After Two Month Climb, Architecture Billings Index Takes Another Dive

What’s become par for the course over the past year or so has happened once again, though this time it’s not as painful as in times past. After a steady two month climb into positive numbers, increasing industry optimism all the way, the American Institute of Architects‘ Architecture Billings Index has taken a dip once more. While the plunge was fairly high by month-to-month standards, dropping four points, it stopped at an even 50.0. As anything above 50 means growth in demand for architectural services and anything below means a decline, leveling out exactly in the middle certainly isn’t the ideal, but it also doesn’t seem like the end of the world, like when it was in free fall back in early 2009. Here’s a bit about the new report from the AIA’s cautiously sage seer of numbers:

“This slowdown is indicative of what is likely to be a very gradual improvement in business conditions at architecture firms for the better part of this year,” said AIA chief economist Kermit Baker. “We’ve been taking a cautiously optimistic approach for the last several months and there is no reason at this point to change that outlook.”

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Ty Hedfan by Featherstone Young

Ty Hedfan by Featherstone Young Architects

This house cantilevered over a river in Wales is by London studio Featherstone Young.

Ty Hedfan by Featherstone Young Architects

Called Ty Hedfan – meaning “hovering house” in Welsh – the residence is divided into two contrasting wings.

Ty Hedfan by Featherstone Young Architects

The first is cantilevered over the river and contains the double-height living room, kitchen and dining room, plus bedroom and bathrooms in the roof space, all arranged around an elevated courtyard.

Ty Hedfan by Featherstone Young Architects

The second wing is submerged in the ground and covered by a green roof, containing a guest room and study room.

Ty Hedfan by Featherstone Young Architects

The house is made from locally sourced materials including slate, stone and wood.

Ty Hedfan by Featherstone Young Architects

Also by Featherstone Young: Wieden + Kennedy offices.

Ty Hedfan by Featherstone Young Architects

More residential architecture on Dezeen »

More buildings featuring cantlievers on Dezeen »

Ty Hedfan by Featherstone Young Architects

The following information is from the architects:


Featherstone Young complete Ty-Hedfan, a new house in Brecon Beacons, Wales

Ty-Hedfan is a new house perched above a river in a small village at the top of a valley, five miles from Brecon and the beautiful Brecon Beacons National Park. The site is quite unique, sloping down to the confluence of two rivers, Ysgir Fach and Ysgir Fawr, that run across the length of the property.

Ty Hedfan by Featherstone Young Architects

Ty- Hedfan, meaning ʻhovering houseʼ takes full advantage of this river side location. Because of a statutory 6m no-build zone along the river bank, it cantilevers the main living areas up to the river bank and elevates them amongst the trees.

Ty Hedfan by Featherstone Young Architects

The house is a further exploration of the practiceʼs interest in highly site specific and contextual architecture, taking its cue from the traditional Welsh long house form, using local materials such as slate and stone and by fully utilizing the topography of the site to create a striking and unique form.

Ty Hedfan by Featherstone Young Architects

The house totals 2400sqft (223sqm) of internal living space which is split into two quite differently constructed wings:

The main house wing has the cantilevered living room and a double height kitchen and dining spaces that open onto an elevated courtyard overlooking the garden, river and countryside. The upper floor of this wing, partially within the roofspace, contains 2 bedrooms and bathrooms.

Ty Hedfan by Featherstone Young Architects

The second wing is perpendicular to the first and partially buried into the sloping ground. It has a gently sloping green sedum roof that appears to be an extension of the garden behind.

Ty Hedfan by Featherstone Young Architects

This wing comprises two guest bedrooms and a study room with bed mezzanine, all with full height windows and doors opening up onto a riverside deck. Punctuating the green roof are irregular shaped rooflights bringing ample daylight into this semi sunken area.

Ty Hedfan by Featherstone Young Architects

Click for larger image

The main wing construction is a hybrid timber and steel frame structure clad with traditional slate and locally sourced stone. Large timber framed windows on the south and southwest elevations maximize the thermal benefits from solar gain. Insulated thermal mass is added through the two large stone walls wrapping the main house and forming the entrance hall and interface with the lower guest wing. The guest wingʼs concrete retaining walls and green sedum roof add further thermal mass whilst solar panels and an air source heat pump ensure the house is energy efficient.

