Herman Miller Launches Documentary Series Featuring California Architects

Part curated short documentary series, part nice branding effort (because who else would you buy furniture from for your ultra-modern house?), Herman Miller this week has launched POV, a series of films highlighting the work of five California architects from Jim Jennings to James Meyer, all directed by the agency Hello, with additional visual consultation and photography by Julius Shulman‘s former business partner, Juergen Nogai. If you like interesting modern architecture, very attractive pictures, and above all (particularly for those of us here in Chicago, where it is still 40 degrees), sunny skies, we’ve just found a good source to help kill your whole morning. Here’s the trailer:

New Career Opportunities Daily: The best jobs in media.

AIA’s Architecture Billings Index Indicates an Industry Stumble, Drops Below 50 Once Again

Apparently, in the current economic climate, short lived are the days of growth in the architecture industry. After months of staying relatively flat, but still, thankfully, above the 50 mark (anything 50 or above indicates a general uptick in business), the AIA‘s monthly Architecture Billings Index has been released and it has dropped nearly three full points, down to 47.6, meaning the burdens of the economy are still very much affecting the business of building. However, Reuters reports that the cause might not just be the economy, but might also have “included unusual factors, like the threat of a U.S.government shutdown and destructive storms,” which are just the sorts of things that can spook people enough to move the needle down in an already flailing market. Here’s a bit from the AIA’s resident numbers man:

“The majority of firms are reporting at least one stalled project in-house because of the continued difficulty in obtaining financing,” said AIA Chief Economist Kermit Baker. “That issue continues to be the main roadblock to recovery, and is unlikely to be resolved in the immediate future.”

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Celtic Museum by Kada Wittfeld Architektur

Celtic Museum by Kada Wittfeld Architektur

Gerrman architects Kada Wittfeld Architektur have completed this metal-bodied museum in Glauburg, Germany, that cantilevers out towards a historic Celtic burial mound.

Celtic Museum by Kada Wittfeld Architektur

A large panoramic window to the end of this cantilever creates a viewpoint for visitors, facing the archeological site.

Celtic Museum by Kada Wittfeld Architektur

Visitors can also access the roof, where an additional viewing platform is located.

Celtic Museum by Kada Wittfeld Architektur

Internally a broad flight of steps leads from the entrance to the exhibition rooms.

Celtic Museum by Kada Wittfeld Architektur

Photography is by Werner Huthmacher.

Celtic Museum by Kada Wittfeld Architektur

More stories about museums on Dezeen »
More projects with cantilevers on Dezeen »

The following is from the architects:


Brief- A museum for Celtic art, in direct proximity to a historic burial mound.

Celtic Museum by Kada Wittfeld Architektur

Similar to an excavated archaeological find, the metal body of the museum juts out from the landscape and forms a counterpart to the burial mound. More of a mysterious object itself rather than architecture, the museum should be stumbled upon by its visitors as a marker of landscape discovery.

Celtic Museum by Kada Wittfeld Architektur

Celtic Museum Glauburg | Germany

Because of its strategic position and sweeping view, the plateau at the edge of Wetterau was a favourite settlement area from the 5th millennium BC until the High Middle Ages.

Celtic Museum by Kada Wittfeld Architektur

The remains of the settlements can still be seen in the park and make the Glauberg – with the help of the myths and legends about the inhabitants of the Glauberg – a very special place, not only for researchers.

Celtic Museum by Kada Wittfeld Architektur

In the 1930s, excavations were already being conducted, but had to be suspended with the turmoil of the war. But what the archaeologists discovered from the geomagnetic aerial photos and brought to light between 1994 and 2000 was beyond their wildest dreams.

Celtic Museum by Kada Wittfeld Architektur

The sensational discovery of the Celtic princely tombs with substantial, fully preserved burial objects, the cult area and its settlement makes it one of the most important Celtic archaeological and research sites in Europe today.

Celtic Museum by Kada Wittfeld Architektur

The cult surrounding the ca. 20 ha large archaeological area with the reconstructed burial mound and sections of the processional routes is immediately noticeable. The gentle topography stretches impressively up to the horizon.

