Royal Institute of British Architects Requires All Member Firms To Do Away with Unpaid Internships, Start Paying Student Workers

Continuing from that last post about labor practices, some big news coming out of the UK late this week. Ruth Reed, the president of the Royal Institute of British Architects (RIBA), has announced that the organization has changed their Chartered Practice criteria to instruct that every member firm must now pay at least minimum wage to all employed students, effective July 1st of this year. This move will do away with the unfortunately standard practice across the industry of unpaid internships, something many of even the top starchitect shops have taken advantage of over the years. While this new added expense comes at a difficult time for the still-struggling architecture industry and might result in fewer student hires, the RIBA sees it as a lasting positive. And now that they’ve done it, there’s sure to be a big push for the RIBA’s U.S. counterpart, the American Institute of Architects, to put into practice a similar new law (read this discussion over at Archinect for more). Here’s Reed’s statement on the change:

Whilst all appreciate that trading conditions are extremely difficult for practices at the moment, the financial position of students is particularly severe and about to get considerably worse when fees treble next year. The requirement for adherence to the National Minimum Wage will assist students in completing their education and go some way to alleviate the effects of the education cuts on the flow of talent into the profession. The future of architecture depends on a succession of talented designers and we must do all we can to prevent them being deterred by the spiraling cost of education. Further investigation into pay levels will be undertaken which will help to provide a level playing field for job costs and fee bids for chartered practices.

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Guggenheim Responds to Artists’ Abu Dhabi Boycott

Following last week’s release of a statement and the start of a boycott by more than 100 artists against the Guggenheim, claiming the labor practices at the foundation’s ongoing construction of a new, Frank Gehry-designed museum in Abu Dhabi, the organization has issued a letter in an attempt to do some damage control and win the protestors back. In the letter, signed by Guggenheim’s director, Richard Armstrong and its chief curator, Nancy Spector, the letter spells out all the work the foundation has done to try and maintain safe and fair working conditions, and promising to do more and include the artists into the process. It sounds like a genuine plea, that the Guggenheim is worried about the damage the boycott will do, but now that the ball is in the protester’s court, as of this writing, they’ve yet to respond. Here’s a bit from the letter:

We believe that the statements that were made last week by Human Rights Watch have painted an inaccurate picture of the substantial progress in safeguarding workers’ rights that has been made to date. Clearly, the Guggenheim shares the goals expressed by you, the signatories of your petition, and Human Rights Watch to protect worker’s rights in Abu Dhabi. We believe that the progress made thus far is more than ceremonial. In fact, it signals fundamental changes in the emirates’ decades-long labor practices. It is important to us that you understand this was achieved through persistent and sustained effort on our part working in tandem with TDIC. We recognize that there is still much to strive for but know from past experience that change such as this is incremental around the world. It is very troubling to us that your statement portrays the Guggenheim as a passive agent with little consciousness of the issues at hand. That is the exact opposite of the truth.

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Design Within Reach Announces Deal with French Furniture Maker, Tolix

Now existing comfortably in their new Stamford, Connecticut headquarters, Design Within Reach is continuing their push toward renewal after a rocky couple of years. And where does one go to feel alive again? France, of course. The company has announced that it has signed an agreement with the French furniture company, Tolix, for the exclusive rights to not only sell their products, but “distribution rights on the sale of Tolix to hospitality, corporate, educational, health care, and institutional design customers.” A nice get, considering how many designers and firms had been upset with DWR during those last few years before the company underwent a massive turnaround and began apologizing to people like Alan Heller and others. Here’s a bit about the new agreement from DWR’s CEO, John Edelman:

“We are extremely proud to partner with French brand Tolix. Its widely recognizable chairs and stools have been furnishing French homes and businesses for more than 70 years, and its iconic A Chair is widely considered to be the cafe chair in France. As the exclusive provider of Tolix furniture for contract sales in North America, we look forward to expanding its presence.”

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AIA’s Architecture Billings Index Moves Up, Ever So Slightly

After last month’s unexpected and slightly painful fall, the American Institute of ArchitectsArchitecture Billings Index has now rebounded and is heading in a more positive direction, albeit very slightly. Though February’s dip only took the Index down to 50, meaning the industry average was having little if any growth (anything above 50 means growth in demand for architectural and building services), it perhaps lessened the blow a bit by at least not signaling another decline. Now the number is up less than a full point, up to just 50.6. That’s not to the 54.2 high it reached back in January, but anything moving upward is good at this point. Here’s a bit from the AIA’s ever rational realist, keeping it short this month:

“Overall demand for design services seems to be treading water over the last two months,” said AIA Chief Economist Kermit Baker. “We still expect the road to recovery to move at a slow, but steady pace.”

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RMJM’s CEO Injects £8 Million to Bail Out Company

For months now we’ve been reporting on the struggles at one of the world’s largest architecture firms, RMJM. Failed bids and staff exits, lawsuits and possible jail time for its executives, and most recently, angry, damning letters being fired off by employees to everyone else in the company were becoming alarmingly par for the course when it came to talking about the once-celebrated firm. Meanwhile, RMJM would reply to these reports saying that, while yes, they were going through a difficult time, things weren’t as bad as they were sounding. That isn’t the case anymore, as the company released news that they’ve just taken an £8 million bail-out to help them recover. The awkward part of all of this is that money is coming from its CEO, Peter Morrison and his father, Sir Fraser Morrison, two people who had been trying to play down the troubles the company was suffering (though we suppose it’s a positive move, at the very least in a PR sense, that they’re sticking their own money in). Here’s a bit from the BBC about the new money:

The Morrison family is to inject £5m in share capital, with a further £3m as a loan.

