Say Media Acquires Remodelista

Over the years, we’ve loved watching Remodelista grow from a small startup to the powerhouse it is today. And when we say “years,” we really don’t mean that as in “a long time,” as it seemed that they owned the internet in no time flat (landing Gwyneth Paltrow as a vocal early fan, and later a contributor, certainly didn’t hurt). Besides being web pals with them, we’ve checked in with their budding empire from time to time, with projects like their takeover of Design Within Reach and the launch of their terrific architect and designer directory. Today, however, was potentially some of the biggest news yet for the Remodelista brand. Announced just a few hours ago, San Francisco’s Say Media has acquired Remodelista. Say Media, as you might know, was born from a purchase and then a merger between VideoEgg and Six Apart last year, forming a sort of ad network, online media conglomerate, web-hosting company (here’s a nice overview by XConomy). As for what changes to expect from Remodelista itself, post-merger, it appears that nothing overly dramatic will be altered, at least immediately and judging from the press release, with the main focus on drawing more advertisers to the site and more revenue out from there. If anything, we’re sure once the acquisition checks clear, the site’s longtime editors might be found hunting for some new modern pieces to spruce up their already well-spruced digs.

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Will Alsop Leaving RMJM to Start New Architecture Firm

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Back in late June, we told you not to trust starchitect Will Alsop when he said “I don’t have any plans to leave at all,” when asked about the rumors that he was intending to leave RMJM, one of the largest architecture firms in the world that has had something of a rough and tumble year. “I am aware of these rumours,” he told Building Design. “It is like rumours on rumours.” But we knew better, given that just two years ago, Alsop announced that he was quitting architecture for good and would transition into a quiet life of teaching, only to take a high-profile job at RMJM. So if you heeded our warning, you won’t be surprised at all that, yes, Will Alsop is leaving RMJM. Yesterday, the firm announced that he was indeed leaving, starting a new firm with fellow former-principle at the company, Scott Lawrie. Here’s a bit from RMJM’s CEO, Peter Morrison about Alsop’s exit, as told to Building:

“We have been in discussion with Will and Scott for some time and all parties feel that this is the best way forward. Will and Scott have played an important role internationally for the firm and are undoubtedly architects with enormous talent and an excellent reputation.

We are extremely grateful for their contribution to the business over the past two years and whilst I understand their desire to start something new, our intention is to continue to work together on a number of ongoing projects.

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Delta Becomes ‘Official Airline’ of Whitney Museum

You know that weird feeling you get when you see an advertisement somewhere for something that’s “The Official…” product of some sports team, but it doesn’t seem even remotely connected to the game itself? We’re thinking something like, “Official Furnace and Air Conditioning Repair Contractors for the Milwaukee Brewers.” It’s fine to get your name connected to a team for promotional purposes, but to call something “Official” seems like a bit of a stretch. However, if sports teams can do it, why can’t everyone else? Enter Delta Airlines, who just this week became “The Official Airline of the Whitney Museum.” Sure, there are perks, with things like their frequent flyers now getting free admission, and we suppose the travel angle sorta makes some sense, but doesn’t it still feel a bit odd? What’s next? BMW becoming the “Official Car” of the Guggenheim? Oh, wait, forget we asked that. Let’s instead move on to the back-patting by the Whitney and Delta from the press release about all this officialness:

“Delta’s sponsorship of one of New York’s most renowned art institutions is a natural extension of our commitment to New York which already includes partnerships with preeminent organizations, institutions and professional sports teams,” said Gail Grimmett, Delta senior vice president – New York. “This sponsorship enables us to help bring the arts and culture of one of the city’s great museums to residents and art lovers alike, while also providing our customers with additional benefits.”

“We are thrilled that Delta has become the official airline of the Whitney,” said Adam D. Weinberg, the Whitney’s Alice Pratt Brown director. “As the Whitney is one of the world’s foremost contemporary art museums, travel is essential to us. Delta will help us to fulfill our mission to collect, present and interpret the art of the United States in the broadest global context, while raising the Whitney’s profile for countless travelers and art enthusiasts the world over.”

