World Architecture Festival 2012: Mapungubwe Interpretation Centre by Peter Rich Architects

World Architecture Festival 2012: in the next movie from our series running up to this year’s World Architecture Festival, programme director Paul Finch tells us how the jury were ”bowled over” by the hand-constructed Mapungubwe Interpretation Centre by Peter Rich Architects, winner of the festival’s World Building of the Year award in 2009.

Mapungubwe Interpretation Centre by Peter Rich Architects

Finch explains how indigenous building techniques had to be retaught to the South African community that built the centre because they were more familiar with modern construction. See our original story about the Mapungubwe Interpretation Centre here.

Mapungubwe Interpretation Centre by Peter Rich Architects

This year’s World Architecture Festival will take place in Singapore from 3-5 October and will be the event’s fifth year.

World Architecture Festival 2012

Dezeen is media partner for World Architecture Festival 2012 and readers can save 25% on the early rate cost of entering the WAF awards. Simply enter MPVOUCH25 in the VIP code box when registering to enter online (see voucher above for more details).

Dezeen: World Architecture VIP discount voucher

Here’s some info about WAF:


World Architecture Festival is the world’s largest live architecture festival and awards programme.

Now in its fifth year, the World Architecture Festival has attracted over 8000 attendees to date. 2012 is a landmark year for the Festival, heralding our relocation to the Asian gateway and design hub, Singapore. WAF’s move brings with it unparalleled opportunities for east to meet west and for you to obtain inspiration, develop your global network and plan new exciting projects.

In 2011 over 400 architects from across the globe were shortlisted and battled for a WAF award. The festival saw over 30 international practices become winners of a revered WAF yellow W trophy.

To be at the centre of all WAF has to offer, and that includes global PR, doors opening, new connections and a celebration of your fervour for the power of life changing architecture, you need to enter the projects that you want to shout to the world about. You have less than six weeks to enter, so start yours today.

The World Architecture Festival Awards offers you multiple opportunities to showcase your best work and most exciting ideas to the world, including the most influential names in the design and development community. All you have to do is decide which projects will be representing your practice at the world’s largest, live architectural awards programme and festival.

There are 30 categories to choose from and projects can be completed buildings, future projects, landscape projects, masterplans or interiors. You can enter a project into more than one category (which will of course increase your chances of walking away with that rather handsome WAF award).

With 35 awards and prizes covering 100+ different building types, World Architecture Festival is your opportunity to promote your latest completed building, interior, landscape or masterplan globally.

How to enter the WAF Awards:

Entering the World Architecture Festival awards is easy. All entries must be submitted through our website www.worldarchitecturefestival.com

Just follow these simple steps:

»Open your WAF account or if you have entered WAF previously just log onto your existing account – log in here.
»Choose the section and category that you want to enter – remember you can enter a project into more than one category.
»Tell us what project you are entering
»Pay for your entry
»Create your online entry by adding images for the project, your details, a description and any professional credits – all entries must be completed by 30th June 2012.

Edition29 STRUCTURES 004 for iPad

EDITION29 STRUCTURES ISSUE 004 featuring the Norwegian Reindeer Pavilion, a Wind Tower in Valencia and a cultural center in Turkey.

OMA completes the Syracuse Greek Theatre

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Rem Koolhaas led OMA’s recently completed scenography project for Teatro Greco, or the Syracuse Greek Theatre, a historical landmark in Italy that dates back to the 5th century BCE. Every summer the theatre stages three classic plays, and for this season’s cycle they commissioned OMA to design a temporary stage that will remain up for Aeschylus’s Prometheus Unbound (directed by Claudio Longhi), Euripides’ Bacchae (dir. Antonio Calenda) and Aristophane’s The Birds (dir. Roberta Torre).

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The stage—aluminum scaffolding clad with multilayer marine plywood—was designed in three parts, the Ring, the Machine and the Raft. The Raft, the name for the circular stage, “reimagines the orchestra space as a modern thymele, the altar that in ancient times was dedicated to Dionysian rites.” The Ring is a suspended walkway that makes a half circle around the stage and backstage area, providing actors with different ways to enter a scene. The Machine is the backdrop, which can be altered to suit different productions. A sloping circular platform seven meters high, it’s the mirror image of the stage. It can rotate, “symbolizing the passage of thirteen centuries during Prometheus’s torture; Split down the middle, it can also be opened, allowing the entrance of the actors, and symbolizing dramatic events like the Prometheus being swallowed in the bowels of the earth.”

