C-Mine by 51N4E

C-Mine by 51N4E

Brussels firm 51N4E have converted the industrial buildings at this former coal mine in Winterslag, Belgium, into a cultural centre.

C-Mine by 51N4E

Called C-Mine, the project involved building two new structures to house theatres either side of the main machinery hall.

C-Mine by 51N4E

The new buildings have a white concrete base and steel shutters so the auditoria inside can either be flooded with natural light or darkened for performances.

C-Mine by 51N4E

The project also houses a design centre, music room, restaurant, event hall, exhibitions spaces and tourist facilities for the old mining site.

C-Mine by 51N4E

Photographs are by Stijn Bollaert, courtesy 51N4E.

C-Mine by 51N4E

Here are some more details from the architects:


C-MINE: cultural infrastructure reconversion

This project consists of the reconversion of the listed machinery buildings on the former coal mine site of Winterslag. The complex will house up to 5.000 m2 of cultural infrastructure. In the remaining and restored part of the building a design centre, a restaurant, a festivity hall and a touristic infrastructure for the experience of the mining history.

C-Mine by 51N4E

In the arm pits of the old T-shaped building a new theatre hall, a smaller music room, several exhibition spaces and facility functions (a.o. offices) are developed. The new part integrates perfectly into the functional and formal logic of the existing complex.

C-Mine by 51N4E

The former nerve centre of the coal mine of Winterslag is being transformed into the new heart of C-MINE. The former compressor hall, the lift buildings and the ‘Barenzaal’ are reprogrammed and developed into a cultural centre, a design centre and a tourist visitors centre.

C-Mine by 51N4E

Restoration: The existing buildings form brick envelopes housing the different machines. Already through their scale and their engineering they enforce respect. By opting for a light restoration they buildings will remain intact, as privileged witnesses from the mining age.

C-Mine by 51N4E

Extension: The industrial buildings present themselves as a monolith. Functionally they consist of a five meters high labyrinthine foundation base with on top a few majestical machine halls. This contrast between light and dark, high and low, spacious and covered up forms the biggest quality of these buildings. The extension is a resolute option to enhance this contrast and maintain it. The existing base is extended on to the whole available construction site. The new base in white concrete smoothly accommodates all new functions. Only the two new venue hall will pierce trough the base with their volume.

C-Mine by 51N4E

Cultural machines: The two new theatre venues are considered as cultural machines. Together with the lift buildings and the compressor hall they construct a new complex of machine halls on a big ‘piano nobile’. In between these cultural and industrial machine hall unique terrace arise, paved with the same red and white tiles as the existing interior floors of the machine halls.

C-Mine by 51N4E

Like the machine halls the two theatre venues bathe in daylight and are equipped with steal blades for regulatable sun shading and darkening. The big venue (500 spectators) is equipped with a fixed slope while the small venue has a flat ground floor surface.

C-Mine by 51N4E

Program: The new complex has its main entrance on to the urban square in front. A big steal volume filters the public from this square into the foyer. Once inside one finds the tourist visitor centre.

C-Mine by 51N4E

The foyer will function as huge distribution centre form which provides access to the other functions such as an exhibition space, the café and restaurant, the big and small venue, etc.

C-Mine by 51N4E

On top of this foyer the compressor hall is located which can function as an expansion tank for the design centre, the cultural centre, as well as for third parties.

C-Mine by 51N4E

Form the compressor hall on the visitor can access the Mine Experience, the design centre, the café and restaurant and the new roof terraces – accompanied with a unique view on the slagheap.

C-Mine by 51N4E

Click above for larger image

C-Mine by 51N4E

Click above for larger image

C-Mine by 51N4E

Click above for larger image

Location: Winterslag, Genk, BE
Invited competition: 2005
Completion: 2010
Client: City of Genk
51N4E tasks: full process
Project team: Johan Anrys, Freek Persyn, Peter Swinnen, Aglaia De Mulder, Kelly Hendriks, Chris Blackbee, Joost Körver, Lu Zhang, Tine Cooreman, Aline Neirynck, Tom Baelus, Sotiria Kornaropoulou, Bob De Wispelaere, Jan Das, Philippe Nathan.
Consultants: TTAS (theater techniques), Bureau Monumentenzorg (heritage), Arat/ Philip Baelus (restoration)
Structural engineer: BAS/ Dirk Jaspaert
Technical engineer: IRS
Building physics/acoustics: Daidalos-Peutz
Calculation: Probam
Construction: Houben
Programme: theater & concert hall, Tourist Centre, Design Museum
Site surface: 8.800 m2
Built surface: 15.000 m2
Construction cost (excl VAT): 30.000.000 €


See also:

.

