America’s first bookless library to open in Texas

Bookless library in Texas

News: America’s first fully digital public library without a single book is set to open this autumn in San Antonio, Texas, and will be based on the design of an Apple store.

BiblioTech is being touted as America’s first bookless public library system, with the prototype site in San Antonio hoping to offer 150 e-readers, 50 computer stations, 25 laptops and 25 tablets to local readers.

Bookless library in Texas

Bexar County Judge Nelson Wolff said he was inspired to pursue the project after reading a biography of Apple founder Steve Jobs. “If you want to get an idea what it looks like, go into an Apple store,” he told a local newspaper.

Describing himself as an avid reader with a collection of 1000 first editions, he explained that the bookless library is a timely response to the rise of tablets and e-books. “Books are important to me,” he said. “But the world is changing and this is the best, most effective way to bring services to our community.”

Bookless library in Texas

“You will be able to check out a book, read it on-site. It will be a learning environment – you’ll be able to learn about technology itself as well as access a tremendous amount of information,” he added.

Library users will be able to read books on any of the devices in the library, take out an e-reader for a short period of time, or even load books onto their own e-reader.

Bookless library in Texas

Last month we reported on Foster + Partners’ plans to overhaul New York Public Library by inserting a contemporary lending library into unused reading rooms.

We’ve featured lots of libraries on Dezeen, including a library in Italy surrounded by a shallow pool of water and another in France with a knobbly concrete facade.

See all our stories about libraries »

Images are courtesy of Bexar County, Texas
Top image of e-reader from Shutterstock

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Metropolitan Museum Breaks Ground on New Plaza, Fountains


(Rendering by OLIN)

Change is afoot along the Metropolitan Museum of Art‘s four-block-long outdoor plaza (fear not, the crowd-pleasing front steps will remain just as they are). Last renovated four decades ago with an eye to vehicular access, the plaza is undergoing a $65 million transformation masterminded by an OLIN team led by partner Dennis McGlade. The new outdoor plaza will open to the public in the fall of 2014 as “The David H. Koch Plaza,” announced the museum at last week’s groundbreaking (a symbolic affair, postponed by Hurricane Sandy, as excavaction got underway in October). Koch, a museum trustee, donated the entire project budget.

Among the upgrades are improved museum access, including additional seating options on either side of the grand staircase and opening up a variety of pedestrian routes by replacing existing pavement with granite paving. Then there are the fountains: it’s out with the door-impeding long ones and in with contemporary circle-in-a-square versions. Flanked by long stone benches, the new granite fountains will flow year-round thanks to freeze-fighting recycled steam. Fluidity Design Consultants promises “glassy water streams” that will be individually size-controlled and programmed to present a wide variety of programmable patterns. Visitors that can tear themselves away from the sure-to-be-mesmerizing water features can frolic among some 100 newly planted trees, including allées of large Little Leaf Linden trees, to be pruned in the form of two Palais Royal-style aerial hedges. All of this will be cleverly illuminated by a new lighting scheme developed by L’Observatoire International.

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Book Tower House by Platform 5 Architects

Walls of books fold around a wooden staircase in this renovation and extension to a north London home by Hackney studio Platform 5 Architects.

Book Tower House by Platform 5

“A key part of the brief was to house the client’s extensive collection of books,” Platform 5‘s Patrick Michell told Dezeen. “We proposed a double-height library wrapped around a stair.”

Book Tower House by Platform 5

The oak bookcases stagger up around the edge of the stairwell, finishing at a first-floor study space that cantilevers out over the room below. “The dramatic space was perfect for a small desk perched off the landing, with views to the floor below and out through the window,” said Michell.

Book Tower House by Platform 5

Platform 5 Architects also added an extension to the kitchen, doubling the size of the space to accommodate a new dining area with an exposed brick wall.

