World Maker Faire New York 2012: Call for Makers!!

Menthos + Diet Coke experiment from Maker Faire Bay Area 2012. Photo courtesy of Lindsie Reitz.

And in more Maker Faire news

You’re a designer, an inventor, the genius behind the great thing-a-ma-jig. Maker Faire wants YOU to be part of their global showcase of DIY (or Do-It-Together) spirit. Here’s your chance to share your project not only with your fellow makers, but more importantly, the greater New York City community.

We are so excited to be a media partner in this year’s World Maker Faire, September 29-30th, hosted at the New York Hall of Science in Queens! You can enter your project as a Maker, Music Performer or Presenter in this year’s event. The organizers encourage exhibitions to be interactive, highlighting the process of making things.

Don’t miss out on this opportunity to participate in this year’s World Maker Faire—the call for makers wraps up in two weeks on Friday, August 17th. Even if you don’t have a project to share, come out for this family-friendly event. Early Bird tickets are on sale NOW through the end of August.

For a taste of what to expect at Maker Faire, check out our past coverage of events from around the world!!

» 2012 Bay Area Coverage
» 2010 New York Photo Gallery and Coverage
» 2010 Detroit Photo Gallery
» 2009 Africa (Accra, Ghana) Photo Gallery and Coverage
» 2008 Bay Area Photo Gallery

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Portland Mini Maker Faire 2012 – Submit Your Application this Week!

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Being part of Portland’s emerging maker culture has been an exciting and integral part of the development of Core77’s Hand-Eye Supply store, which is why we couldn’t be more thrilled about Portland’s Mini Maker Faire coming to the Oregon Museum of Science and Industry.

Mark your calendar because the inaugural Portland Mini Maker Faire runs September 15-16. Maker Faire is the greatest show (and tell) on Earth—a family-friendly showcase of invention, creativity and resourcefulness, and a celebration of the Maker movement. It’s a place where people show what they are making and share what they are learning.

Maker Faire is a weekend filled with an incredible variety of exhibits, talks, demonstrations, and performances bridging arts, crafts, science and engineering—many of them hands-on and all of them engaging. Maker Faire is a reflection of our community at its very best. Check out some of our favorite projects from this year’s Bay Area Maker Faire.

OMSI has put out the call for makers in the Pacific Northwest and are currently accepting applications, and they’re looking for anyone who is embracing the do-it-yourself (or do-it-together) spirit and wants to share their accomplishments with an appreciative audience.

If you (or someone you know) would like to participate in the Portland Mini Maker Faire you can submit an application on the OMSI website. Entries can be submitted from individuals as well as from groups, such as hobbyist clubs and schools. We particularly encourage exhibits that are interactive and that highlight the process of making things.

Applications are due no later than 11:59 pm on August 5, 2012, so get on it makers!

For a taste of what to expect at Maker Faire, check out our past coverage of Maker Faire events from around the world!!

» 2012 Bay Area Coverage
» 2010 New York Photo Gallery and Coverage
» 2010 Detroit Photo Gallery
» 2009 Africa (Accra, Ghana) Photo Gallery and Coverage
» 2008 Bay Area Photo Gallery

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Device Design Day 2012: Six Questions for Andrew Milmoe

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In anticipation of Device Design Day (D3) 2012, we’re partnering with Kicker Studio for a preview of this year’s conference by asking Andrew Milmoe to reflect on six questions about design and his practice. For those of you who might be unfamiliar with D3, the 3rd annual conference brings together visual, interaction and industrial designers for a multi-disciplinary conversation about the design of consumer electronics and objects with embedded technology.

Andrew Milmoe currently divides his time between large multi-channel customer experience projects and managing Make:SF, a Meetup group of 1200+ active members that he founded in 2007.

Andrew’s goal is to express thought leadership in using technology to enhance the customer experience with a brand across all touch points…from web to iPhones, iPads, video touch walls, kiosks, toys, and future emerging channels. His background includes rapid prototyping and testing, information architecture, art curation, interactive public art, and industrial design. He earned a B.F.A. from Carnegie Mellon and an M.P.S. from New York University’s ITP.

