House by Studio Architecture Gestalten

House by studio architecture GESTALTEN

This little titanium zinc-clad house in Melbourne is by Australian Studio Architecture Gestalten.

House by studio architecture GESTALTEN

The house sits on a strip of land 40 metres deep and six metres wide, with large glazed panels at either end.

House by studio architecture GESTALTEN

More residential architecture »

House by studio architecture GESTALTEN

Photographs are by Markus Weber.

Here’s a little bit of information from the architects:


Launch of iconic Townhouse project – Windsor, Melbourne Australia

studio architecture GESTALTEN this week announced the completion of its latest project – a boutique townhouse situated in Windsor – an inner city suburb of Melbourne, Australia.

House by studio architecture GESTALTEN

The zinc-clad building is already attracting much attention and will be the first stop on a popular local tour of significant Melbourne architecture to be held in December 2010.

House by studio architecture GESTALTEN

Erected on an unusually narrow lot six metres wide and forty metres deep, the shell – façade and roof of the building – with its monolithic appearance, is made out of titanium- zinc from Rheinzink.

House by studio architecture GESTALTEN

This low maintenance fully recyclable environmentally friendly material has a lifespan exceeding hundred years.

House by studio architecture GESTALTEN

The studio took a contextual approach to the concept and design development according to design architect Günter Gerlach.

House by studio architecture GESTALTEN

“Rather than be concerned with the program we have given priorities to place, structure and shell,” he said.

House by studio architecture GESTALTEN

The two-storey building is not a standard type. Structure, form and materialization are in a reciprocal dialogue between context and architectural object.

House by studio architecture GESTALTEN

The supporting structure corresponds with the topographical conditions of the place. The steel skeleton structure provides the required maximum space as well as flexibility for the spatial concept.

House by studio architecture GESTALTEN


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51A Gloucester Crescent by John GlewV36K08/09 by
Pasel Kuenzel Architects
Double House by
Tsuyoshi Kawata

Rooftop Office by Dagli+ Atelier d’Architecture

Rooftop Office Dudelange by dagli

Luxembourg firm Dagli+ Atelier d’Architecture have completed an office located on a rooftop in Dudelange, Luxembourg.

Rooftop Office Dudelange by dagli

An extension to the headquarters of Luxembourg building engineering firm Sanichaufer, the project has a panelled facade featuring gradients of the colour grey and is a take on traditional mansard roofs typical to the area.

Rooftop Office Dudelange by dagli

The grey colour scheme continues inside the space, with striped shades of grey on the walls.

Rooftop Office Dudelange by dagli

The building will act as a showroom displaying modern building technologies.

Rooftop Office Dudelange by dagli

Photographs are by Jörg Hempel Photodesign.

Rooftop Office Dudelange by dagli

Here are some more details from dagli+ atelier d’architecture:


“Rooftop Office ” Dudelange is the extension of the company headquarters of Sanichaufer. Sanichaufer is one of the biggest Luxemburg-based firms in building services engineering, with over 50 years of experience.

Rooftop Office Dudelange by dagli

Sanichaufer’s main fields of activity are heating, air-conditioning and central control systems. For this reason, the “rof-top office” is designed as a showroom displaying the most modern building technologies.

Rooftop Office Dudelange by dagli

Principle of the different shapes

The construction laws demand the adaptation of the roof type of the adjacent building on a sixth of the façade width. However, the client wanted a cubic extension with a flat roof. The design combines those two opposites – the “mansard-object” as required by the laws – and the “roof-top office” as demanded by the client.

Rooftop Office Dudelange by dagli

The two seemingly opposite shapes become one consistent design by using color gradients. Coming down the “mansard-object”, these gradients seem to create a movement that finally integrates in the base of the “roof-top office”, visually dragging the latter underneath the “mansard-object”.

Rooftop Office Dudelange by dagli

Alternation with Color gradients
The combination of the different forms takes place with the help of grayscale gradients. The form follows the shades and vice versa. A subtle game. It alternates the opposite forms of the “Mansard object” and the “roof-top office”, as well as the different degree of the shades that seem to break out of the façade at the joints of the different parts.

Rooftop Office Dudelange by dagli

Bizarre interiors

The interior design picks up the subtle interaction between colors and forms. The new mocks the old, color mocks shapes, straight lines the curved ones. The walls and ceilings of the new areas are designed completely in white.

