BE@RBRICK in the House: Medicom Toy Taps House Industries for Anniversary Logos

And speaking of mod marvels, our fontastic friends at House Industries (makers of a swell set of Eames House alphabet blocks) have teamed with Japan’s Medicom Toys to celebrate the ubercollaborative company’s fifteen years of creating unreasonably covetable figurines. Meanwhile, Medicom’s iconic BE@RBRICK line hits the double-digit mark this year. Both occasions called for fresh logos (get your limited-edition print here), the creation of which House illustrates in the below video. That coppery creature is a giant BE@RBRICK customized by Adam and Angelo Cruz in what House’s Rich Roat describes as “a multigenerational merger of hand-rubbed copper metallic lacquer and hand-striped One-Shot enamel.”

New Career Opportunities Daily: The best jobs in media.

Interesting Take on Emotion in Product Design: "Soap" vs. "Perfume"

0soapvsperfume.jpg

It’s nice to see even mainstream news organizations paying attention to the chronically underexposed design departments of major corporations. These days guys like Ralph Gilles and of course, Jonathan Ive get a lot more ink than we’d have seen a decade ago. Most recently Reuters got inside the design department at Samsung Electronics to talk shop with Lee Minhyouk, Samsung Mobile’s design veep.

While the meaty article looks at the expected areas of business differences between Samsung and chief rival Apple (the former manufactures their own components, the latter must outsource, etc.) and examines the mutual sue-fest the companies have recently engaged in, what most caught our eye was this analogy about product design:

To become a truly innovative company, Samsung needs to explore the art, as well as the science, of what it does, critics say.

“Samsung is like a fantastic soap maker,” said Christian Lindholm, chief innovation officer of service design consultancy Fjord based in Finland. “Their products get you clean, lathers well. However, they do not know how to make perfumes, an industry where margins are significantly higher. Perfume is an experience. Perfume is meant to seduce, make you attractive and feel good. You love your perfume, but you like your soap.”

One point hinted at in the article seems to be that Samsung is viewing design as a science that can be learned, but that they have not managed to harness capital-A Art. That’s a thorny problem that every design university Dean has grappled with, and Apple’s mastery of this issue creates as much profit as it does envy.

That doesn’t mean Samsung doesn’t understand the problem; it just means they’re not there yet. But at least one fun fact in the article shows they are trying to get there: Samsung’s designers get sent on inspirational trips to places like Iguazu Falls in Brazil and the Incan city of Cuzco in Peru! Now that’s a sweet gig, and for the sake of overworked ID’ers everywhere, I hope that becomes recognized as a recipe for design success!

(more…)


Kraft Renames Its Snacks Business; Top Ten Things Overheard at the Branding Task Force Meeting

Oreo, Jell-O, Maxwell House, Tang. It’s hard to find a grocery store aisle that doesn’t contain an iconic brand owned by Kraft Foods. Last summer, the Northfield, Illinois-based company, having at least partially digested its 2010 acquisition of Cadbury for $19 billion (that’s a lot of Mini Eggs), announced plans to split into two public companies: a “high-growth global snacks business” and a “high-margin North American grocery business.” The latter, which will include most of the cheesy stuff (Philadelphia cream cheese, the blue-box macaroni, those ubiquitous Singles), will get to keep the Kraft brand, leaving the larger snacks juggernaut in need of an appetizing new name. Kraft got down to business, soliciting some 1,700 suggestions from employees, and this week, the new corporate name was announced. Reader, it is Mondelēz International, Inc.

Say what? “‘Mondelēz’ (pronounced mohn-dah-LEEZ’) is a newly coined word that evokes the idea of ‘delicious world,’” noted the press release, which appears not to have been an early April Fool’s Day joke. “‘Monde’ derives from the Latin word for ‘world,’ and ‘delez’ is a fanciful expression of ‘delicious.’ In addition, ‘International’ captures the global nature of the business.” According to Kraft, the new name represents the Frankenstinian fusing of separate suggestions from two employees, one in Europe and another in North America. “I’m thrilled with the name Mondelēz International,” said Mary Beth West, the company’s executive vice president and chief marketing officer. “It’s interesting, unique, and captures a big idea—just the way the snacks we make can take small moments in our lives and turn them into something bigger, brighter, and more joyful.” As we come to terms with a future in which we’ll all be buying our Toberlones and Trident from a company whose name suggests a harebrained scheme of Lucy and Ricky Ricardo, we imagined the munchies-fueled meeting that sealed the deal with these Top Ten Things Overheard at Kraft’s Branding Task Force Meeting:

