‘Who Designed Your Monkey Mask?” Academy Awards Prepare for a Banksy Oscar Win

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The other day when we were talking about the possible Oscar-campaigning-in-the-form-of-street-art that has popped up in Los Angeles, in one way or another promoting Banksy‘s nominated documentary, Exit Through the Gift Shop, the most obvious question about the whole thing never even dawned on us: what if he actually wins an Academy Award? Given the illusive, mysterious nature of the artist (or artists, if you believe Banksy is perhaps a collective of street artists, as that’s the theory we’ve been believing lately), it seems like either a) he wouldn’t show up, b) he’d show up wearing a mask, or c) he’d show up wearing a mask and pull a stunt. While we can’t imagine the latter two happening, fortunately, TheWrap.com had the foresight to get in touch with the Academy and learned that they’ve been planning for just such an occasion. Saying they’d thought long and hard about it, they apparently have all agreed that “it would not be dignified for the Academy to have somebody come up wearing a monkey’s head.” Instead, they’ve discussed the matter with the film’s producer, who shares the nomination with Banksy, Jamie D’Cruz, and he has promised that, should Exit win, he will accept the award by himself. However, we wouldn’t discount that possibility that D’Cruz will come on stage with a hooded figure — that person slowly removes his mask and…it’s James Franco. Sorry to ruin your hilarious bit so early, Bruce Villanch.

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Rihanna Music Video Director Accused of Stealing Ideas from David LaChapelle

A big week for plagiarism allegations, apparently. First, there was our report on The Art Guys saying director Morgan Spurlock had stolen several of their ideas from a project they’d put together in the late 90s. Now the shift is a brewing controversy between a music video and a famous photographer. Found by way of ArtInfo (who were very kind to talk about our Art Guys/Spurlock story), the internet is still awash in talk that the music video for singer Rihanna, directed by Melina Matsoukas, has blatantly copied several of David LaChapelle‘s photos. Radar was one of the first to report the story, putting frames from the video next to scans of the photographer’s images for side-by-side comparisons of the sections allegedly borrowed. They also spoke to sources employed by LaChappelle who say they immediately began receiving questions about the production, despite being unaware of its existence until that point. Furthermore, though these are still anonymous sources at work, it was learned that the video’s director “had photographs from past Italian Vogue shoots by LaChapelle, ranging from 1995-2002 laying around the set of the music video shoot.” Some of the images do seem similar, though perhaps not nearly to the point of looking like outright copies. But who knows? It certainly wouldn’t be the first time a music video director has gotten in trouble for lifting concepts from other sources.

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Erik Spiekermann Talks Type

It’s mid-week and we’re already beat, so best to let someone else do the talking. The good people at Gestalten have visited Erik Spiekermann, founder of MetaDesign and FontShop, and of course, one of the world’s most famous typographers to “listen to the design genius talk about new visual languages, design processes, the analogies of music and typography, and why we need better client culture.” The bonus? We still think he has one of the best German accents. It’s nearly 15 minutes of quality watching, so get to it:

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‘There is No Doubt That [Morgan] Spurlock Has Plagiarized Our Idea,’ says The Art Guys Concerning Director’s Latest Film and Promotional Efforts

While browsing through a magazine yesterday, we read something about director Morgan Spurlock‘s new documentary, The Greatest Movie Ever Sold. While the film itself sounds interesting, a tongue-in-cheek look into product placement, what stopped us was seeing the outfit the Super Size Me director was wearing to help promote the film at Sundance. A suit, otherwise indistinguishable from any other except for its wide assortment of sewn-on, embroidered corporate logos. Clever and well-made for promotional attention, certainly (here he is in an interview showing off his logo-adorned jacket), but it also seemed entirely similar to work made in the late-90s by the duo The Art Guys in their very successful and widely-seen project, SUITS: The Clothes Make the Man. In collaboration with designer Todd Oldham, the two wore black suits with sewn-on embroidered corporate logos for a full year as they traveled throughout the United States. To us, it seems, Spurlock’s new promotional suit isn’t just similar to The Art Guys’ project, it’s an exact copy.