Rooftop Office Dudelange by dagli

The design intents to produce a bizarr empty space in which only the gradients generate forms and movement. In some areas the visitors of the new building are abruptly confronted by old parts of the building, areas, where the interaction of old and new generate or reinterpret new space.

Rooftop Office Dudelange by dagli

Intelligent building technology

The “roof-top office” becomes the CI of Sanichaufer, by the architectural language as well as the best possible energy efficiency. Therefore, the “roof-top office” is built in timber construction. Because of its function as showroom, the latest state-of-the-art in heating and air-conditioning is used.

Rooftop Office Dudelange by dagli

A central control unit with touch panel and IPhone user interface manages the controlling and fine tuning of the installed systems. For Sanichaufer, the focus was not only on energy savings and energy efficiency, but also on the use of renewable energy like solar energy and green electricity.

Rooftop Office Dudelange by dagli

dagli + atelier d’architecture is a young Luxembourg based contemporary architecture and design firm founded and owned by Türkan Dagli. Since 2005, dagli+ is managed by Türkan Dagli and Mathias Eichhorn.

Rooftop Office Dudelange by dagli

SANICHAUFER:

DESIGN: dagli + atélier d’architecture, Luxembourg
CLIENT: Sanichaufer sci

Rooftop Office Dudelange by dagli

LOCATION: 58, Rue Pierre Krier, L-3504 Dudelange
COMPLETION: october 2010

Rooftop Office Dudelange by dagli

SURFACE: 250 m²
VOLUME: 750 m³
PROGRAM: office & commercial


See also:

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AKbank NV headquarters by dagli + atelier d’architectureSkyroom by
David Kohn Architects
Studio East by
Carmody Groarke

Legendary Architect Oscar Niemeyer Turns to Songwriting

1002oscsurg.jpg

At nearly 103 years old, legendary architect Oscar Niemeyer is still going strong, though this time in a completely different direction. The Brazilian newspaper O Globo has reported that Niemeyer has composed a samba called “Tranquilo con la Vida” or “Feeling Good About Life.” Working with two musicians, the architect penned the lyrics to the song late last year, when he was undergoing a series of operations to combat some health issues. While earlier this year found him back in the hospital and feeling gloomy about portions of his career, hopefully his recent Order of Arts and Letters medal win will perk him back up and he’ll keep writing music. Here’s a bit about the song itself:

The samba begins with a verse meaning “Now my life will be different. Pajama pants, striped shirt, sandals on my feet, just about every morning I’ll go walking on the beach, and there a pretty woman, God willing, I will find…”

In the last verse, a poor man says: “From my shantytown I see the most elegant people on the beach, by the sea, but let’s not blame them. They have their prestige and, some day, they’ll be living among us once more.”

New Career Opportunities Daily: The best jobs in media.

Haifa University Student Centre by Chyutin Architects

Haifa University Student Centre by Chyutin Architects

Israeli office Chyutin Architects have completed a student centre for the University of Haifa, protruding out from the side of Mount Carmel in Haifa, Israel.

Haifa University Student Centre by Chyutin Architects

The building comprises two separate parts: a four-storey building housing the student union and a cantilevered two-storey structure housing the dean’s offices.

Haifa University Student Centre by Chyutin Architects

Each level of the concrete student union building can be accessed from stepped external terraces created by the fan-shaped plan.

Haifa University Student Centre by Chyutin Architects

Wooden decking overlooking the valley below covers the terraces of the lower building and roof of the metal-clad dean’s office.

Haifa University Student Centre by Chyutin Architects

See also: Museum of Tolerance Jerusalem by Chyutin Architects

Haifa University Student Centre by Chyutin Architects

Photographs are by Amit Giron.

Haifa University Student Centre by Chyutin Architects

See more buildings for education in our Dezeen archive »

Haifa University Student Centre by Chyutin Architects

The following information is from the architects:


Haifa University Student Center, Haifa University, Israel
Winning competition, completion 2010

Haifa University is built on the projection of a ridge of Mount Carmel that looks over the bay of this Mediterranean city.

The site chosen for the Student Center building overlooks a deep valley as well as the bay and has a steep topography.