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Gap Aims for Authenticity, Launches Fall Campaign Featuring Its Design Studio

The last couple of years have been fairly rough on retail giant Gap. From their founder suddenly passing away, to allegations of design theft, to the great logo redesign debacle of last year, to the exits of their famous former executive vice president, Patrick Robinson, and Todd Oldham from Old Navy, it’s been something of a roller coaster. Add to that lagging sales (the LA Times reports that “profit fell 23% to $233 million” and that the “company’s stock is down 13% year-to-date”) and there seem to be some pieces to pick up and some “dust off and try something new” in order. Enter the retailer’s new fall campaign, which is set to spotlight their denim design studio in Los Angeles, giving “a transparent look at the designers and how they come together each day to create the latest in denim fits, fabrics and washes,” by showing that this design studio of theirs “feels like the personal atelier of a denim architect, not the headquarters of a global brand.” So if authenticity is the new black, that’s what they seem to be gunning for. Decide for yourself how successful you think the effort might pan out for them in this, the two-minute launch film for the new campaign:

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It’s Official: Adrian Smith + Gordon Gill Design Latest World’s Tallest Building, Kingdom Tower

Almost immediately after the buzz had finally settled down about the opening of Dubai’s Burj Khalifa, the “world’s tallest building,” talk started up about the next “world’s tallest building,” the Kingdom Tower in Saudi Arabia. Though there was apparently a competition to design the new super-skyscraper, it’s long been assumed that it would be designed by Adrian Smith, who had created the Burj (and who complained a bit that the firm he worked for while that record-setting building, Skidmore, Owings & Merrill, was trying to take too much credit for his work). And so has happened, with official announcements by both the architect and the developer, that the Kingdom Tower is moving forward like we’re still in 2005 and projects like these are booming. Smith and his business partner Gordon Gill will oversee their design for the 1000 meter building (a full 568 feet taller than the Burj) and construction will begin “imminently,” with an estimated $1.2 billion price tag to build the structure and another $20 billion to create a whole Kingdom City surrounding it. The whole thing is certainly impressive, but given how many hurdles the Burj went through to finally open (and stay open after that, not to mention reports of its vast swaths of unused space), it’s the sort of thing we’ll see happen when we see it happen. And six months after that, we’ll report on the new “world’s tallest building” being constructed. Here’s a bit from the developer’s press release about some of the specifics of the project:

Five contractors were invited to offer proposals for the Kingdom Tower and a short list of three firms submitted final offers for the tower construction. The Saudi Bin Laden Group (SBG) whose offer was the most attractive in terms of price, quality and schedule was chosen for the project.

With a total construction area of over 500,000 square meters, the soaring Kingdom Tower will be a mixed-use building featuring a Four Seasons hotel, Four Seasons serviced apartments, first class office space, luxury condominiums and an observatory that will be higher than the world’s current highest observation deck.

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Thank You, Mood! Inside Project Runway’s One-Stop Fabric Shop

A fresh season of Project Runway is upon us, and Thursday’s episode will feature the contestants’ first field trip to Mood Designer Fabrics. (The season nine opener required them to rework their own pajamas, assisted only by a smattering of Mood-supplied trimmings and dye. It was not pretty.) The reality competition show’s favorite one-stop materials shop, home to 40,000 square feet worth of fabric and a Boston terrier named Swatch, recently got its close-up in The New York Times. Writer Adriane Quinlan visited the Sauma family, which has owned Mood since 1993, to watch last week’s Project Runway premiere and talk textiles:

What began as a family store has become an empire with a wholesale division, a home décor wing and a Web site started last year to supply internationally. The expansion is partly helped by the show, which does not pay to film in the store in exchange for mentioning Mood on air. (Yes, designers do pay for the goods they carry out.)

When the show began, [Philip] Sauma said, it was “a bit weird” to see the workplace onscreen. Now he just notices things to improve: shelves to be moved, bolts to reorganize. Still, it is always strange to see the host, Tim Gunn, petting his brother’s dog, Swatch. “Sometimes he sees himself on television,” Jack Sauma, the store’s founder and Philip’s father, said of the dog. “And he moves his head like, ‘Who was that?’”

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WSJ Piece on Design Continuum’s Gianfranco Zaccai

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Once you’ve got a degree in industrial design and start to circulate in society, you realize ID is the redheaded stepchild of the creative industry. It’s the coolest field to us but it doesn’t have the same cachet—at least to laypeople—as graphic design, architecture or fashion. So I’m always shocked (if pleased) to see non-rockstar ID’ers being covered in mainstream media.

