Museum of Modern Art Raises Ticket Prices by 25%

After September 1st, don’t expect to just waltz into the Museum of Modern Art, plop down a twenty dollar bill, and expect to start milling about all that art. Instead, you’ll need to pony up an additional $5, as the MoMA has announced it will be raising its admission fee by 25% (pdf), up to $25 for a regular ticket. Seniors and students aren’t getting a break either, as those rates will be bumped up by $2 as well. Here’s their explanation for the increase:

Since the last increase in admission prices, in 2004, the Museum has faced escalating costs in virtually all aspects of operating the Museum. As a private, non-profit institution that does not seek government funding for general operations, MoMA depends to a significant extent on earned revenue. These carefully considered increases in admission prices will help ensure that the Museum is able to maintain financial stability and a balanced budget, which in turn will allow the Museum to continue providing outstanding exhibitions and programs to a diverse audience of some 2.8 million visitors per year.

The MoMA also just recently dropped $31.2 million for the building that formerly housed the American Folk Art Museum, which likely hit the books pretty hard, given that it wasn’t a planned expansion. And in response to this price increase, Bloomberg followed that fairly familiar path by sharing the annual salary MoMA director Glenn Lowry rakes in ($1.6 million when all paychecks, bonuses and perks are added up), perhaps to make the increase go down a little less smoothly.

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Around the Art and Design World in 180 Words: Triumphant Returns Edition


Recent releases from the Monacelli Press written by (from left) Marc Kristal, Eva Hagberg, and Donald Albrecht and Thomas Mellins. (Photos: Monacelli Press)

They’re ba-ack! Today we look at news of returns and do-overs:

  • The Monacelli Press is independent again. According to Publishers Weekly, founder Gianfranco Monacelli has bought back the 17-year-old art and design publishing house, which Random House acquired in 2008. Terms of the deal were not disclosed, but Monacelli will continue to use Random House as a distributor.
  • Actor-cum-performance artist James Franco is returning to General Hospital. His character, the creatively named “Franco,” will appear in an episode that will air in September. According to a spokesperson for the soap opera, Franco’s latest turn will be part of a long-term plot line that could have him reemerging later in the season.

  • Earlier this week, jewelry designers Monique Péan and Eddie Borgo were awarded Tiffany & Co. Grants, part of a three-year partnership between the Council of Fashion Designers of America/Vogue Fashion Fund (CVFF) and Tiffany & Co. Péan and Borgo, both former CVFF finalists, received $150,000 and $100,000, respectively. All jewelry designers who participated in the CVFF since its inception in 2004 were eligible to apply for the grant.

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  • Proenza Schouler Changes Hands: Andrew Rosen and John Howard Acquire Stake from Permira


    P.S. We Love You Looks from the fall 2011 Proenza Schouler collection.

    Last month, Proenza Schouler‘s Jack McCollough and Lazaro Hernandez set some kind of land-speed fashion achievement record by collecting their second womenswear designer of the year award from the Council of Fashion Designers of America for a label that is less than a decade old. Today the dynamic duo have new bosses in fashion industry veterans Andrew Rosen (Theory) and John Howard (Irving Place Capital), who head up a group of investors that have acquired a non-majority stake in Proenza Schouler from European private equity firm Permira. Financial terms of the deal, which was first reported this afternoon by WWD, were not disclosed, and Permira-owned Valentino Fashion Group will retain a small share in Proenza Schouler. A statement received by WWD describes the new partnership as a “recapitalization” that will allow the brand to blossom. “We believe that the Proenza business is the future of American luxury, and uniquely poised to compete in a global marketplace, which is currently dominated by European designers,” said Rosen and Howard in a joint statement issued today. “In infusing this brand with our resources and experience, we will position this business to achieve its full potential.”

