Advice for Designers from Hartmut Esslinger

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“You can say that ‘form follows function’ has been abused as an excuse for shitty design and absolutely boring, inhuman architecture.” So says frogdesign founder Hartmut Esslinger, a man who clearly does not mince words. Esslinger’s Design Forward: Creative Strategies for Sustainable Change book was finally released over the weekend, and there’s an attendant teaser video where Esslinger shares five lessons (occasionally delivered with colorful language ) learned on the job:

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Mentoring Rising Tech Talent in Uganda’s Capital

marabizhack2.JPGIvan Mworozi delivers the winning pitch for E-Ride, a new mobile rideshare program being developed at Mara LaunchPad. Image courtesy Mara.

It’s a busy, buzzing weekend at Mara LaunchPad. Nigel Ball, the director of Mara, is circulating amongst the crowd, as are a half dozen mentors, including myself. It’s a scene that would be familiar to any tech observer in New York or San Francisco… but this isn’t either city. In fact, it’s not even in North America: The first weekend-long Mara Business Hackathon has just begun in Kampala, Uganda.

Mara LaunchPad, operating under the social business Mara Foundation, is one of Kampala’s premiere business incubators. Along with other tech-oriented spaces like Hive Colab and the Outbox Hub, Mara offers office space, mentorship and even venture capital to new startups in Uganda. Many of these businesses often focus on new technologies.

marahack1.JPGMentors Evelyn Namara and Daniel Stern advise during the busy hackathon. Image by the author.

What made this hackathon different from many of the popular tech events in Kampala was its focus on building a business. Yes, a prototype and good design were key, but what was more important was that teams developed a solid business model and financials—not an easy feat at all, given the dire need for reliable data in the country.

“In 48 hours our idea matured in away that would [normally] have taken us weeks or months,” noted Ivan Mworozi. “The access to experts from various fields was invaluable.” Indeed, Mworozi cited the mentorship as key. He delivered the hackathon’s winning pitch for E-ride, a new service he and four others will be developing to facilitate transportation in the traffic-clogged city.

Observing that an informal system of car sharing already exists, they wanted to streamline that method using mobile technologies: “Lot of cars and trucks were moving around practically empty because they had no way of know[ing] that we were looking for them.”

Second place for the hackathon went to MyProperty, a new service being built by Daniel Olel and team. Just as E-Ride addressed an existing problem and practice and streamlined it, MyProperty aims to connect buyers and sellers of properties around Uganda. As Olel, noted, many middle class Ugandans rely on brokers. Anyone looking for an apartment in New York knows how pricey middlemen can be, and Olel’s goal is to use MyProperty to cut out the middleman and build trust among buyers and sellers (quite similar to RentHackr, which I reviewed last year).

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Seven Questions for s[edition] Co-Founder Robert Norton


Tracey Emin‘s “I Promise To Love You” neonworks now playing on screens throughout Times Square a project for which s[edition] served as curatorial partner. (Photo: Ka-Man Tse)

Would art lovers pay up to download a Damien Hirst? So pondered the art and tech worlds in November 2011, when London-based s[edition] opened its digital doors on the eve of Art Basel Miami Beach–having convinced artists such as Hirst, Tracey Emin, Bill Viola, and Shepard Fairey to create original works for a new breed of online gallery. The answer is, apparently, yes.

Founders Harry Blain and Robert Norton have seen the iDevice-wielding masses embrace the concept of collecting art in a digital format and are making inroads into museum collections, placing pieces with the Tel Aviv Museum of Art and Norway’s Stavanger Art Museum, and creating digital editions in partnership with the Serpentine Gallery and the ICA London. The company is also to thank for the love-themed works by Emin that are now lighting up Times Square on a nightly basis. While in NYC to feel the love, Norton made time to answer our seven questions about how s[edition] works, a new initiative to seek out fresh talents, advice for fellow entrepreneurs, and the artwork he would most like to have on his wall–or screen.

1. How do you describe s[edition] to someone who is unfamiliar with it?
s[edition] works with world leading artists who wish to see their work collected in a digital medium. The online platform offers contemporary art enthusiasts the opportunity to buy original art, at affordable prices. The art is sold as digital limited editions to be viewed on TVs, iPads, iPhones, and digital screens. s[edition] members can browse and acquire works to start their own collection, follow artists, and send limited editions as gifts to friends.

2. s[edition] has been in business for just over a year. How would you characterize the reaction from collectors?
The feedback from our collectors has been fantastic. The prices are very affordable which means we have opened up an entirely new market for collecting digital art. We have an active audience of 400,000 digital art enthusiasts, collectors, and fans.