As a champion of interactive and public art he seeks to teach people with diverse backgrounds how to expand their vocabulary of expression by incorporating sensors, actuators and microcontroller based systems in to their artworks. He is still proud of making a LEGO car with front wheel drive when he was 11 years old.

We’re excited to be a media partner for Device Design Day and as a thank you to Core77 readers, we’re offering a 10% discount to the conference. Just enter the code: Core77 under “Promotional Code” on the Eventbrite Ticketing page.

Device Design Day 2012
Friday, August 3rd
9:30AM – 5PM
San Francisco Art Institute
800 Chestnut Street
San Francisco CA 94133

See our coverage of the first two years here (2010) and here (2011) and don’t forget to register today!

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Kicker Studio: What is your most cherished product, and why?

Andrew Milmoe: I consider our mid-century modern Eichler home my most cherished product. Our home is a product as it was designed in the ’60s as one of 11,000 tract homes mass produced in California. Ours being one of the later models, it is the result of iteration and testing that resulted in an efficient, affordable, and stylish home.

What’s the one product you wish you had created/built/designed, and why?

The telegraph…perhaps it’s more of an invention than a product. It had a tremendous impact on people’s lives. It must have been magical to suddenly be able to nearly instantaneously transmit communication across great distances without moving physical atoms through space. It created the first “network of networks” and had a lasting global impact on nearly every aspect of life.

Morseschreiber.jpegA class in signalling and wireless telegraphy at the Melbourne Technical College. See page for author, via Wikimedia Commons

What excites you about today’s tools and technology?

Not only are tools becoming faster and cheaper, but they are getting in to the hands of younger and more culturally diverse people. (The future will not be designed by old white western males.) Products and services are being developed, vetted, crowd sourced, and shared, shipped, or 3D printed worldwide. Consumers will be able to chose between highly mediated experiences (Apple) and DIY/Crafted experiences (Etsy).

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Last Chance to Register for Mediabistro’s Social Curation Summit

The Social Curation Summit kicks off tomorrow, July 31, in New York City, and time is running out to register (full-access passes go up $100 at the door). Join social media pros, brand marketers, entrepreneurs, and VCs for sessions revolving around brand loyalty, next-generation storytelling platforms, and filtering. Attend expert panels, including “Inspiration for DIY Communities,” “Leveraging Community for Curation and Commerce,” “The Social Media Mixtape,” and more. The summit is the must-attend event for anyone interested in the emerging technologies that are transforming the way we share, follow, and engage online—Pinterest and Tumblr, anyone? Connect with more than 40 expert speakers, including Derek Gottfrid (VP of Product, Tumblr), Scott Belsky (CEO, Behance), Oliver Starr (Chief Evangelist, Pearltrees), and Steven Rosenbaum (Author and CEO, Magnify.net). Check out the full speaker lineup and program here. Time is running out to save, so register now and save $100.

New Career Opportunities Daily: The best jobs in media.

Save the Date: IDSANYC Inspiration Lounge with Matthew Locsin & Allan Chochinov at Smart Design

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We’re pleased to be partnering with our local chapter of the IDSA on what (if the title is any indication) is sure to be yet another inspirational event for designers in the Greater NYC area. Matthew Locsin of Monitor Group and Doblin will speak on how to “Do More with Less,” while our own Editor-in-Chief Allan Chochinov will share his thoughts on “Design Recipes.”

IDSANYC presents
Inspiration Lounge
with Matthew Locsin & Allan Chochinov

Smart Design
601 W 26th St
Suite 1820
New York, NY 10001
Wednesday, July 25, 2012, 6:30PM
RSVP required

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Back in NYC, Project Runway Hits the High Line

In New York, one day you’re in and the next day you’re out. Then, many days later, you’re rediscovered by preservation-minded neighbors, photographed by Joel Sternfeld, saved from demolition, and reimagined by James Corner Field Operations with Diller Scofidio + Renfro. And, just like that, you’re back in again! The abandoned railway-turned-public park that is New York’s High Line becomes even more fashionable this week, thanks to a collaboration with Project Runway. With nine seasons, two networks, and one legal brouhaha under its shiny neon belt, the reality TV competition show returns on Thursday with 90-minute episodes filmed on location in New York (the opening challenge takes place in Times Square). Get a headstart on season ten by heading to the High Line, which is being temporarily transformed into a virtual runway: jumbo digital screens installed along a portion of the Chelsea Market passage will feature interactive digital images of Runway staples Heidi Klum, Tim Gunn, Michael Kors, and Nina Garcia, and fashion photographers, who according to Erika Harvey at Friends of the High Line, “will react in real time as park visitors strut their stuff while walking along the elevated park.” The “Make it Work Moments” installation opens this afternoon and runs through Thursday.
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New Career Opportunities Daily: The best jobs in media.