Celtic Museum by Kada Wittfeld Architektur

Out of respect for the distinctive location, the architecture avoids great gestures and withdraws in favour of the historically formed landscape. The Celtic museum merges into the spacious landscape as a clearly contoured and distinct structure.

Celtic Museum by Kada Wittfeld Architektur

Half concealed in the slope, it is oriented to the Celtic mound, thus consciously allowing it to be the principal player, whose central function as a landscape element is supported by the museum as a “perception intensifier”.

Celtic Museum by Kada Wittfeld Architektur

The protected space under the mighty overhang serves as the start and end point of the tour on the archaeological trail and for the exploration of the museum.

Celtic Museum by Kada Wittfeld Architektur

A broad flight of steps in the building welcomes visitors and guides them gradually to the exhibition.

Celtic Museum by Kada Wittfeld Architektur

The closed volume provides an exhibition situation that does justice to the light-sensitive exhibits and allows visitors to completely immerse themselves in the Celtic world.

Celtic Museum by Kada Wittfeld Architektur

One of the highlights of the exhibition is the large panorama window, which offers an impressive view of the burial mound, thus incorporating it into the exhibition itself. The roof as a viewing platform offers a panoramic view of the landscape and reveals the sky.

Celtic Museum by Kada Wittfeld Architektur

The Celtic Museum is a clearly contoured and distinct volume, blending in with the surrounding landscape. Partly inserted into the slope, it projects itself towards the burial mound. Its vital function as an element of the landscape, the museum building amplifies the burial mound’s leading role.

Celtic Museum by Kada Wittfeld Architektur

Underneath the main volume, one finds the foyer and the café and adjoining rooms as well. Here begins and ends the exploration of the museum’s archaeological trail. A staircase-ramp guides the visitor into the exhibition.

Celtic Museum by Kada Wittfeld Architektur

In the end, one finds a panoramic window, offering an impressive view of the burial mound, incorporating it into the exhibition itself. The roof acts also as an observation deck onto the scenic landscape and the skies above – so that the surroundings can be “discovered.”

Celtic Museum by Kada Wittfeld Architektur

Project Details
Typology: museum
Construction volume: gfa 2.190 m² cubature 9.500 m³
Architect: kadawittfeldarchitektur
Client: Federal State of Hessen represented by HMWK and HBM
Realization: 2008-2011
Competition: 1st prize 2006
Project manager: Oliver Venghaus (architecture), Ben Beckers (exhibition design)
Awards: Auszeichnung vorbildlicher Bauten in Hessen 2011


See also:

.

Kindergarten
by Kada Wittfeld Architektur
Museum
by Manuelle Gautrand
China Wood Sculpture Museum
by MAD

Pormetxeta Square by Xpiral and MTM Arquitectos

Pormetxeta Square by MTM Arquitectos

Spanish studios Xpiral and MTM Arquitectos have completed a public square sheltered by steel trees that hold nets of boulders.

Pormetxeta Square by MTM Arquitectos

Pormetxeta Square, on a former industrial site in the Basque town of Barakaldo near Bilbao, creates a series of new thoroughfares, reconnecting the town centre with the river.

Pormetxeta Square by MTM Arquitectos

Hexagonal coloured tiles have been used to give variety to the ground surfaces, which have street furniture fixed to them by springs.

Pormetxeta Square by MTM Arquitectos

Photography is by David Frutos.

Pormetxeta Square by MTM Arquitectos

More projects in Spain on Dezeen »

Pormetxeta Square by MTM Arquitectos

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Pormetxeta Square by MTM Arquitectos

Below is some more information from the architects:


Pormetxeta Square, in Barakaldo (Bilbao)

The new Pormetxeta Square, located close to the Nervion River, was the result of the Competition “Europan VI” developed in 2001.

Pormetxeta Square by MTM Arquitectos

The project was selected to take part in the Spanish Architecture Exhibition – On Site – that was organized at MoMA from New York in 2006; lately the exhibited model has been acquired by the museum for the permanent collection.

