When An Architect Spends $36,890 on Shots at a Bar, How Bad of Shape Could the Industry Really Be In?

Maybe we’ve been too reactionary over the past couple of years when it’s come to news of the struggling architecture industry. We’ve sounded the alarm bells whenever the AIA‘s Architecture Billings Index plummets and felt sorry for all those sad graduating architecture students, but maybe it was all for naught. Reason being is that the Australian is reporting that “an architect working for the US government,” Kaz Miura, had to shell out a record-setting $36,890 for rounds of shots at a bar in Tokyo. There’s explanation of how this all happened, how one can spend that much on alcohol in an evening, but it involves a leather drum at an establishment whose theme likely wouldn’t fly here in the States, and we don’t understand it entirely. Not that we entirely care either, as the meat of the story, to us, is how an architect in 2010 can so relatively-nonchalantly blow close to $40,000 on booze for people he doesn’t know and not be a Gehry or a Stern or a Hadid (the paper quotes him as saying “No bonus. No windfall. I’m just paying for it out of my pocket and hoping that my wife understands,” which seems decidedly less than how we would have reacted in that situation, which is, “Oh sweet lord, what have I done?!” followed by pounding our head against the bar until we passed out). So either this architect in particular has done very well for himself in the midst of a recession, Tokyo is the place to make lots more money in the business of building than it is over here, or we’ve been completely wrong about how difficult this recession has been on the industry. Whatever the case, we need a shot.

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Robert A.M. Stern Wins Driehaus Prize for Classical Architecture

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Back around this time in 2007 was the last time we reported on who had won the Driehaus Prize for Classical Architecture (when it was taken home by Andres Duany and Elizabeth Plater-Zyberk). Since then, of course, there have been annual winners, but unfortunately the prize, as the Chicago Tribune‘s Blair Kamin puts it, “has garnered relatively little media attention since it was established in 2003.” Perhaps it’s because fewer people find classical architecture as exciting and sometimes disarming as the modern variety is. Whatever the case, there’s a chance all that might change, now that the award has gone to a famous name. Robert A.M. Stern, dean of Yale’s School of Architecture and one of the biggest names in the business who regularly works on some of the highest of the high-profile projects, has been awarded the 2011 prize, which he will receive, along with $200,000 in prize money, in an event held here in Chicago this March. What will this mean for the Driehaus Prize is anyone’s guess, but given the attention thus far, having Stern’s name attached, certainly must feel like a positive development for its founders. That said, how this reflects upon the nature of prize-giving, too, is anyone’s guess.

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HuaiNan Animation Technology Industrial Park by Sunlay Design

HuaiNan Animation Technology Industrial Park by Sunlay Design

Beijing studio Sunlay Design have designed this building to house the headquarters for a technology park in Huainan City, Anhui Province, China.

HuaiNan Animation Technology Industrial Park by Sunlay Design

The building will consist of two structures – a tower block and a two-pronged cantilevered building – which will be connected by a glazed walkway on the second floor.

HuaiNan Animation Technology Industrial Park by Sunlay Design

The building will comprise a five-storey office building, an exhibition centre, an underground car park and a public square.

HuaiNan Animation Technology Industrial Park by Sunlay Design

Construction is due to start in 2011.

All our stories on buildings with cantilevers »

The following information is from Sunlay Design:


Chinese architects office SUNLAY DESIGN shared with us their project for the HuaiNan Animation Technology Industrial park.

Located in HuaiNan city, AnHui province in China, this project mainly is a headquarter for the park that is going to be built. The building’s consists of 2 architectural parts connected by a flowing bridge on the 2nd floor.

West part – a 5 storied office building with a height of 23.1 m, total area 5500 sqm. – East part – a 2 storied exhibition center with a height of 18.45 m, total area 2800 sqm. – A public square with an area of 780 sqm and an underground parking space with an area of 3200 sqm , through which people can find access to both building parts.

HuaiNan Animation Technology Industrial Park by Sunlay Design

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Building Concept :

The idea of the building’s massing and spaces comes from the melting ice cubes. Ice cubes tend to creat a soft connection between each other as they melt down.

This concept starts with normal boxes through which architects get integrated and fluent spaces by disasemble and reconnect those boxes with curved surfaces. This kind of space organization brings the building much more complexity and diversity.

HuaiNan Animation Technology Industrial Park by Sunlay Design

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Ice Cube Pattern :

Architects took the cladding gaps as part of the designning elements while they confronted with the cladding division problem, same to the massing, concept for the cladding also came from ice cubes. Ice cubs present an edge-to-center colour gradient due to the refraction happend as light beam comes through.