We got in touch with the artists who told us, “in our opinion, there is no doubt that Spurlock has plagiarized our idea” and that they “find it unbelievable that this is just a coincidence,” considering the amount of attention their project received internationally (their suits are currently in the collection of the Museum of Fine Arts, Houston). Furthermore, they bring to light a number of other coincidences, like their appearance on CBS News Sunday Morning and Spurlock’s recent appearance on CBS News, which they feel, when placed together, sound incredibly similar (“If one watches closely, much of the conversation is almost word for word. Compare the sections of our ad pitches with his. Coincidental?”). The Art Guys arrive at a point of contention larger than in the copying of the suit itself, but point to Spurlock’s film as a whole as perhaps the larger issue of plagiarism. Here’s from The Art Guys:

In his promo on his website and on YouTube, he talks about having an archivist for the project. Any cursory search on Google would turn up the SUITS project. Again, with all the media attention the SUITS generated, both printed and electronic, including CNN, CBS News Sunday Morning , and given the fact that there’s even a book about it available on Amazon, we find it beyond belief that he did not just steal our idea. Additionally, there was a documentary about the SUITS made by Zenfilm in Houston, that covered all of the issues that Spurlock claims to in his movie including the saturation of marketing and product placement – everything! Here’s a link to a segment of that documentary.

In the CBS Sunday Morning interview and in the SUITS book, we credit various inspirations for the SUITS including race car drivers, to the extent of making efforts to have ourselves photographed with them. We acknowledge and credit our inspirations.

…Spurlock talks about making real money on this thing, on the order of millions. We wonder if the companies who have invested in this would appreciate this “coincidence.” Or maybe the companies associated with Spurlock don’t care as long as their brand gets out there. We have yet to decide what we will do about this.

Regardless, we think it’s nasty business. The Art Guys have made work about media and marketing in many different ways over the years. It’s one of the major themes that we deal with. We’ve even done work covering the topic of appropriation. But at least we’ve given it all serious thought and given credit where credit is due.

We have attempted to contact Morgan Spurlock through his website, but as of this posting, neither he nor a representative have replied.

Update: While the story made the rounds today, Spurlock quickly responded, repeatedly issuing a statement across a number of sites that picked it up (including a response to us on Twitter), reading in part, “This accusation is preposterous. I never even heard of these guys until today, and all of their claims are baseless.”

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James Franco to Help Teach Editing Class Using Footage of James Franco

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The first thing we thought of when learning that actor/artist James Franco had teamed up with the film school Columbia College Hollywood (which isn’t associated with either of the Columbias, in Chicago or New York) to help teach a class called Master Class: Editing James Franco…with James Franco, was the name of the mid-80s band Pop Will Eat Itself, because their name seems to perfectly encapsulate so much of Franco’s work. That got us watching the video for their 1989 hit “Can U Dig It?” which is now painful to watch, but also still a lot of fun. After that distraction, we got back to the task at hand, which is to think about the actor’s new class. Better to just read the explanatory portions of the press release:

Mr. Franco’s frequent collaborator editor and Tyler Danna is teaching the course, which has been entitled Master Class: Editing James Franco…with James Franco. Mr. Franco is providing the footage – much of it from behind the scenes on short films he has directed – and the conception for the course and will speak to the students weekly via live feed (Skype) and attend class the weekly class sessions when his schedule allows. The student editors will seek to create a cinematic image of James Franco through the footage.

…As conceived by Mr. Franco and Mr. Danna, the class sessions themselves will be taped and be part of the final film created by the class or another project.

There is the potential to carry the class forward with 12 different editors in the spring quarter and beyond as the film project continues.

Now we’ve seen the future of film and film school. By 2012, every movie released will resemble what it looks like when you point a video camera at the television your camera is plugged into. Except instead of ever-swirling and moving boxes and scan lines, there will be a million heads of James Franco. Fortunately, we’ll have the Mayan apocalypse to look forward to at the end of next year.

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The Launch of an Official Campaign for Banksy to Win the Oscar or Something Else Entirely?

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Now that 2010 made Banksy a household name, between the artist guest directing the intro to The Simpsons and his film, Exit Through the Gift Shop, recently landing itself in Academy Award contention in the documentary category, items surrounding the notoriously secretive artist will undoubtedly both receive more attention and more scrutiny. Related to the Academy nod, a massive piece of street art has just recently shown up on the side of a building in Los Angeles, depicting a hooded Banksy as the Oscar award, surrounded by Star Wars Storm Troopers. While Exit certainly seems the front-runner for the win, is the piece a publicity push to help the movie along toward the finish line (let’s not forget that the artist made some publicity-friendly pieces at the Sundance premiere of the film last year)? Is it Banksy himself poking fun at his newly-found Hollywood fortunes? Or the work of the copycat villain of the film, Mr. Brainwash/Thierry Guetta (who might also be fake)? According to Movieline, it seems that most who have seen the mural believe that it’s the latter, who’s really ever to know when it comes to Banksy? The guy is the British James Franco.

