Frieze Art Fair Pavilions by Carmody Groarke

Frieze Art Fair Pavilions by Carmody Groarke

London architects Carmody Groarke arranged temporary timber pavilions around the trees in Regent’s Park for this year’s Frieze Art Fair.

Frieze Art Fair Pavilions by Carmody Groarke

The three pavilions surrounded a series of courtyards, through which the trees emerged.

Frieze Art Fair Pavilions by Carmody Groarke

Translucent plastic wrapped the exterior walls and roofs of the structures, creating windows across voids in the timber.

Frieze Art Fair Pavilions by Carmody Groarke

The pavilions housed VIP rooms in addition to public seating and dining areas for the event, whilst artworks were on show in neighbouring tents.

Frieze Art Fair Pavilions by Carmody Groarke

Carmody Groarke have designed a few pavilions that have been featured on Dezeen – see our earlier stories about a temporary rooftop restaurant and a pavilion supported by thin metal rods. See all our stories about the architects here.

Frieze Art Fair Pavilions by Carmody Groarke

Above: construction photograph by Richard Davies

Photography is by Christian Richters, apart from where otherwise stated.

Frieze Art Fair Pavilions by Carmody Groarke

Above: construction photograph by Richard Davies

Here’s some text the architects wrote before the festival:


Carmody Groarke’s design for 2011 Frieze Art Fair

Each Autumn Frieze Art Fair shows works by more than 1000 artists which are represented by contemporary galleries from all over the world.

Frieze Art Fair Pavilions by Carmody Groarke

Above: photograph by Richard Davies

The fair is hosted within a 20000m2 temporary venue built from tent structures within the beautiful context of Regents Park, London.

Frieze Art Fair Pavilions by Carmody Groarke

Above: photograph by Richard Davies

There is a focus on living artists and a curated programme of talks, artists’ commissions and film projects, many of which are interactive or performative, and encourage visitors to engage with art and artist directly over its four day lifespan.

Frieze Art Fair Pavilions by Carmody Groarke

Above: photograph by Richard Davies

Working closely with Frieze, Carmody Groarke have evolved a concept that has created more premium gallery spaces within the tents than in previous years, and a new experience for the fair by placing a series of interlinked, translucent pavilions surrounding the perimeter of the large exhibition tents.

Frieze Art Fair Pavilions by Carmody Groarke

Above: photograph by Richard Davies

These will contain all of the public hospitality and VIP functions, located away from the exhibition spaces, and will be characterised by timber-lined ‘rooms’ that are arranged around the existing trees within the park.

Frieze Art Fair Pavilions by Carmody Groarke

The project also includes a series of architectural installations within the main exhibition tents, based upon public squares and coloured, felt-lined rooms which provide spaces for resting and refreshment within the overall epic scale of the fair.


See also:

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Regent’s Place Pavilion
by Carmody Groarke
NLA Sky Walk
by Carmody Groarke
Studio East
by Carmody Groark
e

Bystrup Selected as Winner of Pylon Design Competition

This year, you’d be hard pressed to find a more exciting, more captivating electrical pylon redesign contest than the Pylon Design Competition run by the UK’s Department of Energy & Climate Change, the National Grid, and the Royal Institute of British Architects. Granted, that’s because there weren’t any other competitions to compete with this one, but that’s neither here nor there. What’s important is that a winner has now been crowned. The Copenhagen-based Bystrup has won for its T-Pylon, which looks as it sounds, in an uppercase T shape, but is reportedly up to two-thirds the height and weight of current electrical pylons. And while Bystrup is the big winner, the contest organizers plan to also continue working with two of the finalists, Ian Ritchie Associates and New Town Studio, in trying to incorporate a number of their designs (sadly, our pick, designed by Gustafson Porter with Atelier One and Pfisterer, isn’t included). Here’s a bit from National Grid director Nick Winser:

‘In the T-Pylon we have a design that has the potential to be a real improvement on the steel lattice tower. It’s shorter, lighter and the simplicity of the design means it would fit into the landscape more easily. In addition, the design of the electrical components is genuinely innovative and exciting.

However, the Totem and Silhouette designs are worthy of further consideration – both of them have strong visual appeal and characteristics that could work well in different landscapes.

We are genuinely delighted at the prospect of working with all three companies to develop some real options for the future.’

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Twisting Architecture

Découverte de cette belle série et des distorsions, avec ces architectures déformées par Nicholas Kennedy Sitton, un photographe actuellement basé à San Francisco. Une manipulation et une mise en scène des bâtiments de manière hypnotique. A découvrir dans la suite.



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Fort Cortina by Karelse & den Besten

Fort Cortina by Karelse and den Besten

Clay bricks infused with metal shavings make up the orthogonal exterior of an office and warehouse in Amsterdam designed by a graphic design agency.