Haifa University Student Centre by Chyutin Architects

Its upper part abuts the scenic road that extends through the entire campus, ending at the site. In order not to interfere with the view, the building’s roof had to be set below the level of the scenic road.

Haifa University Student Centre by Chyutin Architects

The design of the building aim to fulfill two main goals: integration of the building into the natural surrounding landscape on one hand, and functional clarity on the other hand.

Haifa University Student Centre by Chyutin Architects

This clarity was achieved by separating the two main activates: the Dean of Students offices and the student union into two wings with differing characteristics of space, volume and operational organization.

Haifa University Student Centre by Chyutin Architects

The Dean of Students wing is a two-storey rectangular prism, perpendicular to the lines of the topography and jutting out into the vista. Its roof acts as an extension of the scenic road with an observation deck at its end.

Haifa University Student Centre by Chyutin Architects

The Students Union wing is a semi buried four- storey stepped structure shaped like a fan with its long glazed façade facing the view. The upper floors contain the offices while the lower floors the public activities.

Haifa University Student Centre by Chyutin Architects

The garden roofs of the terraced wing blend with the adjacent topography of the mountain.

Haifa University Student Centre by Chyutin Architects

Between the two wings an external stepped street was designed to enable unroofed descent and external entries into the various floors.

Haifa University Student Centre by Chyutin Architects

The stepped street is homage to the traditional terraced buildings characteristic of the city of Haifa.

Haifa University Student Centre by Chyutin Architects

The inner stairway of the building run beneath and parallel to the outer stairways and connects the lobbies of the four floors.

Haifa University Student Centre by Chyutin Architects

The finishing materials for the building express the relationship between the two wings that comprise it.

Haifa University Student Centre by Chyutin Architects

The floating Dean’s wing is designed with metal cladding while the earthy terraces walls are built of exposed concrete.

Haifa University Student Centre by Chyutin Architects

The floating wing roof and the external stepped street leading to the terraced gardens are paved with wooden deck.

Haifa University Student Centre by Chyutin Architects

The terraces extend underneath the floating wing and vanish into the topography, unifying both wings into a singular comprehensive architectural composition.

Haifa University Student Centre by Chyutin Architects

Architects – Chyutin Architects Ltd.
Location- Haifa, Israel

Haifa University Student Centre by Chyutin Architects

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Client- Haifa University
Team- Bracha Chyutin, Michael Chyutin, Ethel Rozenhek, Joseph Perez

Haifa University Student Centre by Chyutin Architects

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Area- 6200 Sq. M
Project year- 2010

Haifa University Student Centre by Chyutin Architects

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Haifa University Student Centre by Chyutin Architects

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Haifa University Student Centre by Chyutin Architects

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Haifa University Student Centre by Chyutin Architects

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Haifa University Student Centre by Chyutin Architects

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See also:

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Museum by
Chyutin Architects
More buildings for education
on Dezeen
More architecture
on Dezeen

Norman Foster Hired to Build Apple’s New Headquarters?

Though it could all turn out to be fake, as has become par for the course with supposed image leaks of the company’s future products, the rumor mill is abuzz that Apple is planning to hire Norman Foster to build for them a new headquarters. The rumor came from an unlikely source, not from the various Silicon Valley insider blogs or the local northern California papers, but the Spanish newspaper El Economista, who claim to have sources who leaked information about the top secret plan. Calling it “The City of Apple,” the paper said the company’s plan is to build Foster’s new headquarters on the land it purchased from Hewlett-Packard late last month. Though, again, like anything Apple, a place known for being able to keep a secret, it’s usually always safest to not put too much stock in anything you hear unless it’s Steve Jobs doing the talking. Here’s a bit from a Google translation of the paper’s piece:

ElEconomista has been told by sources familiar with the situation, the future headquarters of the company Steve Jobs care especially environmental issues, to the point that the entire road transport transit through a network of tunnels that will clear the surface areas green. The buildings which will house the engineers and R & D will also be multifunctional and will incorporate cutting-edge technology in materials and equipment as well as renewable energy resources.

New Career Opportunities Daily: The best jobs in media.

