French Auction House Expands into Design Objects

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France’s Cornette de Saint Cyr auction house is making an interesting move: As of today they’ve expanded their art auctions into a separate category of design, “for emerging colletors who feel priced out of the contemporary art market and see design as a more affordable field,” as the Financial Times puts it.

Marc Newson is one of the better-known modern-day designers with an object on the roster, but we flipped through the 140-page illustrated catalog and found lighting by Massimo Vignelli, objects by Ettore Sottsass, Danish Modern classics from Hans J. Wegner, and more from Patrick Jouin, Arne Jacobsen, the Eameses and more. Most excitingly, “the market for Matali Crasset will be tested” with 21 pieces; you may remember we looked at the quirky designer’s work here. [Ed. Note: We also recently announced that Crasset will be the jury captain for the Furniture & Lighting category of the 2013 Core77 Design Awards.]

The catalog can be viewed online here.

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Naval Battle Ends as Emeco, Restoration Hardware Settle Chair Dispute


From left, Emeco’s famous Navy Chair and a Restoration Hardware “Naval Chair” ripoff.

Restoration Hardware has raised the white–make that Silver Sage!–flag in the dispute concerning its “Naval Chair,” a shameless rip-off of Emeco’s Navy Chair, the aluminum classic designed by the Hanover, Pennsylvania-based company in 1944 for the U.S. Navy and in production ever since. In October 2012, Emeco announced that it was suing Restoration Hardware and its former CEO, Gary Friedman, for infringement of Emeco’s trade dress and trademark rights for its Navy Chair. Now comes word that the Naval/Navy battle has been settled for an undisclosed sum. “As part of that settlement, Restoration Hardware has agreed to permanently cease selling the chairs that Emeco accused of infringement, and its existing inventory of such chairs will be recycled,” noted Emeco in a statement issued yesterday. And if it’s the recycled Real Thing you’re after, look no further than Emeco’s 111 Navy Chair, made with 111 up-cycled Coca-Cola PET bottles.

Previously on UnBeige:
Emeco Sues Restoration Hardware for Copying Its Navy Chair

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Etsy Acquires Photo Collage App Mixel

The crafty types at Etsy are taking their love for collage to the digital realm by scooping up photo collage app Mixel and its team of mobile-savvy stars for an undisclosed sum. Created by designer Khoi Vinh and developer Scott Ostler, Mixel allows users to make, share, and remix collages with results that been described as both “gorgeous” and “highly addictive.” Vinh and his team sensed that they hit on their hands soon after launch. “We see a lot of activity at night, and a lot of activity on Saturday, too,” he said of early usage patterns. “So it’s very different from the Web, which many people will surf during work.”

Etsy is tasking team Team Mixel, which also includes Akiva Leffert and Roy Stanfield, with taking the online marketplace’s mobile platform to the next level. “Mobile visits on Etsy grew 244% in the past year, and right now they represent a steady 25% of visits year round,” noted Etsy creative director Randy Hunt in a blog post announcing the acquisition. “That’s not too shabby, but something quite astounding happened this past holiday season: almost one in three visits came from shoppers on their mobile devices. We expect that trend to accelerate, so doing more with mobile is one of our top priorities in 2013.”

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Yea or Nay: Put Ive in Charge of Apple?

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In a surprising article from yesterday, Forbes contributor Peter Cohan, an author, former management consultant and former venture capitalist, has suggested that Apple’s Tim Cook should step down. Falling profits, Cohan writes, suggest Cook is not up to the task of helming the company; he goes on to suggest that Jonathan Ive would be a good replacement. “Now it’s time,” Cohan writes, “for Apple’s board to put the person with design skill in the CEO job.”

My first thought was no. And I say that out of appreciation for Ive and his skill set. Ive’s impact on the current product landscape cannot be underestimated, and he was able to do those things because he was doing his thing—designing.

The late Steve Jobs made it clear, in his Walter-Isaacson-penned biography, that he had set things up so that Ive would have uncontested design power following Jobs’ departure; that is to say, no one, not even Cook, would have the power to challenge Ive’s designs. So why on Earth would we want to tie the man up in a managerial position?

With the current headaches Apple faces—patent trolls, a market nearing saturation—they’ll surely need a new generation of innovative products to break out of their profits slump. They’re going to need good design, and they’ve already got the perfect man for that job.

Your thoughts?

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Hearst Plans Fashion Hackathon in NYC

The fashion world was rather slow to board the digital bandwagon, but we’ve come a long way from conversations about fashion and technology that began and ended with Hussein Chalayan‘s famous table skirt. Now anyone can purchase (and sometimes rent!) last season’s Naeem Khan at a hefty Gilt discount and pre-order next season’s Eddie Borgo baubles (from Moda Operandi), while emerging designers are flourishing everywhere from Etsy and ModCloth to Fab and AHAlife. With New York Fashion Week approaching, Hearst is seizing the app-frenzied moment for a Fashion Hackathon.

