Warhol works being sold to benefit The Andy Warhol Foundation for the Visual Arts. Among the lots up for grabs in the week-long sale is “Jam (Raspberry),” a Smuckers-smudged canvas from the early 1980s that is expected to fetch between $20,000 and $30,000.

Paste magazine is going digital with Paste.com, a “members-only digital weekly” that will cater to those looking for longer reads, new music, and video-based amusement. Parks and Recreation‘s Nick Offerman covers the first issue, which also includes a feature on Hans Zimmer and the ubiquitous Pharrell, who have joined forces on an app that promises to “bring the power of Hollywood studio music-scoring to mobile users.”

• In NYC? Don’t miss the fourth annual Architecture on Screen, a series of international productions on architecture selected from the 2012 Montreal International Festival of Films on Art. The cinematic fun begins tomorrow afternoon at the Center for Architecture.
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Metropolitan Museum Debuts Web Series

The Metropolitan Museum of Art is continuing its multimedia push with 82nd & Fifth, a new web series that will highlight 100 works of art from the Met collection. Each episode includes “Watch,” a two-minute audio and visual essay with a curator and a work of art from the Met collection that changed the way he or she sees the world; and “Explore,” an interactive feature that invites visitors to get closer to the work of art on their own. Among the first episodes is “Modern Living,” in which decorative arts curator Amelia Peck discusses the living room of Frank Lloyd Wright’s Little House. Watch the first six episodes of 82nd & Fifth here, and stay tuned for new episodes to be posted in pairs every Wednesday for the rest of the year.

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Animated Furniture Dazzles at Sundance

The Sundance Film Festival wrapped up yesterday in Park City, Utah, and our pick for a breakout is Tony Donoghue‘s Irish Folk Furniture. The charming animated documentary (watch it below) follows the fate of 16 pieces of traditional folk furniture as they are repaired and return home. “In Ireland, old hand-painted furniture is often associated with hard times, with poverty, and with a time many would rather forget,” notes Donoghue, who worked for seven years at the Trust for Urban Ecology and the Natural History Museum in London before turning his full attention to filmmaking. When Irish Folk Furniture won the jury award for animation at the Sundance short film awards ceremony, he arrived at the podium carrying a pint. “The fact that I’m Irish and have this beer is completely coincidental,” Donoghue assured the audience.

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Watch This: Eduardo Souto de Moura on Film

Another day, another smashing design-themed documentary! In Reconversão, director Thom Andersen trains his lens on Pritzker winner Eduardo Souto de Moura with a blend of old-school (think Vertov and Muybridge) techniques and eye-popping HD wizardry. Zooming in on 17 of the Portugese architect’s buildings and unrealized projects, and overlaid with his own words (via a guest voiceover), the film gives Souto de Moura–a master of the reborn ruin–the last word: “If there is nothing there,” he says in an on-screen interview. “I invent a pre-existence.” Keep an eye out for the documentary as it makes the festival rounds. We think it’s the perfect primer before delving into Phaidon’s forthcoming jumbo Souto de Moura monograph.

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Mark Your Calendar: NY Fashion Film Festival

New York Fashion Week is less than a month away, and the visual/sartorial savants over at the School of Visual Arts’ MPS Graduate Fashion Photography Department are busy putting the finishing touches on the line-up for the third annual New York Fashion Film Festival. Set for the evening of Thursday, January 31 at the School of Visual Arts Theater in NYC, the festival–free and open to the public–will feature a selection of the best fashion films of 2012 to be followed by a panel discussion on the genre and its reshaping of fashion imagery. Enjoy this gorgeous compilation of past featured films as we await details on this year’s films and panelists.

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Todd Oldham Designs for Sundance Film Festival, from A to Z

The 2013 Sundance Film Festival gets underway next Thursday in Utah, and festivalgoers have Todd Oldham to thank for taking this year’s merchandise in a fresh new direction. The designer not only developed a line of ‘Todd Oldham for the Sundance Film Festival’ gear, including bags and wallets made from recycled festival banners, but also acted as curator for Sundance Film Festival Editions. For the new initiative, he invited Sundance alums such as Morgan Spurlock, Amy Sedaris, and Parker Posey to design a product–a button, a t-shirt, a tote. “It wasn’t hard to get them on board,” said Oldham in an interview with the Sundance Institute. “I did curate, but the art was really in asking the right person for the right task. And they are so talented–Mike White is a great graphic designer as well as filmmaker, Stacey Peralta is an artist, so I knew I had good, wildly creative people.” John Waters whipped up a subversive t-shirt (pictured).