Book Tower House by Platform 5

“We used exposed brickwork in the extension to link the room with the garden by continuing the garden wall into the interior,” said Michell. “London stock brick is an essential part of the character of the city and it forms a beautiful backdrop to a domestic interior.”

Book Tower House by Platform 5

The zinc-clad extension gives the rear of the house a new elevation with a large glass door and L-shaped window seat.

Book Tower House by Platform 5

Wooden ceiling beams run along the length of the extension and create modular shelves along the top of the new brick wall.

Book Tower House by Platform 5

A kitchen island counter is made from exposed concrete, which the architects also used for the surface of the floor. “The robust finish sits comfortably with the muted tones and texture of the exposed brickwork and oak,” explained Michell.

Book Tower House by Platform 5

London-based Platform 5 Architects was founded in 2006 and is headed up by Michell and partner Peter Allen. Previous projects include a modest glass extension to a house in Dalston.

Book Tower House by Platform 5

Other residential extensions to complete recently include a dark brick extension near Lille and a rooftop addition in California.

Book Tower House by Platform 5

See more residential extensions on Dezeen »

Book Tower House by Platform 5

Photography is by Alan Williams.

Book Tower House by Platform 5

Here’s some more text from Platform 5:


The owners were keen to introduce contemporary interventions to create modern living spaces, while retaining and highlighting the Arts & Crafts influenced decorative aspects of the original house. A key element to the brief was the need to house an extensive book collection.

Book Tower House by Platform 5

A simple palette of oak, brick and concrete were used on the interior to link the different spaces and built in furniture was designed to create stage sets for domestic life.

Book Tower House by Platform 5

Above: ground floor plan

The main feature is a double height library built around a staircase at the heart of the house where oak panels and shelves lined with books create an intimate atmosphere. The stepped arrangement of the shelves mimics the stairs to give a sense of upward movement through the space, while at the top a small study has been incorporated into the landing; a peaceful area to work, overlooking the ground floor.

Book Tower House by Platform 5

Above: first floor plan

To the rear, a new kitchen side extension was built by resting a zinc-clad oak structure onto the party wall. Timber spars diffuse light from above, and create a series of niches against the wall. The existing rear elevation has been remodelled, with a large pivot door and a sitting area with slide-away corner glazing overlooking the garden.

Book Tower House by Platform 5

Above: long section – click above for larger image

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Dailai Conference Hall by Vo Trong Nghia Architects

Vietnamese studio Vo Trong Nghia Architects has hidden a bamboo-framed conference centre behind a fortified stone wall in the countryside outside Hanoi (+ slideshow).

Dailai Conference Hall by Vo Trong Nghia

The 80-metre-long wall may look like a historic structure, but the architects actually constructed it as part of the project. “In north Vietnam, there is a tradition to make rustic stone walls,” Vo Trong Nghia told Dezeen. “I wanted to make the wall become a part of the beautiful landscape.”

Dailai Conference Hall by Vo Trong Nghia

Built using dry stone, the wall curves gently around the edge of the building, shielding the interior from the road and protecting it from the noise of a restaurant across the street. “I wanted to design a quiet space for the new conference hall,” said the architect.

Dailai Conference Hall by Vo Trong Nghia

New earth mounds rise up around the edges of the wall but a tunnel-like entrance leads inside, where a reception lobby directs visitors into the largest of two conference halls.

Dailai Conference Hall by Vo Trong Nghia

Once inside, the bamboo framework is revealed as a row of trusses that follow the curve of the facade to supporting the asymmetric roof above.

Dailai Conference Hall by Vo Trong Nghia

The architects deliberately specified locally sourced bamboo for the structure. “In southern Vietnam, we often use ‘Tam Vong’ bamboo, which is bendable and suitable to create a curving figure, but this is not very available in north Vietnam, so we used ‘Luong’ bamboo, which is more common,” Nghia explained.

Dailai Conference Hall by Vo Trong Nghia

Describing the difficulties the architects encountered with this material, he added: “This bamboo has a big diameter and is difficult to bend. Our challenge was to create a pliable form by using this hard and straight bamboo. So the frames of the roof had to change their shape gradually.”