Pormetxeta Square by MTM Arquitectos

Industrial identity

The district of Barakaldo is located in a very steep slope territory above the Nervion River, where a complex urban planning was developed in the Sixties and was leaded by “Blast Furnace from Vizcaya”.

Pormetxeta Square by MTM Arquitectos

We have proposed to provide it with a new geography identity, by forgetting and removing the last urban planning that Urban-Galindo had created for this area.

Pormetxeta Square by MTM Arquitectos

Marrow of Urban Permeability

We modified the existing planning in order to created the New Square of Barakaldo (25.223m2), for the purpose to create to new advantages for the city: on the one hand a new access point to the urban centre, on the other hand a better fluidity and mobility from the city to the river, due to the industrial factories were shut in the permeability of the city.

Pormetxeta Square by MTM Arquitectos

Equipped Communications Arteries

The very steep slope of the plot has become in an opportunity of creation of a new urban typology. Taking advantage of the high difference between existing levels that it is 20 meters between the upper level and the bottom level of the plot, building a equipped slope, “the Pormetxeta Square”, with the next strategy:

Pormetxeta Square by MTM Arquitectos

First of all several access and approach are linked: the railway platform, the highway connection, the entry towards the promenade river, the pedestrian and road streets, the access from the high street, the reached from the low street, the Desert Square, the school …

Pormetxeta Square by MTM Arquitectos

Secondly we have save all the space that is just under of each “Pormetxeta Ramp” in order to get 2.341m2 of commercial and service public facility.

Pormetxeta Square by MTM Arquitectos

The third advantage is working as a micro-public space: micro-squares, points of meeting, rest stands, outdoors stays, in other words building a phenomenological sequence.

Pormetxeta Square by MTM Arquitectos

And the last advantage is that it is acting as a multifunctional element, it works as a street furniture, balustrade, pergola, lantern… creating a very equipped place.

Pormetxeta Square by MTM Arquitectos

The animated square

The Pormetxeta Square appears under the long ramps. There are some holes that qualify the space with playgrounds and it is become in a unique topography. A big artificial trees of 11.5m tall, that are made of COR-TEN steel, hang boulders on the cup of the tree, they work as a parasol and under them the only things that you can feel are the laughter of children, the roller skaters, the talks…

Pormetxeta Square by MTM Arquitectos

Click above for larger image

The Pormetxeta Square and the different levels routes, that make up at the same time an unique project and also and an in independent project, due to the contrast between both intensify their purpose.

Pormetxeta Square by MTM Arquitectos

Click above for larger image

Architectura vs Urbanism
Our aim it is to build city. Understanding the public space and private space as hybridization between the city planning and the edification model, where the Architecture and the Urbanism are mixed at all times.

Pormetxeta Square by MTM Arquitectos

Click above for larger image

Consequently we have planned an urban strategy as a business and dialogue platform between citizens, creating a new social cohesion.


See also:

.

Metropol Parasol
by J. Mayer H.
BGU University Entrance
by Chyutin Architects
The High Line
in New York

Are High Line Copycats the Next ‘Bilbao Effect’?

Since the opening of New York’s High Line park just under two years ago, we’ve been privy to mountains of other cities declaring that they soon would begin thinking about constructing their own version of project, proudly saying that “This will be [insert city name here]‘s High Line!” We’re apparently not the only ones who have seen this phenomenon, as Slate‘s resident architecture critic, Witold Rybczynski, recently moonlighted over on the Op-Ed pages of the NY Times, with his piece, “Bringing the High Line Back to Earth.” In it, an on the eve of next month’s much anticipated opening of the second portion of the High Line, Rybczynski thinks the hype about bringing similar projects to other cities across the country might be overblown, much in the same way The Bilbao Effect found lots of cities thinking they needed to spend millions on starchitect-designed buildings. One of his chief arguments is that the High Line worked so well because it already had a concentrated, urban audience in place, unlike in a place guided by sprawl, like Phoenix or any big city in Florida. He writes, “…the High Line’s success may seem to be an instance of ‘build it and they will come,’ in New York, as in Paris, ‘they’ are already there.” But no matter this and other warnings, the critic fears that warnings won’t be heeded, copies will be built and “we will soon be adding elevated parks” to a list of expensive and failed civic projects.

