Inaugural BMW Guggenheim Lab Finds Possible Space in New York’s East Village

Outside of their new permanent home in Abu Dhabi, and now possibly also in Helsinki, you might recall that the Guggenheim Foundation announced last October a series of traveling exhibitions, called the BMW Guggenheim Labs, which will travel to three cities every year and camp out at each for roughly three months. Sticking close to home for the first, they’ve hired the Tokyo-based, regular Droog collaborators, Atelier Bow-Wow, to design and build for them a temporary structure somewhere in New York. Now it appears that that “somewhere” might get more specific, as the NY Times reports that the Guggenheim has a request in with the city to use an empty lot at 33 East First Street to house it (the story begins roughly halfway down the page). The paper continues with the news that a “final vote is scheduled for Tuesday” with Community Board 3 (the city owns the East Village parcel of land). If it passes, which seems likely, the first Lab will open sometime in August.

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Compostmodern 2011: Overheard Yesterday Afternoon.

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“It’s not about the world of design. It’s about the design of the world.”
Bruce Mau, Bruce Mau Design

“We need to transcend the stuff and move on to systems.”
Alissa Walker, Compostmodern Moderator

“Technology is getting more efficient, but our behavior is getting less sustainable.”
Nitzan Waisberg, Stanford’s d.school

“To be a sustainable society, we have to think beyond the borders of the United States.”
Heather Fleming, Catapult Design

“If you dive down into those primal sources and you reconnect with who you really are, that’s thrilling and deep.”
Dan Phillips, The Phoenix Commotion

“To know a society’s stories is to know where it intends to go.”
Jonah Sachs, Free Range Studios

“The most shocking idea I heard today is that Yves Behar speaks French.”
Bruce Mau, Bruce Mau Design

“We need to not design sustainable products so much as sustainable interactions.”
Nitzan Waisberg, Stanford’s d.school

“Everyone in this room has a skill, has a network to fight some of these big scary problems in a tangible way.”
Heather Fleming, Catapult Design

“The future will be beautiful.”
Bruce Mau, Bruce Mau Design

“I’d like to welcome you onto the ride.”
Lisa Gansky, author of The Mesh

Jessica Watson is completing her second semester of the innovative MBA in Design Strategy program at California College of the Arts’ where she is focusing on sustainability and social entrepreneurship. This is her first Compostmodern conference, but she is sure it will not be her last.

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Compostmodern 2011: What is Your Sustainability Story?

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Daniel PInk’s A Whole New Mind states that one of the six essential aptitudes necessary to differentiate one’s business (or presentation!) is that of story. Having to deal with a post-lunch audience full from food and sun, this afternoon’s first round of speakers were up to the challenge as they inspired us with their stories, but also reminded us of the importance of story in the realm of sustainability.

Julie Cordua, Director of Communications for (RED), shared with us the path taken by one of the most successful cause marketing campaigns in history. Started as a way to fulfill the private commitment in the public/private partnership of the Global Fund to Fight AIDS, TB and Malaria, (RED) quickly decided to focus their story on the greatest point of need – AIDS in Africa. Through the leveraging of partnerships with global brands, (RED) has been able to not only send $166 million to Africa, but also share the story of those whose lives have been dramatically improved due to ARV medication. Still, the organization’s story continues to evolve. By 2015, they hope to eradicate mother to child transmissions of AIDS. Using a sustainable business model, (RED) is looking to deliver the world’s first AIDS free generation in 30 years. Now, that’s a story worth telling.

Known for The SHIFT Report as well as her role as a Principal at Ci, Kierstin DeWest emphasized the importance of context. While most sustainability stories include the four pillars of society, environment, financial viability and spirituality, Kierstin says that we will be unable to effectively communicate the need for change unless we frame it in a way that recognizes relationships and values of each individual. Add specificity, credibility and a local story, and we then have the potential to inspire others to “[meet] our current needs without screwing the potential for the future to meet theirs.”