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CCTV Headquarters by OMA

CCTV Headquarters by OMA

The China Central Television Headquarters in Beijing by architects OMA are now complete.

CCTV Headquarters by OMA

Top: photograph is by Iwan Baan
Above: photograph is by Philippe Ruault

The CCTV building comprises two towers that lean towards one another and are bridged at both the the top and bottom to form a distorted loop.

CCTV Headquarters by OMA

Above: photograph is by Iwan Baan

The building contains TV studios, offices and facilities for production and broadcasting, which will be put into use later this year.

CCTV Headquarters by OMA

The project was led by former OMA partner Ole Scheeren, who has since left the firm and set up his own practice. See his proposals for a skyscraper for Kuala Lumpur here.

OMA have unveiled a few new projects in the last month, including a performance institute in New York and an arts venue in Moscow. Rem Koolhaas gave Dezeen a quick introduction to that project, which you can watch here.

Here’s some more information from OMA:


CCTV Headquarters in Beijing, designed by OMA, completed

Today OMA participated in the official construction completion ceremony for the China Central Television (CCTV) Headquarters in Beijing, which will start to be used later this year. Designed by OMA as a reinvention of the skyscraper as a loop, construction on the building began in 2004. At approximately 473, 000m2, CCTV – accommodating TV studios, offices, broadcasting and production facilities – is OMA’s largest ever project and its first major building in China.

CCTV defies the skyscraper’s typical quest for ultimate height. Rising from a common platform, two towers lean towards each other and eventually merge in a perpendicular, 75-metre cantilever. The design combines the entire process of TV-making – formerly scattered in various locations across the city – into a loop of interconnected activities.

The structure of the CCTV Headquarters, and the forces at work within it, is visible on its façade: a web of diagonals that becomes dense in areas of greater stress, looser and more open in areas requiring less support. The façade itself becomes a visual manifestation of the building’s structure.

Rem Koolhaas commented: “I am very happy, after years of intense collaboration, that the CCTV building will soon begin to perform its role in the way it is intended.”

The CCTV project was led by OMA / Rem Koolhaas, former OMA partner Ole Scheeren (until 2010), OMA partner David Gianotten and project manager Dongmei Yao in close collaboration with partners Shohei Shigematsu, Ellen van Loon and Victor van der Chijs. The design team consisted of project architects Anu Leinonen, Charles Berman and Adrianne Fisher together with a team of over 100 architects from OMA.

The structural and MEP design was provided by Cecil Balmond and Arup, while ECADI (East China Architectural Design & Research Institute) functioned as the Local Design Institute. Design Consultants included Front INC, Inside/Outside, DHV, DMJMH+N, Lerch Bates & Associates, LPA, Sandy Brown Associates and Romano Gatland NY.

Baeza Town Hall by Viar Estudio

Baeza Town Hall

Patchy timber shields the glazed upper storeys of this extension to a historic town hall in southern Spain by architects Viar Estudio.

Baeza Town Hall

The extension creates a new entrance courtyard at the side of the original 16th Century town hall, a former prison decorated in the Plateresque style in the centre of the World Heritage town of Baeza.

Baeza Town Hall

Above the glazed doors to the extension, an extended first floor cantilevers outwards to shelter arriving visitors.

Baeza Town Hall

This first floor also bridges across from the rear of the building to connect with a second block just behind.

Baeza Town Hall

This new four-storey building has the same timber shades across its extruded windows and features a wooden staircase that ascends in front of a shimmering golden wall.

Baeza Town Hall

The interior walls of the original town hall remain exposed and intact, so the junctions between new and old are highlighted.

Baeza Town Hall

See more recent projects from Spain here, including an outdoor swimming pool and a concrete sculpture museum.

Baeza Town Hall

Photography is by Fernando Alda and you can see more pictures of this project on his website.

Baeza Town Hall

Here’s some more information from Viar Estudio:


The Baeza Township Project has been read as a unit in a duration, as a constant change process where the new design has been thought as an additional stratum, as the last sediment layer in time the building has created. The thought about the temporal process of architecture is fundamental.

Baeza Town Hall

Historical architecture is based on overlays, accumulating many different pasts in what could be called the «durée» of architecture.

Baeza Town Hall

Henri Bergson said that the ultimate reality is not the being, nor the changing being, but the continuous process of change which he called «durée» or duration.

Baeza Town Hall

Architecture has a way of being in time, a becoming that lasts, a change that is substance on its own.

Baeza Town Hall

The rythm of the duration and of the successive changes connotes a dissolution process, subtraction, addition, mutation or a change of uses that befalls all architectural ensembles through time.

