Mad Men Given Preservation Award by Los Angeles Conservancy

The Los Angeles Conservancy has announced the winners of their annual Preservation Awards, given to those who have helped protect or restore great pieces of architecture throughout Southern California. While the list of recipients is interesting and it’s terrific to see dedicated preservationists being congratulated, one particular winner sticks out: Mad Men winning the Media Award. Isn’t it set in New York, you ask? The arch-nemesis of Los Angeles? Well yes, but you see, not all filmed entertainment is produced where the action takes place (for reference, see: everything shot in the last 75 years). Mad Men shoots in LA and besides having a one of the best art directing teams in the business, creator of the show, Matthew Weiner, has apparently been very dedicated in not just using LA’s available midcentury sites to film in, but has attempted to work preservation issues into the show as well. So now does it all make sense? Good. Here’s a bit from the award announcement:

Creator and executive producer Matthew Weiner has gone even further in supporting historic preservation. He hosted opening night of last year’s Last Remaining Seats series and spoke out in support of our efforts to preserve La Villa Basque restaurant, a 1960 hidden gem in Vernon.

Mad Men had filmed key scenes in Season 4 episode “The Suitcase” at the restaurant because of its pristine condition. When new management began removing original elements of the restaurant in a plan to “make it more Mad Men,” Mr. Weiner urged them to keep La Villa Basque intact.

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A Push to Join the App Store Lingers Behind Apple Design Awards

While most awards are given out in celebration of a person or firm’s work, thereby boosting their profile (and more subtly, often to increase the awards-givers notoriety as well), Apple has taken something of a new route by using it to help push developers into joining their still-relatively new sales outlet. For the company’s upcoming Apple Design Awards, a rule was put in place saying that, for Mac OS X (the operating system software used by Apple on desktops and laptops), only applications that are available in the company’s Mac App Store will be considered for an award. So if you’re designing software that only sits on the shelves at the Apple Store or Best Buy, or can be ordered online but not through the App Store, you’re out of luck if you were hoping to win an award. As Arts Technica puts it, this is better than last year when the company didn’t even have a category for products made for OS X, but it’s still a clever push to get developers to join in doing things the Apple way.

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Portuguese Architect Eduardo Souto de Moura Wins 2011 Pritzker Prize

Like we said last week when the shortlist was released for the Mies van der Rohe Award, ’tis the season for big architecture prize announcements. Early this week and we already have a winner named for one of the biggest. Portuguese architect Eduardo Souto de Moura has been named the winner of the 2011 Pritzker Prize. His name might not be immediately recognizable to Americans, compared to former Prtizker winners like Renzo Piano or Rem Koolhaas, as most his work has largely been in his native Portugal (though you may remember back in 2005 when he collaborated with his former boss and now-fellow Portuguese Pritzker-winner, Alvaro Siza, on that year’s temporary Serpentine Gallery Pavilion). To get you up to speed on his work, Architectural Record has posted a quick slideshow of some of his work, as well as the full jurors’ statement about Souto de Moura’s win. Here’s a bit:

Pritzker Prize jury chairman, The Lord Palumbo, spoke from his home in the United Kingdom, quoting from the jury citation that focuses on the reasons for this year’s choice: “During the past three decades, Eduardo Souto de Moura has produced a body of work that is of our time but also carries echoes of architectural traditions.” And further, “His buildings have a unique ability to convey seemingly conflicting characteristics — power and modesty, bravado and subtlety, bold public authority and a sense of intimacy — at the same time.”

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Are Awards Shows’ Posters Encouraging Unhealthy, Stress-Filled Lives?

We seem to be on something of a labor kick this morning, so why stop now? Over at the HOW and Print affiliated blog, Imprint, there was a bit of a row this week over the perception that’s depicted through design and advertising awards’ marketing materials, all spawned by the Art Directors Club‘s latest Young Guns award posters. Designer and writer August Heffner is upset and bewildered by the regular vision offered by awards shows that “to be the best, you must work long, hard hours” and generally live solely for your office and the project you’ve been assigned, with no time left for idle living. To Heffner, this depiction as gotten more pronounced and pervasive over the years and all it’s doing is perpetuating the idea that design and advertising work must be miserable to be rewarding. Imprint then asked Justin Gignac, committee chairman for the ADC’s Young Guns, to respond. While he understands Heffner’s concerns, he believes that his association’s material tries to capture the dedication these young creatives have for their efforts. “We’re not telling people to work harder,” he says, “we’re celebrating their hard work.” However you respond to either side, both essays are interesting reads and well worth your time, particularly on a late Friday morning, when we doubt you’re doing much work yourself anyway.

