Quote of Note | Will Cotton

cotton laduree“Macarons are the quintessential confectionery delight. In the macaron, the color, texture, and flavor become so much more than the sum of their parts. And since the flavors aren’t dictated by the cookies’ form, each one becomes a vessel of endless possibility for the most fantastic flavor imaginable.”

Will Cotton, discussing his collaboration with Ladurée. The artist’s macaron flavor (think ginger-infused whipped cream) and box debuts this week in Miami at Art Basel Miami Beach.

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A Polaroid a Day Keeps Your Schedule at Bay

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Give 2014 a retro twist with Poladarium, a tear-off calendar that offers a new Polaroid-snapped image every day. Flip over each page for the backstory: how the photo came about, what inspired it, and who the photographer is. The 365 Polaroids, printed with a glossy finish on special paper, were lovingly selected by the Karlsruhe, Germany-based Poladarium team from images submitted by photographers and friends of instant photography from around their world. Got Polaroids? They’re accepting entries for the 2015 calendar through December 19.

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Swiss Spritz! Helvetica the Perfume ‘Smells Like Nothing’

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Now that the literal feasting of Thanksgiving is over, the retail gluttony can begin. We have a feeling that you’re eschewing “doorbuster deals” in favor of web-surfing your way to elegant gifts (that don’t require resorting to fisticuffs or even leaving your home), but what do you get for the design-minded person who has everything? The answer, of course, is nothing—in the form of Helvetica the Perfume.

Technically, it is two ounces of distilled water, but to the typographically savvy, it is the olfactory equivalent of Max Miedlinger and Eduard Hoffmann‘s sans-serif marvel: pure, modern, neutral, and profoundly Swiss. Decanted into a glass bottle labeled in 24-karat gold Helevtica Bold and tucked into a letterpressed box, the limited-edition fragrance is yours for $62 from Guts & Glory.
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It’s Here: Your 2014 Typography Calendar

2014typographycalendarOnly 60 calendar shopping days ’til 2014! Keeping track of time takes on a typographical twist with the 365 Typography Calendar, which sets each month in a different typeface. The calendar is the brainchild of Pentagram veteran Kit Hinrichs, who produces it through his San Francisco-based design office. “So many people, designers included, have no idea who designed the beautifully crafted typefaces that are very much a part of our everyday life,” he says. “I wanted to enable people to become more aware of type as a designed object.” The dozen typefaces celebrated in the 2014 edition were nominated by members of the illustrious Alliance Graphique Internationale, and in addition to holidays, the calendar notes the birthdays of the type designers along with their brief biographies or explanations of what inspired the design.

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Master Class: Seven Questions for Melanie Courbet, Founder of Atelier Courbet

Courbet Interior Shop
(Photos courtesy Atelier Courbet)

Melanie Courbet PortraitNew York’s latest design destination is Atelier Courbet, a new gallery and shop that brings together exquisite objects, furniture, textiles, and home accessories handpicked for their sublime old-school craftsmanship. In an age of touchscreens and disposable everything, many of these one-of-a-kind and limited-edition pieces combine traditional techniques with contemporary design. “Our intention is to highlight the revered talent behind every object,” says founder Melanie Courbet, who convinced renowned craftsmen Domeau & Pérès to make their stateside debut at Atelier Courbet. “We would like to inspire our clients to curate their home and their lifestyle based on the appreciation of the material and the details of their environment.” We asked Courbet to tell us more about the new venture, including its home in the historical Brewster Carriage House (located at the corner of Broome and Mott Streets) and some of her favorite straight-from-the-workshop pieces.

Why did you think that it was the right time to open this gallery and shop?
It was the right time in my life as I matured for seven years my relationships with most of the manufactures or craftsmen I represent today. On another note, I believe my desire to shift the focus to the master-craftsmanship over the design or creative aspects is a response to a context. Our market—like our global culture—shows a shift in the consumer’s behavior. There is a general trend at different levels of consumption that reflects a global desire to nurture a sense of community and connect with the makers behind our belongings or the goods we consume. Brand equity is now often built upon emotional connections with the provenance, a sense of cultural heritage and traditions. I hope for Atelier Courbet to convey that story and to allow for our clients to find that connect with each handmade piece presented.

What qualities unite the designers and companies represented at Atelier Courbet?
Atelier Courbet selects and represents master-craftsmen based on their abilities to fabricate for the contemporary art or design scene while carrying on a heritage, discipline and centuries-old techniques.

Atelier Courbet 1How did you come upon the Brewster Carriage House? Why did the building appeal to you?
It’s my friend’s building. He and I have similar visions and passions. It sounded natural and such a great fit for a gallery and shop focusing on master-craftsmanship and heritage to set the stage in a building that has that incarnation.

The Brewster Carriage Building goes back to the mid-nineteenth century when it used to house the famous carriage makers’ workshop. We kept the boilers doors as well as a carriage that was made here by the Brewster Company’s workers. Ross Morgan and I would like to make this corner a destination that stages both the heritage of the building, the neighborhood and selected centuries-old manufacturers from around the world. The Atelier Courbet and the Brewster Carriage Corner will become both a design gallery and a lifestyle shop.
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Andrew Galuppi and Ahmad Sardar-Afkhami ‘Bring the Globe Home’ in Online Tag Sale

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“I really got some crossed looks when I brought this Indonesian mask back from a trip overseas,” says Andrew Galuppi (at right). “I took up most of the overhead bins!”