Ty Hedfan by Featherstone Young Architects

Click for larger image

Local contractors Osborne Builders of Builth Wells built Ty-Hedfan and is a family run business employing skilled carpenters and stone masons. Four men single handedly were able to build the house from beginning to end crossing all trades from the heavy concrete and timber structure through to the fine finishing of joinery and mosaic tiling.


See also:

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Balancing Barn by MVRDV

and Mole Architects

Piracicaba House by

Isay Weinfeld

Ty Pren by

Feilden Fowles

City Green Court by Richard Meier & Partners

City Green Court by Richard Meier and Partners

Here are some images of an office building designed by American studio Richard Meier & Partners, currently under construction in Prague, Czech Republic.

City Green Court by Richard Meier and Partners

Called City Green Court, the building will feature glass façades interrupted by protruding vertical fins and balconies.

City Green Court by Richard Meier and Partners

The eight-storey building will be organised around a central open-air atrium with a large tree in the middle and a wall covered in plants at ground level.

City Green Court by Richard Meier and Partners

Walkways spanning across the courtyard will provide access routes from opposites sides of the building.

City Green Court by Richard Meier and Partners

This is the third building to be designed by Meier as part of a masterplan for the Pankrác Plains in Prague.

City Green Court by Richard Meier and Partners

Construction on the tower began in September last year and is due to be completed in 2012.

City Green Court by Richard Meier and Partners

Renderings are courtesy of Vize.

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City Green Court by Richard Meier and Partners

Click for larger image

The following information is from the architects:


Richard Meier & Partners third building breaks ground in Prague, Czech Republic and receives LEED Platinum pre-certification

Richard Meier & Partners Architects is pleased to announce the construction of City Green Court which has recently started last September 2010. This is RM&P’s third building within the Master Plan of Prague 4- Pankrác that began almost a decade ago with a local Czech developer and named the CITY Project. Based on RM&P’s Master Plan of the superblock on the Pankrác Plains, this once neglected area of Prague has now been transformed into a multi-functional, vibrant and revitalized business, commercial, and residential district filled with green public spaces and amenities.

City Green Court by Richard Meier and Partners

Click for larger image

City Green Court has been modified and re-designed to the new owner Skanska’s sustainability goals and high standards to achieve the highest level of LEED certification. The project has recently received a LEED Platinum Pre-certification. With City Green Court, Richard Meier & Partners completes the northwestern corner of the superblock along M. Pujmanové and Hvĕzdova Streets with a cluster of three buildings. Conceived as a geometric volume in dialogue with the near context, City Green Court also offers respected contrast to the surrounding buildings. Like its earlier siblings City Tower and City Point, it is inspired by the language of Czech Cubism with an expressive façade that responds to issues of conservation and sustainability articulated with forms reminiscent of this avant-garde movement.

City Green Court by Richard Meier and Partners

Click for larger image

When completed in early 2012, it will be a welcomed and key addition to the Pankrác superblock. “We are working together to make City Green Court a benchmark for green building design in the Czech Republic, said Richard Meier. “This assignment has been particularly challenging as it also meant addressing the historic beauty of Prague and at the same time creating a modern image of the City for its future.” Distinctive vertical solid panels with fins angled according to the sun’s orientation are integrated into the design of the curtain wall, emerging from both the south and west facades to minimize solar heat gain and to provide balanced shading and comfort within the interiors while maximizing daylight and views.

City Green Court by Richard Meier and Partners

Click for larger image

In contrast, the north and east facades do not need solar protection: shading is unnecessary to the north, and City Tower, the adjacent high rise standing on the neighboring site shields the building to the east. White spandrel glass replaces the fin panels producing facades which are calm, sleek and uniform. The four facades when juxtaposed create a harmonious and dynamic envelope that can be perceived differently from close and distant vantage points. The eight-story building is organized around a central sky-lit atrium surrounded by highly efficient office floor spaces. To the south, a grand canopy marks the formal entrance to the building that leads into a single height lobby which then opens into the multi-story atrium.

City Green Court by Richard Meier and Partners

Click for larger image

Atop the seven office floor plates, the partial mechanical penthouse level is covered with an extensive green roof and a skylight. Nestled in the atrium is a singular black olive tree and green ivy wall, with bridges spanning above from one side of the space to the other while a free standing stair connects the first four floors promoting movement and interaction, and encouraging less use of elevators. The exterior and interior of City Green Court are intertwined visually and physically with landscape elements spilling into and reappearing in the atrium.

