Black Noise by Keld Helmer-Petersen

Black Noise, Danish photographer Keld Helmer-Petersen’s new book, features a collection of high contrast abstract images reminiscent of his work from the 1960s…

Black Noise, published by the Rocket Gallery, features flatbed and negative scans of black and white negatives, ink drawings, cut-up line negatives, even dead spiders, plants, old tape and misprinted supermarket receipts.

In many of the photographs Helmer-Petersen has adjusted the contrast to create stark, purely black and white images that hark back to image-making he was involved in in the 60s. Helmer-Petersen is now regarded as one of the pioneers of colour photography, his book, 122 Colour Photographs, appearing in 1948. (An edition of some of these images was published as 23 Colour Photographs by Chris Boot – the BBC website has five shots, here.)

Created in collaboration with Jens Frederiksen and book designer Michael Jensen, Black Noise runs to 78 pages and is limited to 1,000 copies (£25). Helmer-Petersen has also signed 100 copies, which are available for £35 each. To order a copy, email the Rocket Gallery’s Jonathan Stephenson on js.rocket@btinternet.com.

Subscribers can read our interview with Helmer-Petersen from our October 2007 issue, here. The Danish legend turns 91 this year.

Competition: five copies of Ridiculous Typography Rules to be won

Dezeen and Anneloes van Gaalen, author of Never Use More Than Two Different Typefaces And 50 Other Ridiculous Typography Rules, have teamed up to offer readers the chance to win one of five copies.

The 152-page book contains 51 rules about typography with quotes from designers and illustrations of each one.

See also:

Ridiculous Fashion Rules
Ridiculous Advertising Rules
Ridiculous Design Rules

To enter this competition email your name, age, gender, occupation, and delivery address and telephone number to competitions@dezeen.com with “Ridiculous Typography Rules” in the subject line. We won’t pass your information on to anyone else; we just want to know a little about our readers.

Read our privacy policy here.

Competition closes 1 February 2011. Five winners will be selected at random and notified by email. Winners’ names will be published in a future edition of our Dezeenmail newsletter and at the bottom of this page. Dezeen competitions are international and entries are accepted from readers in any country.

Subscribe to our newsletter, get our RSS feed or follow us on Twitter for details of future competitions.

Here are some more details from van Gaalen:


Never Use More Than Two Different Typefaces And 50 other Ridiculous Typography Rules

This is the fifth book in the Ridiculous Design Rules series by Anneloes van Gaalen. This new publication is about ridiculous (or not…) rules in typography, a joy for graphic designers and everyone who has anything to do with designing texts. Like no other, this is a world that is held together by rules, which designers, of course, often take great delight in breaking. In this series, ‘ridiculous’ is a relative term, because what is nonsense for one can be an important guideline for another. In these pleasing and educational books, it is not about laying down the law.

For each of the 51 rules covered in each book, Van Gaalen refers to quotes by famous fellow designers, who either think there is something to the rule or have made a personal variation of it. Whether you agree with them or not, the Ridiculous Design books sharpen your own thoughts about the rules and the assumed truths of design, advertising, fashion, photography and the Internet. Each rule is convincingly illustrated, with the illustrations either confirming or disproving the rule in question.

ISBN: 978-90-6369-216-2
Edited by: Anneloes van Gaalen
Designed by: BORN’84
152 pages

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Buy this book and others at the Dezeenbooks store
(in association with amazon.co.uk)

I love you because

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With Valentine on it's way I like everything that has to do with romance and love….like this little book: I love you because

What you have to do is buy the little book first and then fill it out and give to your love… it's like a lovers scrapbook displayed in a very funny and artsy way. Each page gives you the oppurtuntiy to write something about your lover or theperson you are in love with, for example, although the writing is in DUtch, I'm absolutely sure you will understand what each page is meant for due the lovely illustrations and images.  Deborah van der Schaaf is the designer/illustrator and she has some amazing work on her website. The creative idea for the book was by Frederike Schouten.  You can buy this book here or here

Publisher : Merel & Mus

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Jan Tschichold: Master Typographer

Jan Tschichold embraced extremes. His work, most notably “Die Neue Typographie”, embraced and defined modernist typographic ideas. At his most provocative Tschichold only condoned the use of sans serif type. Later in his life he condemned his own pro-modernist stances as too militaristic, comparing them to the thinking of the Nazis which compelled Tschichold to leave Germany.

Regardless of his dichotomous views and styles, Tschichold’s work showcases attention to detail and an emphasis on communication that has proven to be lasting. Because of his strong ideological stances Tschichold is one of the most defining voices in 20th century typography.