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Tsumuji+Hako by UID Architects

Tsumuji+Hako by UID Architects

This house in Fukuyama, completed by Japanese studio UID Architects, is composed of four separate blocks clad in black-stained cedar.

Tsumuji+Hako by UID Architects

Square openings in the exterior walls of the Tsumuji+Hako house reveal covered walkways that connect each of the buildings, which include one single-storey house, one two-storey house, and two garage blocks.

Tsumuji+Hako by UID Architects

The theme of square openings is repeated in the windows to the two individual residences, where two generations of one family reside.

Tsumuji+Hako by UID Architects

More Japanese houses on Dezeen »

Tsumuji+Hako by UID Architects

Here’s some more text from the architects:


Project Description

This is a two-family house for the couple and their parents.

Tsumuji+Hako by UID Architects

It is not a normal form to contain two families in one building but composed by the four boxes of two houses and each garages in the large site of about 500㎡.

Tsumuji+Hako by UID Architects

The tsumuji (the crossroad) composed of placement of these four boxes become the approach to the site and the line of flow to the terrace, and it is intended that a new connection of the community is created by the space like the alley.

Tsumuji+Hako by UID Architects

About part of houses, one-story and two-story house are about 100㎡.

Tsumuji+Hako by UID Architects

It is the form that the parents’ one-story house (type A) has the double structure that established the hollow atmospheric layer in the garret, and considered the thermal environment of the interior space.

Tsumuji+Hako by UID Architects

On the other hand, the two-story house (type B) has one-room living space through a large rectangular void in upper part of it.

Tsumuji+Hako by UID Architects

At the tsumuji (the crossroad), the scenery which community spreads by meeting and talking is the daily scenery of the town at the crossroad where this site located in.

Tsumuji+Hako by UID Architects

This project is the suggestion to live while opening for a city and keeping a sense of distance of each other’s private lives by the two-family house of the separate type.

Tsumuji+Hako by UID Architects

Name project: tsumuji+hako
Architects: UID architects – Keisuke Maeda, Toru Shigehiro, Hiromi Ishiguro
Consultants: K-style – Kouso Katayama, mechanical; Toshiya Ogino Environment Design Office – Toshiya Ogino, Yasunori Aoki, landscape
General contractor: Home Co., Ltd.-Akihiro Hosoya, Masaki Sakamoto
Structural system: Timber structure
Used materials: Cedar, exterior; diatomite, wallpaper, plaster board, interior

Tsumuji+Hako by UID Architects

Site area: typeA: 288.38㎡, type B: 266.76㎡
Built area: typeA: total 127.62㎡ / house area 91.62㎡ garage area 36.00㎡, typeB: total 111.03㎡ / house area 64.83㎡ garage area 46.20㎡
Total floor area : typeA: total 116.82㎡ / house area 80.82㎡ garage area 36.00㎡, typeB: total 154.50㎡ / house area 108.30㎡ garage area 46.20㎡
Date of completion: November, 2010

Tsumuji+Hako by UID Architects


See also:

.

Nest by
UID Architects
House by Johannes
Norlander Arkitektur
House 1 and House 2
by TAKA

Herman Miller POV Series, Part 5: JFAK Architects on Diagonals

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Faced with designing for a wedge-shaped lot, an unimaginative person would shoehorn a standard rectangular house on it. A slightly imaginative person would fit a wedge-shaped house on it. JFAK Architects, on the other hand, designed a complex assemblage of angles to create a house with “diagonal views,” both through the house and out of it, on both the horizontal plane and the vertical axis.

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(more…)


The $300 House: Concept and Competition

300house.jpg

What started out as a challenge is now a few steps closer to becoming a reality. Last year, Tuck School of Business Professor Vijay Govindarajan and marketing consultant Christian Sarkar issued a call to CEOs, governments, and NGOs to design and sell houses—$300 houses—for the world’s poorest demographic.

The concept is based on the idea that there is an untapped market: the 2.5 billion that make up the bottom of the socioeconomic pyramid. Govindarajan and Sarkar propose basic necessities for surviving in the modern world, from mosquito nets and water filters to solar panels and a tablet PC.