Norman Foster to design new Apple campus

Dezeenwire: architect Norman Foster is working on designs for Apple’s new campus in Cupertino, California – El Economista (in Spanish) via Gizmodo

More Dezeen stories about Foster & Partners

El Claustro Cultural Center by Eneseis Arquitectura

El Claustro Cultural Center by Eneseis

Spanish studio Eneseis Arquitectura have inserted this glass-fronted box housing a cultural centre into a town square in Alicante, Spain.

El Claustro Cultural Center by Eneseis

At street level the glass façade of the El Claustro Cultural Centre faces the square, allowing views into the building.

El Claustro Cultural Center by Eneseis

A basement level beneath the square features a series of mobile walls allowing the size of each room to be altered.

El Claustro Cultural Center by Eneseis

The following information is from the architects:


EL CLAUSTRO

The “El Claustro” cultural centre is placed in the heart of the old town, in the protected enviroment of the San Nicolas con-cathedral, in the “ElClaustro” square. The old town is an strategical point for social and cultural life of the city.

El Claustro Cultural Center by Eneseis

Along the day, it’s one of the most turistic and gastronomic places, visited not only for its bohemian atmosphere but also for its historical value.

El Claustro Cultural Center by Eneseis

At night, it becames the main leisure time zone of the city. The place where every citizen of Alicante meet each other in a continuos mass of people, terraces, pubs, bars and restaurants.

El Claustro Cultural Center by Eneseis

The Clautro square was a deep-set urban space. Where the San Nicolas’ itself was open at the same level.

El Claustro Cultural Center by Eneseis

We started the Project with these premises:

Take the square at sourrounding streets’ same. This would osigenate the “old town” urban matrix, so dense and narrow. Dignify the protected block of the con-cathedral. Give back the cloister its own meaning and function.

El Claustro Cultural Center by Eneseis

Closed and looking into itself. Turn this place into a city center, enhancing its public life and old town vitality too, in both daily and night sides.

El Claustro Cultural Center by Eneseis

THE BUILDING

Our answer was a building-square at street level. A stony square, according to the sourroundings materials and weight. This stone ground breaks itself and raises to build the upper floor roof.

El Claustro Cultural Center by Eneseis

That makes visible the vitreous inner core, which is always sourrounded by metal sheet. Thus, the building shows his two faces, historic and technologic.

El Claustro Cultural Center by Eneseis

The building attached to the square is an informational interface and display, An interface that everybody can use as an office when it’s opened. And the rest of the time, a display that everyone can see and hear, trough video and sound projected into the public space.

El Claustro Cultural Center by Eneseis

Besides, the building completes the block, closing the cloister as it was required. The lower level, beneath the square, it’s a space for showrooms and atteliers, shaped by moving walls.

El Claustro Cultural Center by Eneseis

Thanks to this moving walls, it’s possible to make bigger or shrink the space, according to the needs. It also gives the chance for individual access to each space, using an ID card.

El Claustro Cultural Center by Eneseis

To overcome the gap between these rooms and the square, the activities can be projected on the square in realtime. That allows us to make visible the creative process, making this another tool to enhance the cultural activity. It also improves the building’s use, making the whole square join the activity

El Claustro Cultural Center by Eneseis

Therefore it’s a square, meaning that it’s a social place, a place for exchange and relationship. Capable to generate activity and making people feel closer. A place able to attract citizens, while able to activate it’s surroundings.

El Claustro Cultural Center by Eneseis

CONSTRUCTION

The whole building is organized through a system, which assumes the structure, distributes the space, the facilities (lighting, informatic, ventilation, air conditioning), hosts furniture, are the walls themselves…

El Claustro Cultural Center by Eneseis

This system is ready to adopt new requirements and needs. It can be easily assembled, or even disassembled, whenever it’s not needed anymore.

El Claustro Cultural Center by Eneseis

We re-use part of the demolition materials in our building, in order to reduce transport costs and save energy as far as possible.

El Claustro Cultural Center by Eneseis


See also:

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Casa Llorens by
Eneseis Arquitectura
The Long Barn Studio by Nicolas Tye ArchitectsCultural Centre Association by RMDM Architects

Shingle House by NORD Architecture

Shingle House by NORD Architecture

The Shingle House by NORD Architecture is the second completed holiday home in Alain de Botton’s Living Architecture project.

Shingle House by NORD Architecture

Located on a beach in Dungeness, Kent, the house is clad in tarred black shingles.