“Jan Tschichold: Master Typographer: His Life, Work & Legacy”, takes on a daunting task. To characterize Tshcichold’s varied career, designs, and life requires the unification of extremes. As a result, the book is forced to take the long view. But it does so in a way that allows for some scrutiny of details. The collection of essays focuses on Tschichold’s early training, modernist writings, modern poster designs, classic designs at Penguin, and the rethinking of his Sabon into Sabon Next. The focus on specific facets of Tschichold’s career yields some interesting insights.

Unfortunately, the multiple author format also produces some redundancies. Almost all of the essays begins with an explanation of Tschichold’s upbringing, and mentions his need to flee Germany under Nazi regime. While important to any Tschichold history, reading the same details gets tiresome. Furthermore, Tschichold condeming all serifed type is mentioned at least three times in the book. While not surprising — its a striking quote — it showcases the drawbacks of multi-essay compilations like this one.

Regardless of these shortcomings “Master Typographer” works. Doubleday’s essay on Tschichold’s work for Penguin, during which Tschichold designed today’s Penguin logo and unified their cover designs, introducing the iconic Penguin Paperbacks, is particularly interesting. Possibly because of Penguin Paperbacks recent resurgence in popularity, but more likely because of the intimate details of the essay. Original notes, sketches, and a detailed chronology give stunning insight into the remaking of the Penguin Paperback. A discussion on Tschichold and poster design succeeds on the same fronts. A detailed chronology of Tschichold’s poster designs brings us hidden gems of modern poster design. Sadly, the broad analysis of the posters leaves something to be desired. By highlighting these two essays I don’t mean to discount the others in “Master Typographer”. With the exception of the section on Sabon Next, which is mainly a feast for the eyes, each section is an insightful examination of Tschichold’s character and works.

For all of the successes of “Master Typographer”, I think it’s fair to note that it would be difficult to write a book on Tschichold that wasn’t at least a bit compelling. Tschichold was an opinionated man who led an amazing life. At one point changing his name to Iwan as a sign of support for the Russian Revolution; writing and exploring with the likes of Moholy-Nagy, El Lissitsky, and Renner; fleeing Nazi Germany; and taking part in Post-War reestablishment of printing in England. Tschichold’s life is amazing.

I see this volume as an enticing introduction to Tschichold, and a insightful companion to the Tschichold follower. Tschichold remains a largely unrecognized figure in modern design outside of type circles. I’m hopeful that compilations like “Master Typographer” work to strengthen his legacy.

Lastly, the designers of Master Typographer, Corine Teuben and Cees W. de Jong, deserve praise. The layout and composition in Master Typographer are top-notch.

Chris Hamamoto is a visual designer in San Francisco. He co-designed Typographica.org.


Beer

A book documenting a beer can collection that spans seven decades and 32 countries
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Dan Becker and Lance Wilson—two San Francisco, CA-based designers— discovered a real gem when they stumbled upon Becker’s stepdad John Russo’s extensive beer can collection tucked away in his Midwest basement. Hoarding cans since 1975, the collection spans all shapes, styles and sizes of brews from around the world, which thankfully the duo decided to photograph and document in a book that they aptly titled “Beer.”

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The document lends some insight into the evolution of beer can design and the changing conversation with the consumer through its 500 images (shaved down from 1,400). Meticulously chosen, the photographs represent beers from 32 countries and you’d be hard-pressed to find any of these brands in the local corner store. Each picture, shot against a white background, includes the company name and the time period, some with more detailed descriptions. The layout—which the authors say very much guided their editing process—allows the reader to truly absorb the details of the cans and appreciate the story each has to tell.

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An excellent resource, the book comes in handy for not only the history of beer can design but also as a who’s who of beer distributors. Almost everyone is familiar with powerhouse brewing cities like Milwaukee or countries like Germany, but many don’t realize the extensive amount of brews that were crafted in places like Cincinnati, OH or upstate New York. A timeline shows the evolution of the industry and of the industrial design that went with it. Over the decades the images bear witness to the aesthetic shift in the marketing of alcohol, reflecting a gradual drifting away from simplicity and storytelling.

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For anyone who appreciates beer for its delicious, refreshing nature or enjoys gazing fondly at sharp images of tin antiquities, “Beer” sells from Amazon or directly from Chronicle Books.


Review: The Procrastination Equation

Piers Steel’s new book The Procrastination Equation made its way to my door last week. I’ll admit, the title taunted me to put off reading it — it’s as if just seeing the word procrastination could create a self-fulfilling prophecy — but, I didn’t. I finished it three days after first picking it up.

Steel has produced an exhaustive look at the research, history, definition, forms, and treatment of procrastination. (Note: Exhaustive may be underselling it, as there are 73 pages of endnotes following the 220 pages of manuscript.) The research, history, and forms of procrastination sections of his book are its strength and most captivating. Until I read Steel’s book, I had no idea ancient Egyptians had eight hieroglyphs referring to delay, one of which specifically implies neglect and/or forgetfulness. Procrastination clearly isn’t a new problem created by modern workers’ addictions to Facebook. Although, I also learned from reading the book that Facebook has such an addictive draw that half of people who personally close their accounts reactivate them.