3. Can collectors resell works they have purchased on s[edition]?
Collectors can resell their editions through an open marketplace after edition runs have sold out. We have found that some collectors will never want to sell their edition while others trade continually.

4. Do you plan to expand the star-studded s[edition] roster to include emerging artists?
This year, we have plans to launch the s[edition] Open Platform, a separate section on the website, where emerging and established artists will be able to submit their art for consideration and be selected by world renowned artists and curators to sell their works online. By opening our platform, we provide these artists with a gateway to a global audience of art enthusiasts. It also enables us to search out new talent. Artists who are interested should email us at info@seditionart.com
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New Career Opportunities Daily: The best jobs in media.

President Touts 3-D Printing, Manufacturing Hubs in State of the Union Address

Rare is the design angle on a presidential address, but last night’s State of the Union included a shout-out to 3D prototyping. Early in the speech President Obama highlighted recent gains in domestic manufacturing jobs–more than 500,000 have been added in the past three years–offering examples of in-sourcing in progress at Caterpillar, Ford, and a little company in Cupertino. “This year, Apple will start making Macs in America again,” he said [cut to shot of a grinning Tim Cook] before turning to his administration’s manufacturing preservation initiative:

Last year, we created our first manufacturing innovation institute in Youngstown, Ohio. A once-shuttered warehouse is now a state-of-the art lab where new workers are mastering the 3-D printing that has the potential to revolutionize the way we make almost everything. There’s no reason this can’t happen in other towns. So tonight, I’m announcing the launch of three more of these manufacturing hubs, where businesses will partner with the Departments of Defense and Energy to turn regions left behind by globalization into global centers of high-tech jobs. And I ask this Congress to help create a network of 15 of these hubs and guarantee that the next revolution in manufacturing is made right here in America. We can get that done.

To which approximately half of the audience responded, “Yes we can!”

New Career Opportunities Daily: The best jobs in media.

FIT Seeks Design Entrepreneurs for ‘Mini MBA’

Back in the day, the not-yet-slickly-professionalized New York fashion scene “could support somebody who didn’t get into the business with a business plan and a backer,” said New York Times style scribe Guy Trebay in a recent interview. “You can no longer do that–that’s out. You better arrive with a business plan and maybe an MBA…” Enter the NYC Economic Development Corporation and the Fashion Institute of Technology, the partners behind Design Entrepreneurs NYC, an intensive, classroom-style, and FREE “mini-MBA” program. Fashion designers whose businesses are based in one of NYC’s five boroughs and have been open for at least one year are eligible to apply for the program, which includes weekend courses on fashion business marketing, operations, and financial management, and culminates in a business plan honed by feedback from industry pros. Applications, available here, are due by March 31.

New Career Opportunities Daily: The best jobs in media.

Can Crowdfunding Work for Architecture?

Is crowdfunding the answer to giving stalled architecture projects a much-needed…kickstart? A report issued this week by the American Institute of Architects takes a closer look, highlighting crowdfunded projects such as Colombia’s 66-story BD Bacatá building and the “I Make Rotterdam” bridge-building project.

According to massolution, which compiled the white paper for the AIA, crowdfunding generated around $1.5 billion in 2011, of which almost half was raised via donation-based crowdfunding (distinct from Kickstarter-style reward-based crowdfunding, in which donors receive something tangible in return). In addition to its potential as a financing tool for beleaguered developers and architects, crowdfunding can provide architects with a way to work with local communities to discuss, develop, and implement design ideas–or simply to generate support for “passion projects” that may be tough to fund through conventional avenues, notes the report. The Italian government is all over this idea–to raise cash to fund the Italian pavilion at the this year’s Venice Biennale.

New Career Opportunities Daily: The best jobs in media.

How to Make It in America: Shinola Sets Up Shop in Detroit

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In one of the more coherent brand launches in recent memory, a new venture called Shinola is poised to capitalize on the trend of American manufacturing with products ranging from bicycles to watches and a forthcoming line of leather goods, all made in the Heartland of these United States.

We’re starting with watches first, a product that hasn’t been mass-produced in the US for decades. We’ve built a state-of-the-art watch movement and assembly factory in Detroit with the help of Ronda AG—a legendary movement manufacturer based in Lausen, Switzerland—and our workers have already begun assembling the Argonite 1069, the movement at the core of our watches.

But we’re not stopping with watches. We’re also producing American-made bicycles using hand-welded frames from Wisconsin, high-quality notebooks through a partnership with Michigan-based bookmakers Edwards Brothers Malloy, and a wide variety of leather goods—including iPad cases, MacBook envelopes, rucksacks, and handbags. Through hard work and collaboration, we believe we can establish ourselves as an iconic brand, while expanding the capacity—and reinvigorating the spirit—of manufacturing in America.