Fort Cortina by Karelse and den Besten

Rotterdam studio Karelse & den Besten, who usually design brochures and logos, completed for the headquarters for gift retailer Cortina alongside a construction management team from TPAGH architecten.

Fort Cortina by Karelse and den Besten

The wharf building named Fort Cortina is located on the site of a former shipyard and was modelled on traditional Moroccan forts.

Fort Cortina by Karelse and den Besten

Behind the brick exterior, three floors of offices and stockrooms surround a cedar-lined courtyard at the building’s centre.

Fort Cortina by Karelse and den Besten

Staggered floor plates create balconies overlooking this courtyard, while additional terraces can be found on the building’s sedum room.

Fort Cortina by Karelse and den Besten

A few other large buildings with brick exteriors have recently been featured on Dezeen – see our earlier stories about a community centre in Hungary punctured by square windows and apartment blocks in Prague with herringbone patterned facades.

Fort Cortina by Karelse and den Besten

Photography is by Sjaak Henselmans, Marcel van der Burg and Jan Derwig.

Fort Cortina by Karelse and den Besten

The following details are from the architects:


Fort Cortina

As a graphic design agency we already had a long cooperation with Cortina, a wholesale in gift items, before they asked us to design their new headquarters. It was our first architectural assignment.

Fort Cortina by Karelse and den Besten

Fort Cortina is built on the premises of the NDSM-wharf, a former shipyard located on the banks of the river IJ in Amsterdam.

Fort Cortina by Karelse and den Besten

In this harsh environment we designed an office and warehouse building that looks like a Morrocan fort.

Fort Cortina by Karelse and den Besten

A monolithic structure, rough on the outside with metallized brick walls and smooth on the inside patios that are lined with cedar wood.

Fort Cortina by Karelse and den Besten

The dynamic lay-out of the facades is a reflection of the different rooms that vary in height and size. A result of our intention to make an exciting interior with small and big views over the river. Rooms to hide and rooms to expose.

Fort Cortina by Karelse and den Besten

Click above for larger image

A commercial building that almost fits like a home. The patios at the hearth of the building are inspired on a monastery tour.

Fort Cortina by Karelse and den Besten

Click above for larger image

A space for reflection and a way to give light to the interior and to create outdoor recreation areas with footpaths on the roof, which is planted with sedum for an optimal indoor climate control.

Fort Cortina by Karelse and den Besten

Click above for larger image

Architects: Karelse & den Besten, Rotterdam
Location: Amsterdam, The Netherlands
Project year: 2008
Project area: 1000 sqm

Fort Cortina by Karelse and den Besten

Click above for larger image

Cliënt: Cortina, Amsterdam
Project management: TPAGH architecten, Hoorn
Contractor: Klies & Jozef Bouw, Volendam


See also:

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Office Building by ModostudioOffice by
24H architecture
Rooftop Office by Dagli+ Atelier

Startup City by 00:/ and Space Station

Startup City by 00

Architects 00:/ and Space Station have designed digital advert-covered offices to straddle Old Street roundabout, located down the road from Dezeen’s offices in London and dubbed Silicon Roundabout due to the number of technology companies and start-ups in the area.

Startup City by 00

Startup City would accommodate start-up businesses directly above Old Street tube station. Digital adverts would flash across the faceted exterior of the office block, interrupted only by windows.

Startup City by 00

The electronic canvas would be one of the most expensive advertising spaces in the capital, available for rent per pixel per minute. Behind the walls, the building would enclose a ground-level public square containing station entrances, a big screen, market stalls and cafes.

Startup City by 00

Click above for larger image

Other recent architecture projects in London include a fire-damaged former market hall converted into Corten-clad university offices and a house clad in flint, timber and leadsee more projects in London here.

The following information is from the architects:


London-based design practice 00:/ ∫(‘zero zero’), in partnership with Space Station, have published proposals for the redevelopment of the Old Street roundabout in East London. The proposals outline a new enterprise and start-up institution at the central hub of Old Street, Hoxton and Shoreditch; an area which in recent years has been dubbed ‘Silicon Roundabout’ due to the rising success of new technology and .com enterprises concentrated in the area.

At a time when much of the economic and employment news in the UK makes for gloomy reading, Silicon Roundabout stands out as a remarkable success story, with a number of successful British technology companies emerging in one small area, and myriad new start-ups seeking to establish themselves in the area.Yet the roundabout which gave its name to this phenomenon remains, by contrast, unloved and fallow but for a small number of popular shops which inhabit the concrete underpass.

Boosted by government support for the ‘Tech City’ emerging in the East of London, the effort is now on to bring together investors, backers and the tech community to build upon this emerging London success story. “The roundabout is a landmark opportunity to articulate and amplify what is happening in the area”, explains Space Station director Russell Chopp.