From a section of the text, “What Procrastination Is and Isn’t”:

By procrastinating you are not just delaying, though delay is an integral part of what you are doing. Procrastination comes from the Latin pro, which means “forward, forth, or in favor of,” and crastinus, which means “of tomorrow.” But procrastination means so much more than its literal meaning. Prudence, patience, and prioritizing all have elements of delay, yet none means the same as procrastination. Since its first appearance in the English language in the sixteen century, procrastination has identified not just any delay but an irrational one — this is, when we voluntarily put off tasks despite believing ourselves to be worse off for doing so. When we procrastinate, we know we are acting against our own best interests.

Steel uses the later sections of the book to talk through his procrastination equation, which is:

Motivation = (Expectancy x Value)/(Impulsiveness x Delay)

He identifies motivation as the opposite of procrastination, and that a lack of motivation is a result of troubles with expectancy (such as you expect to fail at the task, so you don’t do it), value (such as you don’t value the work you’re supposed to do, so you don’t do it), or impulsiveness (I explain this one in more detail below).

The book provides tips for overcoming these three roots of procrastination with “action items.” If you’ve read any books or articles on procrastination in the past, the suggestions Steel provides are all ones you’ve seen before: Watch inspirational movies, visualize a positive outcome, identify that you’re procrastinating, positively frame outcomes, do hardest work when you are most alert, keep up your energy levels, reward yourself for reaching milestones, remove temptations and distractions, use specific language when setting goals, break down long-term goals into multiple milestones, schedule time for tasks, etc. In fact, I don’t think there are but one or two tips we’ve never covered on Unclutterer.

As I mentioned earlier, though, the “action items” wouldn’t be why you would read the book. It’s the first part of the book exploring the research, history, and forms of procrastination that make this book worth your time.

One of the items I found most interesting in the book is the discussion of types of procrastination. Steel’s research led him to discover that the more impulsive a person is, the more likely she is to procrastinate:

People who act without thinking, who are unable to keep their feelings under control, who act on impulse, are also people who procrastinate.

Delayed gratification isn’t an option for many procrastinators. If given the choice between watching television or studying for a test, they’ll watch television because it will be instantly gratifying. Even if performing well on a test will be more gratifying, they are unable to ignore the temptation in the present. I had never thought of procrastination as an impulse control issue until reading Steel’s book. This discovery will certainly color (for the better, I hope) my future advice about fighting procrastination.

Like this site? Buy Erin Rooney Doland’s Unclutter Your Life in One Week from Amazon.com today.


Competition: five copies of The Joy of Home to be won

The Joy of Home by Naomi Cleaver

We’ve teamed up with Octopus Publishing to offer readers the chance to win one of five copies of The Joy of Home by Naomi Cleaver.

The Joy of Home by Naomi Cleaver

The 304 page hardback provides information on how to design the perfect home, from space planning to more intricate details such as fixtures and furnishings.

The Joy of Home by Naomi Cleaver

Written in a narrative similar to that of a cookbook, the chapters follow the same sequence of topics usually covered in a professional interior design course.

The Joy of Home by Naomi Cleaver

To enter this competition email your name, age, gender, occupation, and delivery address and telephone number to competitions@dezeen.com with “The Joy of Home” in the subject line. We won’t pass your information on to anyone else; we just want to know a little about our readers.

Read our privacy policy here.

The Joy of Home by Naomi Cleaver

Competition closes 25 January 2010. Five winners will be selected at random and notified by email. Winners’ names will be published in a future edition of our Dezeenmail newsletter and at the bottom of this page. Dezeen competitions are international and entries are accepted from readers in any country.

The Joy of Home by Naomi Cleaver

Subscribe to our newsletter, get our RSS feed or follow us on Twitter for details of future competitions.

The Joy of Home by Naomi Cleaver

The information that follows is from Octopus Publishing:


In The Joy of Home, interior designer and design consultant, Naomi Cleaver, guides you through everything it takes to design the perfect home for you, creating spaces that not only look good but make you feel good too.

Chapters follow the same sequence of topics covered in a professional interior design course beginning with how to reveal your unique “creative DNA”; how to evaluate the building you live in and its site; how to assess your every day needs and more romantic desires, and those of your household, now and in the future. There are insider tips on how to accurately visualise your ideas, before making a perhaps regrettable investment, and the tricks behind popular “looks”.