City Green Court by Richard Meier and Partners

Click for larger image

“Skanska Property Czech Republic, our Associate Architect CUBOID and our local consultants in Prague are fast becoming experts in green building design,” said Partner in Charge Dukho Yeon. “With its tautly composed form and elements, City Green Court embodies a certain discipline and restraint; designed within the framework of Skanska’s green initiative. We hope that we continue to educate each other and influence future development with a critical outlook on architecture and social responsibility.” City Green Court is expected to achieve LEED platinum certification in the Czech Republic by drastically reducing energy consumption.

City Green Court by Richard Meier and Partners

Click for larger image

In addition to the very efficient building envelop, some of the most important measures towards LEED certification include natural ventilation of the atrium during the summer, state-of-the-art mechanical systems, reduction of water runoffs and storm water collection, green roof, indoor air quality control and the use of local and recycled materials.

City Green Court by Richard Meier and Partners

Click for larger image

“We are proud to cooperate with Richard Meier & Partners Architects on the redesign of City Green Court to meet the growing interest in green, modern and flexible office space that offers a stimulating work environment,” said Britta Cesar, Managing Director of Skanska Property Czech Republic, and continued: ”Together with the enthusiasm and commitment from Richard Meier & Partners Architects we managed to achieve LEED platinum Pre-certification.”

“Above all we hoped this Master Plan for the Pankrác Plains would be a catalyst for growth, said Richard Meier. “After 10 years of hard work and dedication we are now seeing the result – which is an incredibly robust neighborhood, a new urban fabric rich with activity, and an optimistic view of urbanism for Prague.”


See also:

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Office building by de Carvalho and Palmero CabezasCentral Business District Wenzhou by Henn ArchitektenCrystal Clear by C. F. Møller
& Kristin Jarmund Arkitekter

A Slight, Subtle Dig? Commission for Architecture and the Built Environment Critiques New Chelsea Barracks Plans

Remember back in the early summer of 2009 when all eyes were on the raging battle between Prince Charles and Richard Rogers, the former using his stature and influence to remove the latter from the project because it was believed to be too modern for royal blood’s taste? That eventually died down a bit by the end of the year, and save for a few little pieces of news popping up here and there (like in the court hearings about the matter last year and even more recently when the Prince said his critics reporting on his supposed anti-modern bias drive him “insane”), in the end, a new architecture firm was hired for the project and all parties have seemingly gone their separate ways. However, in a very slight, quiet way, there’s been a bit of a bite back recently. Last year you might recall that the Commission for Architecture and the Built Environment (CABE) had its government funding pulled during the massive financial cuts that swept the whole of Britannia. At that time, some critics were crying foul as it appeared the Prince’s Foundation for the Built Environment was trying to move in to take CABE’s place, helping to oversee the design of buildings in the UK. Since then, CABE has managed to stay afloat by recently securing a partnership with the also-budget-cut Design Council. Got all that? Now late last week, if you read into it and are angling for an angle (which we’re more than happy to do), the newly reinvigorated CABE handed down a number of critiques to the newly submitted plans to the firm in charge, Dixon Jones, Squire & Partners and Kim Wilkie Associates, saying that the development needed to better adapt and grow into the 21st century, instead of just exist in the moment as a “traditional garden square.” Granted, CABE also handed down recommendations for alterations on Richard Roger’s plans, and by and large, they seem to like the new project layout, but we’d like to believe there’s a subtle little dig at work here, whether there is one or not. Here’s a bit from Building Design on CABE’s response to the new plans:

Cabe said it commended the quality of the proposal and welcomed its “elongated squares”, but added that the project needed to be less formalist and more flexible in meeting the “more varied” surrounding area. It also said the proposed development was not ambitious enough in allowing for “a modern, sustainable, low-carbon lifestyle, community engagement and social interaction”.

New Career Opportunities Daily: The best jobs in media.