(more…)


Herman Miller POV Series, Part 4: Jennings Architecture on Pattern

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After spending most of your career designing for clients, what would you design for yourself? Jim Jennings, founder of an eponymous architecture firm, has done something very different than the other projects in Herman Miller’s POV roundup: His personal and self-designed retreat is a windowless concrete structure, a compound rather than a house.

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(more…)


Huntingdon Estate by AL_A

Huntingdon Estate by Amanda Levete

This twisted residential tower clad in zinc-coated steel is part of a mixed use development proposal in Shoreditch, London by Amanda Levete Architects.

Huntingdon Estate by Amanda Levete

Proposed on a former industrial site opposite the new station, Huntingdon Estate would provide retail spaces at ground floor as well as a gallery, creative workshops and a covered market.

Huntingdon Estate by Amanda Levete

The project, which has been in development since 2009, has been submitted for planning.

Huntingdon Estate by Amanda Levete

More projects by Amanda Levete Architects on Dezeen »

Here are some more details from Amanda Levete Architects:


Huntingdon Estate 2009

AL_A has developed plans for a mixed-used site in the heart of London’s East End. Located between Bethnal Green Road and Redchurch Street, the scheme for the Huntingdon Industrial Estate proposes the radical transformation of a former industrial site into an innovative and energised commercial, cultural and residential centre. London is a city that continues to evolve and re-invent itself, and Shoreditch is an intrinsic part of this.

The density and diversity, and the innovative and creative spirit which defines this area is reflected in the mixed residential and business communities that inhabit it, and the varying scales of building that surround it. AL_A’s design for Huntingdon addresses this complex urban context, and draws on the site’s vibrancy and pivotal position on the City fringe.

The plinth and tower structure will compliment surroundings by responding to the duality inherent in the site. The plinth is modelled with the same small scale, fragmented grain of historic Shoreditch and uses materials, which echo the tough, light industrial character of the area. The different sized retail spaces found here have been designed specifically to attract local, small and independent businesses, supported by capped rent, which will continue to contribute to this expanding community. Plans to further preserve and enrich the neighbourhood’s cultural and creative life centre around the development of a gallery space, creative workshop atelier and a covered, pedestrianised market.

The slim residential tower, positioned immediately opposite the new Shoreditch station appears to rise from the plinth, twisting elegantly as it reaches upwards. A material palette of glass and zinc-coated steel of different scales, textures and finishes, enables a low density mass over the majority of the site, and creates an urban grain that integrates with the surroundings. The sophisticated dynamic form responds to solar conditions throughout the day enabling optimum daylight for new and existing homes, and minimising unwanted solar gain. A rich mix of apartment sizes, and a green landscaped roof, will offer a variety of environmentally friendly, energy-efficient homes in this sought after location, and will set a precedent for landmark quality apartments that do not currently exist in Tower Hamlets.

The Huntingdon Estate scheme is being developed by Londonewcastle and was submitted for planning in March following in depth consultations with the London Borough of Tower Hamlets, GLA, CABE, EH and local residents and community groups.

Client: Londonewcastle
Programme: Mixed use residential building
Area: 16,220m²
Status: Submitted for planning March 2011 by Londonewcastle (Shoreditch Ltd)
Architect: AL_A
Principal: Amanda Levete
Project Director: Ho-Yin Ng
Project Team: Matthew Wilkinson, Alice Dietsch, Frederick Pittman, David Flynn, May Leung, Naoki Kotaka, YooJin Kim, Dessislava Lyutakova
Consultants: Planning DP9
Townscape and Conservation: Richard Coleman
Structural Engineer: AKT
M&E Engineer: Grontmij
Quantity Surveyor: EC Harris
Landscape: Gross Max
Rights of Light: GIA
EIA: Waterman Environmental
CDM: PFB Construction
Traffic: Savell Bird & Axon
Programming: Elizabeth Tweedale


See also:

.

Subway Station by Amanda
Levete & Anish Kapoor
10 Hills Place by
Amanda Levete Architects
Central Embassy by
Amanda Levete Architects