Baeza Town Hall

The Baeza Township Project is entwined within the concept of architectural «durée».

Baeza Town Hall

It is designed thinking about the additive condition of the site, in the quality of change as the substance of the project and as a part of the character of the building in time.

Baeza Town Hall

The mixed state of -perception/memory- is what makes us see objects as a continuum, as relationship nodes.

Baeza Town Hall

Thus, when we think, design or build our memory –which is also duration- is imprinted in the objects and architecture becomes a way of inscribing time on matter.

Baeza Town Hall

Man’s impression in every manipulated object –material or speculative- sets us in a place in time because as we build, pile, glue or pour we change the geologic, industrial or poetic time of matter humanizing it, making it ours, giving it –as we impress our vital time in it – a human breath.

Baeza Town Hall

The fundamental question: How do we understand the historic building?

Baeza Town Hall

The answer rose slowly; we think of the building as a fragment –almost a stump-, as an element enwrapped in itself, with no ability to suggest, nor create, nor to define its own structure.

Baeza Town Hall

The strategy was to clean up the building’s additions, to accept the historic building as an unfinished fragment and to envelop it with new construction.

Baeza Town Hall

The historical building –the fragment- does not create a new building; it is the town’s logic which generates, encloses and wraps the existing fragment; it is the spontaneous city growth, the organic structure of its patios what hugs it.

Baeza Town Hall

Click above for larger image

Baeza Town Hall

Click above for larger image

Baeza Town Hall

Click above for larger image

Baeza Town Hall

Click above for larger image

Baeza Town Hall

Click above for larger image

Baeza Town Hall

Click above for larger image

Baeza Town Hall

Click above for larger image

Robin Falck’s Nido: A Finnish MicroCabin in the woods

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In Finland you can build a house without a permit as long as it’s no larger than 128-square-feet. Needless to say, most people just get a permit. But in 2010 Robin Falck actually designed and built an itsy-bitsy Finnish dream house in the woods, a project he fantasized about and finally pursued because, according to Falck, “my military service was approaching and after sketching and calculating it seemed so possible.”

After consulting a few architects, Falck began construction in early June, and after just two weeks “the only thing missing was a window and door, which arrived a couple of weeks later.” The house, which Falck calls Nido (Italian for ‘birds nest’) is a mere 96-square-feet with a 50-square-foot loft bedroom. A large window spans the two stories, letting in tons of natural light and affording a full view of the sky at night. And since Nido sits on a lakeshore there are spectacular day time views as well.

Unfortunately, tight after Falck built Nido his military duties kicked in, and it was a full year before he was back and able to finally enjoy all his hard work. If you’re wondering how much it all cost, the answer is: very. “I was surprised how affordable the whole project was,” Falck said. “Most of the materials are recycled and I haven’t really calculated how much it finally cost, but the ballpark figure is something like $10,500 plus the man hours.”

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World Architecture Festival 2012: Universita Luigi Bocconi by Grafton Architects

World Architecture Festival 2012: in our second movie celebrating this year’s World Architecture Festival in Singapore from 3-5 October, WAF programme director Paul Finch explains why the super-jury headed by architect Robert Stern selected the Universita Luigi Bocconi by Grafton Architects as World Building of the Year 2008 in the festival’s inaugural year.

Universita Luigi Bocconi by Grafton Architects

The winning project, a university faculty building in Milan, beat Opera House Oslo by Norwegian architects Snøhetta (below) to the prize and Finch explains why the Irish architects’ building eventually won the super-jury over. See our stories about Universita Luigi Bocconi by Grafton Architects and Opera House Oslo by Snøhetta.

Opera House Oslo by Snøhetta

The first World Architecture Festival was held in Barcelona in 2008 and this year’s event in Singapore will be the festival’s fifth year.

World Architecture Festival 2012

Dezeen is media partner for World Architecture Festival 2012 and readers can save 25% on the early rate cost of entering the WAF awards. Simply enter MPVOUCH25 in the VIP code box when registering to enter online (see voucher above for more details).

Dezeen: World Architecture VIP discount voucher

Here’s some info about WAF:


World Architecture Festival is the world’s largest live architecture festival and awards programme.

Now in its fifth year, the World Architecture Festival has attracted over 8000 attendees to date. 2012 is a landmark year for the Festival, heralding our relocation to the Asian gateway and design hub, Singapore. WAF’s move brings with it unparalleled opportunities for east to meet west and for you to obtain inspiration, develop your global network and plan new exciting projects.

