Tortona Design Week announced

Dezeenwire: Italian websites are reporting the launch of Tortona Design Week, a new initiative that will take place in Milan from 12-17 April.

The launch comes after the apparent demise of Zona Tortona, a brand set up by Milanese organisation Design Partners to coordinate activity in the district around Via Tortona during the annual furniture fair.

There has been uncertainty over the future of Zona Tortona following unconfirmed reports of financial difficulties at Design Partners and the arrest last November of director Maurizio Ribotti on suspicion of drug traficking.

Tortona Design Week will be operated by a new organisation called Tortona Area Lab and backed by property owners and agents Superstudio Group, Magna Pars, Tortona Locations and Estate4.

More information on crisalidepress.it and modernariatoedesign.com.

DesignBoost – Telefonplan talks at Stockholm Design Week


Dezeenwire:
Jaime Hayon, Neville Brody and Dezeen editor-in-chief Marcus Fairs are among speakers at the DesignBoost – Telefonplan conference taking place from 9 – 11 February at Designens Hus at Telefonplan in Stockholm.

The theme “Design Beyond Design”, will focus on the changing role of designers and how design can make a positive impact. The talks take place as part of Stockholm Design Week. More information about the talks and the full ist of speakers follow.

DesignBoost – Telefonplan

The theme for DesignBoost – Telefonplan is “Design Beyond Design”. Our world and our society are changing rapidly, which also means a changing role for design and the designer. How can we with open-minded thinking and imagination put design in a human context and work on maximising positive impact on all levels? When it comes to ”Design Beyond Design” there are probably many things that needs to be questioned, left could very well be right. The objective of DesignBoost – Telefonplan is to make everybody question, reach awareness and think in new paths.

DesignBoost – Telefonplan is a joint venture between knowledge company Designboost, City of Stockholm, Vasakronan and Konstfack – University College of Arts, Crafts and Design. It takes place 9-11 February at Telefonplan in the southernmost part of Stockholm, Sweden. Telefonplan is in a transformation from a former industrial area into a hub for the creative industries in Sweden.

The theme for the lectures on February 10 is “Design Beyond Design”. The speakers list looks like this:

  • Jaime Hayon – Designer
  • Jennifer Leonard – Design Leader, IDEO
  • Neville Brody – Designer, typographer, art director and brand strategist
  • Jenny B. Osuldsen – Landscape architect and partner at Snøhetta
  • Marcus Fairs – Publisher of Dezeen
  • Anne Mieke Eggenkamp – Chairwoman at Design Academy Eindhoven
  • Ted Persson – Chief creative officer at Greatworks
  • Stefan Ytterborn – CEO and founder POC
  • Lia Ghilardi – CEO Noema Research and Planning
  • Brent Richards – CEO and Creative Director of The Design Embassy Europe
  • Per Cromwell – CEO Studio Total
  • Lisa White – Head of Interiors at WGSN/HomeBuildLife
  • Sante Poromaa – Zen Buddhist master
  • Frida Jeppsson – Design critic and curator
  • Johan Ronnestam – Creative Director, entrepreneur and professional speaker

On February 11 the lectures will concern the changing role of media and the future of the book. The speakers list looks like this:

  • Lasse Winkler – editor-in-chief Svensk Bokhandel
  • Peter Wilcke – head of the publishing house Norstedts
  • Anders Ekberg – CEO Fälth & Hässler
  • Nina Ulmaja – design manager Bonnier
  • Henrik Nygren – art director
  • Jeppe Wikström – publisher Max Ström
  • Marie Arvinius – head of the publishing house Arvinius
  • Staffan Bengtsson – journalist and writer
  • Elisabeth Björkbom – designer

Both days are open for public. No pre-registration of tickets needed. Map to Designens hus at Telefonplan.

Shenzhen’s tallest tower nears completion


Dezeenwire:
construction on Shenzhen’s tallest tower – and eighth tallest in the world – the Kingkey Finance tower, designed by international architecture firm Farrells, is almost complete. Due to be finished in August, the 441.8m tower will comprise accommodation, offices and retail spaces and a cinema. See press release below.