As a perfect closer to a trio of storytellers, Jonah Sachs, Founder of Free Range Studios and the mind behind The Meatrix, educated us on the importance of myth. In an age where many of us are trying to move the cultural conversation, stories must now be powerful enough to change the core stories people carry with them and survive in an age of information overload. For those of you who have doubts that it’s possible, just look to The Story of Stuff and its 15 million views. Jonah further explained that these myths not only include explanation, meaning and story, but also freaks, cheats and familiars (also known as those who break our expectations, those who break the rules and things with which we can immediately relate). Jonah recommends looking to ad campaigns to see how they leverage these elements. I would also strongly suggest reading Joseph Campbell’s The Power of Myth.

The afternoon’s first round of speakers have faith that we all have the power to tell our sustainability story in a compelling way, whether it be through the written word, presentations or visual metaphors. Still, it is our job to find the appropriate context and meaning for our audience to drive them to action.

Jessica Watson is completing her second semester of the innovative MBA in Design Strategy program at California College of the Arts’ where she is focusing on sustainability and social entrepreneurship. This is her first Compostmodern conference, but she is sure it will not be her last.

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Compostmodern 2011: Overheard This Morning.

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“The job of the designer is to annoy the rigid.”
Yves Behar of fuseproject.

“I don’t have slides. I don’t have an accent. So, sorry for both of those.”
Christopher Simmons of MINE on following Yves Behar.

“Specialization precludes comprehensive thinking.”
Buckminster Fuller as quoted by Nathan Waterhouse, OpenIDEO.

“Creating change requires a little more work and little more bravery.”
Scott Thomas of SimpleScott.

“I knew almost nothing about the products that I was consuming everyday.”

Dara O’Rourke on why he created GoodGuide.

“We decided we were better off working 4 days for our clients.”
Janine James of The Moderns on the creation of “Imagine the Next” Fridays.

Jessica Watson is completing her second semester of the innovative MBA in Design Strategy program at California College of the Arts’ where she is focusing on sustainability and social entrepreneurship. This is her first Compostmodern conference, but she is sure it will not be her last.

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Compostmodern 2011: "We all have a place in this conversation."

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As Alissa Walker so eloquently put it, conversations this morning at Compostmodern started with compostable underwear and ended with pee pots. As elementary as that sounds, maybe that’s the point. A running theme heard again and again is that there is a place for all of us in this conversation, no matter how large or small, complex or simple, high-tech or lo-fi, vulgar or politically correct.

Yves Behar, Founder of fuseproject, reminded the audience of some key tenants in sustainable design: don’t apologize, deliver more not less, design for good. As designers, we are in a unique position to change this conversation, but we must do so with products and innovations that create lasting, substantive experiences for consumers and meaningful, sustainable impacts on the people and planet around us.

Christopher Simmons, Creative Director at MINE, and Nathan Waterhouse of OpenIDEO, discussed how we all need to take a seat at the table. Christopher mentioned that as designers, we may be showing up a bit unprepared lacking appropriate business knowledge. That being said, for some of us the few small actions we can take (even if it is just “designing pretty things”) are the best way we can influence change. As exemplified through OpenIDEO, Nathan showed how that celebration of diversity, participation and collaboration can generate solutions to some of our biggest problems.

Some of us may choose to contribute simply through the choices we make on a daily basis. Janine James, President of The Moderns, explained how an office flood became a tsunami of change allowing the organization the opportunity to make conscious choices about the daily experiences within the four walls of their office. Dara O’Rourke, Co-Founder of GoodGuide, is giving us all the tools necessary to learn more about products that we consume every day.

While the morning was somewhat overwhelming, running the gamut of the sustainability conversation before 11am, it left us with a real task. If you haven’t already, it’s time to find your individual place in this conversation. Because, as Nathan Waterhouse says, “No one person’s is right or wrong.”

Jessica Watson is completing her second semester of the innovative MBA in Design Strategy program at California College of the Arts’ where she is focusing on sustainability and social entrepreneurship. This is her first Compostmodern conference, but she is sure it will not be her last.

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Compostmodern 2011: Ready, Set, Go

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Compostmodern 2011 has just begun. The Herbst Theatre in San Francisco is now packed with designers and design thinkers eager for inspiration in the realms of systems design, collaboration and the future of sustainable design.

Stay tuned for updates throughout the day. This morning’s schedule includes Yves Behar, Christopher Simmons, Janine James, Nathan Waterhouse and Dara O’Rourke all moderated by the great Alissa Walker.