10. What was the name of Speedy Gonzales‘s cousin?
9. Please pass the Oreos.
8. Let’s keep it simple. I vote for “Snacks Alive.”
7. What about Vandelay Industries?
6. I actually really liked New Coke. Thought it was totally delez.
5. OK, then just something that sort of rhymes with Vandelay…
4. No offense, but I’ve got a basketball game to watch. Let’s just combine all of these suggestions together and take the average.
3. I thought you said “fleur de lis.” Makes me think of Three Musketeers. [audible gasps] You working for Mars now, Jim?
2. That little thing over the second “e”—does that read too Häagen-Dazs?
1. ‘Delicious world,’ like in Esperanto? For me, it conjures castanets. Is this an emerging markets play?

New Career Opportunities Daily: The best jobs in media.

AIA’s Architecture Billings Index Stays Positive for Fourth Straight Month

By our count, we’re now in our fourth straight month of being in the black when it comes to the American Institute of Architects‘ monthly Architecture Billings Index. Our minds are always relatively cloudy, but we can’t even remember the last time that was the case. Looking back through our archives (which is chock full of repeated phrases like “inches up ever so slightly” and “takes another dive”), we see the last time we came close was the summer of 2010, when after three months of growth, you guessed it, the ABI “took another dive.” This month, like those preceding it, haven’t been giant leaps, but we’ve landed at 51.0, up from 50.9 the month prior (anything above 50 indicates an increase in billings and a general look at the health and wellness of the industry). So while not huge growth, we’ll certainly take four months of good news over the alternative. Here’s the AIA’s chief digit bearer:

“This is more good news for the design and construction industry that continues to see improving business conditions,” said AIA Chief Economist, Kermit Baker, PhD, Hon. AIA. “The factors that are preventing a more accelerated recovery are persistent caution from clients to move ahead with new projects, and a continued difficulty in accessing financing for projects that developers have decided to pursue.”

New Career Opportunities Daily: The best jobs in media.

Fuseproject Designs PayPal’s Real-World Roll-Out

Having primed retailers with Simon Doonan‘s wintry whimsybombs of posable manikins and blue tulle, Paypal has debuted a mobile payments system for small businesses that operate in the real world, not just the e-commerce ether. PayPal Here is an app and thumb-sized credit card reader for use on any iPhone (Android version coming soon), and the company tapped Yves Behar‘s fuseproject to mastermind the roll-out, from strategy and identity to user interface and packaging. “Most payment transactions are disconnected and confusing, with Paypal Here we sought to create an ecosystem where all elements are clear, simple, consistent, and a pleasure to use,” says Behar, whose team developed the arrowish Here logo as a symbol for easy payment that straddles the physical and virtual worlds. It carries through to the swiper. “The offset surface layer on the card reader easily identifies the credit card swiping track for the user,” explains Behar of the two-tone blue device, which fits on a smartphone and ships in a corrugated triangular box. “The front triangle is also an innovative drop-down lock that prevents swivel or pivot when one swipes a card.”

New Career Opportunities Daily: The best jobs in media.

Marc Newson Designs ‘Timeless, Trusty, Touchable’ Camera for Pentax

It’s a project of firsts: Marc Newson’s first crack at camera design, Pentax’s plunge into design world collaborations, and the first time a Pentax product will be sold at retail outlets other than camera stores. Behold, the Pentax K-01, a 16-megapixel digital SLR hybrid that uses sleek interchangeable lenses (the world’s thinnest, according to the company). Envisioned with “clean and simple lines that create an elegant graphical composition,” the new model was developed in line with Newson’s design themes to be “timeless, trusty, and touchable,” which translates to features such as original-design push buttons and control levers, a mode dial and power switch in his beloved machined aluminum, and a rubberized grip. Newson’s touch extends to the product logo, camera strap, and start-up screen.

“The inspiration behind this design, like many projects that I work on, is simply the desire to create something which as a consumer, I myself would like to own or would like to purchase,” says the designer, who describes the K-01 as “not gimmicky at all.” The camera has already sold out at Colette in Paris, where its release was feted by the likes of Karl Lagerfeld and Dior jewelry designer Victoire de Castellane at a bash hosted by Olympia le Tan. Take one for a test drive at A+R, which is hosting a “Shoot+See” event this Saturday, March 17, at its Venice, California store. And click below to watch Newson lovingly fondle the “compact and trim” body of the K-01 as he answers questions about its development.
continued…

New Career Opportunities Daily: The best jobs in media.