Tallest tower ever built by a British architect nears completion

Building work has nearly finished on Farrells latest tall building project in China, the Kingkey Finance Tower. At a height of 441.8 metres and 100 storeys, Kingkey Finance Tower is the tallest building ever completed by a British architect and the eighth tallest building in the world.

Located in Shenzhen, southern China’s major financial centre, Kingkey Finance Tower is part of a 417,000 sq/m mixed-use development designed by Farrells Hong Kong Office. Farrells won the commission to design the Kingkey Finance Development in an international competition which included leading architects.

The Tower design is slim and non bi-symmetrical with a spectacular atrium hotel lobby at the uppermost-levels. Kingkey Tower contains 210,000 sq/m of accommodation and 72 floors, 173,000 sq/m of Grade-A office space that sits over six-levels of retail development at the base of the tower. The retail mall opened in November accommodating luxury brand stores and Shenzhen’s only IMAX cinema and will be directly connected to a new station linking Kingkey Tower and Development to Shenzhen’s Metro System. The Development includes five other 100m tall residential and two 100m commercial towers above the retail podium.

The upper 28 floors of Kingkey Finance Tower will be a luxury “five star” St Regis hotel offering state-of-the-art conference and business facilities. The building is topped off by a five-storey “Sky Garden” – a stunning viewing gallery occupied by a variety of fine-dining restaurants that will take full advantage of Kingkey Finance Tower’s position as the tallest building in one of the fastest growing and most dynamic cities in China.

The Completion of Kingkey Tower will cement Farrells reputation as designers of tall buildings. In addition to Kingkey the practice has completed numerous tall buildings in China and earlier this week announced it had won the competition to develop a district of Beijing’s CBD with a design for the 500+ metre Z-15 tower.

Project Info:

Location: Shenzhen, China
Client: Kingkey Group
Architect: TFP Farrells
Tower height: 441.8m
GFA: 210,000 sq-m
Expected completion date: August 2011

Will.i.am is appointed director of creative innovation at Intel


Dezeenwire:
Black Eyed Peas frontman Will.i.am has been appointed by technology company Intel as director of creative innovation. The rapper will be involved in the development of new technologies involving music and visuals and is reportedly also working on music specially for the brand.

Intel’s vice-president Deborah Conrad said: “We’re thrilled to tap into the limitless creativity will.i.am brings to the table. He’s not only a brilliant artist and producer, but also an innovator pushing the bounds of technology professionally and personally. We share a strong interest in innovation around music, art and lifestyle, and are excited to join forces to establish an authentic, emotional connection with consumers.” Read the whole story on Intel’s website »

See also Lady Gaga’s collaboration with Polaroid »

“For Electronic Types, a Mark of Distinction” – New York Times


Dezeenwire:
Alice Rawsthorn on the addition of 23 digital typefaces to MoMA‘s architecture and design collection, which until recently only included Helvetica – New York Times

Update – Read the whole story on the MoMA website »

Confidence in architects’ workload levels improves – RIBA Future Trends Survey


Dezeenwire:
the latest RIBA Future Trends Survey signifies a greater confidence in UK architects’ workload levels. See press release below.

Latest RIBA Future Trends Survey reveals greater confidence in architects’ workload levels

The latest results of the Royal Institute of British Architects’ (RIBA) Future Trends Survey highlight a significant improvement in architects’ workload levels, with the Workload Index producing the best figure in six months, and predicted improvements across all work sector forecasts.

The number of practices expecting their workload to increase rose from 21% in November to 26% in December; only 27% of practices expected their workload to decrease in December, compared to 36% in November, representing a 9% drop. Employment prospects for salaried architects saw minimal change, with 6% of architects expecting an increase in staff in December, compared to 5% in November. The number of practices expecting staff levels to drop fell by 2%, from 17% in November to 15% in December. Levels of underemployment remained constant, with 71% of architects stating they were not underemployed in November and December.