Architect Barbie Finally Becomes a Reality

You might recall hearing that since 2002, there’s been a concerted effort to make architecture a career that Barbie finally would accept. Despite winning that year’s annual “I Can Be” contest, toy manufacturer Mattel supposedly decided that the business of building didn’t fit within the iconic doll’s range and axed it. Last year, the fight raged again and it seemed like an Architect Barbie might finally be a possibility. But sadly, it was not to be, and instead she went into computer engineering and news anchoring. However, as glum as last year was for those pushing for her career path, it looks as though the efforts have paid off. Rita Catinella at Architectural Record broke the story that 2011 is the year the world will finally see Barbie as an architect. Now, along with previous years’ winners of Dolphin Trainer, Chef, and Pet Vet, the disproportionate, iconic blond will be designing buildings right along side all those other disproportionate blond icons, like Frank Gehry or Zaha Hadid. The doll will be available sometime this fall and has already appeared on Target’s website for pre-order. What’s most surprising/optimistic about all of this finally happening, is that Mattel even reached out to the AIA. Here’s a bit from Catinella’s report:

According to the AIA, they did not partner with Mattel on the doll, but two AIA members from upstate New York were part of the conversation with the company. The organization is supportive of the concept however. According to Matt Tinder, Media Relations, AIA, “We’re pleased that a new generation of young people have an opportunity to imagine becoming an architect. We believe the Barbie I Can Be… Architect will help inspire a new generation of young people to consider the profession of architecture.”

That doesn’t really indicate how much the AIA contributed, but we’re hoping it’s more than just “so what’s the perfect kind of black-rimmed glasses for an architect to wear?” because of course Architect Barbie has them.

New Career Opportunities Daily: The best jobs in media.

Belle Iloise House by Opus 5

Belle Iloise House by Opus 5

Paris studio Opus 5 Architects have completed this island house in Brittany, France, featuring a glazed façade with sections covered by stone screens.

Belle Iloise House by Opus 5

Called Belle Iloise House, the long building is divided in two by a glazed walkway.

Belle Iloise House by Opus 5

The walkway houses a glazed footbridge, which connects the bedrooms to the rest of the house.

Belle Iloise House by Opus 5

More residential architecture on Dezeen »

Belle Iloise House by Opus 5

The following information is from the architects:


A NEW VERSION OF THE BELLE ILOISE HOUSE

n°1 NIGHT- HOUSE

This house has been designed by Opus 5 Architects, Bruno Decaris and Agnes Pontremoli. It is located on Belle-ile-en-Mer, the biggest island of Britany which is famous for its protected and wild lands. Some strict architectural rules have imposed the construction of a unique model of ‘neo-Britannic’ style: the same little houses are spread all over the island, with no proper architectural quality.

Belle Iloise House by Opus 5

n°2 ENTRANCE

The architects have proposed a contemporary and personal vision of the traditional model imposed by the severe regulations of the site. They took the challenge to transform the existing stereotype into a new up-to-date construction, by respecting the restricted architectural rules:

  • Slate roof with two slides at 45 degrees, gables and limited openings (max width 1,60 m)
  • Despite the fact that the house aimed to be harmoniously integrated in the landscape, the reasonable stylistic daring has created fierce debate.

Belle Iloise House by Opus 5

n°3 FACADE SEA (ARCHITECTURE PRICE OF Bretagne)

Spared volume: low and long proportions, limited height, with limited roof space. The roofing is built without salient element and only contains some panes of glass in the front.

Belle Iloise House by Opus 5

n°4 LIVING ROOM (ARCHITECTURE PRICE OF Bretagne)

The façades are split into two: an inner skin which is entirely glazed and partially hidden by schist panels, to release the ‘regulatory’ openings. Those stone ‘paravents’ create some magical lighting effects and reflexions inside the house.

Belle Iloise House by Opus 5

Click for larger image

n°5 CAT LIVING ROOM

When the daylight fades, the glass panels light up and disappear to create a warm atmosphere: the house seems to float.

Belle Iloise House by Opus 5

n°6 ENTRANCE AND GLASS FOOTBRIDGE (ARCHITECTURE PRICE OF Bretagne)

The two portions of the main part of the house- living room and bedrooms, are connected by a transparent window screen and an entirely glass footbridge, enabling a clear sea view from both the inside and the outside.


See also:

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Ty Pren by
Feilden Fowles
Residence O by
Andrea Tognon
Apprentice Store by
Threefold Architects

Dar Hi by Matali Crasset

Dar Hi by Matali Crasset

French designer Matali Crasset has completed a hotel in Nefta where bedrooms are located in eight individual towers overlooking the Tunisian desert.