If it all sounds too good to be true, it’s been a long time coming: they launched their website nine months ago and have been developing the products for nearly twice as long as that. The brainchild of Tom Kartsotis, founder of Fossil watches, the brand takes its name from a popular shoehine brand that is best known for its cheeky alliterative slogan. Both the bicycles and the watches are assembled in Shinola’s Detroit factory in the same building as College for Creative Studies’ A. Alfred Taubment Center for Design—a former GM factory. The design school has already proven to be an invaluable talent pool for its upstairs neighbor.

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Seen Overseas: Products over Materials. Services over Products.

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I stopped to talk with one of the artists as he gave me his pitch—the sand paintings were durable—you could crumple them in your bag, get them wet even, and they stayed intact. While he spoke, he proceeded to crumple up one of his pieces, and pour water on it! I appreciated that his work might actually make the trip home in my backpack fully intact. On the other hand, I was somehow doubtful all the creases would ever come out. Either way, I feel like his product presentation didn’t have the intended effect—I wasn’t sold.

Product merchandising is so important…many merchants have a more-is-more approach, stuffing their stalls with products and many multiple versions of products…leaving little to the imagination. Others give their products a bit of room to breathe, and it can have the effect of drawing the eye in, and also elevating the perceived value of the product. Pairing products, or displaying them so I can imagine them in use can be really helpful. While I was walking the side streets of Battambang, Cambodia, I passed this boutique that paired sunglasses with their sweaters.
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I felt like the sand artist could take an extra step and help me out—I was going to have to take it home, mat and frame it. They could have some of them framed to help me visualize the right use of his product and guide me towards purchase more easily. It may be a material now—but here it is as a product!

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Got Games? Kongregate Launches $10 Million Fund for Indie Game Developers

Ready to unleash the next Angry Birds on the mobile-gizmo-obsessed world but need some help with logistics (i.e., cash)? Check out the Kongregate Mobile Developers program, a $10 million fund for independent developers of free-to-play mobile games. Launched yesterday by the online gaming platform Kongregate and backed by its parent company GameStop, the initiative will offer developers not only capital but also help with distribution and marketing to help their games gain traction in the highly competitive mobile arena. Taking charge of the new fund will be Urbansquall and Zynga veteran Pany Haritatos, the freshly hired vice president of Konregate’s new mobile division. “Developers are increasingly finding it harder to get their games discovered through the different app stores,” said Haritatos in a statement issued yesterday. “I personally faced these challenges in 2009 while managing my own game studio. Utilizing the Kongregate platform made my games successful, which ultimately led to my studio being acquired by Zynga.” Learn more here.

New Career Opportunities Daily: The best jobs in media.

Things Every Designer Should Do at Least Once in Their Career?

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Over on the Core77 boards Richard Kuchinsky, boards moderator and “Directive Creator” of The Directive Collective design consultancy, has posted an interesting topic: What ten things should every designer do, at least once during their career? Writes Kuchinsky,

Been thinking lately about what life experiences would make the best designer (skills aside).

A not too serious list, for discussion (in no particular order)-

1. Make/Fix something for your own use
2. Get fired
3. Bring a product to market, with your own money
4. Start your own consultancy
5. Pitch/sell an idea to investors
6. Work corporate
7. Work in a consultancy
8. Live/Work in a different country
9. Teach
10. Work on a royalty or equity basis

Thoughts? These are just off the top of my head, nothing too serious or meant to be all encompassing. I can’t say I’ve done all myself, and not sure how many designers have, but think at the very least it’s an interesting thought experiment and maybe a start of a life guide for designers to consider how those experiences other than the usual skills/jobs can affect a designer’s outlook.

Presented with a list like this, the inclination of some is to tally how many they’ve got under their belt, while others have added their own suggestions for must-do items. My favorite add-on is Michael DiTullo’s assertion that “all designers should go to visit an Asian factory. Going to the factories 3–5 times a year for 8 years taught me so much. It is one thing to intellectually understand a manufacturing process, and another to observe it in person. Also to understand the labor that goes into finishing and assembly.” Obviously the “Asian” part is interchangeable depending on where you intend to produce–Chris Anderson, who recently quit his post as Editor of Wired to go into consumer drone production full-time, manufactures in Mexico—but the merits behind DiTullo’s thinking are clear, and much echoed in the subsequent posts.

Down the line, by the way, Kuchinsky adds a ballsier item to the list: “Fire a client.” The pleasure center in my brain is lighting up at the thought…

So, what are your add-ons?

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