There were improvements to all sector forecasts this month. Private housing demonstrated a growth in confidence, with a drop in the number of practices expecting workload to fall (22% in November to 17% in December). Practices expecting workload to grow in this sector rose from 19% in November to 20% in December. Fewer practices expected commercial work levels to drop, falling from 22% in November to 17% in December; 20% of practices expected workload to increase in December, compared to 19% in November. Public sector projects saw modest improvements, with 7% of practices predicting an increase in work, compared to 6% in November; the number expecting workload to drop fell from 37% in November to 35% in December.

The statistical analysis of the survey enables the RIBA to regularly report on two key confidence tracking indices relating to future workloads and staffing levels. For December 2010, the RIBA Future Trends Workload Index is -1 (compared to -15 in November 2010) and the RIBA Future Trends Staffing Index is -9 (compared to -12 in November 2010).

Adrian Dobson, RIBA Director of Practice said:

“The RIBA Future Trends Workload Index improved significantly in December 2010, rising to -1 from its November level of -15. Although practices are, on balance, not yet predicting growth in total workloads, this is the best figure for six months, and suggests that whilst there remains significant uncertainty about growth prospects some optimism is returning. Small practices (1 – 10 staff) are more positive about their workload prospects in the next quarter than larger and medium-sized practices. If the improving confidence trend is to be maintained then we would need to see practices of all sizes exhibiting greater optimism during the first few months of 2011.

“A clear geographical divide is emerging, with practices in London (balance figure +13) and the South of England (balance figure +20) now appearing to be quite confident of an improvement in new work prospects, whilst the picture throughout the rest of the United Kingdom is somewhat different, with practices in the other regions and nations predicting that overall workloads will decline in the next quarter.

“All four of our sector forecasts have improved this month, but it is only the private housing sector forecast which is predicting an overall increase in workload in the next quarter (balance figure +3). Nevertheless, it is significant that confidence levels in all sectors are moving in a positive direction. Our participating practices now tell us that 61% of their current workload involves work to existing buildings, and this is a trend which will probably continue throughout 2011. There remains evidence of spare capacity in the profession at present, with an inevitable impact on competition for work.”

Possibility of Guggenheim Museum in Finland to be explored


Dezeenwire:
the City of Helsinki has commissioned the Solomon R. Guggenheim Foundation to conduct a study exploring the possibility of creating a new Guggenheim Museum in Finland, to be completed by the end of this year. See press release below.

See also: Olli-Pekka Kallasvuo to lead World Design Capital Helsinki 2012 committee

Helsinki commissions the Solomon R. Guggenheim Foundation to explore the possibility of a Guggenheim Museum in Finland

The Guggenheim Brings Its Global Expertise to Finland’s Capital to Study How the Nation Might Enhance Its Place in Today’s Cultural World

At a news conference at Helsinki City Hall, Mayor Jussi Pajunen and Deputy Mayor Tuula Haatainen announced that the City of Helsinki has commissioned the Solomon R. Guggenheim Foundation to conduct a concept and development study, exploring the possibility of creating a new Guggenheim Museum in Finland.

Richard Armstrong, Director of the Solomon R. Guggenheim Foundation and Museum, joined in making the announcement with the Mayor.

The study, which is scheduled to be completed by the end of 2011, will explore topics including the possible mission and structure of an innovative, multidisciplinary art museum in Finland, the form that its exhibition and education programs might take, its prospective relationship with Helsinki’s existing visual arts institutions, the museum’s potential economic impact and the scope of the Guggenheim Foundation’s involvement in its operation. Beginning from a deep consideration of program and purpose, the study will seek to imagine what a museum of the 21st century might be.

Mayor Pajunen stated, “As the capital of our country and home to its greatest concentration of art museums, Helsinki has a special responsibility to keep improving and developing Finland’s cultural infrastructure. It is widely recognized that cultural destinations can help drive economic growth for a country, provided they are created within an intelligent overall plan for development. We have such a plan—and the Guggenheim, as a truly global institution, is the ideal institution to collaborate with us in studying how to realize our goals. This is a collaboration that can help Helsinki and Finland prosper in an increasingly interconnected and competitive world.”