Corning GlassLab x Cooper-Hewitt’s Graphic Design Exhibition at Governors Island with Live Glass Demos Every Weekend in July

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In order to bring their mobile GlassLab to Governors Island, the folks at the Corning Museum of Glass had to schlep the custom-built tractor trailer from the Finger Lakes region down to Jersey, completing the 200+ mile journey by barge. A recent visit to a live glassmaking demonstration on a typical (read: sweltering) summer morning affirms that the trek was well worth the effort: the Corning team offer an experience that is at once informative and spectacular—that they’re masters of the craft is a given.

The Corning Museum of Glass will bring its GlassLab design program to New York this summer with a month-long series of free public glassmaking performances on Governors Island. New York-based designers will bring their sketchbooks and concepts and work side-by-side with master glassmakers in a unique mobile hotshop developed by the Museum. The teams will prototype their design ideas in live glassblowing sessions, allowing audiences to watch the evolution of the designs as they are created. The design performances will feature contemporary graphic designers included in the onsite exhibition Graphic Design – Now in Production, presented by Cooper-Hewitt, National Design Museum

CooperHewittxCMOG-GlassLab-1.jpgIronically, the glass barrier was a ‘glaring’ issue for photography…

CooperHewittxCMOG-GlassLab-2.jpgFrom L to R: gaffers Chris Rochelle and Eric Meek traveled from Corning; Adam Holtzinger is a Brooklyn-based glass artist

CooperHewittxCMOG-GlassLab-0.jpgDesigner Peter Buchanan-Smith is best known for the axes that feature prominently in the exhibition’s marketing material; he came up with a glass ‘buoy/eye’ for the GlassLab team

Graphic design fans and Minnesotans alike might recall that Graphic Design: Now in Production debuted at the Walker Art Center last year; Cooper-Hewitt is pleased to bring it to one of NYC’s increasingly popular summertime destinations while their uptown gallery is undergoing renovation. (Our friend Alice Twemlow of SVA’s D-Crit program recently conducted a nice interview with the exhibition’s curatorial team, in which they share their thoughts on the singular, if insular, venue, among other topics.)

CooperHewittxCMOG-GlassLab-5.jpgThe furnace burns at temperatures of >2000°C

CooperHewittxCMOG-GlassLab-10.jpgLooking good so far…

The GlassLab was conceived for the occasion of Design Miami/Art Basel in 2007 and it has traveled throughout Europe and America since then. Rob Cassetti, Creative Director of the Corning Museum of Glass, notes that

GlassLab provides designers with rare access to hot glassmaking processes, enabling them to experience firsthand the full potential of glass as a material for design—pushing the creative boundaries of both the designers and glassmakers. We’ve worked with designers from a variety of disciplines, including fashion, product and even toy design. The design sessions on Governors Island add an exciting new facet to GlassLab by engaging a group of leading graphic designers and allowing them to translate their visions into three dimensions.

CooperHewittxCMOG-GlassLab-a.jpgChris wears protection for the final step; image courtesy of GlassLab

Still not convinced? Check out the sizzle reel:

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In Brief: Thom Browne’s Silver Spectacular, Bridget Riley Honored, Incense and Holograms for Frieze

• Madcap madras meets spaceman chic in an elegant Parisian garden? Only Thom Browne could pull off that improbable combination and garnish it with giant silver Slinkys (“spring has spring”), from which his glimmering models emerged in a rainbow of exploded prepster motifs (watch a video of the presentation here). Providing a spectacular close to the spring 2013 menswear shows marked the start of a busy July for Browne, who heads to the White House Friday to join the other 2012 National Design Award recipients for a luncheon hosted by First Lady Michelle Obama. Here’s hoping that Browne dons a sample from his latest collection for the festivities (might we suggest look #18, at right?).