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Robert A.M. Stern, James Turrell Among New Members of American Academy of Arts and Letters

The American Academy of Arts and Letters has announced this year’s slate of freshly elected members, and Robert A.M. Stern is the sole architect to make the cut (the 250-member organization, established in 1898 to “foster, assist, and sustain an interest in literature, music, and the fine arts,” has previously welcomed the likes of Frank Gehry, Peter Eisenman, Michael Graves, and Steven Holl into the fold). Among the other newbies are artists Walter De Maria, Sylvia Plimack Mangold, Malcolm Morley, and James Turrell. They’ll be inducted in May, along with writers Louis Begley, Michael Cunningham, and Rita Dove and composers Martin Boykan and Aaron Jay Kernis. South African artist William Kentridge is among those who will join as an American Honorary member.

The May ceremony is also when the Academy will present its 2011 architecture awards, which are chosen from a group of 30 architects nominated by members. Mack Scogin and Merrill Elam are the recipients of this year’s Arnold W. Brunner Memorial Prize in Architecture for their “significant contribution to architecture as an art.” Earning props for “work characterized by a strong personal direction” are William E. Massie of Bloomfield Hills, Michigan, and Julie VandenBerg Snow of Minneapolis, while UCLA architectural historian and critic Sylvia Lavin and Cooper Union dean Anthony Vidler will take home awards for “exploring ideas in architecture through any medium of expression.”

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Buckminster Fuller Challenge Selects Semi-Finalists

Speaking of annual contests, big prize money and shortlists, as we were in the post previous, here we are with another. The Buckminster Fuller Challenge, which asks anyone with a good design-based idea to “solve humanity’s most pressing problems” to submit their plans, has picked this year’s semi-finalists. Last year, you might recall, the prize went to biologist Allan Savory, who won for his concept, Operation Hope, which involved using grazing animals to help thin out decaying or damaged grasslands and move seed around. This year’s finalists are just as equally as varied and interesting. Just browsing through the 21 project titles gives you an idea of the variety of topics, from “FrontlineSMS” which helps social organizations “leverage the power and reach of mobile technology to enable positive change” to the “QuaDror Universal Joint,” which introduces “a new space truss geometry” that “presents great structural efficiency and tremendous potential.” Whoever wins will receive $100,000 to put their concept into practice. Judging from the schedule last year, the winner should be announced sometime in early summer. Here’s a slideshow of many of the entries:

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Mies van der Rohe Award Announces Shortlist for Contemporary Architecture Prize

‘Tis the season and here we are with another week and another big architecture prize picking their big name finalists for their potential big wins. This time around it’s the European Union Prize for Contemporary Architecture, also known as the Mies van der Rohe Award. Now in its twenty-fourth year (even though they only give out an award every two years), the six chosen finalists, out of 343 submissions, included those you’d expect, like David Chipperfield for the Neues Museum in Berlin, Jean Nouvel for his concert hall in Copenhagen, and Zaha Hadid for her MAXXI in Rome (she’s already won once before, back in 2003, for her car park in Strasbourg, France). Seems like, with any award, it’s often difficult to compete with those high-profile, household names, but we think Bernard Tschumi is the closest to taking down the upper-echelon starchitects with his Acropolis Museum. However it pans out, the winner will be announced at a ceremonyat the Mies van der Rohe Pavilion in Barcelona on June 20th and the winner will take home £60,000 and whoever lands the “Special Mention” also getting a none-too-shabby £20,000.