In 2011 over 400 architects from across the globe were shortlisted and battled for a WAF award. The festival saw over 30 international practices become winners of a revered WAF yellow W trophy.

To be at the centre of all WAF has to offer, and that includes global PR, doors opening, new connections and a celebration of your fervour for the power of life changing architecture, you need to enter the projects that you want to shout to the world about. You have less than six weeks to enter, so start yours today.

The World Architecture Festival Awards offers you multiple opportunities to showcase your best work and most exciting ideas to the world, including the most influential names in the design and development community. All you have to do is decide which projects will be representing your practice at the world’s largest, live architectural awards programme and festival.

There are 30 categories to choose from and projects can be completed buildings, future projects, landscape projects, masterplans or interiors. You can enter a project into more than one category (which will of course increase your chances of walking away with that rather handsome WAF award).

With 35 awards and prizes covering 100+ different building types, World Architecture Festival is your opportunity to promote your latest completed building, interior, landscape or masterplan globally.

How to enter the WAF Awards:

Entering the World Architecture Festival awards is easy. All entries must be submitted through our website www.worldarchitecturefestival.com

Just follow these simple steps:

»Open your WAF account or if you have entered WAF previously just log onto your existing account – log in here.
»Choose the section and category that you want to enter – remember you can enter a project into more than one category.
»Tell us what project you are entering
»Pay for your entry
»Create your online entry by adding images for the project, your details, a description and any professional credits – all entries must be completed by 30th June 2012.

Competition: five copies of Narrative Architecture by Nigel Coates to be won

Narrative Architecture by Nigel Coates

Competition: we’ve teamed up with Architectural Design (AD) to give away five copies of Narrative Architecture by Nigel Coates, the latest title from the AD Primers series.

Narrative Architecture by Nigel Coates

Narrative Architecture gives an overview of Coates’ work with NATO (Narrative Architecture Today), the experimental movement he founded to explore the stories of buildings.

Narrative Architecture by Nigel Coates

The group’s projects are presented alongside those of other contemporary architects, including William Kent, Antoni Gaudí, Eero Saarinen, Ettore Sottsass, Superstudio, Rem Koolhaas and FAT.

Narrative Architecture by Nigel Coates

The book contains over 120 colour images and is published by Wiley.

Narrative Architecture by Nigel Coates

To enter this competition email your name, age, gender, occupation, and delivery address and telephone number to competitions@dezeen.com with “Narrative Architecture” in the subject line. We won’t pass your information on to anyone else; we just want to know a little about our readers.

Read our privacy policy here.

Narrative Architecture by Nigel Coates

Competition closes 6 June 2012. Five winners will be selected at random and notified by email. Winners’ names will be published in a future edition of our Dezeenmail newsletter and at the top of this page. Dezeen competitions are international and entries are accepted from readers in any country.

Subscribe to our newsletter, get our RSS feed or follow us on Twitter for details of future competitions.

Here’s some more information from the publishers:


Coates explores the potential for narrative as a way of interpreting buildings from ancient history through to the present. It features architects as diverse as William Kent, Antoni Gaudí, Eero Saarinen, Ettore Sottsass, Superstudio, Rem Koolhaas and FAT.

The book provides an overview of the work of NATO and Coates, as well as chapters on other contemporary designers. In so doing it signposts narrative’s significance as a design approach that can aid architecture to remain relevant in this complex, multidisciplinary and multi-everything age.

Nigel Coates is an architect, designer and educator. Along with eight of his ex-students, he founded the NATO group in 1983. With Doug Branson he began Branson Coates Architecture in 1985, and together they built extensively in Japan and the UK. He is a prolific product and furniture designer, and has designed for Hitch Mylius, Alessi, Fornasetti and Slamp. His drawings and furniture are in the collection of the V&A.

Movie: The Shard by Renzo Piano Building Workshop

Movie: this timelapse movie by architectural photographer Paul Raftery and director Dan Lowe shows the final stages of construction for London skyscraper The Shard, designed by Italian architect Renzo Piano.

Overlooking the Thames, the 72-storey mixed-use tower is currently the tallest building in Europe and is due to be inaugurated in July.

We first published designs for The Shard back in 2009, when construction had just begun – take a look here.

Music is by George McLeod.

Slideshow feature: London 2012 architecture

Slideshow feature: this week marks the completion of the gigantic red ArcelorMittal Orbit sculpture at the London 2012 Olympic park. The tower is the last of the permanent structures to be completed for this summer’s games, so here’s a roundup of them all including sports venues by the likes of Zaha Hadid and Populous.

See more stories about London 2012 »