Beginning on the morning of Saturday, February 9, participating developers and designers (register here) will get to spend 24 hours coding away in the company’s breathtaking Norman Foster-designed midtown HQ to create “innovative fashion-focused apps and programs on API platforms from sponsors,” which include Hearst brands (your ELLE, your Harper’s Bazaar…), Amazon, Facebook, and Google. The grand prize winner, as determined by a judging panel of Hearst execs, tech industry gurus, and VCs will receive $10,000 and an internship opportunity. Surprise guest appearances–fingers crossed for that table skirt or better yet, a fresh-from-the-shows Glenda Bailey brandishing a tablet–are promised.

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Noble Desktop Job Board Launch – Powered by Coroflot!


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It is with great excitement that we introduce the newest member of our expanding Job Board Partner Network: Noble Desktop. For over 22 years, Noble Desktop has been training students in computer graphics and web development so we are thrilled to add jobs from Coroflot to this great resource.

As we continue to build our network, each new Partner gives us the opportunity to enhance our offering. Noble Desktop is the first of our Partners to feature a brand new user interface that helps job seekers understand how to search better, and find the jobs they want faster. Take a look at the new interface and wide selection of jobs on the new Noble Desktop Jobs Page.

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See and Buy Dasha Zhukova’s Design Picks


Among Zhukova’s picks are Sebastian Wrong’s “Logger Head” table light and a miniature “Therapeutic Toy” elephant by Renate Müller.

“Design really thrives when it pushes boundaries,” says Dasha Zhukova, founder of the Moscow-based Garage Center for Contemporary Culture. And while she adores edgy furniture, such as Jonathan Muecke‘s primordial carbon fiber and epoxy chair, as a self-described couch potato, she’s also a sucker for a comfortable sofa. Clever and cozy coexist in the 20 unique and limited edition design objects Zhukova has selected for Artsy, the online art hub that recently underwent a hasty rebranding after its Art.sy URL encountered snafus related to tensions in Syria (the country hosts the .sy domain).

“This collection comprises pieces by cutting-edge designers who are experimenting with new materials and manufacturing processes,” says Zhukova, who is an investor in Artsy. “I chose objects that are accessible and functional on one hand, yet conceptually challenging on the other.” All of the works, drawn from leading galleries such as Victor Hunt and R 20th Century, are available for purchase directly from the site. Prices top out at $10,000–a sum that will get you Front Design’s mesmerizing “Surface Tension Lamp” (below), which generates its own ever-changing bulb made of a soap bubble.


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Swatch Acquires Harry Winston for $750 Million

Harry Winston says “I do” to Swatch? It may sound like the ultimate high-low, late-night-monologue-fodder matchup, but only until you realize that the watchmaker’s eponymous plastic timepieces–credited with saving a Swiss watch industry decimated by the “Quartz crisis” of the 1970s and early 1980s–represent just one in a stable of brands that includes Breguet, Omega, and Rado as well as a movements and components business that makes customers of its main competitors. On Monday the Swatch Group announced that it had acquired the Harry Winston brand and its jewelry and watches business for $750 million.

In addition to up to $250 million in assumed debt, the deal gives Swatch 525 new employees, Harry Winston’s Geneva-based production company, and a brand burnished by red-carpet cameos and Fabien Baron‘s stunning ad campaigns lensed by Patrick Demarchelier. “We are proud and happy to welcome Harry Winston to the Swatch Group family,” said chairwoman Nayla Hayek in a statement issued yesterday. “Diamonds are still a girl’s best friend.” True as that may be, the brand’s former owners are hanging on to the sparkly stone supply. The mining activities of Harry Winston will now operate as Toronto-based Dominion Diamond Corporation and continue supplying polished diamonds to Swatch.

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F+W Media to Shutter Print’s NYC Operations

This just in: Print parent F+W Media is shuttering the magazine’s New York City office and laying off the New York-based team: executive editor Mason Currey, editor-in-chief Michael Silverberg, and art director Ben King. Current plans call for F+W to continue publishing Print out of the company’s corporate headquarters in Blue Ash, Ohio, a suburb of Cincinnati. “We’re finishing up the April issue,” Silverberg told us today. “That will take us through early February, and then Print is moving to Cincinnati.”

According to a spokesperson for F+W Media, the Print editorial operation will be merged with that of HOW magazine. “Integrating our Design Community into a single dedicated team is designed to create more synergy between our brands and stronger collaboration between the e-media, e-commerce, events, magazines, and books teams that work on its many and varied products,” said Gary Lynch, group publisher. Former Print editor-in-chief Emily Gordon offered a more succinct assessment of the situation. “It’s the end of an era,” she told us.

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Kodak Follows Polaroid into Licensing Fray

Still muddling through bankruptcy, Kodak announced late last month that it had inked a deal to sell its digital imaging patents for $525 million. Now comes word that the beleaguered company, which hopes to emerge from Chapter 11 focused on its commercial imaging business, is pulling a Polaroid and licensing the Kodak brand name to Los Angeles-based JK Imaging for consumer products such as digital cameras, pocket video cameras, and portable projectors. Financial terms of the agreement were not disclosed. “With more than a century of imaging firsts, there is great significance and value in the Kodak name,” said JK Imaging CEO Joe Atick in a statement issued earlier this week. The first licensed products will debut in the second quarter of this year.

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