Horno 3
by Grimshaw
Red Diamond by
Chiasmus Partners
Between the Waters by
Ooze and Marjetica Potrc

Kymenlaakso UAS Workshop by Arkkitehdit NRT

Kymenlaakso UAS Workshop by Arkkitehdit NRT

Helsinki firm Arkkitehdit NRT designed these workshop facilities for Kymenlaakso University of Applied Sciences in Finland.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

The workshops are mostly underground, with a glazed pavilion on the ground floor designed to showcase students’ work.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

More buildings for education on Dezeen »

Kymenlaakso UAS Workshop by Arkkitehdit NRT

The information that follows is from the architects:


WORKSHOP KYMENLAAKSO UAS, KOUVOLA
Architect’s short description (by Teemu Tuomi)

Workshop building is a part of Kymenlaakso UAS campus.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

The task was to place relatively large workshop spaces at the campus area consisting of old army barracks without disturbing the hierarchy of the built environment.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

The building is planned for students studying design and restoration.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

Workshops are linked to other university learning spaces so that students can use first classrooms and sketching rooms at old brick barrack and next move to workshops to realize their projects.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

The building was placed partly underground in order to maintain free views to and from the old parade square that is the heart of the campus area.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

The only part coming up through this ”ground level” is a class pavilion containing an exhibition space and a café.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

The pavilion is meant to act as a big showroom where student work can be lifted up to the ceiling and be shown to everyone arriving to the campus area.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

Since most of the spaces were placed partly underground, the natural lighting and colours was important to consider carefully.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

The class pavilion works as an enormous skylight giving light to the central parts of the building.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

The only facade not facing ground is facing south.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

The wall is made of glass and is covered with spectrum coloured metal mesh to protect spaces against over heating.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

Also almost all dividing walls inside are made of glass.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

The floors and ceiling are painted light or white colours in order to reflect light as deep in the building as possible.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

Some small exceptional details were also possible to devellope as the subscriber was hoping a tempting and inviting new building.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

For example skylights were transformed to periscopes by adding large mirrors both out and inside of the window.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

At daytime students can have a random view to upper level from workshops.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

In the evening a curious passer-by can see a glimpse of the lively work spaces underneath.

Kymenlaakso UAS Workshop by Arkkitehdit NRT

Kymenlaakso UAS Workshop by Arkkitehdit NRT

Kymenlaakso UAS Workshop by Arkkitehdit NRT

Kymenlaakso UAS Workshop by Arkkitehdit NRT

Kymenlaakso UAS Workshop by Arkkitehdit NRT

Kymenlaakso UAS Workshop by Arkkitehdit NRT


See also:

.

Mondragon University by Hoz Fontan Arquitectos Casal de la Juventud de
Novelda by CrystalZoo
PKU University of Law
by Kokaistudios

Hidden Gems of LA, an architectural tour

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When Palladium Footwear asked Johnny Knoxville to give us a tour of Detroit, we were pretty blown away and inspired by some of the communities and people they profile and the creative energy that comes across in this four-part series. Yesterday, they launched their newest city profile focusing on the architectural gems of Los Angeles including Rosslyn Hotel, a Frank Lloyd Wright property in Malibu, and the Brewery Artist Complex. We especially love the snippet about the Watts Towers, hand-built by Italian immigrant Sam Rodia from bottles and objects largely collected from his neighbors. Check it out after the jump!

(more…)


Around the Design World in 180 Words: Miscellany Edition

If you’re a designer with a great idea for something online, now’s the time to strike while the iron is hot. Enrique Allen, founder of the incubator and investment fund 500 Startups, has announced the launch of The Designer Fund. Saying that designers don’t have as easy of a route to launch new web-based companies as programmers with technical know-how do, the fund’s goal is to “invest in startups that are founded by designers,” citing outlets like Flickr, Vimeo and Tumblr as all companies that were originally established up by designers.

If architecture is your more your speed, this Sunday marks the start of National Architecture Week, running from April 10th to the 16th. The American Institute of Architects is, per usual, the face behind the week of celebrating the business of building and have a number of things planned, from a Twitter sweepstakes to events held by local AIA chapters. They have a full listing of the latter here, but check with your local outlet as well, as we’re sure there’s more planned across the country.

Last, if you’re a designer wanting to get in on that Designer Fund cash or an aspiring architect inspired by next week’s events, but don’t own your own computer, why not just finally succumb to those criminal urges and break into an Apple Store and take one? Following a recent string of robberies at the company’s retail outlets across the country, NBC Chicago writes that the design of the stores, typically all-glass storefronts, could be too “enticing” for thieves to pass up. An official in the story, commenting on the theft of $30,000 worth of equipment at a suburban Chicago store, says he has talked to Apple about hiring guards or making the store generally more difficult to break into, but the company reportedly doesn’t seem very interested.

New Career Opportunities Daily: The best jobs in media.

