Nova 4th Edition

An all-new Nova returns to São Paulo with moving image work by a cast of global artists
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While queuing at the Nova contemporary art event Nova in São Paulo recently, a handful of half-masked ninjas went to work scribbling on nearby glass walls. The live-art act by the collective Ros Dolan and the Gang kicked off a lineup of free art events running every Saturday over the next five weeks. Featuring international artists such as David O’Reilly, Mulheres Barbadas and Mark Jenkins, the fourth-annual festival took on more than a few bold new dimensions this year.

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Last year’s edition took on painting as the central theme, but this time the focus is decidedly on cinema, with sessions split into three parts. Each evening spotlights the filmic work of a selected artist or director, such as Semiconductor, in the Cinemateca Brasileira theater before moving into the foyer where the audience will watch a film specially created for the event. Installations from artists in other disciplines provide the room’s backdrop. For example, at this past Saturday’s show, the threaded work of Sebastien Preschoux set up the ambiance for “Stethoscope,” a movie by duo Lolo and Sosaku Miyazaki.

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This last part becomes interactive when artists seek out and record audience participation after the film, which Rojo will film and edit. Between screenings, people can witness live art-making in Absolut Vodka’s Espaco Absolut Blank part of the venue.

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To end the event, Rojo has invited artists to bring their own projectors and show their pieces in an all-at-once screenings fest. Currently on view, the event ends on 29 October 2011 at the Cinemateca Brasileira.


Red Bull Campaign

Voici le prochain spot et la nouvelle campagne publicitaire de la marque Red Bull qui sera diffusée dans les cinémas français dans le courant du mois de septembre. Un condensé d’images auquel la marque est partenaire entre sports de glisses, surf, BMX ou encore Formule 1.



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Second Annual Kickstarter Film Festival

Crowd-sourced film festival exhibits work from new cinematic talent
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I recently stopped by the 2nd annual Kickstarter Film Festival to do some sleuthing on up-and-coming film makers. The festival screens a collection of curated Kickstarter projects, including documentaries, animation and products. It was a perfect evening to enjoy some video outdoors and Kickstarter’s partnership with Rooftop Films facilitated an impressive set up in the Gowanus neighborhood of Brooklyn, NY. All 16 of the films shown are definitely worth a look, but the four below are standouts.

The Twelve O’ Clock Boyz,” a documentary by director Lofty Nathan, follows three different Baltimore City residents, all deeply involved in the illegal dirt-bike riding scene.

This practice of rallying, racing and showboating in city streets has become deeply ingrained in the urban culture of The City That Reads, but the illegal and dangerous nature has made it a contentious issue between the communities involved. Born from a rising tension between social and economic classes within the city, the dirt bike culture has come to epitomize rebellion, release and expression for marginalized communities. Nathan explores these relationships and the deeper issues that gave birth to this subculture in what promises to be a fascinating look inside the contemporary existence of urban communities.

Most of us are familiar with Richard Nixon, as well as Watergate and the infamous tape recordings which emerged from it. Our Nixon takes advantage of another set of recordings from this era —previously unreleased Super-8 footage recorded within and around the Nixon White House by some of his closest associates.

In all, 204 reels of “home movies” were confiscated by the FBI as part of the Watergate investigation. This never before seen material offers an interesting look at the everyday goings-on surrounding one of the more scandalous administrations in American history.

Shot by Chief of Staff H.R. “Bob” Haldeman, Chief Domestic Advisor John Ehrlichman and Special Assistant to the President Dwight Chapin, the three took to documenting all kinds of seemingly trivial occurrences. Truly believing they were part of a revolutionary turning point in American history, even Easter egg collection on the Front Lawn was deemed worthy of historical import. Delusions aside, the film—which makes use of the footage by way of a campy trajectory and hilarious montages, combined with selected clips from Nixon’s recorded phone calls—effectively offers insight into the unseen aspects of the Executive Office. You can support documentarians Penny Lane and Brian Frye by pre-ordering a DVD from their site as the film is still in production.

Extremely touching, The Elders (subtitled “Everyone is a story”) explores of life lessons told through the experience of a series of senior citizens. Director Nathaniel Hansen spoke with people all over the country and from a wide variety of backgrounds, from coal miners to engineers. In each portrait, the characters talk about their experiences, and as their stories unravel we get a distinct window on how certain things change with age but many, like love and loss, remain constant through generations. Check out the official trailer above and head to the webpage for upcoming screenings and news.

One of the most visually impressive pieces of the festival, The Beast Pageant, follows Abe on his adventurous escape from his mundane crushing existence. Abe lives in a city where he resides alone, only accompanied by a giant machine that spits out his essentials for survival. A mysterious series of events, culminating in a tiny singing cowboy bursting from his stomach, sets Abe off on an adventure of a lifetime. With an impressive cast of characters and the bizarre world Abe finds himself in, the film is enchanting, engulfing the viewer into a trance-like state of mystery and intrigue.

Shot on a 16mm Bolex that writers and directors Albert Birney and Jon Moses claim they found in a dumpster, the film combines great storytelling with fantastic costumes, animations and set design serving as an exceptional example of what a group of determined people can accomplish with little-to-no cash. The film is available on DVD or for download at Indiepix. Check out the site for more info on how this piece came together in a one-room studio in a Rochester, NY factory.

