Michael Kors on the Hunt for $500 Million for ‘Aggressive Global-Expansion Plans’

If you have a few extra millions of dollars burning a hole in your pocket, but you don’t want to shell out that $1 billion Pierre Cardin is asking for in an outright sale of his label, perhaps your money would be better put to use in the hands of Michael Kors. The NY Post is reporting that it has discovered that the fashion mogul and television judge is attempting to raise $500 million for “aggressive global-expansion plans” for his eponymous brand. The paper reports that Kors has been keeping his fundraising efforts quiet, hitting up potential investors who are eager to chip in to help grow an empire, but won’t blow his cover. In exchange for the $500 million, Kors is apparently “looking to sell an equity stake of about 25 percent in the coming months.” Should he raise the money, it would bring the brand’s value up to “a staggering $2 billion.” Still, if you are thinking about investing your millions with Kors, we advise caution, because $500 million can also buy a very nice death ray. Given that Kors seems to always be wearing all black, the wardrobe of choice of nearly all evil masterminds, we can’t guarantee that his intentions are pure and that he hasn’t already secured an army of mole people to help him rule, post-death ray.

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Longtime Employee Bill Gaytten Takes Over as Creative Director of John Galliano

As the trial-turned-spectacle continues for John Galliano, business continues back at the designer’s eponymous label, which he’d been fired from back in March after making anti-Semitic remarks in a French bar. While owner of the label, Christian Dior SA, ultimately decided to keep the label active, even after letting Galliano go, the brand had been struggling to find its sea legs after the departure of its captain. But now it appears that they’ve found their successor to the throne. Bloomberg reports that Bill Gaytten, who had worked directly for Galliano for the past 23 years, will take over his former boss’ title of creative director. Originally trained as an architect in the UK before moving on to fashion, here’s a bit more about the new head honcho:

Gaytten, born in England in 1960, has worked at Galliano for 23 years after employment at Victor Edelstein for three years, the fashion house said in a statement yesterday.

“Gaytten’s expertise to innovate patterns, cut and drape are what define the DNA of the house,” the statement said.

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As Problems Continue to Plague RMJM, Architect Will Alsop Dismisses Rumors That He’s Leaving

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Save for a brief respite of good news about some awards won, the bad seems to be piling up again for RMJM, one of the largest architecture firms in the world. You might recall that all this negative press seemed to start toward the end of last year, when it was reported that Stirling Prize-winning architect Will Alsop, who joined the firm back in 2009 after pulling a fast one on the industry by claiming he was quitting architecture for good, hadn’t yet landed any of the big commissions he was brought in to win. This week, Architects Journal reported that they’d received word that Alsop was preparing to make his exit from RMJM, jumping ship after less than two years and starting a new firm with a fellow RMJM architect. Building Design, on the other hand, spoke to Alsop, who said these were all mere rumors. “I don’t have any plans to leave at all,” he told BD. “I am aware of these rumours – it is like rumours on rumours.” However, if we’ve learned anything from politics or the entertainment industry, isn’t it that first you deny until you have your story in place and then a week later, you come out and fess up? And since we’ve been duped by Alsop before, should we believe his explanation? Whatever the case with this sole architect in a company who employs quite a few of them, the firm itself has continued to suffer rocky terrain. Elsewhere in Building Design, they report that RMJM has now found itself in another courtroom battle, this time in a suit filed against them by the German firm Muller BBM, who are claiming they are owed roughly $140,000 in unpaid fees for their contributions to RMJM’s Gazprom Tower in St. Petersburg, which still hasn’t begun construction.