Jessica Watson is completing her second semester of the innovative MBA in Design Strategy program at California College of the Arts’ where she is focusing on sustainability and social entrepreneurship. This is her first Compostmodern conference, but she is sure it will not be her last.

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Patricia Urquiola Lecture for Luminaire

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Miami-based furniture and design showroom, Luminaire, is celebrating their 37th anniversary with a special lecture from renowned designer/architect Patricia Urquiola. The Spanish designer is one of the most recognized visionaires in contemporary design and has played a critical part in Luminaire’s “Love” fundraising series for cancer research. The lecture, co-sponsored by B&B Italia, will also be an occasion to introduce Urquiola’s Bend sofa for B&B, a new work that has received critical acclaim for its technical features.

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NAIAS 2011 :: Q+A Michael Mauer, Porsche Design

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This is the first of a series of Q+As contributor Tamara Warren conducted with designers from the NAIAS 2011 show.

The Porsche 918 RSR was the talk of the North American International Auto Show. Porsche Design Director Michael Mauer is responsible for the 767 horsepower sexy plug-in hybrid racecar that’s due to be a motor sports contender. It’s the racier version of the 918 Spyder hybrid introduced in fall 2010 and due for showrooms.

C77: What do you feel you achieved with the 918 RSR?
Michael Mauer: There is such an intense appreciation for this car and there is the responsibility to the pleasure of driving. We had to visually capture this in the car. For design purposes we develop the design language and surfaces around it. If you look at the 918 there are subtle lines. We still stick to Porsche’s background.

How do you balance the love for past Porsches with new cutting edge design?
Maybe you need to be more careful, but we’re not doing retro design. The 918 Porsche has a strong history. It is always a balance between history and visionary, but still respecting our identity. There’s no need to do radical design changes. The shape is the same, we try to envision brand value.

What’s your process like?
I personally sketch by hand, because the little sketches are reminders when I try to visualize the cars. The younger designers like to do this on the computer.

What are your influences outside of cars?
Inspiration is everywhere. As a designer you are more sensitive and open to visual things. If you talk about interiors and materials from the furniture industry, there are a lot of possibilities there.

Tamara Warren, a Motor City native, is co-founder/editor of the car and culture blog Gotryke.com. Her articles have appeared in over 80 publications covering culture, music, the arts, automobiles and design. She has written for The New York Times, Rolling Stone, Delta Sky, Nylon, Vibe, Automobile and Forbes Autos. Check out her work and Gotryke.com and her clips on Tamarawarren.com.

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Hello my name is…Icebreakertags

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Our favorite swiss-miss, Tina Eisenberg, launched a new website today to help event organizers break the ice at their next mix and mingle. Similar to a nametag, Icebreakertags allow users to create their own conversation-starting question, customize with a logo, and generate a printout with 10 tags. The idea came to Eisenberg while organizing her monthly lecture series CreativeMornings. Check out our coverage of last week’s CreativeMorning with Milton Glaser. I <3 NY!

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Shortlist for Brit Insurance Designs of the Year Announced

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‘Tis the season for the shortlist for the Design Museum‘s annual Brit Insurance Designs of the Year Awards to be unveiled, as they were yesterday. Per usual, it’s a long list, filling up seven categories (architecture, fashion, furniture, graphics, interactive, product and transport) with often more than ten nominees in each. No huge surprises, as the list contains lots of the items and buildings and designers everyone has been talking about over the last year. The Burj Khalifa is there, first-year award-winner Yves Behar is up in a couple of different categories (furniture and twice for product), and you’ll also find Apple‘s iPad, Dyson‘s fan, and even the game Angry Birds, which seems to have captivated the world and is confusing to people like us who haven’t ever seen the thing in action. The most interesting sections wind up being fashion, graphics, and transport, those categories that you might not immediately know the pieces, assuming, well, you don’t work in fashion, graphics, or transport. On another note, as a nice nod, we were particularly happy to see Ben de Lisi‘s Universal Gown made the cut, given that it was a commission from the UK’s Design Council, which certainly had a rough go of it in 2010. Winners will be announced in each category, as well as a single grand prize recipient, on March 15.

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