The Kickstarter Film Festival is an excellent reminder of the importance crowd-sourced funding can play in the creation and encouragement of new media and artistic expression. Be sure to keep up with these emerging filmmakers and explore other creative projects that need help getting off the ground—all these films prove that a little support can go a long way.


Salvando al Soldado Pérez

Checking in with the star of Mexico’s hit narco-comedy
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The New Mexican Cinema movement may have calmed to a simmer in recent years, but the country’s presence on the international film scene is here to stay. At Los Angeles’ recent Hola México Festival, festival-goers were treated to a secret midnight screening of “Salvando al Soldado Pérez” (Private Pérez). The film follows Julian Pérez—surrounded by hired thugs, killers, and accomplices—on his quest to find his brother in Iraq at his mother’s request. Leaving the boisterous audience laughing, gasping and clapping throughout, when lead actor Miguel Rodarte joined director Beto Gomez on stage after the showing, the crowd roared in applause.

Currently one of the most popular films in Mexico, already more than two million have seen the slapstick adventure. Acting as a crime lord from Sinaloa, Rodarte struts though the film in a flashy wardrobe of unbuttoned silky shirts, massive gold necklaces and giant hats. Along with his motley crew of compadres, their epic journey both celebrates and pokes fun at various aspects of Mexican culture.

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I first met Rodarte at a Kahlua-sponsored dinner in Mexico City at Casa Luis Barragan along with a small group of gallery owners, designers, musicians and actors who had gathered at the Pritzker prize-winning architect’s house (now a museum) to share cocktails and a candlelit dinner prepared by one of the chefs from Pujol. In the midst of this animated group, Rodarte charmed everyone in the room with his infectious laugh, charismatic smile and hilarious stories about making movies and all-night parties. With the release of his latest film, we decided it was time to sit down with with the charming actor to find out more about the making of the film, his audacious wardrobe and the reaction of the audiences in Sinaloa.

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How did you prepare to play Julian Pérez?

Julian Pérez has to be the most powerful character I’ve ever played. Interpreting a cartel boss is not that simple. There is not a lot of public information about their lives, but there is some. I found books and in-depth research articles. I read about the history of mafia in Mexico and leaders throughout different periods of time. I listened to a lot of “narcocorrido” music, which is folk music that tells stories about bandits, drug lords tales, passionate stories and mafia adventures. I took a look at as many pictures of mafia leaders as possible, to examine their lives.

I went on some social blogs that specialized in narco-culture and try to find as much information as possible. I discovered the universe in which Julian Perez was involved. For me it has the power of a Shakespearean play. Surrounded by betrayal, ambition and violence, they are always worried that someone is trying to take over their reign. They are never at peace. I also took a look at other mafia film icons (The Godfather, Scarface, Goodfellas, etc.) to try to grasp aspects of their spirit that would fit my character, but without wanting to imitate any of them. The rest was pure imagination.

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Did you save any of the wild print shirts and big hats that your character wears in the film?

What? Are you kidding? Of course I have. They are hilarious. It is really amazing what costume designer Marylin Fitoussi did. There was a time in Mexico’s underground mafia world when exotic prints and the exaggerated bling were iconic. I am from Sinaloa and I grew up there seeing a lot of people dressing in that style. Of course, nothing like Julian Pérez, he would always be king. If you are not acquainted with the culture you could think is a little bit exaggerated, but it is not. We tried to portray a drug lord prince from the North of Mexico. I also have the jewels with the initials all over and the magnificent cowboy hat. The slogan for the film says, “They may loose their lives, but not their style.”

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How do you feel about the film’s depiction of Sinaloa?

It’s amazing how the people from the state of Sinaloa have responded to the film. They went crazy over it. The cinemas were completely crowded and there was quite a furor. Families went to see it all together. This for me is an indicator that the people felt reflected in the sense of humor and the mood of the film. Sinaloa might well be the Mexican Sicily. The people there have an attitude about life where they feel that anything is possible. It is not a submissive culture. I am from Sinaloa myself and I can tell you that the movie portrays the qualities of loyalties, courage, strength, humor and achievement that characterize the people from there.

On 2 June 2011 “Salvado al Soldado Perez” will open the Hola México Festival New York at Tribeca Cinemas before hitting U.S. theaters this September 2011.


Swarovski – Cinema

Afin de proposer une expérience proche du cinéma, la marque Swarovski a décidé de demander à Bruno Aveillan de réaliser un court métrage pour transmettre les valeurs et la richesse de la marque au cygne. Une vidéo sous forme de conte, à la réalisation réussie.



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Transformers 3

Afin de boucler la trilogie de films “Transformers”, le réalisateur Michael Bay a décidé de montrer dans cette tout nouvelle bande-annonce les principaux effets visuels pour Transformers 3. Une vidéo impressionnante à découvrir dans la suite, pour ce film prévu courant juillet.



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Mercedes-Benz Campaign

Une campagne intéressante pour Mercedez-Benz autour du célèbre mot “Fin” du cinéma. Déclinée en trois langues, avec une baseline “Navigation and entertainment in one” imaginée par l’agence autrichienne Jung von Matt. Le tout sur des photographies de Jork Weismann.

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Ludéal – Allez l’amour

Après le très réussi travail pour Dan Black – Symphonies autour du cinéma, voici l’univers tourmenté de l’artiste Ludéal issu de la chanson française. Une belle réalisation du clip par la société Egocentric, entièrement en plan séquence et avec de nombreuses références aux films.



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Portfolio Egocentric – Une production L & Moi, pour Sony BMG.

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