Richard Armstrong stated, “Finnish people are reluctant to boast. So let me be the one to say that Finland is unquestionably poised for a greater role within the world’s cultural scene. Finland’s identity has always been defined to a remarkable degree by education, architecture and design, and its vigorous, sophisticated culture has made a mark internationally. But civic leaders, cultural observers and artists in Finland believe much more has become possible—and we wholeheartedly agree. For the Guggenheim, this study with Finland is a very compelling opportunity to continue our investigations into the possibilities of global interchange, to offer the expertise our network has acquired and to work with respected fellow museum professionals such as Helsinki’s representative to the initiative, Janne Gallen-Kallela-Sirén.”

Known internationally for its important tradition of architecture and design and outstanding musical culture, Finland also has an active visual art scene. The Helsinki metropolitan area has approximately 70 art galleries and a strong group of museums, which include the Helsinki Art Museum; the institutions of the Finnish National Gallery (including the Ateneum Art Museum, Museum of Contemporary Art Kiasma and the Sinebrychoff Art Museum); and the Espoo Museum of Modern Art.

The Finnish capital is also currently carrying out the largest urban redevelopment project in its history. Approximately 250 hectares (620 acres) of waterfront districts in and near the city center have been opened for residential and commercial mixed-use projects, thanks to the 2008 relocation of cargo port operations to a new harbor to the east. Among the compact new city sections being developed will be specialized districts concentrating in fields in which Finland has established itself internationally: the arts, education and sciences.

According to Deputy Mayor Haatainen, “As a cultural network spread across the U.S., Europe and the Middle East, the Guggenheim has unparalleled managerial and curatorial expertise to help us determine how the visual arts can contribute to Helsinki’s and Finland’s position on the global map, educationally, culturally and economically. It is uniquely qualified to understand Finland’s promise on the international stage and help us envision the greater role that the art of our time can play in our future—a role that can open unforeseen possibilities for visual creativity and learning, both locally and internationally.”

Representing the City of Helsinki in conducting the study will be Janne Gallen-Kallela-Sirén, Director of the Helsinki Art Museum. “We stand at the doorstep of the most visual of centuries, and visual communication and multimedia practices are now fundamental to advanced societies around the world,” he stated. “The way in which visual art is integrated into society is therefore equally fundamental, and needs to be better understood by governments and museums alike. This study will give Finland the best possible road map to achieve this goal, and to create the conditions in which Finnish artists can better advance themselves.”

The commencement of this concept and development study marks the first step in a multi-level process that will advance and evolve only with the appropriate consent and endorsement at each stage. Once the results of the study are submitted and reviewed, initial recommendations that might result regarding a new Guggenheim Museum would be implemented upon subsequent approval by the City Council of Helsinki and the Board of Trustees of the Guggenheim Foundation. Under its current agreement with the Solomon R. Guggenheim Foundation, the Guggenheim Museum Bilbao must also approve any agreement under which the Guggenheim would manage or operate the new museum.

The principal managers of the study team will be Juan Ignacio Vidarte, Deputy Director and Chief Officer for Global Strategies of the Solomon R. Guggenheim Foundation, and Ari Wiseman, Deputy Director of the Solomon R. Guggenheim Foundation. Mr. Vidarte, who is also the Director General of the Guggenheim Museum Bilbao, was intimately involved in the development of that institution and brings extensive experience to the project.

Significant support for the study is provided by the Finnish Cultural Foundation and the Swedish Cultural Foundation in Finland.

Professor Pirjo Ståhle, Chairwoman of the Finnish Cultural Foundation’s Board of Trustees, stated, “The Finnish Cultural Foundation is dedicated to promoting the arts, sciences and other fields of intellectual and cultural endeavor in Finland. This study provides the Foundation with an unique opportunity to advance our mission, locally and internationally. The study, executed by international experts, will provide valuable information about how best to develop Finland’s art museum field and how new types of institutional innovations may contribute to the field’s future prosperity.”