Space Station is widely acknowledged as one of the pioneers for the regeneration of Shoreditch since 1997 working closely with many of the successful founding .com and media start up companies that originally moved into Shoreditch in the late 1990’s.

Architecture and strategic design practice 00:/, themselves based in the area, have led the design for the proposals. 00:/ are established leaders in innovative enterprise environments and future workspaces: having been co-designers and partners behind the Hub network in London, which provides collaborative workspace for social entrepreneurs. Not surprisingly then, their proposals go far beyond the kind of corporate office design often associated with business campuses.

“It’s partly about realising why this place is already successful in the first place”, explain 00:/. “This is an economy which works in a completely different way, it’s far more open, far more sociable. It’s about the aggregation of many small, energetic, and rapidly growing start-ups with a sharing culture rather than the single, large corporate setup which has driven the design of the office buildings we got used to during the boom.”

Their proposal has a number of key distinctive features. First, the base of the structure is not a corporate lobby or a shopping mall, but a large, enclosed public space.

“In a sense, London already has another major public space, sitting there, waiting to be found, used and loved” say the designers. “It should be something like a cross between Trafalgar Square and Grand Central Terminal in NewYork.”

The design has to respond to the very tight constraints of building around an existing underground and railway station, located at the centre of one of London’s busiest traffic junctions. Its structure and construction would have to be strongly shaped by these factors.

The resultant building, sitting astride this new public space, could not be more different from the glass office buildings of the City of London a few hundred metres further south. Not a series of floor plates, but a kind of city-within-a-city.

Within this compact city would be workspaces for companies which range in size from large to tiny, as well as shared resources and flexible workspaces for start-up enterprises of only one or two people.

On the outside, the faceted facade is a vast, programmable advertising board, reminiscent of Tokyo’s Shinjuku district. “We’re told the advertising space on the roundabout is some of the most expensive in Britain. Rather than resist that, we saw an opportunity in turning that onto its head, by opening the whole thing up. By selling the façade per pixel, per minute, the building creates a system which allows small, local companies, individuals and online campaigns to use it, alongside the big global players.”The result is a kind of neighbourhood- based ‘million-dollar homepage’, reflecting outwardly the energetic entrepreneurialism which is driving the change in this part of London.


See also:

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Office Building VDAB by BOB361Offices by Barbosa & Guimaraes10 Hills Place by AL_A

Complex House by Tomohiro Hata

Complex House by Tomohiro Hata

This house in Nagoya by Japanese architect Tomohiro Hata has five roofs that pitch in opposing directions.

Complex House by Tomohiro Hata

This alternating roof creates a series of triangular windows on the first floor of the two-storey residence, which the architect named Complex House.

Complex House by Tomohiro Hata

A recessed corner entrance interrupts the ridged metal cladding, which also encloses a courtyard.

Complex House by Tomohiro Hata

Tomohiro Hata also designed a house with a three-storey wooden house hidden inside it – see this story here and see more Japanese houses on Dezeen here.

Complex House by Tomohiro Hata

Photography is by Toshiyuki Yano.

Complex House by Tomohiro Hata

Here’s a description of the project from Hata:


We examine a row of small rooms towards the depth on demand of a client who wants many small rooms.

Complex House by Tomohiro Hata

After the order fixed, we examined each width depending on suitable scales of the rooms.

Complex House by Tomohiro Hata

We edit composition of the sections.

Complex House by Tomohiro Hata

They melt together or overlap each other on the first floor and are integrated in the space for the family.

Complex House by Tomohiro Hata

Come to think of it, a family is the smallest unit of social groups and to build a house like this way might be natural consequence and effective way in the time that individuality is naturally respected among his or her family.

Complex House by Tomohiro Hata

Besides, we take client apart to individuals at the same way of planning “complex house”.

Complex House by Tomohiro Hata

Then we examine and express clearly the rules or orders for them to let each of them essentially participate to the planning process.

In this way, we could propose such dwelling space that somewhat different from existing one.

Complex House by Tomohiro Hata

Title: Complex House
Location: Nagoya, Japan

Complex House by Tomohiro Hata

Click for larger image

Design: Tomohiro Hata Architect and Associates
Construction year: 2011

Complex House by Tomohiro Hata

Click for larger image

Site area: 107.30m2
1F area: 54.43m2
2F area: 45.81m2

Complex House by Tomohiro Hata

Click for larger image

Total area:100.24m2
Structure: Wooden

Complex House by Tomohiro Hata

Click for larger image


See also:

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Daylight House by Takeshi HosakaBranch House by KINO ArchitectsHi House by
Yosuke Ichii

Housing for Jardins de l’Arche by Farshid Moussavi Architecture


London studio Farshid Moussavi Architecture has won a competition to design a housing complex for the western outskirts of Paris.