In addition to whimsical apparel and recycled accessories, Oldham also brought his editorial expertise to the festival with a new book, Sundance Film Festival A to Z. He invited 26 illustrious illustrators–including Caitlin Heimerl, Chris Silas Neal, Michele Romero, and Yuko Shimizu–to have their way with one letter, with each letter representing festival films and artists (yup, “R” is for Redford). “We got very sophisticated, learned efforts. Some don’t tell the story at first glance. It’s super fun to try and decipher what the artist saw,” noted Oldham. “Illustrators have vivid imaginations and are usually forced into linear systems with tasked briefs. But we just let people do whatever they wanted and they were delighted to be unedited!” And if you detect a hint of Pee-Wee’s Playhouse in the cover art, that’s because it’s the work of Wayne White.

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Gary Shteyngart: The Man, the Myth, the Blurbs

Gary Shteyngart burst onto the literary scene in 2002 with The Russian Debutante’s Handbook, his sublimely hilarious tale of one Vladimir Girshkin, “the immigrant’s immigrant, the expatriate’s expatriate, enduring victim of every practical joke the late twentieth century had to offer and an unlikely hero for our times.” The decade hence brought us two more smashing Shteyngartistic feats–Absurdistan (2006) and Super Sad True Love Story (2010)–and enough book blurbs to secure the writer a record or two in the Guinness Book, which probably already features his pithy praise on its back cover.

Shteyngart’s superhuman blurb output has occasioned a Tumblr and last month’s reading event-cum-roast, at which the author was made to sit in a child-size wooden chair on stage at the Brooklyn Academy of Music. Now it’s onto video. “As we plant our giddy boots in the soil of a hopeful New Year, the blurbs have now spawned a documentary,” wrote Edward Champion in an e-mail sent today to “good souls, listeners, and cultural compadres.” In addition to editors, pundits, critics, cover designers, and authors blurbed by Shteyngart, the documentary–narrated by Jonathan Ames–features “cats and dogs and ice skaters and squirrels inveigled by money,” promises Champion. We laughed, we cried, it’s the feel-good blurb documentary of the year!

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Jumpstart New Year’s Eve with Reykjavik’s Lawless Fireworks Extravaganza

Say what you will about St. Barts–we think Iceland is the place to ring in the new year. According to local lore, tonight is the night that cows talk, seals take on human form, the dead rise from their graves, and elves move houses. Residents celebrate with family dinners, bonfires, and fireworks, lots of them. The pyrotechnics spectacular is made possible by the country’s lack of restrictions on fireworks, and the entire population of Reykjavik–approximately 200,000 people–gets into the act. This year, those of us in less permissive nations can watch the massive fireworks display online: click here to watch the live broadcast at 7:00 p.m. Eastern / 4:00 p.m. Pacific.

Continue the explosive Icelandic fun with a New Year’s Eve screening of Bjӧrk‘s new music video, “Mutual Core” (below), commissioned by the Museum of Contemporary Art Los Angeles. “[MOCA director] Jeffrey Deitch contacted me a while ago, and he suggested that we collaborate on this, and it sounded like a good idea,” said the Reykjavik native in a recent interview with Paper magazine. “Because I’m an old punk, I’ve never done commercials or sponsoring or anything like this–I’ve been really strict with it–but with this, [Jeffrey] seemed to be helping us to make a music video. That sort of makes sense to me. It doesn’t feel like sponsoring.”
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Conan Rounds Up Least Viral Videos of 2012

“Best of” lists are a dime a dozen at this time of year, but only the most discerning cultural critics dare to voyage into “worst of” territory. Conan O’Brien and Team Coco prove themselves up to the task in this roundup of the least viral videos of 2012. No “Gangnam Style” here, moving image fans, but you will find five less than scintillating and refreshingly trendproof gems such as the aptly titled “Reading.” And remember: virality is in the eye of the beholder. Andy Warhol would have taken these over PSY and “KONA 2012″ any day.

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