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James Beard Foundation Announces Restaurant Design and Graphics Awards Nominees

james beard award.jpgHere at UnBeige, we’ve been known to select dining establishments based on their chairs and typefaces, so when the James Beard Foundation announces its annual slate of award nominees, we head straight for the design and graphics categories. The Oregon Culinary Institute was the setting for yesterday’s announcement of the 2011 contenders, selected by committees of industry professionals in each of the categories. Duking it out for the James Beard Award for outstanding restaurant design (for establishments designed or renovated since January 1, 2008) are a trio of left-coasters: Aidlin Darling Design for Bar Agricole in San Francisco, Bestor Architecture for Pitfire Pizza in Los Angeles, and Stanley Saitowitz (Natoma Architects) for Toast in Novato, California. The restaurant graphics category, which for the past two years has been dominated by Korn Design and Steven Solomon, makes way for some new faces, two of whom are New Yorkers named “Katie.” Katie Barcelona is nominated for New York’s L’Artusi, and Katie Tully of Love and War impressed with her whimsical work for Geoffrey Zakarian‘s The National Bar & Dining Rooms. The third contender in the graphics category is the designing duo of Donald Madia and Jason Pickelman of Chicago-based JNL Graphic Design, nominated once again for their work for The Publican. Winners of the 2011 James Beard Foundation Awards will be announced on May 9 at a Lincoln Center ceremony hoted by chefs Tom Colicchio, Ming Tsai, and Traci Des Jardins. Wear your fanciest clogs!

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IDEO’s Tim Brown to Receive Havemeyer Award

Hey Mayor Bloomberg, doesn’t “Tim Brown Day” have a nice ring to it? The IDEO president and CEO (pictured) is in New York today to accept the first annual Havemeyer Award, an honor established by the local chapter of the American Society of Interior Designers’ Education Legacy Fund (ELF) in honor of Metropolis founder and publisher Horace Havemeyer III. At the direction of Havemeyer, the award will recognize “a major contributor to the global conversation about design and its growing importance.” First up is Mr. Design Thinking himself—Brown—who receives the award from its namesake tonight at “State of Design,” an event sponsored by ELF and Metropolis. Brown will chat with MASS Design Group cofounder Michael Murphy and Metropolis editor-in-chief Susan Szenasy about what shapes twenty-first century design and how designers respond to our evolving culture.

In other IDEO-related event news, Bill Moggridge, co-founder of the global design firm and now director of the Smithsonian’s Cooper-Hewitt, National Design Museum, will sit down with YouTube co-founder Chad Hurley to discuss the role of the revolutionary video sharing platform within the changing world of mainstream media (see also: Moggridge’s new book, Designing Media). And fear not, non-New Yorkers, the museum has announced that this installment of “Bill Design’s Talks” will be webcast. Tune in here at 6:30 p.m. on Thursday, March 24, to watch the event live. But be careful: watching an online video about the role of online video may make your brain explode.

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Photographer Mitch Epstein Wins $100K Prix Pictet


From left, “Gavin Coal Power Plant, Cheshire, Ohio 2003″ and “Amos Coal Power Plant, Raymond City, West Virginia 2004″ from Mitch Epstein’s “American Power” series

New York-based photographer Mitch Epstein is the winner of the third Prix Pictet. Sponsored by Swiss bank Pictet & Cie and with a purse of 100,000 Swiss francs (approximately $110,000, at current exchange), the entry-by-nomination international photography competition seeks to promote sustainability. This year’s theme was “Growth.” Epstein’s “American Power” project, collected in a 2009 book published by Steidl, was chosen by a jury that included art historian and critic Michael Fried and photographer Nadav Kander, who won the Prix Pictet in 2009.

“The Prix Pictet jury were looking for photography that met three criteria: artistic excellence, powerful story-telling related to the theme of the award, and a coherent series of images with narrative power,” according to a statement read by jury chair Sir David King yesterday evening in Paris, where Kofi Annan was on hand to announce the winner. “Epstein’s epic, beautifully realized photographs employ a vantage point that is so perfect as to subtly disorientate you, while at the same time delivering a message of great power.”

The twelve photographers shortlisted for the Prix Pictet included Edward Burtynsky, Stéphane Couturier, Taryn Simon, Thomas Struth, and Chris Jordan, who was awarded the $40,000 Prix Pictet Commission. The Seattle-based photographer will travel to Kenya and produce a series of photographs to bolster the work of the Nakuprat Conservancy, a Kenyan community conservancy project of the Tusk Trust. An exhibition of work shortlisted for Prix Pictet is on view through April 16 at the Passage de Retz in Paris. Go here for an online preview.

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