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    The Pencil by Bob Ban Breda

    View more images at JeremyriadI recently came across the pencil sculptures of artist Bob Ban Breda. Alas, I missed his most recent exhibition that was in San Francisco, but more googling resulted in closer views of Bob’s work and his inspiring collections. Visit SF Electric Works for more great images.

    Milton Friedman, Nobel Prize Winning Economist {via Bob Ban Breda}

    Roberto Cavalli Adds Animal-Print Accents to Minimalist Exercise Bike

    Fashion designer and aspiring lifestyle brand Roberto Cavalli has never met an object he didn’t want to swaddle in animal-printed silk (or better yet, ponyskin). Even a minimalist exercise bike is no match for his zebra-striped ways. Behold, the “Roberto Cavalli for Ciclotte” collection, which adds a jarring touch of the jungle to the sculptural Ciclotte exercise bike. Designed by Luca Schieppati and produced by the Italian materials masterminds at Lamiflex, the Ciclotte is a one-wheeled, two-horned wonder of carbon, steel, or fiberglass that uses four gears with differentiated teeth to generate a magnetic field. This fancy “epicycloid” gear system maximizes resistance levels and recreates pedalling conditions one would encounter on a road bike (so riders can be sure they’re getting their roughly $10,000 worth). Cavalli’s collection of six models, available exclusively at the designer’s boutiques, all feature signature house touches—shinyness, animal prints—for the luxury consumer who likes to go nowhere fast atop a jaguar-patterned ponyskin seat and a wheel of gold steel. Of course, this exotic piece of gym equipment creates a wardrobe dilemma: ordinary athletic apparel clashes terribly with fuschia carbon fiber. Cavalli is on top of it with his new Roberto Cavalli Gym collection (pictured above), which is hitting stores now.
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    Kate Spade Debuts Lillian Bassman Accessories


    Picture Perfect Kate Spade’s capsule collection of accessories featuring “Touch of Dew,” a 1961 photograph by Lillian Bassman.

    If you’re still kicking yourself for missing out on that Tommy Hilfiger/Sam Haskins collaboration from a couple of years ago, don’t let this photoprinted merch pass you by. Kate Spade has just introduced its Lillian Bassman collection, a trio of smart accessories (leather tote, silk scarf, and zip-top pouch) printed with “Touch of Dew,” Bassman’s 1961 photo of model Lisa Fonssagrives behind the wheel of a creamy convertible. Bassman began her career as a textile designer and fashion illustrator before working under legendary art director Alexey Brodovitch at Harper’s Bazaar and finding her calling as a photographer. Now 94, she has embraced digital methods, mastered Photoshop, and is at work on a new book of photographs slated for publication in 2012.

    “I love the way she photographs women,” says Kate Spade creative director Deborah Lloyd, who fell in love with Bassman’s work at a 2004 exhibition at New York’s Staley-Wise Gallery. “She beautifully captures both their femininity and their strengths.” In an interview posted yesterday on the Kate Spade blog, Bassman discusses her career, the influence of Brodovitch, summers spent with pal Richard Avedon, and her commitment to black and white photography. “It’s how I see things—in black and white,” she says. “I know that there’s color around, but it doesn’t give me the same kind of excitement that pure black and white does. I find it thrilling.”

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    Former Salander Gallery Director Avoids Jail Time, Ordered to Pay Back $1.85 Million in Restitution

    Speaking of the ends of legal issues, as we were in that last post, the case against former Lawrence Salander henchman, Leigh Morse, finally wrapped up last week with her sentencing. You might recall that, back in April, the former director of Salander’s gallery, was found guilty of selling millions of dollars of art from the estates of artists without letting the owners know. Salander had been convicted and sentenced back in the summer of 2010 and is expected to spend the next 6 to 18 years in prison for his roles in defrauding investors, becoming known as “the art world’s Bernie Madoff.” Morse was facing up to four years in prison herself, but wound up getting off a bit more easy. Instead, Reuters reports that she’ll be required to pay back $1.85 million in restitution, “will spend weekends in confinement for four months,” and is set to “serve probation for five years.”