Berndt Arell, Director of the Swedish Cultural Foundation in Finland, commented, “The essence of our Foundation is to enhance the value and quality of living in a country with two national languages. We strongly endorse the purpose of this study, which sees value for Finland in a diverse culture of visual communication. The prospect of exploring what a museum of the 21st century might be is also very exciting, a unique opportunity that can benefit all and especially the visual cultural world of Finland.”

Both Professor Ståhle and Mr. Arell will participate in the steering committee that has been organized to follow the progress of the study.

The decision to conduct the study developed after several months of preliminary discussions. The agreement between the City of Helsinki and the Guggenheim to conduct the study was approved by the Helsinki City Board on January 17. Work on the study will begin immediately.

About the Solomon R. Guggenheim Foundation

Founded in 1937, the Solomon R. Guggenheim Foundation is dedicated to promoting the understanding and appreciation of art, primarily of the modern and contemporary periods, through exhibitions, education programs, research initiatives and publications. Currently the Solomon R. Guggenheim Foundation owns and operates the Guggenheim Museum on Fifth Avenue in New York and the Peggy Guggenheim Collection on the Grand Canal in Venice and provides programming and management for the Guggenheim Museum Bilbao. The Deutsche Guggenheim in Berlin is the result of a collaboration, begun in 1997, between the Guggenheim Foundation and Deutsche Bank. In 2013 the Guggenheim Abu Dhabi, a 452,000-square-foot museum of modern and contemporary art designed by Frank Gehry, will open on Saadiyat Island, adjacent to the main island of Abu Dhabi city, the capital of the United Arab Emirates. More information about the Foundation can be found at www.guggenheim.org.

About the City of Helsinki

Helsinki is the largest city in Finland and the nation’s administrative, economic, scientific and cultural center. It is home to several universities, including the University of Helsinki (35,000 students) and Aalto University (20,000 students), and it ranks second among European cities in The Economist Intelligence Unit’s Global Liveability Report (2010). The Helsinki Region is home to 1.3 million people and 700,000 jobs.

The capital of Finland is located at the heart of the fast-growing Baltic Sea region, 315 miles due east of Stockholm, where it serves as a gateway between East and West. Several daily flights and new high-speed trains link Helsinki to St. Petersburg, and extensive intercontinental flight connections make Helsinki a major hub for the megacities of East Asia, serving 13 million travelers in 2010. Annually, some 9 million ferry passengers travel through the port of Helsinki. After the completion of a new cargo harbor in 2008, vast waterfront areas in downtown Helsinki have been freed for redevelopment, further enhancing Helsinki’s strong maritime character and making the urban structure more sustainable.

Widely known for its distinguished architecture, which ranges from neoclassical to postmodern, Helsinki (along with its partner cities in the unified metropolitan area) was named World Design Capital for 2012 by the International Council of Societies of Industrial Design. The designation will serve as an opportunity to seek new solutions to urban redevelopment challenges and new ways to use design to drive economic growth and user-friendly public services. More information about the City of Helsinki can be found at www.hel.fi.

About the Finnish Cultural Foundation and the Swedish Cultural Foundation in Finland

The Finnish Cultural Foundation is an independent private trust. It was founded in 1939 with collections donated by almost 200,000 Finnish citizens from all cross-sections of society. The Foundation is presently one of Europe’s largest. Its assets amount to circa 1000 million euros, of which almost 40 million euros are expended on grants and cultural support annually. The Foundation continues to receive significant new donations yearly.

The Foundation is dedicated to supporting and assisting the development of Finnish sciences and arts and cultural life. It achieves its goals by distributing grants from the Foundation’s central and 17 regional cultural funds to individuals, working groups and communities. In recent years the Foundation has also initiated several large-scale projects that aim to improve the well-being of cultural life in Finnish society. These have been increasingly implemented in cooperation with the Finnish state and regional governments. More information in English: www.skr.fi.

Svenska kulturfonden (Swedish Cultural Foundation in Finland) was established in 1908 and today consists of more than 450 individual funds created by private donors. The Svenska kulturfonden is owned and administered by the Litteratursällskapet (The Society of Swedish Literature in Finland). Yearly budgets are circa 33 million euros.