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3D Film of Salvador Dali’s Life Planned, Alan Cumming to Star

Somewhere, perhaps in a cave lined with turn of the century doll heads, Tim Burton and Johnny Depp have gotten together to drink, weep, and scream, “Why didn’t we think of that?!” The “that” in question, of course, is a movie based on the life of surrealist painter Salvador Dali. The Sydney Morning Herald is reporting that a German-Australian financed production of a film about the artists’ life is preparing for production, with Alan Cumming in the title role and directed by Australian director, Philippe Mora (whose IMDb listing is a hoot, a mix of high-brow documentaries and slightly less cultured fare, like Howling II: Your Sister is a Werewolf. While the film’s budget is low, coming in at a reported $15 million, the current plan is to shoot it in 3D, a variation on the stereoscopic images the artist himself enjoyed creating. Shooting is to begin this summer in locations around the world. Here’s a bit about the plot:

The screenplay unfolds not as a linear narrative but as a series of dream-like, fantasy sequences intersected with reality, and is profoundly evocative of Dali’s art. The story – not a bio-pic but without doubt a life story – begins with the painter in a hospital bed, recovering from near-fatal injuries after a house fire.

…Chronicled in the film are his friendships with his mentor, Picasso, and the poet Lorca, his bisexuality and obsession with Gala. He was also infatuated with the controversial singer and performer Amanda Lear, whose mysterious mix of masculinity and womanly beauty has intrigued Europe for decades.

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Digital Kitchen Designs Video Columns for Las Vegas’ Cosmopolitan Hotel

Back in December, to mark the debut of the newly-opened Cosmopolitan Hotel in Las Vegas, IFC Films was hired to make six short films/commercials profiling some of people and firms involved in the lavish luxury hotel’s development. We were particularly keen back then to talk up the first of them, which featured celebrated designer David Rockwell, who handled the design of many/most of the room interiors. Now we’re back to being keen again, with the fourth in the series, which profiles the work of production house Digital Kitchen in creating a number of video-based columns in the hotel’s lobby. They’re absolutely stunning, and we say that not just because we’re pals with the guy being interviewed about them (full disclosure: this writer has known him for years and now works at the same place he used to work). DK has put up some behind-the-scenes info on the project, as well as watchable versions of each of the panels. And here’s the IFC-produced video:

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District 9 Director Neill Blomkamps Hires Futurist Syd Mead to Design His Next Film

Legendary futurist and designer, Syd Mead, who we were just talking about the other day with the release of the excellent short documentary about him, 2019: A Future Imagined, has reportedly signed on with director Neill Blomkamps, who made 2009′s hit sci-fi film District 9, to help handle the design duties for his next film, Elysium. Mead, of course, is no stranger to the film industry, having most famously worked on creating the look of Blade Runner and Tron. While perhaps not as often in the limelight as he once was, this is sure to be a nice boost, as well as getting younger people interested in his work (assuming, of course, that the film turns out to be any good). As i09 calls it, it isn’t too shabby of a get for Blomkamp either:

Mead is a huge catch for Blomkamp given that the designer doesn’t sign on for any old project. Furthermore, details about Elysium are scant at this point, but we do know that it stars Matt Damon, Jodie Foster, and Sharlto Copley and that production will occur in Vancouver and Mexico City this summer and fall. The film should be released around Holiday 2012.

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The Future of Architecture Clearly Involves Flying Robots

Sure, the Architecture Billings Index might now be heading in the right direction after two years of on-again off-again slumps, but what happens when the robots take over and put everyone out of business? The University of Pennsylvania‘s General Robotics, Automation, Sensing and Perception Lab, which not only aids the development of our future overlords but also operates under the eerie acronym GRASP, has recently unveiled one of their latest projects: “Constructing with Quadrotor Teams.” In non-robot-ally language, that essentially means that it’s a project that involves flying robots who are able to build structures on their own. Granted, they’re small bits of cube-based architecture at the moment, but we figure we have until about June or July of this year until the robots take over and Norman Foster is replaced by Norbot Fosteroid. Here’s video:

Apologies for the Norbot Fosteroid joke. We thought that one was better than our first ideas: Renzo Piandroid or Rem Koolbot.

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