Edges always seem darker and more solid than it appears in the center. Architects tried to get the same effect by controling the gaps’ distance and dencity, following expansion images are the final result for claddings.

HuaiNan Animation Technology Industrial Park by Sunlay Design

Panel typology

Inorder to creat an gray-tuned gradient pattern, there are 3 different sizes of pannels padding to each surface, pannels with size 2 will be randomly put between pannel 1 and pannel 3 inorder to creat a smooth transation.

Panel 1,2,3 will be used for facade surfaces wile pannel 2,3,4 will be used for curved surfaces, hence there will be 4 pannel sizes in total.

HuaiNan Animation Technology Industrial Park by Sunlay Design

Surface Optimization :

The building is mainly consists of 11 facaded surfaces and 14 curved surfaces that will be covered by cladding. 2 of these curved surfaces will be double curvature surfaces while 12 of them were optimized to single curved surfaces inorder to make cladding division and manufacturing easier to go.

Location :

The project is located in the far east to the industrial park which faces the south of ShunGeng mountain and takes a tunnel to get access to the center of the city.

HuaiNan Animation Technology Industrial Park by Sunlay Design

Program :

B1: parking, staff restraunt and mech rooms
1F: exhibtion and sales center
2F: offices, meeting rooms and muti-functional rooms
3F: offices, meeting rooms and archive rooms
4F: offices, meeting rooms
5F: guest rooms

HuaiNan Animation Technology Industrial Park by Sunlay Design

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Landscape :

Treated as an extension of the building, paving that surround the architecture is designed to embrace the connection part of the building where cladding tries to touch the ground, standing infront of the building, people will find cladding pattern gradiently change in to paving pattern, which makes the building and landscape a integrated whole.

HuaiNan Animation Technology Industrial Park by Sunlay Design

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Structure solution :

The 2 parts of the building use individual structure system connected by a bridge on the 2nd floor. Both parts of the building use steel structure.

The maximum cantilevered part length is 20 meters, where there are enhanced bracing and steel beams for those cantilevers at the end of each part.


See also:

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Dove of Peace by
Sunlay Design
FRIEM Headquarters by OnsitestudioMore architecture
on Dezeen

Mies van der Rohe Society’s Site Redesigned by Obama Campaign’s Design Director

It isn’t often that we post about a website redesign, largely because a) there are so many of them and b) if we did, we’d be inundated by press releases about them (more than we are now). However, the good people at the Mies van der Rohe Society have just relaunched their site and it’s a thing of beauty. Re-made by Scott Thomas, the design director behind Barack Obama‘s presidential campaign, it’s clean, simple and makes reading up about all-things Mies even more pleasant. The Society interviewed Thomas shortly before the site went live this week, among other things asking him about his site-building process and how their/our favorite legendary modern architect influences his work. Here’s a bit from his response to the latter:

The Web, like architecture, offers spaces in four dimensions. An X-axis, Y-axis, Z-axis of interaction, and time is the fourth dimension. A master architect uses each dimension to compose a prescribed experience on a user. Similarly, a Web designer understands its users must interact and move through a virtual space in a timely and effective manner. Mies offered the world a philosophy of “less is more,” and as technology becomes more complex, the experience of using it should become simpler and easier to use. It has never been more important to recite Occam’s Razor, the principle that one should not “multiply entities beyond necessity.”

If you’re a fan of Mies, of the Society, Scott Thomas, or any/all of the above, a website launch party is planned here in Chicago on the 15th. Check here for all the details and where to RSVP.

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Y house by Beijing Matsubara and Architects

Y house by Beijing Matsubara and Architects

This residence in Beijing by Beijing Matsubara and Architects was built around a smaller house that was already on the site.

Y house by Beijing Matsubara and Architects

Called Y House, the project involved encasing an existing two-storey house with pitched roof inside a larger three-storey structure to provide more space on either side of the old building.

Y house by Beijing Matsubara and Architects

The original pitched roof is visible inside the top storey with a flight of steps installed on each side.

Y house by Beijing Matsubara and Architects

The architects intend the clients to use the north part of the house, which has natural ventilation, during the summer and the south side, equipped with basic heating systems, during winter.

Y house by Beijing Matsubara and Architects

Photographs are by Misae Hiromatsu.

Y house by Beijing Matsubara and Architects

More residential architecture on Dezeen »

Y house by Beijing Matsubara and Architects

The following information is from BMA:


Y House design Description

This is a detached house project locating at Changping ward, the suburb of Beijing City.

Y house by Beijing Matsubara and Architects

The site is on the slope facing to the south, surrounded by the mountain in the north side, and has the good natural environment.