What Happens When: A Temporary Restaurant Installation – Movement 3

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Marking the end of Winter, the concept for this month’s What Happens When restaurant is a Spring garden party inspired by Renoir’s “The Luncheon of the Boating Party.” An eight meter long awning-like canvas stretches across the room framing the dining settings with the warm antique pastel tones found in the painting. Playful branch-like light fixtures made from double socket adapters with small bulbs painted in different colors hang throughout the space referencing an outdoor garden.

Check out our What Happens When photo gallery to the see more pics from the latest transition, and check back monthly as we add each new movement.

(more…)


Streckhof Reloaded by Franz Architekten

Streckhof Reloaded by Franz Architekten

This house in Zellerndorf, Austria, by Vienna studio Franz Architekten comprises three separate units linked by glass passages.

Streckhof Reloaded by Franz Architekten

Called Streckhof Reloaded, the single-storey house has a garage and storage in the volume nearest to the road, kitchen, living and dining areas in the next unit and bedrooms in the furthest, most private unit.

Streckhof Reloaded by Franz Architekten

A terrace and pool nestle between the two furthest volumes, accessible through the kitchen, living room, hallway or parents’ room.

Streckhof Reloaded by Franz Architekten

A kitchen garden is located at the rear and vines grow either side of the glass walkways.

Streckhof Reloaded by Franz Architekten

See also: Sports Hall in Vienna by Franz Architekten and Atelier Mauch

Streckhof Reloaded by Franz Architekten

More houses on Dezeen »

Streckhof Reloaded by Franz Architekten

Photographs are by Lisa Rastl.

Streckhof Reloaded by Franz Architekten

Here are some more details from the architects:


Streckhof Reloaded detached house (single family house)

Urban planning

The site is located in a settlement of detached single-family houses, characteristic for the 1970s. The traditional arrangement of functions for each storey: basement/garage; ground floor/living space; attic floor/ bedrooms; has been transformed into a linear order. The so called “streckhof“, the original farm model for this area has been adapted by stringing together different functions in one floor.

Streckhof Reloaded by Franz Architekten

Function

Different functions are summarised in three structures similar to container. The main entrance from the street is marked by a canopy which leads to the fully glazed passageway and ends in an overhang at the garden side. Garages and storage space are located in the first of three containers. The connecting passage to the second container acts as porch. The living space, gets natural light from three sides and is situated in the second container. A vegetable garden is connected directly to the kitchen.

Streckhof Reloaded by Franz Architekten

The third container implies the intimate areas, far off the street and the entrance area. Two east-orientated children’s bedrooms share one bathroom lying in between. There’s the parents bedroom orientated to the west.

Streckhof Reloaded by Franz Architekten

The terrace with the elongated pool is framed by the last two buildings and thereby wind and privacy protected. Access is possible from the kitchen, the living room the hallway as well as the parents’ bedroom.

Streckhof Reloaded by Franz Architekten

Construction

To make sure that the client can build as much as he is able to on his own, the outsidewalls are planned as brick construction. Even the insulation and the facade made of acryl glass has been installed by the client’s family. The roofconstruction consists of prefabricated timber elements with a foil sealing. The connecting passageway, also made of timber, acts as a bridge. Its facade consists of structural glazing without any mechanical fixing.

Streckhof Reloaded by Franz Architekten

Facility engineering

All living rooms are equipped with underfloor heating. The water is heated throuh a geothermical heating collector and two heat pumps. The walkway consists of open and closed sequences that allow constant views into the half-open courtyards and each container. By planting both sides of the glazed passageway with vine the client, who is a hobby wine grower, gets his own piece of vineyard into his house.

Streckhof Reloaded by Franz Architekten

The fresh air is supplied via controlled ventilation with heat recovery. The swimming pool is heated by a solar collector on the rooftop.

Streckhof Reloaded by Franz Architekten


See also:

.

Villa Geldrop by Hofman Dujardin ArchitectsMinamikawa House by
Yoshihara McKee Architects
Mountain House by
FAM Architekti

Mad Men Given Preservation Award by Los Angeles Conservancy

The Los Angeles Conservancy has announced the winners of their annual Preservation Awards, given to those who have helped protect or restore great pieces of architecture throughout Southern California. While the list of recipients is interesting and it’s terrific to see dedicated preservationists being congratulated, one particular winner sticks out: Mad Men winning the Media Award. Isn’t it set in New York, you ask? The arch-nemesis of Los Angeles? Well yes, but you see, not all filmed entertainment is produced where the action takes place (for reference, see: everything shot in the last 75 years). Mad Men shoots in LA and besides having a one of the best art directing teams in the business, creator of the show, Matthew Weiner, has apparently been very dedicated in not just using LA’s available midcentury sites to film in, but has attempted to work preservation issues into the show as well. So now does it all make sense? Good. Here’s a bit from the award announcement:

Creator and executive producer Matthew Weiner has gone even further in supporting historic preservation. He hosted opening night of last year’s Last Remaining Seats series and spoke out in support of our efforts to preserve La Villa Basque restaurant, a 1960 hidden gem in Vernon.

