ID Student Makes Good, turns design comp winner into successful toy company

0booninc001.jpg

In 2003 Rebecca Finell was finishing up her ID degree at Arizona State U while mothering an infant child. The combination of these two situations gave her the idea for the Frog Pod, above, a drainable scoop that lets you gather floating toys out of a bathtub and stick ’em to the wall to drip-dry. She entered it in that year’s Juvenile Product Manufacturing Association design competition, won, and subsequently co-founded Boon, Inc., a toy company.

Seven years later, Finell is busy–she’s added two children to her family and more than sixty countries to her distribution list. Boon is booming, and looking at their massive product line-up provides a hint as to why. The prolific Finell has come up with ideas for 20 new products a year every year since the company’s inception, making her the Karim Rashid of toy design in terms of sheer output.

0booninc002.jpg

Read her story here.

(more…)


Fashion Label Rebecca Taylor Acquired by Kellwood


Looks from Rebecca Taylor’s spring 2011 show. Dig the scalloped runway.

Rebecca Taylor has a new owner. The contemporary women’s sportswear brand has been acquired by Kellwood, which is owned by Florida-based private equity firm Sun Capital Partners. It will join other Kellwood brands including Vince, Baby Phat, and Phat Farm. Terms of the deal were not disclosed. Designer Taylor founded her eponymous label in 1996 with business partner Elizabeth Bugdaycay, and her clothing is known for its feminine details: think shabby chic with a modern edge. Kellwood, which last year scooped up Adam Lippes‘s ADAM as well as activewear-focused ISIS, is expected to invest in Rebecca Taylor by adding wholesale accounts, boosting e-commerce, and opening new stores (the brand now has two: in New York and Hong Kong). “I always wondered what people meant about taking their company to the next level,” Taylor told WWD, “and [we] realized now is the time. With Kellwood, we have this big-brother feeling that there’s additional support from a larger company to help us grow further, and we really needed the support of a company with more experience in retail.” Not to be confused with a Big Brother feeling. Stay tuned for more acquisition news from Kellwood, which is said to be kicking the tires over at Gryphon.

New Career Opportunities Daily: The best jobs in media.

Federal Judge Allows Lawsuit to Move Forward in Spring Design vs. Barnes & Noble Over eReader Design

If you happened to receive one of those Nook devices as a gift this holiday season and have been enjoying the little book-reading gadget, know that what you’re holding in your hand is at the center of a big, ongoing legal battle and now a continued headache for its retailer and owner, Barnes & Noble. Beginning earlier in the year, the book chain was taken to court by Spring Design, who claimed that the retailer had stolen their designs for an eReader after the two companies had been in talks to collaborate on a device. After that collaboration didn’t wind up working out, B&N released the Nook and Spring released the Alex. Though the latter was released after the former, Spring saw a number of design similarities from the original concepts they’d brought to B&N. After a summer of fighting off the suit, trying to have it dropped by arguing that the design copyrights are too vague in the already crowded eReader market, the retailer was dealt a blow this week when a federal judge ruled that the case can and will move forward. Here’s a bit of Judge James Ware‘s statement:

“The court finds that plaintiff has presented sufficient evidence to permit a jury to reasonably infer that defendant improperly used or disclosed at least some of plaintiff’s trade secrets information,” Ware wrote.

“There is significant factual dispute, however, as to whether plaintiff’s information had a substantial influence on the Nook’s design, or whether defendant independently developed all of the Nook’s features. Moreover, comparing the specific features of the Nook with plaintiff’s alleged trade secrets is a fact-intensive task best left to a jury.”

New Career Opportunities Daily: The best jobs in media.

Adobe’s Quarterly Revenue Tops $1 Billion

What recession? Adobe recently announced record financial results. The software and technology powerhouse’s fourth-quarter revenue topped $1 billion (reaching $1.008 billion) for the first time in its 28-year history, a healthy 33% gain over the $757.3 million reported for the same period last year. Meanwhile, Adobe revenues for the 2010 year fiscal were similarly record-breaking, coming in at $3.800 billion compared to last year’s $2.946 billion. So what is the company doing with all that cash besides accelerating the plot for PDFs to take over the world? Well, there’s the Adobe Museum of Digital Media (AMDM), “committed exclusively to the exploration and preservation of digital media.” All that exploring and preserving takes place not in an actual museum but a virtual one, designed (sans doors) by architect Filippo Innocenti with Piero Frescobaldi. Click on over to check out the inaugural exhibition, Tony Oursler‘s trippy “Valley” (2010). Explains curator Tom Eccles of Oursler’s site-specific work, “As you explore the space, you’ll find 17 zones that give us the good, the bad, and the ugly of how we have explored technology in our time.” Next up in the AMDM: Mariko Mori and then John Maeda.

New Career Opportunities Daily: The best jobs in media.

AIA’s Architecture Billings Index Peaks, Highest It’s Been Since 2007

Just in the nick of time to save the holiday season, the American Institute of Architects has bestowed a gift upon the industry by releasing their latest Architectural Billings Index figures. After last month’s dive, made all the worse by having been preceded by several months of climbing, the index suddenly rose several points, locking in at 52 and beating the October numbers by two, the first time it had climbed into the positive since 2008 (as a reminder, everything above 50 indicates an increase in construction billings and general growth within the industry). That after last month’s blast of stark reality, the AIA’s top financial expert isn’t quite ready to ring in the new year by saying the worst is now past:

“While this is heartening news, it would be premature to say the design and construction industry is out of the woods yet,” said AIA Chief Economist, Kermit Baker, PhD, Hon. AIA. “We continue to hear a wide mix of business conditions, with a good deal of it still indicating flat or no demand for design services. Once we see several months in a row of increasing demand we can feel safe saying we have entered a recovery phase. Until then, we can expect continued volatility in business conditions.”