Dar Hi by Matali Crasset

The Dar Hi resort is laid out like a village and features ochre-coloured structures on pilars, enclosed by an exterior wall.

Dar Hi by Matali Crasset

Upon entering the resort, guests take off their shoes, swapping them for Tunisian slippers.

Dar Hi by Matali Crasset

Beds are arranged next to the large windows with cane shades, affording panoramic views of the surrounding landscape.

Dar Hi by Matali Crasset

Faceted walls create little areas to relax in the communal spaces.

Dar Hi by Matali Crasset

Glass panels in the cooking area separate guests from the chefs.

Dar Hi by Matali Crasset

A spa, pool, library, living room, auditorium and kitchen are included within the resort.

Dar Hi by Matali Crasset

Locally sourced materials including clay bricks and palm wood are used throughout.

Dar Hi by Matali Crasset

More hotels on Dezeen »
More projects by Matali Crasset »

Dar Hi by Matali Crasset

Photographs are by Jérôme Spriet.

Here’s some more information about the resort:


Dar Hi The first architectural project signed matali crasset

matali crasset created an ecological house in the Tunisian desert. After the experience of the HI hotel in Nice, now Dar HI in Nefta which is the fruit of the collaboration between matali crasset, Patrick Elouarghi and Philippe Chapelet with a new concept of eco-retreat. Matali literally rose a citadel, from the sand, dedicated to well being. Protected by surroundings walls you find a composition of elevated houses that constitute the Dar HI as a small village. The overall architectural goal was to give a strong proposition while in harmony with the natural site and the local life.

Dar Hi by Matali Crasset

Dar HI’s main colours are ochre and sand with a comprehensive choice of body and spirit care within areas that are private or communal, a pool, a restaurant and a Spa. The dialogue and collaboration between Philippe Chapelet, Patrick Elouarghi and matali crasset started in 2005. They all decided to push the contemporary experience a bit further with Dar HI a new concept of hospitality and serenity. They all have a common interest always to question their ideas and the desire to conceive innovative projects; those are the main reasons why their collaboration is so dynamic. matali crasset develops a design that is meant to be practical and believes in initiatives that have a sense locally but also collectively. Patrick and Philippe are creative entrepreneurs that are always ahead of their time.

Dar Hi by Matali Crasset

They are driven by the renewal of propositions, the reinvention of codes and sites and the research on contemporary hotel industry and well being. These strong set views unite them for an intransient length of time. After Nice and the HI hotel, Paris and the HIMATIC, it is now Tunisia with Dar HI. Dar HI is not only another project. “The HI Hotel wasn’t meant to be duplicated: it has been conceived as a laboratory that is not duplicable”, says matali.

Dar Hi by Matali Crasset

The Dar HI project is articulated around notions of well being and eco-retreat in an unexpected and magical site. “Dar HI is not a hotel nor a classical SPA but more a place where you can experience withdrawal and benefit from a spiritual thalassotherapy a few hours away from Paris and in the middle of the desert”, explains Patrick Elouarghi.

Dar Hi by Matali Crasset

The DARHI team has created privileged relationships with the inhabitants of the village who will be taking care of the house. The gardeners will till the garden that will be the main source of vegetables and fruits. The cooks will propose a variety of local and simple dishes. No high gastronomy nor imported products, even less so called authentic cuisine for tourists, but a self sufficient and local development approach. Here artificial folklore is not necessary.

Dar Hi by Matali Crasset

To access the Dar HI you walk towards it and this is the beginning of your stay. The car has been left further from the house. A discreet door leads you to imagine that you walk in a private house. The entrance, a corridor, a ramp is the last stop where you leave your “codes” at the exterior. You take off your shoes and wear babouches (Tunisian slippers). You are at home. As you can find in the traditional foundouks, Dar HI is a house in which the stays are pro- longed, at the opposite of short stay tourism. The organisation of the areas favours the different possibilities to either share moment with other people or to be in a calm retired place to rest. The guests can do as they please according to their wish.