Jean-Paul Gaultier Appointed Creative Director of Diet Coke

As if we needed another reason to guzzle Diet Coke (pay no attention to that 4-MEI in the caramel color!), fashion designer and oldest living enfant terrible Jean-Paul Gaultier has been appointed creative director of the brand. Unfortunately, his position is limited to Europe, land of “Coca Light,” where he’ll design a selection of cans and bottles (limited-edition, bien sur) as well as add his signature flair to online content, retail concepts, and ad campaigns. “The bottles have the shape of a woman’s body, so it was great fun to ‘dress’ them,” said Gaultier in a statement issued by the Coca-Cola company announcing the collaboration. “The Diet Coke motif is so beautiful I had to design around this. The finishing touch was to apply my logo to the bottle, like applying a fragile stamp—making it something special you want to touch.” The “Night and Day”-themed bottles debut in stores across the pond next month, but Diet Coke has already debuted a trio of videos chronicling Gaultier’s adventures as “The Serial Designer” (we suspect something was lost in translation with that title). Modish marionettes and tiny cans of Diet Coke are involved. Voila:

continued…

New Career Opportunities Daily: The best jobs in media.

With Dollar Shave Club, Safety Razor Business Model Finally Takes a Hit

0disprazr001.jpg

The hand plane used by woodworkers for generations has a blade placed at an angle between two flat pieces, enabling it to cleanly trim the surface of wood without gouging it. In the 1700s a clever Frenchman named Jean-Jacques Perret made a version of this that men could drag across their face in order to shave. Inspired by the hand plane, he had invented the world’s first safety razor.

0disprazr002.jpg

By the early 1900s, an American inventor named King Camp Gilette invented a disposable safety razor—and a wicked business practice known as the “loss leader”: the idea is that you sell the main component of a system for cheap (or even give it away), but you make all your money back selling crucial accessories for it at high prices.

0disprazr003.jpg

This model is still being used today—look at printers and toner cartridges, or even subsidized cell phones and usurious data usage plans. And of course, disposable razors are still frickin’ expensive—locally I have to shell out 30 bucks for 12 razor cartridges, nearly $3 per cartridge—while the handles are not.

Dollar Shave Club is a new company that’s finally addressing this situation with reasonable prices. Sign up and they send you a free razor handle up front, like the old business model; but then they send you a package of cartridges every month (three, four or five depending on what plan you select) for something closer to what they actually cost to produce. The monthly fees go as low as a buck per month for five of their basic-model cartridges, which rings in at just 20 cents per cartridge—though the fee is suffixed with the ominous “plus shipping & handling.” (What the heck is “handling,” anyway?)

In any case, their explanatory video is pretty awesome (or “f***cking great,” in their words). Any commercial where the CEO swings a machete near an employee gets my respect:

(more…)


AIA’s Architecture Billings Index Stays in the Postive for Third Straight Month

We, and everyone else in the country, has certainly jinxed it before, but maybe, just maybe, things really are turning around. The American Institute of Architects have released what’s become one of our favorite monthly rituals, the Architecture Billings Index. As you may know, anything above 50 indicates growth within the business of building, anything below and everyone starts getting gloomy and misty-eyed for those halcyon days of the mid-to-late-aughts. For the last three months running, there’s been none of that sadness, with this latest release indicating that things are still in the positive. At 50.9, following a slight dip from an even 51 the month prior, it certainly isn’t champagne and top hats just yet, but after the last couple of years, any slightly-above-water trend like this is welcome relief. However, cautious as usual, the AIA’s resident mathematical soothsayer warns that we’ve seen this sort of thing before…

“Even though we had a similar upturn in design billings in late 2010 and early 2011, this recent showing is encouraging because it is being reflected across most regions of the country and across the major construction sectors,” said AIA Chief Economist, Kermit Baker, PhD, Hon. AIA. “But because we still continue to hear about struggling firms and some continued uncertainty in the market, we expect overall economic improvements in the design and construction sector to be modest in the coming months.”

New Career Opportunities Daily: The best jobs in media.

"Design the New Business" Documentary is Ready to Go! Here’s the Trailer

0dtnbdocr.jpg

Last year we noted there was an exciting new documentary being shot, called “Design the New Business.” Spearheaded by designer/author/entrepreneur and TU Delft professor Erik Roscam Abbing, the doc is intended to demonstrate today’s crucial interconnectedness of design and business by interviewing industry leaders from the likes of Philips Design, Intel, Volkswagen, Virgin Mobile, and many others.

We’re thrilled to announce the doc is finished and ready to go! It’ll be released on March 6th, free of charge, on its own website. Here’s the completed trailer:

(more…)