New Career Opportunities Daily: The best jobs in media.

Construction Continues on Design Within Reach’s New Stamford, CT Home

0515dwr.jpg

At the end of October, we reported that Design Within Reach had announced their surprising decision to hoist up the stakes from their longtime home of San Francisco and relocate their headquarters on the other side of the country, to Stamford, Connecticut. The announcement came after a year full of them, from plans to bump up their stock prices to patching up relationships with wronged-designers to even running TV show tie-ins, all in the hopes of trying not only to start anew but also keep afloat after several difficult years. While we shared what we knew of their soon-to-be new home, the local Stamford paper, the NewTimes, has picked up the story and provided more details on the ongoing construction to the rehabbed industrial building they’ll be moving into. The lead on the project told the paper, “It’s got concrete floors and a brick facade. It’s a cool building.” Though construction won’t be finished until the spring, DWR has already set up temporary offices in Stamford, presumably those employees who followed the company from San Francisco.

New Career Opportunities Daily: The best jobs in media.

The Empty Burj Khalifa as Metaphor for the Year in Architecture

1110burj.jpg

We think we’ve made our general attitude about ceaseless year-end lists abundantly clear. But like always around this time of year, we reluctantly slide a little and wind up posting one or two. In this case, it’s architecture critic Christopher Hawthorne‘s great wrap-up, which we found interesting in particular because he spends most of it talking about the recent view from the ground at Dubai’s Burj Khalifa, the world’s largest tower. You’ll recall that, after delays aplenty, the gigantic structure finally opened in early January. And then a few days later, closed again. But, whew, then it opened again. After that, outside of a couple of odd stories here and there, and all those clips of people skydiving off of it, the Burj quickly slipped back out of the news. So it’s interesting to hear from Hawthorne about what’s been going on, or rather, what hasn’t happened, notably getting business tenants and residents to actually use the place. Of the condominiums, the critic reports, roughly 92% of them still remain vacant. The troubled, exist-beyond-its-means Burj is clearly a great metaphor for the building industry and the speculation therein as a whole and Hawthorne uses it well. Of course he also files the required end-of-year slideshow with all his best and worst picks (as does the New Yorker‘s Paul Goldberger, who smartly kept the focus to just New York), but this piece about the Burj is certainly the meat and potatoes of seeing 2010 as a snapshot.

New Career Opportunities Daily: The best jobs in media.

Understanding design’s return on investment

evaluating_design.jpg

In 2009, respondents to the European Commission’s public consultation on ‘design as a driver of user-centred innovation’ were asked about the most serious barriers to the better use of design in Europe.

The most significant obstacle was considered the ‘lack of awareness and understanding of the potential of design among policy-makers’ (78%). The second most important barrier was considered the ‘lack of knowledge and tools to evaluate the rate of return on design investment’ (64%).

With regards to the first barrier, design is increasingly being recognised as a tool for innovation across policy levels in Europe, and in October 2010, the European Commission included design as a priority in its new ‘Innovation Union’ strategy.

As design climbs the policy agenda, the importance of addressing the second barrier of evaluating the return on design is more relevant than ever. Evaluation is a vital part of the evidence to support decision-making and in the context of government cuts needs to be able to stand up to rigorous scrutiny.

A new SEE Policy Booklet seeks to provide an overview of current practice in design evaluation, on micro and macro levels in both the private and public sectors.

> Download booklet

(more…)


What Cuba is for ’50s cars, Venezuela is for ’70s cars

0venz7.jpg

What the freak? I just read this article in the Times about how gasoline costs less than ten cents a gallon in Venezuela, and they’re all driving around in like, ’70s-era Dodge Coronets and Plymouth Valiants simply because they can. This guy even referred to a ’74 Lincoln Continental as “economical”–folks, that’s a car that’s 19 feet long and gets 10 to 12 miles per gallon. And you can literally fill it up, according to the article, for a dollar.

I’m expecting soon they’ll discover there are actual dinosaurs running around in Venezuela’s jungles.

Anyways do check out the original article, there’s an explanation, a slideshow, and video.

(more…)


Judge Orders Property be Given Back to Lender, Officially Sealing the Chicago Spire’s Fate

1022spire.jpg

Here at UnBeige, we sound a bit like a broken record when it comes to Santiago Calatrava‘s Chicago Spire. While it’s long been common knowledge that the tower, which was to sit close to Lake Michigan and drastically alter the city’s skyline, has long since been another architectural casualty of the financial fall, after a series of big problems dogging the project, we started calling it officially dead back in August of last year. Then we did it again this May when the building closed its sales office. Then we called it once more in October when its development company was hit with a $77 million foreclosure suit. Now we’re finally (finally!) ready to say that the project is officially (officially!) no more, with the Chicago Tribune reporting that a judge has ordered that the developer, Garrett Kelleher, hand over the property the Spire was to be built upon (currently just a very large hole in the ground) to its lender and just one of the many groups Kelleher’s company owes money to, Anglo Irish Bank Corp, Ltd.. So until we post that the Spire is definitely no more once again in the coming months, consider this the quiet final-final finale.

New Career Opportunities Daily: The best jobs in media.