Y house by Beijing Matsubara and Architects

This is not a new construction but the renovation project of the old concrete structure house that was built 5 years ago.

Y house by Beijing Matsubara and Architects

We add the new floor and flat roofing to extend the floor area.

Y house by Beijing Matsubara and Architects

Originally the house was 2 stories (250 sq. m.) with angled roof, and the exterior wall was covered by white tiles.

Y house by Beijing Matsubara and Architects

Our new design changes it as the house of 3 stories (770 sq. m.) with flat roof, and the exterior wall is covered by gray blocks with outer insulation.

Y house by Beijing Matsubara and Architects

Building plan was simplified as “C” form at the same time by us.

Y house by Beijing Matsubara and Architects

17 meters width and 16 meters depth of the plan is rather large for one family (4 persons).

Y house by Beijing Matsubara and Architects

We proposed the sustainable lifestyle using this largeness. In the summertime, habitants live at the north part of the house with natural ventilation.

Y house by Beijing Matsubara and Architects

In the wintertime, they live at south part of the house equipped with the basic heating system.

Y house by Beijing Matsubara and Architects

For keeping the comfortable inner circumstance, we do not provide the high-spec air conditioning for all interior space, but provide the minimum equipment for adequate place.

Y house by Beijing Matsubara and Architects

Habitants can find the comfortable space and choose the living place according to the season.

Y house by Beijing Matsubara and Architects

This is a sustainable architecture especially for the place that has plenty of land such as China.

Y house by Beijing Matsubara and Architects

Project name: Y house
Design: BMA Beijing Matsubara and Architects

Y house by Beijing Matsubara and Architects

Architect: Hironori MATSUBARA, Norio KATSUTA, Zhichao LI, Daijiro NAKAYAMA, Xiaoli LI
Address: Changping district, Beijing, China

Y house by Beijing Matsubara and Architects

Site area: 1200 sq. m.
Building area: 245 sq. m.

Y house by Beijing Matsubara and Architects

Total floor area: 770 sq. m.
Structure: concrete frame structure (partly wall structure)

Y house by Beijing Matsubara and Architects

Design period: Dec. 2007- Feb. 2008
Completion period: Nov. 2009

Y house by Beijing Matsubara and Architects

Construction: LI Qiyun
Client: individual

Y house by Beijing Matsubara and Architects


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A House in a Church by
Ruud Visser Architects
House K by
Yoshichika Takagi
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on Dezeen

Qatar to the quick: Super-designey World Cup stadiums with zero-carbon A/C

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For the first time in World Cup history, a Middle Eastern nation has been selected for the games; Qatar’s won the bid for 2022. Here’s the thing–during summertime, when the World Cup is always held, Qatar can get up to 46 degrees Celsius (that’s 115 Fahrenheit in Yankee terms). If the players don’t wilt, the fans surely will.

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To combat this, the wealthy nation is constructing twelve stadiums that are not only super-designey, but will reportedly feature solar-powered air conditioning tuned to produce zero carbon. Needless to say this has never been done on structures of this size, so it will be interesting to see if/how it works. If they can pull it off, the implications will obviously go farther than a mis-kicked Jabulani.

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You can check out all of the designs here, and below is a beautifully-produced vid presenting the first five of the stadium designs:

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Belsize Crescent by Studio 54 Architecture

Belsize Crescent by Studio 54 Architecture

London firm Studio 54 Architecture have completed a glazed entrance with grey brick steps connecting the ground floor and garden of this London terraced house.

Belsize Crescent by Studio 54 Architecture

The project involved removing a conservatory from the rear of the property and excavating the site to create wide steps made from long grey bricks.

Belsize Crescent by Studio 54 Architecture

New doors above this lead from the kitchen to a red cedar balcony while a small flight of steps links the garden to a smaller new entrance on the landing.

Belsize Crescent by Studio 54 Architecture

Garden storage under this smaller flight of steps is accessed from the wider staircase.

Belsize Crescent by Studio 54 Architecture

The information below is from Studio 54 Architecture:


Belsize Crescent NW3

Our Clients wanted to reconfigure the rear of their house at the upper and lower ground floor levels to provide a better relationship to the garden.

Belsize Crescent by Studio 54 Architecture

A recently built conservatory simply added to the sense of dislocation from the outdoors.

Belsize Crescent by Studio 54 Architecture

Above: before

The conservatory was demolished and a large volume of earth was excavated.

Belsize Crescent by Studio 54 Architecture

Above: before

We designed a wide and generous access from the lower ground floor up to the garden, linked to the lower ground floor by new glazed doors.