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    Verdict Expected Soon on Christian Louboutin’s Red Sole Lawsuit Against Yves Saint Laurent

    An end to at least one portion of Christian Louboutin‘s lawsuit spree back in April might be coming soon, though it’s anyone’s guess how it will pan out. You might recall that the famous shoe designer decided to take both Yves Saint Laurent and Brazilian label Carmen Steffens to court in roughly the same week, complaining that both had created shoes with red sole, which Louboutin claims he owns the patent to. Now that first case, against Yves Saint Laurent, might soon be coming to an end, as Bloomberg reports that the judge hearing the case in Manhattan federal court, is close to reaching a decision. While, like we said before, no one knows which direction the judge will ultimately go in, but our money would be on Louboutin losing, given that the judge “questioned Louboutin’s lawyer repeatedly about design elements” and that YSL’s legal team seemed to make a strong showing, reportedly asking after Louboutin couldn’t identify if certain types of shoes were breaking his patent, “We don’t know what we are and what we are not allowed to do. Even Mr. Louboutin does not know.” Meanwhile, there’s apparently “bemusement” over this whole case at the house of Valentino Garavani, as the designer’s longtime business partner, Giancarlo Giammetti, told Women’s Wear Daily that Valentino had been making shoes with red soles all the way back in 1969 and through into the 1980s. But will they be laughing it up after Louboutin invents a time machine and takes their younger selves to court for red-ing up their shoes? We think not.

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    Autodesk Acquires Online Photo Editor Pixlr


    Web Friends Photos altered with Pixlr-o-matic, a free online image editing tool.

    Design software giant Autodesk has acquired Pixlr, a free online service for creating, editing, and sharing images. Financial terms of the deal were not disclosed. Founded in Sweden by entrepreneur Ola Sevandersson, three-year-old Pixlr has been likened to a browser-based Instagram. The site offers a trio of Flash-based applications—Pixlr Editor, Pixlr Express, and Pixlr-o-matic—as well as a screengrabbing tool and one-click photo sharing. Sevandersson, who has joined San Francisco-based Autodesk in the wake of the acquisition, focused on speed and ease of use in developing Pixlr. So what changes are in store for Autodesk-owned Pixlr? “Nothing, nada, zip,” wrote Sevandersson on the Pixlr blog earlier this week. “The people at Autodesk believe in the stuff we have done so far, and we are going to be free enough to still deliver kick-ass products. We are however going to be more people working on the service, so better, more stable and new products are going to be the result.” Autodesk plans to use Pixlr to provide image editing for its consumer products, such as SketchBook.

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    ‘It Can’t Get Any Worse – And Then It Does’ AIA’s Architecture Billings Index Falls Again

    Because we’re occasionally stricken with bouts of foolish optimism, we’ve kept expecting that the American Institute of Architect‘s Architecture Billings Index would eventually stop falling and the past six months of stagnation and then heading steadily south was just some sort of crazy fluke that would eventually right itself. But now we’re into July and there’s no good news in that direction. Once again, the Index has moved downward, just shy of a full point below the month before, and there it sits, currently standing at 46.3 (anything above 50 indicates an increase in billings and a general idea of how the building business is faring). All the worse, you know things are lousy when the AIA’s traditionally reserved man of numbers sounds down:

    “This seems to be a case of not thinking it can’t get any worse – and then it does,” said AIA Chief Economist, Kermit Baker, PhD, Hon. AIA. “While a modest turn around appeared to be on the way earlier in the year, the overall concern about both domestic and global economies is seeping into design and construction industry and adding yet another element that is preventing recovery. Furthermore, the threat of the federal government failing to resolve the debt ceiling issue is leading to higher borrowing rates for real estate projects and should there actually be a default, we are likely looking at a catastrophic situation for a sector that accounts for more than ten percent of overall GDP.”

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