• In other National Design Awards news, the Cooper-Hewitt has selected this year’s Design Patron: Red Burns, an arts professor and chief collaborations officer for the interactive telecommunications program at the Tisch School of the Arts at New York University. She is being recognized for her role as founder of ITP and for her innovations and achievements in the field of communication technology, the museum announced yesterday. During the 1970s, as head of NYU’s Alternate Media Center, she designed and directed a series of telecommunications projects, including two-way television for and by senior citizens, telecommunications applications to serve the developmentally disabled, and one of the first Teletext field trials in the United States (at WETA in Washington, D.C.).
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New Career Opportunities Daily: The best jobs in media.

International Conference on Food Design 2012 : Food from Waste and Wall-mounted Bbread

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Building and sharing community food was a major theme featured in projects at the International Conference on Design Food and Designing for Food in London.

A standout project was developed by Fan Sissoko, a French designer living in Brixton. Self-described as a major foodie, Fan was studying for her M.A. in design and sustainability when she realized that her studies could be put to action immediately. Following her interest in promoting culture through personal connection, Fan decided to bring two pieces of herself together : community and love of food. The result is the Brixton People’s Kitchen, a project that aims to reduce food waste by bringing strangers together to cook and eat.

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Inspired by the People’s Kitchen in Dalston, Fan’s says that “The aim of the Brixton People’s Kitchen is to bring people together to cook a community meal from food surplus.” Anyone can join, just show up with a food donation and plan on cooking for their supper. The goal is to create new communication channels and interaction between community members that might otherwise never meet.

“Food is a language that people use to say something about themselves by what they eat,” says Fan.

Surplus food is donated from local grocery stores, markets, restaurants and community members. Participants swap recipes both onsite and through Facebook, then meet to cook together. Outside guests can also donate a small sum and partake in the meal as well. Fan hopes to grow the project into a weekly experience, as well as provide training and workshops about food and food safety. It’s a great example of system and interaction design coming together.

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International Conference on Food Design 2012 PechaKucha : Spaghetti Palaces and Carrot Pavilions

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The International Conference on Designing Food and Designing for Food in London closed with a series of PechaKuchas that covered a full palette of food design experiments. Brought together by design polymath Alok Nandi, this saucy menu of topics ranged from junk food to aphrodisia, with a concentration of presentations on pedagogical uses for food design.

Pedro Reissig kicked off the evening with a taste of “food morphology,” a design curriculum he teaches at the Universidad de Buenos Aires and Universidad Di Tella, in which design and architecture students explore new structural concepts for food. Using the relationship between form and identity as his fulcrum for exploration, Reissig showed a slide in which he compared an Argentine steak, plated, next to an Argentine steak run through the blender. Which one prompted the gag reflex? Point taken. There’s a reason meat smoothies aren’t popular.

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Pedagogically, however, his program has as a goal to encourage greater experimentation in form finding by encouraging students to explore the basic attributes of objects (material, technology, structure and form) in edible landscapes. Using the kitchen as their lab and appliances as their technology, students literally “play with their food,” a liberating process that allows them to create novel structures that may inspire the next generation of food forms.

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From the Center for Food Science, Design & Experience at Aalborg University, Denmark, PhD student Hafdis Sunna Hermannsdottir followed with a presentation on a Carrot Pavilion project. Part of an interdisciplinary project called FRIDA that focuses on turning meals in kindergartens from being passive to active part of kindergartens, the Carrot Pavilion is one of Hermannsdottir’s research experiments that explores how food can be actively integrated in the daily routine of kindergarten, as well as in the pedagogical principles. The goal of the Carrot Pavilion was to create a positive relationship between healthy food and children by using play as the central driver of the experience. In collaboration with local architects, engineers, pedagogues and food specialists, the Carrot Pavilion, measuring 10×10 meters (with “walls” and a “ceiling” made of approximately 5000 carrots-that’s 1 ton!), hosted a series of activities in which children were introduced to carrot-themed crafting, drawing and, of course, eating. Hermannsdottir cited that by the end of the night, the “walls” were gnawed through up to child-height and every kid went home with an orange face. Not a bad alternative to Kool-Aid lips

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