Belsize Crescent by Studio 54 Architecture

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A new balcony at the Upper Ground floor level links the kitchen to the garden via a shallow line of steps over a garden store.

Belsize Crescent by Studio 54 Architecture

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A new entrance is provided from the stair landing.

Belsize Crescent by Studio 54 Architecture

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The pallet of materials we used was deliberately simple: for the walls and paving the Petersen Kolumbia long brick with a horizontal raked joint in the vertical plane and for the balcony and doors: western red cedar.

Belsize Crescent by Studio 54 Architecture

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Project completed: September 2010

Belsize Crescent by Studio 54 Architecture

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Belsize Crescent by Studio 54 Architecture

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Belsize Crescent by Studio 54 Architecture

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Belsize Crescent by Studio 54 Architecture

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Belsize Crescent by Studio 54 Architecture

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Belsize Crescent by Studio 54 Architecture

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See also:

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Stairs-House by
y+M Design Office
Bar Guru Bar by
KLab Architecture
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on Dezeen

Judge Orders Property be Given Back to Lender, Officially Sealing the Chicago Spire’s Fate

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Here at UnBeige, we sound a bit like a broken record when it comes to Santiago Calatrava‘s Chicago Spire. While it’s long been common knowledge that the tower, which was to sit close to Lake Michigan and drastically alter the city’s skyline, has long since been another architectural casualty of the financial fall, after a series of big problems dogging the project, we started calling it officially dead back in August of last year. Then we did it again this May when the building closed its sales office. Then we called it once more in October when its development company was hit with a $77 million foreclosure suit. Now we’re finally (finally!) ready to say that the project is officially (officially!) no more, with the Chicago Tribune reporting that a judge has ordered that the developer, Garrett Kelleher, hand over the property the Spire was to be built upon (currently just a very large hole in the ground) to its lender and just one of the many groups Kelleher’s company owes money to, Anglo Irish Bank Corp, Ltd.. So until we post that the Spire is definitely no more once again in the coming months, consider this the quiet final-final finale.

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Design Excursion: Mount Angel Abbey Library designed by Alvar Aalto

Mount Angel Abbey Alvar Aalto Designed Library from Matthew DiTullo on Vimeo.

My brother Matthew and I are both slight nerds when it comes to Modern architecture, with the capital M. Our most recent excursion was to the Mount Angel Abbey Library, designed by Alvar Aalto. About an hour outside of Portland, The Mount Angel Abbey is nestled in the bucolic rolling farmland of Oregon. Surrounded by more expected neo-gothic structures of the monastery, the almost unassuming library gives little away from its elegantly simple one story entry. The interior sharply contrasts with a soaring 3 story vaulted interior. It was completed in 1970, and Aalto and his wife also designed all of the furniture.

If you go, be sure to make another stop at the nearby Oregon Gardens to see the Gordon House, the only home in Oregon designed by Frank Lloyd Wright. The Gordon House is the largest Usonian home built by Wright. At just over 2000 sq ft, it is quite small compared to many of his other residences, but his use of space makes it seem much larger. Originally designed for a farmer and his family, the original owners lived in the home for over 30 years.

The buildings are both stunning, but the amazing part are the staff at both who are passionate about the structures and their stories. If you find yourself in Portland, this is a worthy day trip.

Video by Matthew DiTullo, Music by Aphex Twin.

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Oklahoma Continues to Lead Nation in Seasonal Gingerbread Architecture

In Decembers past, we’ve told you about the Usonian gingerbread house classes offered by the Price Tower Arts Center, housed in Frank Lloyd Wright‘s “prairie skyscraper.” This year the Bartlesville, Oklahoma institution switched things up with something much more ornate than Wright’s pared-down dwellings for “common people.” On Saturday, the Price Tower offered amateur gingerbread architects the opportunity to make an edible cathedral under the guidance of pastry artist Sandy McLelland. The change of style was in honor of the current exhibition, “William Schickel: Spirit Made Manifest,” on view through January 9. And Oklahomans needn’t worry if they missed out on the icing action at the Price Tower. Tomorrow pastry architects Omar Galban and Steven Reasor will unveil a trio of elaborate gingerbread structures at Inverness Village, a retirement community in Tulsa. The duo devoted more than 120 hours to the holiday spread, which includes a three-foot-tall gingerbread replica of the Sistine Chapel—complete with powdered sugar versions of Michelangelo‘s ceiling paintings and a lighted floor made of sugar. Those interested in licking the famous frescoes or preserving them for eternity under a festive coat of shellac can bid away: all of the gingerbread creations will be auctioned, with the proceeds going to charity.

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