Housing for Jardins de l’Arche by Farshid Moussavi

The building will accompany a proposed stadium arena and hotel on the Jardins de l’Arche development site, which will link the area of la Défense with les Terrasses de Nanterre.

Housing for Jardins de l’Arche by Farshid Moussavi

Shops are to fill the ground floor of the building, while ten storeys of residences above will include three floors of student accommodation.

Housing for Jardins de l’Arche by Farshid Moussavi

Each upper storey will be slightly rotated to create terraced balconies.

Housing for Jardins de l’Arche by Farshid Moussavi

Farshid Moussavi was co-founder of Foreign Office Architects and launched her independent studio back in June as reported on Dezeen Wire. See earlier projects by Foreign Office Architects here.

Housing for Jardins de l’Arche by Farshid Moussavi

Here’s some information about the proposals from Farshid Moussavi Architecture:


Farshid Moussavi Architecture has won the competition to design a new residential complex in the La Défense financial district to the west of Paris. The 11,430 m2 building is to house 7,500m2 of residential units, 2,930m2 of student accommodation and 1,000m2 of retail space.

Housing for Jardins de l’Arche by Farshid Moussavi

It forms part of La Parvis Jardin de l’Arché, a large urban renewal project linking la Défense and les Terrasses de Nanterre, which also includes the new Arena Stadium as well as a hotel. The project is for client Les Nouveaux Constructeurs working with public planning authority, l’Epadesa.

Housing for Jardins de l’Arche by Farshid Moussavi

The FMA design proposes a slender volume to provide dual aspect residential units. Each floor of this volume is rotated by two degrees from the one below to produce oblique balconies and loggias. These oblique exterior spaces of the apartments will enjoy uninterrupted views down the path of the historic La Grande Axe.


See also:

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Ravensbourne College by FOANew Street Gateway by FOAMeydan shopping square by FOA

Dezeen Screen: Rem Koolhaas on Project Japan

Dezeen Screen: Rem Koolhaas on Project Japan

Dezeen Screen: in this third movie in our series of interviews with OMA co-founder Rem Koolhaas he talks about his new book Project Japan, Metabolism Talks… written in collaboration with curator Hans Ulrich Obrist. Watch the movie  »

They’re No Longer Coming to Get You, Barbara: Zombie Safe House Competition Opens Up Public Voting

‘Tis the season for contemplating the dead walking among us and some designers and architects have likely been doing much more thinking about it than you have. The 2011 Zombie Safe House Competition has just kicked into its public voting stage. With roughly 200 entries from more than 12 countries, the project received many more entries, and, as you might expect, far more gruesome, than this year’s Barbie Dream House design contest (though, in thinking of it now, something made for both purposes totally would have been our entry for either competition). As part of the ZombCon kicking off in Seattle on Oct. 21st, the competition features a distinguished panel of judges, from best-selling author Max Brooks to the real-life architecture firms of Eskew+Dumez+Ripple and emmerymcclure architecture. Not surprising at all, many of the entries are remarkably detailed and well-thought. And failing in those criteria, they’re at least horribly bloody or wonderfully funny. We also dig the simple complexity of the RFP-esque “Program Issues to Address”:

1. How many people can you fit in your safe house?

2. How are you handling power, potable water, and waste?

3. How are you handling access to your safe house?

4. How many days do you plan to stay in your safe house, and how much food and water are you providing?

5. How will you escape in the event of a zombie intrusion?

6. How will you keep zombies out of your safe house?

As for the budget you’re allotted: “No budget restriction is applied. Your safe house is human civilization’s last hope!”

New Career Opportunities Daily: The best jobs in media.

After Several False Starts, Martin Luther King Jr. Memorial Dedication Rescheduled for Sunday

0905mlkmemorial.jpg

Third time’s a charm for the opening of the Martin Luther King Jr. Memorial, we suppose (or fourth or fifth or… etc.) After its “soft open” to the public back in early September, the ever-controversy-acquiriring memorial’s official dedication was at first thwarted by Hurricane Irene, with the date then left up in the air while organizers scrambled to rebook everyone to come back to dedicate once the storm clouds had lifted. A few weeks after that, Ed Jackson Jr., the executive director of the project said the dedication would “absolutely…definitely” happen on September 16th, which of course came and went without a dedication in sight. However, after these several starts and finishes, it appears that it might actually happen this Sunday. The Washington Post reports that the event is scheduled to kick off at 9am, with people like Aretha Franklin, Jesse Jackson, Julian Bond, and members of the King family speaking and performing, culminating with President Obama coming on as at the keynote speaker at 11am. However, after having seen the number of near-misses in the past, we’re afraid we’ll just have to see it when we see it. We recommend bringing an umbrella and at least two days worth of rations should there be another national disaster.

New Career Opportunities Daily: The best jobs in media.