Shingle House by NORD Architecture

The interior is clad in white-painted wooden panels.

Shingle House by NORD Architecture

Glazed concertina doors in the living areas and bedrooms open up the interior spaces to the beach.

Shingle House by NORD Architecture

The Shingle House sleeps eight people and is currently available to rent.

Shingle House by NORD Architecture

Living Architecture is a scheme initiated by writer Alain de Botton to create a series of vacation homes in picturesque locations, designed by prominent architects.

Shingle House by NORD Architecture

Peter Zumthor, Hopkins Architects, MVRDV and Jarmund/Vigsnæs Architects have all designed houses as part of this project (see our earlier story).

Shingle House by NORD Architecture

See also: Balancing Barn by MVRDV and Mole Architects

The following information is from Living Architecture:


The Shingle House is sited on one of the most unusual and poetic landscapes in England, on the shingle beach of Dungeness, near Romney Marsh.

Shingle House by NORD Architecture

The vast beach is empty save for a random collection of fisherman’s huts (many of them owned by artists, including – most famously – the late film-maker Derek Jarman), two lighthouses, the terminus of a miniature coastal steam train and in the far distance, the dramatic form of a nuclear power station.

Shingle House by NORD Architecture

The entire beach is classified as a nature reserve and is filled with unusual flora and is a haven for a plethora of birdlife.

Shingle House by NORD Architecture

Living Architecture’s house is by a young Scottish practice, NORD Architecture, who responded to the natural drama of the site with a simple monumental black house, finished in tarred black shingles on the outside and in a beautiful palette of concrete and timber within.

Shingle House by NORD Architecture

The Shingle House sleeps 8 people, and is available to rent from October 2010.

Shingle House by NORD Architecture

Shingle House by NORD Architecture

Shingle House by NORD Architecture

Shingle House by NORD Architecture

Shingle House by NORD Architecture

Shingle House by NORD Architecture

Shingle House by NORD Architecture

Shingle House by NORD Architecture

Shingle House by NORD Architecture


See also:

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Houses for Living
Architecture
Het Entreehuis by
Bureau B+B
Balancing Barn by MVRDV and Mole Architects

Sleipnir

AtelierFORTE builds complex architectures such as Trojan horses to explore new worlds and surprise them. These works are the standard bearers of the M..

Charrat Transformation by Clavienrossier

Charrat Transformation by Clavienrossier

Geneva studio Clavienrossier created this home in the Swiss Alps by adding two tinted concrete volumes atop the remains of a stone house and adjacent barn.

Charrat Transformation by Clavienrossier

The project is located in Charrat in the Valais canton of Switzerland and involved demolishing much of the existing structure while retaining the original cellars and floors.

Charrat Transformation by Clavienrossier

The two concrete additions have faceted walls, angled inwards towards an opening in each side.

Charrat Transformation by Clavienrossier

Rooms in the new upper storeys are connected, with circulation around the edge of each volume.

Charrat Transformation by Clavienrossier

Photographs are by Roger Frei.

Here are some more details from the architects:


Situated away from the village, this house included an adjacent barn and had a too vast volume to be renewed in its totality.

Charrat Transformation by Clavienrossier

Only elements which can easily be reused were preserved, cellars and floors of the pre-existent house. The rest was demolished.

Charrat Transformation by Clavienrossier

Volumes of visible tinted concrete replaced the double-sided roof and the transformed area.

Charrat Transformation by Clavienrossier

The big openings so created allow the light to penetrate more generously.

Charrat Transformation by Clavienrossier

The geometry of the superstructures results both from a formal desire and from a will to remove the wall thickness.

Charrat Transformation by Clavienrossier

The various-slopes faces enhance the highly varied game of the shadows throughout the day. There are no corridors.

Charrat Transformation by Clavienrossier

Circulation is made along the external wall, from room to room.

Charrat Transformation by Clavienrossier

The overall view continues beyond the windows, opening onto the surrounding landscape.

Charrat Transformation by Clavienrossier

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Charrat Transformation by Clavienrossier

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Charrat Transformation by Clavienrossier

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Charrat Transformation by Clavienrossier

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See also:

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Trufa by
Anton García-Abril
House in the Pyrenees by Cadaval & Solà-MoralesRibbon House by
G2 Estudio