This is with the agreement of RMJM’s bankers, and is scheduled to be complete by the end of this month, subject to shareholder support. The funding is not to be used to pay off bank debt, according to a spokesman.

The chief executive said he had been working through the detail of the funding for several months, and that it should leave them in robust shape.

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Target Launches Special Edition ‘Go International’ with Big Campaign and Apparently Lots of Supply

As we told you about way, way back in October, retail giant Target‘s five year birthday celebration of the launch of their we-hired-famous-designers collection, “Go International,” finally kicked off this weekend. The special release brought back 17 of their previous guest designers, including heavy hitters like Zac Posen, Tara Jarmon, Tracy Feith, and Jonathan Saunders. Along with it came this flashy, eye-menacingly colorful commercial now in heavy rotation and even a star-studded launch at the ACE Hotel in New York that brought out the likes of Liv Tyler and fashion party regular, Chloe Sevigny. However, unlike previous releases by these high-profile designers, it looks as though Target didn’t go the “you’ll have to wait in line all night and throw a few elbows to get one” route, with most, if not all of the collections still available, even online. That, of course, begs some important questions: does making this limited-edition release more accessible to everyone lessen its appeal? Is an incredibly discounted Thakoon worth as much when everyone can both find it readily available and afford to buy it? We’ll let time be the judge.

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Lisa King, Chief Operating Officer of Auction House Christie’s, Resigns Suddenly

Over the weekend and into this week, the art world has been abuzz over the news that Lisa King, the long-time chief operating officer of the mega-auction house Christie’s, has announced her very abrupt departure. The Art Newspaper broke the story, explaining that after 15 years at the company, and in a period of record profits in the face of a still-difficult, worldwide recession, King tendered her resignation and will leave almost immediately, at the end of this month. Here’s the statement they gave to the paper:

“We can confirm that Group COO Lisa King has decided to leave Christie’s later this month,” said a spokesperson for Christie’s, adding “She has made a truly significant contribution to Christie’s over her 15 years with the Company and we wish her the very best in her future endeavors. We know she will remain a friend to Christie’s for many years to come.”

And that’s all anyone knows at the moment. Christie’s won’t elaborate and King isn’t talking. Does the sudden departure and radio silence mean something? Possibly. But it also could mean nothing. Unless you’re a higher-up at the company, or Lisa King herself, your speculation is as good as ours (though our speculation usually involves aliens and werewolves, so maybe yours is better after all).

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Samsung’s Bangle Angle

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Here’s a design match-up we never thought we’d see: Samsung Electronics has hired Chris Bangle, the design star and ex-BMW-shaker-upper who famously quit the automotive business back in ’09.

Bangle, who has been referred to by Motor Trend as “[perhaps] the most influential automotive designer of the early 21st century,” is expected to sex up Samsung’s cell phone and laptop line-up. And though Bangle’s being hired as a consultant, not staff, Samsung is apparently trying to sex him up too: “The firm is also believed to be establishing a new design studio in Europe for Bangle, complete with 10 researchers positioned under him,” reports Smart House.

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Seeking acceptance, Syreen syringe gets a redesign

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It’s no surprise to most experienced ID’ers how long a good design can sit on the shelf before finally making it to market and having its intended impact, if it ever makes it at all. Here’s a look at how Serge Roux, an industrial designer for Cambridge Consultants, is struggling to make the Syreen happen.

You may remember the Syreen from our report on it last year. It’s a non-glass syringe system that serves as its own packaging, to reduce waste, and is designed to be nested together in units for shipping; these two things alone reduce its packaging weight and volume by 30 and 50 percent, respectively, as compared to traditional syringes.

The Syreen hasn’t attracted any buyers to date, and Roux highlights why it’s tough getting the medical industry to care about being green:

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Capitol Hill Demands Smithsonian Start Selling More American-Made Products In Its Gift Shops

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It’s been a little while since the Smithsonian‘s gift shops have received any attention, perhaps since fall of 2007, when it was reported that none of them were making any money, “due to things like poor placement, bad displays and lack of stock.” Now the shops have been thrust back into the spotlight, though unfortunately for the organization, with roughly the same level of negative attention. This week, Capitol Hill set its sights on the Smithsonian, demanding that the institution start selling more American-made products in its gift shops, with West Virginia Representative Nick Rahall introducing the aptly named bill, “Buy American at the Smithsonian Act”

Mr. Rahall’s bill would prevent the Smithsonian from using federal money to construct or refurbish a building unless all items in its gift shops are American made. About 70 percent of the museum’s budget comes from the federal government.

While that bill covers the whole of the Smithsonian, the National Museum of American History quickly acted, saying they’ve prepared to open their most patriotic gift shop yet:

Brent D.Glass,the director of the museum, said Thursday a third floor gift shop will be dedicated to American products. The shop will open on July 4th, Glass said. It is located next to the exhibitions “The Price of Freedom: Americans at War” and “The American Presidency: A Glorious Burden.”

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