Dar Hi by Matali Crasset

In the same spirit as a bed and breakfast, Dar HI’s team offers a simple yet friendly service. The objective is to feel at ease without being annoyed constantly and fully enjoy the house. At Dar HI there is no shame for being lazy, observe, read, loiter, take care of your body and your mind, to discover at your own rhythm local life, and slowly let yourself go to the site’s atmosphere. Guests feel free to organise their lives indoor or outdoor and free to discover Nefta and its wonderful surroundings. If you are a curious traveller, for a unique experience, it is also possible to spend a few days during your stay within the date grove in a palm tree tilt or try out a typical house the Dar Malika that is close to the Dar HI.

Dar Hi by Matali Crasset

3 site typologies
“I have conceived an architecture that is towards the indoor when outside and towards the outdoor when you’re inside, exploding the codes” explains matali. With the surrounding wall, typical of local architecture, Dar HI follows the movement of the terrain, following the shapes of the site and emerges from the sand as a mirage citadel. Inside, the elevated houses seem to be planted into the sand and they structure the project. They are located according to their sun exposure and panorama. “This architecture of pill houses allowed to propose different scenarios that can be lived at Dar HI” says matali. The pill houses are elevated above the surrounding wall and offer different panoramas: the date grove, the village of Nefta or the Chott-El-Jerid. matali crasset designed 3 different areas: the pill houses, the troglodytes and the dunes. Each possibility has interaction with the site and hotel life (interior terrace, pool, ham- mam …) and its guests.

Dar Hi by Matali Crasset

The pill houses

These houses have exceptional views that are all different. Some have a panorama over- looking the horizon of the salted lake, others have a view of the palm grove and its very diverse landscape. Both are very different, one is more intimate being high above the ground with a panoramic view and the other on the lower ground so more amongst the communal area.

Dar Hi by Matali Crasset

High above the ground the room is structured around a bow window, as if the view was integrated in the room. A small table to nibble or work, a large bed that hides part of the shower and toilets compose the room. Down below it is like a small village square. Everyone has a space that is protected from the sun. The square, the bar, the water point and small fountains are all places to be easily together.

Dar Hi by Matali Crasset

The troglodytes: for a mineral experience Three areas called troglodytes with small bricks from Nefta are completely independent with their own private terraces but also linked together by a circular area from one to the other. Collective life is articulated around a small square with a small water cascade and a bread oven. These rooms can be rented entirely for a stay with friends or family. The freshness reminds of the typical troglodytes houses of Matmata.

Dar Hi by Matali Crasset

Above: during construction

The dunes: to have the feeling of having an indoor landscape The three areas called dunes are at sand level. They are like open spaces that the wind would have sculpted. The inspiration was the bivouac that allows you to modulate your comfort as you wish. The experience of living within the dunes creating your own nest to feel closer to the desert. They are all different, one has a loggia with a natural light and an indoor garden, the other very spacious has an external terrace and a large window with a view of Nefta, the third one also very spacious and fresh. It offers a view on the date grove with an independent room and an alcove wooden terrace.

Dar Hi by Matali Crasset

The communal spaces

Dar HI has different communal areas that are places to meet and share. “Leaving the communal areas as open as possible, I wished to leave an easy circulation with a large potential to use the area as much as possible” says matali.

The kitchen: open on the exterior It is a laboratory where you can see the cooks at work, all from Nefta village. The area is also open for the guests every hour of the day or night. There is no area dedicated for the restaurant but a large table and small tables that can be arranged.

The auditorium: an area that changes according to the activities Cinema, music, rest … It has foam material seating that have the superior part that can be used as a back rest. As there are no televisions in the rooms this area allows people to gather and listen to music or watch a movie. The library: around the staircase Like a hedgehog, the staircase has wooden sticks where books are placed and easily accessible. You can come choose a book, read it, put it back or sit comfortably to read it.

Dar Hi by Matali Crasset

The modular living area

With poufs, it is a very agreeable area that you can build yourself. With alcoves, suspensions in terracotta and its chimney, it is a nice area for intimate and warm evenings.


See also:

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Hotel by Camprubí i
Santacana Arquitectes
Tree Hotel by
Tham & Videgård Arkitekter
More projects by
Matali Crasset

Whatami by stARTT

WHATAMI by stARTT

This pavilion by Italian firm stARTT has won the first international edition of the MoMA/P.S.1 Young Architects Program and will be installed outside the Zaha Hadid-designed MAXXI museum in Rome this June. See this year’s New York installation in yesterday’s story.