Space planning is explained in detail with Naomi’s entertaining and fresh eye – and chapters on finishes, fixtures and furnishings, as well as the essential “mechanics” of a home, from audio visual to heating and ventilation are full of Naomi’s trade secrets, not to mention her common sense evaluation of what being “green” really means.

When it comes to implementation, whether major construction or a simple craft project, Naomi explains, based on years of personal and professional experience, how to get the results you want.

Written in the same easy-to-follow narrative of a much-loved cook book, and packed with inspiring ideas and seductive imagery, The Joy of Home is an essential reference book in any home transformation project, illustrating how to design a home to reflect your heart’s desire, a home that fits in with the way you want to live, not how a floor plan or trend wants you to.

Imprint: Conran Octopus Ltd

Format: Hardback
Size: 279 x 240 x 33 mm
Pages: 304
Published: 6th September 2010
ISBN: 9781840915433

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Buy this book and others at the Dezeenbooks store
(in association with amazon.co.uk)

Fashionably graphic

Eley Kishimoto look books by HarrimanSteel

New book Graphic Design For Fashion probes the curious relationship between the graphic designer and the fashion world, articulated through branding, packaging, look books and invitations…

Compiled by Jay Hess and Simone Pasztorek, designers at London-based studio byBOTH, the book presents a series of beautifully shot spreads and is an ideal reference point for illustrating how graphic design is used by the fashion industry.

Acne Studios projects by Acne Art Department

With the innovative work of Acne Studios and its in-house art department as the starting point, the collection sets out to show how vital design-led branding is for establishing an identity for any fashion business. And from the company’s comp slips to its buttons, the Acne brand is instantly recognisable via the typography and minimalist design used consistently over its products.

But Graphic Design For Fashion also demonstrates how the look book and even the fashion show invite provide a medium that can diverge from a consistent brand statement – with the need to respond to seasonal trends and influences, both forms afford the graphic designer much greater creative licence and artistic freedom.

Viktor & Rolf branding by Mevis and Van Deursen

Aboud Creative’s invitations for Paul Smith shows

An in-depth examination of the Paul Smith brand vividly illustrates the creative scope of the invitation, for example. Regarded by the industry as a quintessentially British brand, the label’s 20-year relationship with Aboud Creative has produced a diverse range of invitations tailored to suit individual collections. The primary colours and geometric shapes used for one season form a dramatic contrast to a handwritten invite emblazoned with delicate floral motifs designed for another.

Paolo Bazzani’s work for Kenzo fashion shows also reveals how an invitation can become a work of art in itself. For the Spring/Summer 09 event, Bazzani used children’s pop-up books as inspiration, to create a whimsical 3D collage of paper butterflies, which of course also doubled up as an invite.

Paolo Bazzani’s work for Kenzo

And from butterflies to human flies, images from the Spring/Summer 06 look book for fashion label Bernhard Willhelm, show how even this staple of the fashion industry can be given a surreal makeover via graphics. Featuring two naked figures with models exploding from their mouths, the images are both beautiful and provocative.

Freudenthal Verhagen’s look book for Bernard Willhelm

With its broad selection of both labels and creatives, Hess and Pasztorek have cherry-picked some truly original work here. Although occasionally weighed down by a few turgid turns of phrase here and there – this is the world of fashion after all – Graphic Design For Fashion is a very well dressed and rich source for information and inspiration.

Graphic Design For Fashion is published by Laurence King and is out now; £26.

Archie Comics to Return to Original Logo and Cover Design

Back in August, reading this piece in the NY Times was the first time we’d thought about the Archie comics series in years. And now, just shy of five months later, here we are again. The big news is that Archie Comics has announced its plans to return to its original logo and cover design this May, after several years of living without the iconic red band on top and a generally more modern look to it. The blog Robot 6 on the Comic Book Resources site broke the story, with a quote from Archie’s CEO, telling them:

…we’re always looking at new ways to push the characters forward, but we’re also very aware of our history and what resonates with old and new readers. This new cover treatment puts the emphasis on the characters and brings back our unique and definitive cover design.

We can’t say it’ll make us start reading comic books again, but it’s always a pleasant thing to see a company buck the trend and go back to something warm and familiar.

New Career Opportunities Daily: The best jobs in media.

Cheerful in 3 1/2 months

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Cheerful in 3,5 months …how about that? A super fun little book by Gerard Jansen and gorgeous illustrations by Sue Doeksen arrived on our doorstep a couple of days before Christmas and when I gave this book to my stepfather and another one to a friend of ours (the English version) it was a big hit! Immediately they had a nice conversation going on about the tips and ideas on how to make you happy or even more happy…

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The book brings you a single tip each day or should I say one task per day which guarantees a smile on your face…Publisher Snor from the Netherlands again has added an unique and special book to their collection. You can order hereEnglish version available too!

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