The purpose of the Foundation is to support the cultural and educational activities of the Swedish-speaking population in Finland. Each year the Foundation awards and distributes grants by means of support grant systems and investments. In addition, the Foundation organizes conferences on varying themes for key groups and experts from the arts, education and third-party sectors and issues reports concerning language and cultural policy. International activities include support of work placements and residencies. The most significant grants awarded in recent years have included support for the new Helsinki Music Centre, theatres and fundraising for universities and other educational organizations. More information in English: www.kulturfonden.fi/eng/ .

OMA to design identity for Hong Kong transport system


Dezeenwire:
architects Office for Metropolitan Architecture have been commissioned to design the new strategy and identity for Hong Kong transport authority MTR, including two new stations. See press release below.

See all our stories about OMA »

OMA to Design New Vision for Urban Transit in Hong Kong

OMA has been commissioned to produce a new design strategy and identity for Hong Kong’s transit authority, the MTR. The plan, Railway Vision 2020, will culminate in OMA designing and building two new stations as prototypes for the entire network throughout Hong Kong.

OMA and its research unit AMO will study the city’s mass transit system and its infrastructure in depth, conducting site analysis, branding and identity research, observation of the everyday usage patterns of the system by commuters, and sustainability research. OMA’s design for the two stations will emerge from this research, and will include a rethinking of all the elements of a station: its engagement with the street level, its connections, concourses and platforms, station furniture, circulation and way-finding, and MTR’s visual identity.

OMA partner-in-charge David Gianotten commented: “We are honoured to contribute to the identity of one of Hong Kong’s most important and efficient companies, as well as the overall identity of Hong Kong, through this project. OMA’s history of research and its dedication to the development of the city will be crucial for our approach to the work.” Also in Hong Kong, OMA is working on the West Kowloon Cultural District project and the new campus for Chu Hai College.
OMA will collaborate with Stanford University, the City University of Hong Kong and the University of Hong Kong. Railway Vision 2020 will be developed in OMA’s Asia headquarters in Hong Kong. The first stations designed for Railway Vision 2020 will open by 2014.
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“Palette of Optimism: Shades of Honey Moon” – New York Times


Dezeenwire:
Alice Rawsthorn takes a look at the colour trends companies have forecast for this year and why they’re likely to be a self-fulfilling prophecy – New York Times

Olli-Pekka Kallasvuo to lead World Design Capital Helsinki 2012 committee


Dezeenwire:
former Nokia CEO Olli-Pekka Kallasvuo has been appointed as chairman of the committee for World Design Capital Helsinki 2012. See press release below.

Olli-Pekka Kallasvuo to lead World Design Capital Helsinki 2012 Committee

Olli-Pekka Kallasvuo has been appointed chairman of the committee tasked to support the World Design Capital Helsinki 2012 project. The appointment is the first accepted in Finland by the former president and CEO of Nokia Corporation after his term ended at Nokia.

The committee, consisting of 45 opinion leaders and specialists from various sectors of society, supports the management and board of the World Design Capital Helsinki 2012 project, offering them broad-based social perspective.

“World Design Capital Helsinki 2012 is a unique opportunity with a broad social interface that already stems from the project’s foundations,” says Committee Chairman Olli-Pekka Kallasvuo. “We are all committed to offering our expertise to support the project’s decision making.”

The committee was appointed by International Design Foundation, which is the management organization of the World Design Capital Helsinki 2012 project, the project’s owners, that is, the cities of Helsinki, Espoo, Vantaa, Kauniainen and Lahti, and the participating universities. The committee, which will convene three times a year, was established in December 2010. The committee’s term will extend to spring 2013.

“The committee’s first meeting in December was promising,” says Tero Vähäkylä, Chairman of the Board of International Design Foundation. “The meeting was marked by active participation, lively discussion and inspired commitment. The discussions especially focused on the cities’ role in the project and the long-term effects of the World Design Capital year.”

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