WHATAMI by stARTT

As inaugural winners of the YAP_MAXXI award stARTT’s installation, entitled Whatami, will feature a series of mini hills around the concrete plaza with pools of water in between.

WHATAMI by stARTT

The artificial landscape will be littered with clusters of funnel-shaped canopies representing flowers.

WHATAMI by stARTT

WHATAMI will open in June this year at the same time as Interboro Partner’s winning design for their installation in the courtyard of the P.S.1 Contemporary Art Centre in New York. (See our earlier story)

WHATAMI by stARTT

See all our stories on past winners of the Young Architect Program »

WHATAMI by stARTT

Here’s some more information from The Museum of Modern Art:


stARTT SELECTED AS WINNER OF THE INAUGURAL YOUNG ARCHITECTS PROGRAM AT THE NATIONAL MUSEUM OF XXI CENTURY ARTS (MAXXI) IN ROME

stARTT’s WHATAMI to open in the Courtyard of MAXXI in June

NEW YORK, February 16, 2011—The Museum of Modern Art, MoMA PS1, and the National Museum of XXI Century Arts of Rome announce Interboro Partners of Brooklyn, NY, as the winner of the 12th annual Young Architects Program in New York, and start, of Rome, as the winner of the first annual YAP_MAXXI Young Architects Program in Rome.

WHATAMI by stARTT

Now in its 12th edition, the Young Architects Program at MoMA and MoMA PS1 has been committed to offering emerging architectural talent the opportunity to design and present innovative projects, challenging each year’s winners to develop highly innovative designs for a temporary, outdoor installation at MoMA PS1 that provides shade, seating, and water. The architects must also work within guidelines that address environmental issues, including sustainability and recycling.

WHATAMI by stARTT

For the first time, MoMA and MoMA PS1 are partnering with another institution, MAXXI in Rome, to create the first international edition of the Young Architects Program. stARTT has been chosen from among five European finalists to create an innovative event space in the MAXXI piazza opening in June.

WHATAMI by stARTT

WHATAMI by stARTT is based on the manufacturing of an artificial archipelago-hill, generating smaller green areas in the garden and potentially outside the museum. The hill works as a garden, injecting “green” into the concrete plateau of the museum’s outdoor space, allowing it to serve as a stage and/or parterre for concerts and other events, or as a space to rest and look at the museum itself.

WHATAMI by stARTT

The artificial landscape will be punctuated by large “flowers” providing light, shadow, water, and sound. The materials proposed for the installation involve a two-fold recycling process, the supplying of the materials for the construction (straw, geo-textile, plastic) and the dismantling of the “hill” (turf, lighting).

WHATAMI by stARTT

Opened in May 2010, MAXXI was designed by Zaha Hadid and awarded Royal Institute of British Architect’s (RIBA) Stirling Prize for architecture, and has already gained a place among the elite international contemporary art and architecture museums.

WHATAMI by stARTT
The other YAP_MAXXI finalists were Raffaella De Simone/Valentina Mandalari (Palermo); Ghigos Ideas (Lissone/Mi, Davide Crippa, Barbara Di Prete and Francesco Tosi); Asif Khan (London, United Kingdom); and Langarita Navarro Arquitectos (Madrid, Spain, María Langarita and Víctor Navarro).

WHATAMI by stARTT

Pippo Ciorra, Senior Curator of Architecture at MAXXI, explains, “We’re very happy with the results of this program for three main reasons. First, the collaboration with MoMA proved as effective and productive as we hoped, finally allowing us a surprising insight into the most recent research in terms of architecture, public space, and landscape.

WHATAMI by stARTT

Second, we were able to discover an unexpected positive quality of answers by the Italian and European young (under 35) architects involved in the project, all proposing fascinating, innovative and well developed proposals. Third, we’re delighted that we were able to choose a winning proposal which incorporates a MAXXI_specific approach to the issues of ecology, recycle, and public space.”

WHATAMI by stARTT


See also:

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Holding Pattern by
Interboro Partners
Afterparty by
MOS at P.S.1
Mexican Pavilion for Shanghai Expo 2010 by Slot.