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Dr. Pepper Snapple Group Redesigns Conventional Soda Bottle, Launches ‘Legacy’ Model

Six years ago, if you had asked a random person on the street if they were excited about retail giant Target‘s redesign of the prescription bottle, you likely would have received one of two answers: 1) “Why would I be excited about the redesign of a prescription bottle?” or 2) “Who are you and why are you asking me weird questions?” There’s a chance you might also get slapped. But once Deborah Adler‘s brilliant retooling of something so familiar was released, the world went gaga for it. We ask now if we are on the cusp of the same thing with bottles of soda. In case you missed the stories about it in Plastics News or Packaging Digest, the Dr. Pepper Snapple Group has quietly been rolling out new packaging for its entire line of soft drinks, which includes brands like 7up and Canada Dry (the eponymous brands in the company’s title will not be redone…yet). Redesigned by the Kansas City based firm R&D/Leverage, the new bottle is referred to as their “Legacy” model, a departure from the “Splash” bottle they’d been using since 1995 (the packaging from most every other soft drink brand is very familiar, so you’ll understand what we’re talking about here). The new “Legacy” features a more sports drink look, with a larger top and a more easily gripped middle. The bottle was developed over 28 weeks between the firm and the company and “included comprehensive qualitative and quantitative consumer validation — everything, including consumer shopalongs.” It’s been rolling out across the country since April, but unless you spend as much time in the soda isle as we do (we have a problem), you might have missed it. So will this re-do change the face of soda bottle design as we know it, or are we just talking about this because we think it’s funny that we stumbled across outlets like Plastics News and Packaging Digest and we have a soft spot for trade magazines? We’ll leave that up to you to decide.

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Positive Momentum ‘Has Disappeared’ as the AIA’s Architecture Billings Index Continues to Sink

So much for whatever was left of the cautious optimism many were feeling in the architecture and construction industries following a string of positive signs coming from the American Institute of Architects‘ monthly Architecture Billings Index. The last few months had seen a series of tumbles in the Index, after it peaked back in January with pre-2008, industry meltdown levels. Now it’s dipped even further, down to 47.2 from 47.6 the month before (anything below 50 indicates fewer billings and, in general, less demand). What’s more, it’s made the AIA’s always somber keeper of the numbers downright gloomy:

“Whatever positive momentum that there had been seen in late 2010 and earlier this year has disappeared,” said AIA Chief Economist, Kermit Baker, PhD, Hon. AIA. “The broader economy looks to be entering another soft spot, and certainly state budget constraints are adversely affecting the profession’s ability to work on institutional projects. But there is no denying that the prolonged credit freeze from lenders for financing commercial projects is the number one challenge to a recovery for the design and construction industry.”

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Around the Design World in 180 Words: Summer Pop-Up Shop Edition

‘Tis the season for popsicles, flip-flops, and pop-up shops. Here are three of our favorites:

  • Whether you live in SoHo or Provo, you can take advantage of the MZW Summer Shop, an online pop-up from our go-to accessories maker, M Z Wallace. The seasonal items chosen by designers Monica Zwirner and Lucy Wallace Eustice include a charming t-shirt featuring Cecil the Seagull (the summer shop’s mascot), recycled rubber bracelets, butterfly-printed playing cards, and Bain de Soleil—selected more for its scent and package design than for its sun protection capacity.

  • On Friday, MASS MoCA welcomes Wilco fans and falconry buffs to the three-day Solid Sound 2011 Arts and Music Festival, where Bureau for Open Culture and Printed Matter will present a Printed Matter pop-up store with artists’ books for sale and an exhibition of documentation from the Printed Matter archive.

  • And back in New York, be sure to stop by the pop-up shop at Rainbow City (pictured above). The AOL-sponsored installation of cheery inflatables by FriendsWithYou includes a souvenir hub designed by HWKN. Can’t make it to Rainbow City? Shop virtually at the FriendsWithYou online store.