The Wall Street Journal’s got a profile up on Design Continuum’s Gianfranco Zaccai, revealing that firm’s method of using direct experience for research. “As one staffer put it, the firm’s philosophy is: ‘Go to where the lion is hunting, not the zoo.'” Zaccai himself is an interesting cat: This is a man who quit being Design Continuum’s CEO so he could be more directly involved with projects by demoting himself to Chief Design Officer.

Okay, maybe it’s not a pure demotion but in corporate terms it’s a lateral move at best. My point is I admire a guy who reaches the top job, decides he loves design more, and reworks the ladder to suit his purposes.

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Cindy Sherman Partners with MAC Cosmetics on Limited-Edition Makeup Collection

Just before the weekend, the MAC Cosmetics brand has announced that it will be collaborating with artist and photographer Cindy Sherman on a limited-edition collection of what looks like borderline theatrical makeup. It makes sense, of course, given that Sherman is the undisputed queen of artistically rearranging her own face to look like different people, but the three images that will serve as the campaign for the new line are a touch off-putting. Though we suppose that’s what makes the whole thing edgy and artistic, like this chunk of the press release about the collection which, in the second paragraph, features words but doesn’t really say anything:

With the help of props, makeup, prosthetics, wigs and sets, artist Cindy Sherman embodies this Power of Transformation — from off-kilter Hitchcock heroine to fresh corpse, Caravaggio Portrait to Park Avenue Plastic Surgery Maven — all elaborate exercises in trying on different personas.

In the campaign we’ve longed forever to conceive, Cindy Sherman for MAC created three characters using three different colour stories. We’re living in a time when people of all persuasions have become bolder than ever about the ways they choose to express themselves: with a colourful palette of possibilities, You are the Artist, You are your own Subject, and no matter how fearfully you begin, you become fearless in the process.

If you’re eager to suffer through all that fear to become fearless, the Cindy Sherman for Mac collection launches at the end of September.

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Forthcoming "Design the New Business" Documentary

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In the past you’d make a feature, and someone would make a documentary detailing “The making of” that feature. But nowadays you’ll make a documentary, and have a blog detailing “The making of” the doc.

A new documentary called “Design the New Business” is currently underway, with an attendant blog providing progress updates. The doc, put together by designer/author/entrepreneur Erik Roscam Abbing, who’s also a professor at TU Delft, alleges that design itself is the new business model, and aims to show you why through a series of interviews. “[Our] fascinating interviews with industry leaders will unveil the creative ways in which design is changing mindsets across industries,” says the mission statement. “We are searching for the truth behind the ‘design thinking’ smoke and mirrors.”

Abbing’s put together a team of collaborators a bit numerous to list, but you can check them out here; a list of interviewees is being assembled here. The doc is scheduled to be completed by October, but in the meanwhile, here’s an intro:

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675,000 Pages, a Dozen Witnesses, and Two Months Later, a Decision on Toilet Paper Design Lawsuit

“Toilet paper. This case is about toilet paper. Are there many other things most people use every day but think very little about? We doubt it.” Such was the introduction to 7th U.S. Circuit Court of AppealsJudge Terence Evansruling (pdf) in a design-based intellectual property lawsuit filed by Georgia-Pacific (owner of the Quilted Northern brand) against Kimberly-Clark (owner of Cottonelle and Scott) over alleged toilet paper design theft. The former accused the later of stealing its trademarked “diamond quilted” design, which launched a suit wherein, as Leagle reports, “some 675,000 pages of documents were produced and more than a dozen witnesses were deposed.” In terms of court rulings, which in our experience as generally as bland as they sound, reading the whole 17 page document (pdf) is honestly a bit fun, given a subject that will make those more juvenile among us a bit giggly, and how bizarre and detailed the whole thing is. However, if your time is short, we refer back to Leagle, who provides a great review of the whole case (and far more brief, coming in at just four pages). And of course, because you’re wondering, Georgia-Pacific wound up losing the suit, with Judge Evans deciding that the “Quilted Diamond Design is functional and therefore cannot be trademarked.”

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