Frank Gehry’s Stalled Louis Vuitton Foundation for Creation Seems Back on Track

Last week when a surprise decision was made by a Parisian judge to block the construction of Frank Gehry‘s Louis Vuitton Foundation for Creation, we suspected that the move was more posturing than permanent. Now it looks like it was as such and Gehry’s building might soon be on track. ArtInfo points our way to this reporting in La Monde, indicating that the government is pushing to have the judge’s decision overruled, with construction of the Foundation “a public good.” Legislators were able to make the move much like they are within our own government, by slipping an amendment into a completely unrelated bill. If you’re up to date on your French lessons, the whole story is here. If you’re feeling a bit rusty, here’s the news filtered through Google Translate, resulting in a semi-readable, occasionally-incoherent report. The ultimate take away is that, as most knew when the ruling came down, most expected it only to be temporary, considering the bulk of Parisian legislators who backed the building.

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Villa by Knevel Architecten

Villa by Knevel Architecten

Dutch studio Knevel Architecten have completed this villa located on IJburg, a new residential district in Amsterdam built on a series of artificial islands.

Villa by Knevel Architecten

The upper part of the villa is clad in dark-stained wood and features a sloping roof clad in solar panels, which reduces the building from three-storeys at the front to two at the rear.

Villa by Knevel Architecten

Apertures in the slanting roof create terraces on the upper floors while a loggia on the first floor and glazing below overlook the water.

Villa by Knevel Architecten

The lower part of the house is rendered in white and sheltered by a protruding ledge.

Villa by Knevel Architecten

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Villa by Knevel Architecten

Photographs are by Luuk Kramer.

The following information is from the architects:


Construction new villa, Rieteiland Oost, Amsterdam

Commission / Assignment:
The commission concerns the construction of a detached house for a private client on the island of IJburg in Amsterdam.

Villa by Knevel Architecten

Location:
Of the three smaller islands of IJburg, Rieteiland Oost is the most easterly situated one. All houses on this island will be detached. The project location borders the water to the South West side of the island and has an open view over the water to the Diemerpark. The main entryway arrives at a small collective courtyard. The cohesion between the plots and the mutual privacy are realized partly by the dominant green space.

Villa by Knevel Architecten

Design:
The residence consists of three floors, besides the basement and an entrance to the roof terrace. Its volume is following the plot’s contours The design of the building mass and the degree of ‘openness’ determine the orientation of the house.

Villa by Knevel Architecten

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The entrance to the house is at a small courtyard. From this side the house gives a closed impression. The façade has the maximum height permitted and acts as the back of the house, turning it to the courtyard.

Villa by Knevel Architecten

From this large façade the building mass slants downwards in one line to the South West. On that side the residence has an open character due to the use of large glass windows and the creation of loggias and roof terraces.

Villa by Knevel Architecten

From the house the surrounding residential neighbourhood is hardly perceived because of its orientation towards nature. Therefore there is a strong sense of privacy and openness. The outdoor spaces on the upper floors, volumes which have been lifted out of the main structure, overlook the surrounding nature as a result of the direction of the sloping roof. The many outdoor spaces on the floors also enhance the bond with the surrounding nature.

Villa by Knevel Architecten

The building mass remains clearly readable as one volume by the continuous lines of the eaves/gables and facades. A high level of abstraction is achieved in the facades by the composition of accurately executed openings and the selection of only two materials for the closed surfaces.

Villa by Knevel Architecten

The upper part of the building mass is cladded with dark wooden profiles while the base at ground floor level is executed with light-colored rendered finish. The abstraction is enhanced by fitting the complete sloping roof with anthracite solar panels which are well visible from the park across the water.

Villa by Knevel Architecten

The solar panels are a vital part of the architectural image. Due to the almost identical dark colors of the cladding and the sloping roof and the accurate detailed connections, the roof and the facades create one volume. With the seeming simplicity of form, detail, materials and colors, the house is blending into its surrounding landscape.

Data sheet

Client: dhr. C. Carli
Projectarchitect: Gert Jan Knevel en John van de Weg
Project team: Jorrit Spel, Giacomo Garziano, Bas van Berkum
Projectmanagement: Knevel Architecten BV.
Contractor: CEBO Groep
Advisor: Adams bouwadviesbureau BV.
Location: Rieteiland Oost, IJburg, Amsterdam
Plot size: 359 m²
Floor area: 280 m²
Volume: 844 m³
start design: september 2008
start construction: august 2009
completion: december 2010
construction costs: € 500.000,-


See also:

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House in Minamimachi by Suppose Design Office