CM_portraitsLooking to ward off the evil eye with a wedding Hamsa from North Africa, amass an instant collection of Japanese liquor bottles, or add a Moroccan Beni Ouran rug to your living room? These exotic treasures and many more are just a click away thanks to interior designer Andrew Galuppi and architect Ahmad Sardar-Afkhami. The pair have teamed up with flash sale site One Kings Lane for “Camera Mundi” an online tag sale that begins today.

The collection of homegoods, priced from $20 to $3,000, includes rugs, furniture, statuary, and other objects collected by Galuppi and Sardar-Afkhami during their travels around the world. “Every handcrafted item is infused with someone’s story—they probably were taught their skill by a long-lost relative and spent hours on each piece, and without the help of a machine,” says Galuppi, who travels to India every winter. “This is part of the world I like supporting, because each piece carries with it an energy and a real story that gets transferred to your home.” We asked the globe-trotting designers to tell us more about “Camera Mundi,” the objects in the sale, and where their worldly, contemporary aesthetic will take them next.

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How did you come to work with One King’s Lane?
Ahmad Sardar-Afkhani: One of my close friends, Nate Berkus, was doing a sale with another friend, Ethan Trask, who works at One Kings Lane. We began talking and he proposed I create a sale mostly with the rugs and textiles I have been collecting.

Andrew Galuppi: Ahmad didn’t want to do the sale all alone—it’s more fun with a friend—so he knew my apartment was stuffed to the rafters with bits and bobs and he thought the mixture of our two collections would create one great big exciting assortment…kinda like a crazy bazaar!

Tell us about the significance of the title, “Camera Mundi”?
Sardar-Afkhani: In Latin, it means “room of the world,” where objects from different historical and cultural backgrounds can be displayed next to each other. I’m all for this type of juxtaposition, where new meaning and beauty is derived from assemblages of objects that would otherwise have little in common.

Galuppi: In addition to what Ahmad has explained…I think that a lot of people have really well curated homes these days, and including an object from some far away place will add texture and personality to a space to make it really feel finished and unique. That’s where “camera mundi” comes into place: bringing the globe home.
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I Spy: New Museum Opens ‘Privacy Gift Shop’


An Anti-Drone Scarf, part of a collection of “stealth wear” by Adam Harvey in collaboration with Johanna Bloomfield.

A temporary store for stuff designed to help users evade detection? Such is the lowdown pop-up now operating at New York’s New Museum, which has given over its ground-level selling space to the Privacy Gift Shop. Stop in through September 22 to stock up on clothing and accessories that protect against various methods of surveillance.

Designed by artist Adam Harvey and fashion designer Johanna Bloomfield, the “stealth wear” on offer includes a metallized silk scarf (inspired by Muslim dress) that protects against thermal imaging surveillance, a dollar bill-sized wallet insert made of copper fabric to thwart would-be RFID skimmers, and an optical character recognition-resistant version of the iconic “I ♥ NY” t-shirt.
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Stylish Sleeping Bags for Urban Overnighters

Just in time for Labor Day weekend voyages, writer Nancy Lazarus surveyed the market for sleeping bags and got a sneak peek at the back-to-nature themes, trends, and colors that will be setting up camp come 2015.


Spoon-shaped sleeping bags from Dover, New Hampshire-based NEMO.

From the American Museum of Natural History’s Night at the Museum-fueled all-nighters to the recent “Citi Field Sleepover,” where 400 fans plopped down their tents and sleeping bags to watch a jumbotron broadcast of a New York Mets’ road-game, the sleepover isn’t just for middle schoolers anymore. Soon the age-old question of what to wear will be replaced by what sleeping bag to bring, so UnBeige went on a hunt for suitable choices.

While sleeping bag options for children abound, stylish adult sleeping bags for urban use are in short supply. Adult sleeping bags have mainly been designed for serious camping excursions. More innovations have been introduced in shapes and materials than in colors and technology, as detailed below. We’ve added a few suggestions regarding upcoming colors and patterns based on StyleSight’s spring and summer 2015 preview, to give enterprising designers something to sleep on.
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Reed Seifer Brings Validation, Optimism to NYNOW

It’s not easy to stand out at NYNOW, a roiling trade show sea of tote bags, trinkets, exotic papergoods, Gehry-esque building blocks, eco-friendly umbrellas, geodesic birdhouses, and the odd visiting monarch. But this season, the pause that refreshes comes at booth #7654, where Lost & Found (paired with the Philadelphia Museum of Art) is offering among its nifty wares the work of UnBeige favorite Reed Seifer.

Making its debut at NYNOW is “Validation,” a self-empowering stamp that comes tucked inside in a white box. “What inspired me to create this work is the discovery that validation is something that we have to provide to ourselves,” the artist and graphic designer tells us. “I’d also like to add that I only use Helvetica when I want something to look uber-generic and not call attention to itself via typography.”
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Bid to Win Martha Stewart’s Faux Bois Paddle Board for Breast Cancer Research

Saturday’s second annual Hamptons Paddle & Party for Pink—a chic charity event that begins with a stand-up paddle board race and ends with a party at the North Haven, New York home of Richard and Lisa Perry—raised $1.2 million for the Breast Cancer Research Foundation, and there’s more to come from an online auction that includes some of the paddle boards customized by the likes of Tory Burch, Cynthia Rowley, and Nicole Miller for the sold-out waterfront bash. While most of the creative types recruited for the BCRF benefit boards opted for surfer brights or pop patterns (mod maven and event co-chair Lisa Perry lined hers with signature rainbow dots while Aerin Lauder‘s is awash in a sunny ikat), Martha Stewart stuck to her longtime favorite look: faux bois. The 11-foot board (pictured), signed by Stewart and surfing great Laird Hamilton, is up for bids through tomorrow afternoon on CharityBuzz.

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