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  • Life Beyond Lipstick, Tom Ford to Launch Full Cosmetics Line in September

    How’s the old saying go? At first you succeed in lipstick, sell sell again? Such is the case with designer and occasional award-winning film director Tom Ford. Women’s Wear Daily reports that, following the success of a range of lipsticks baring the designer’s name, a larger line, featuring a full range of cosmetics and skincare products, will be released this September and will all, apparently, be as colorful as his lipsticks. Ford told WWD, “My intention was to do color cosmetics out of the gate, but not everyone else was convinced that I had a voice in color until the lipsticks started selling out again and again.” When asked why he himself appears in the print campaign for the new products, alongside model Lara Stone, he responded, “I’m not in the ads because I’m vain. A lot of people still don’t know who I am, and the product sells better with me in the ads.” By that logic, this writer fully expects to be called in for the next campaign, since no one knows who he is either. Granted, this writer is not anywhere capable of looking as handsome as Mr. Ford on even his worst days, and instead looks something akin to a boiled, pale fish, even when wearing something of the designer’s creation, but we can’t see how that in any way relates. We’ll be waiting patiently by the phone.

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    Sign Up to Start Up at Entrepreneurial Boot Camp

    Ready to get your media startup off the ground? Prepare to fall out for mediabistro.com’s Startup Boot Camp, an online conference-cum-workshop that kicks off on July 12. Tomorrow, which also happens to be Flag Day, is the last day to take advantage of the early bird discount and save on an eight-week program that includes keynote speeches, live interviews, and practical how-to sessions led by online entrepreneurs including Alexa Andrzejewski (Foodspotting), Eric Ries (The Lean Startup), and mediabistro.com’s own Laurel Touby. Participants will get feedback from pros and find out if their business plan is good enough to make a grown man (specifically, Larry Kramer of Polaris Ventures) cry. Learn more and register here.

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    Tory Burch Wins $164 Million in Suit Against Online Counterfeiters

    A big win for the fashion industry last Friday, when it was announced that a New York federal court had
    http://www.prnewswire.com/news-releases/tory-burch-awarded-164-million-judgment-against-internet-counterfeiters-123645094.html”>found in favor of designer/brand Tory Burch and awarded the company $164 million in damages
    , to be paid out by the owners of hundreds of websites who had been selling knock-offs of their products, chiefly Burch’s Reva ballet flats. The suit was filed at the end of last year, alleging that a group believed to be located in China had set up 232 individual sites which were “designed to appear to unsuspecting consumers to be an official Tory Burch site or an authorized retailer of Tory Burch products.” The suit also detailed how the group swiped images and product descriptions from the company’s official site and used them for their own knock-off pages. The courtroom win not only nets Burch the $164 million, but the court also ordered that all 232 sites and domain names be immediately shut down and handed over to the company. That shut down and hand over action has also been put into place for potential future copyright infringing sites. The ruling is “believed to be the largest ever issued in the fashion industry” against this sort of online, knock-off swindling, and has likely been received as another move toward the positive within an industry that has fought to clamp down on counterfeiters.

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    Diane von Furstenberg to Design Collection for babyGap and GapKids

    You’ve worn her clothes, you’ve eaten off her dishes, and if you’ve been lucky enough to fall ill in Cleveland, you’ve even gotten the chance to sport one of her hospital gowns. But with so much Diane von Furtsenberg to go around, one question remains: what about the children?! That, of course, is immediately followed by another question: won’t someone please think of the children?! Sure, we adults can consume as much von Furstenberg as our wallets will allow (well, except for we men, but just go with it — we’re trying really hard to cleverly segue here), but the poor, innocent darlings haven’t been allowed to experience her work…until now (segue complete). Gap has announced its latest partnership with a fashion icon, this time with von Furstenberg, who will be designing for the retail giant’s GapKids and babyGap lines (just like Stella McCartney did back in 2009). The collection is set to be released in March of next year, giving the presently childless ample time to conceive and deliver a baby in order to get in on this action. Here’s a bit from the announcement:

    “We’re thrilled to have the opportunity to build on Gap’s successful past collaborations and develop this collection with Diane, a true American fashion icon and inspiration to women around the world,” said Art Peck, President of Gap brand, North America. “I’m also looking forward to offering our customers an exciting collection that applies her signature approach to print, optimistic color and femininity, mixed with our expertise in great quality premium children’s clothing at accessible prices.”

    Diane von Furstenberg comments, “As a proud mother and grandmother I am so excited to create a capsule collection for children with the superstar retailer, Gap.”

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