Mad Men had filmed key scenes in Season 4 episode “The Suitcase” at the restaurant because of its pristine condition. When new management began removing original elements of the restaurant in a plan to “make it more Mad Men,” Mr. Weiner urged them to keep La Villa Basque intact.

New Career Opportunities Daily: The best jobs in media.

Tavi Gevinson and Jeanne Gang on The Interview Show

In case you missed them, we wanted to share with you video of a couple of guests who have appeared on a show hosted locally by a friend of ours, Mark Bazer. You might recall that, on his The Interview Show, he had on fashion designer Maria Pinto (very shortly before she announced her label’s bankruptcy, but we don’t think the two are related) and we’d quoted architect Jeanne Gang when she was on back in the fall. You’ll find that interview with Gang after the jump, and it’s well worth watching. First up, a more recent guest: Tavi Gevinson, the 13 year old fashion phenom behind The Style Rookie. It’s a great, charming interview and we wanted to make sure you’d seen it:

continued…

New Career Opportunities Daily: The best jobs in media.

Santiago Calatrava Loses a Bridge in Dallas, Faces More Delays in Calgary

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Another year and more bridge-related headaches for Santiago Calatrava, a man who seems perpetually plagued by the things. The architect initially started having trouble with the Trinity River project in Dallas two years ago, when budget considerations were a major sticking point and the Army Corp of Engineers thought his plans might be unsafe in a 100-year flood. Within a few months, despite some grumbling in the local papers, the project to build two new bridges had been approved and construction began on the first. Now it’s looking like it will both start and stop there. City officials have announced that they don’t have enough money to pay for Calatrava’s second bridge, as they’re already having to tighten the purse strings on the first one. So the plan now is to just go with a standard, utilitarian model instead of “a fancy bridge.” However, the City Manager told the press that “she would ask Calatrava to design a bicycle and pedestrian element for the scaled-down I-30 bridge that could revive some of the ‘signature’ appearance elements,” a process that would involve paying the architect roughly $8 million for this “additional design work.” Not much of a consolation prize for seeing a whole bridge canceled, but we’re guessing that $8 million makes it a bit easier to cope.

Of course, that news out of Dallas couldn’t have come at worse, bridge-related time, as it was nearly simultaneously announced that Calatrava’s Peace Bridge in Calgary has been delayed for the third time. That project had been much debated over the years by locals, ranging from anger over the expense to, more recently, the aforementioned series of delays. You might recall that the architect himself even responded to the criticism back in November, saying no one should blame him, as it was all in contractors’ hands now. The contractors, in turn, claimed that the architect and his staff were demanding too many changes throughout the process, which was slowing everything up. This latest delay was apparently caused by “inadequate welds” that will need to be redone. Everyone quoted in this Calgary Herald story seem tired of taking lumps and ready to be finished with it. The only trick now is finishing. This latest delay has pushed it back to fall, but leaving the possibility open that it might stretch still further, into 2012.

New Career Opportunities Daily: The best jobs in media.

Sneak Preview of Peter Zumthor’s Serpentine Pavilion

Way back in early October of last year, it was announced that 2009 Pritzker winner, Peter Zumthor, had been selected to design this year’s annual temporary Serpentine Gallery Pavilion in London’s Hyde Park. Even with the gallery’s extremely early decision to announce their 2011 pick, we guessed that renderings of the project would be released sometime in early April, if history was any guide. As has now happened, both we and history were correct (congratulations history, you really put in a lot of work and we couldn’t be more proud of you). The gallery has just released a small collection of images to illustrate the architect’s plan, as well as a lengthy explanation of it all. Unlike Jean Nouvel‘s big batch of redness from last year, Zumthor’s is much more quiet and reserved. The architect says that “the concept for this year’s Pavilion is the hortus conclusus, a contemplative room, a garden within a garden,” and that’s exactly what it resembles. A small, rectangular space with an open roof that allows light to help the large collection of flowers at its center to grow. Here’s a bit more description from Zumthor:

The building acts as a stage, a backdrop for the interior garden of flowers and light. Through blackness and shadow one enters the building from the lawn and begins the transition into the central garden, a place abstracted from the world of noise and traffic and the smells of London — an interior space within which to sit, to walk, to observe the flowers. This experience will be intense and memorable, as will the materials themselves — full of memory and time.’

The Pavilion is set to open this July and will run until October.

New Career Opportunities Daily: The best jobs in media.