Dailai Conference Hall by Vo Trong Nghia

Grey brick walls line the interior and while pendant lights hang down from the ceiling to sit level with the eaves.

Dailai Conference Hall by Vo Trong Nghia

The Dailai Conference Hall forms part of the Flamingo Dailai resort, a holiday retreat surrounded by woodland at the foot of the Tam Dao Mountain in northern Vietnam.

Dailai Conference Hall by Vo Trong Nghia

Vo Trong Nghia Architects frequently use bamboo for their buildings and recently came up with a concept for low-cost modular homes built using the material.

Dailai Conference Hall by Vo Trong Nghia

The architects also picked up two awards at the 2012 World Architecture Festival, where we interviewed Vo Trong Nghia about his plans to reduce the energy crisis in both residential and public buildings. See all our stories about Vo Trong Nghia Architects.

Dailai Conference Hall by Vo Trong Nghia

Photography is by Hiroyuki Oki.

Dailai Conference Hall by Vo Trong Nghia

Here’s some more informataion from Vo Trong Nghia Architects:


Dailai Conference Hall

A residential resort, named Flamingo Dailai Resort, was planned and partly constructed for busy city citizens to enjoy their weekends surrounded by nature. It is located in the middle of flourishing forests between Dailai Lake and surrounding mountains, about 50 km away from Hanoi. The guests of this resort can enjoy the beautiful landscape inlayed with numerous natural objects, plants and flowers and escape from their daily life in cramped quarters.

Dailai Conference Hall by Vo Trong Nghia

The lot of Dailai Conference Hall is located beside the main access road, which is used as an entrance for the whole resort; the building welcomes all visitors when they come. To enhance their expectation for a delightful stay in the resort, an impressive curved stone wall along the road was designed as its “receptionist”. The wall, which is 80-meters long, 8-meters high and 1-meter thick, offers a sequential view to visitors, revealing and screening the surrounding nature from place to place. Furthermore, the curved wall works as a device, which raises the morale of visitors and attempts to lure them to events being performed in the hall. An orthogonal access between artificial hills conducts visitors through the stone wall, then, visitors reach a foyer covered by a dynamic bamboo structure with an extraordinary scale.

Dailai Conference Hall by Vo Trong Nghia

The wide-span structure of the conference hall consists of the composition of straight bamboos. Bamboo itself has many advantages, such as beautiful color, texture and reproduction potential. Many bamboos are assembled into a structural frame, which has higher reliability and redundancy than bamboo used individually. Its maximum span is 13.6 meters and the positions of the joints at each frame are adjusted to make a generous curve of the roof. Though the functional requirements as a conference center divide the space into specific rooms such as a main hall, sub hall, foyer and supporting rooms, the dynamic bamboo structure enables visitors to feel the spaces are wider and more open, showing its continuity through a transom window above the partitions.

Dailai Conference Hall by Vo Trong Nghia

Bamboo and stone are abundant natural resources near the area. The hall achieves its originality and special atmosphere by using these local materials in plenty. Consequently, the building becomes a friendly accompaniment to nature. The aim of this building is not only to supply a nice space for events but also to deepen the experience of the generous spirit of nature.

Dailai Conference Hall by Vo Trong Nghia

Architect Firm: Vo Trong Nghia Architects
Principal architects: Vo Trong Nghia, Takashi Niwa
Contractor: Hong Hac Dai Lai JSC + Wind and Water House JSC
Status: Built in 08. 2012
Program: Conference Hall
Location: Vinhphuc, Vietnam
GFA: 730m2
Client: Hong Hac Dai Lai JSC

Dailai Conference Hall by Vo Trong Nghia

Above: floor plan – click above for larger image

Dailai Conference Hall by Vo Trong Nghia

Above: cross section – click above for larger image

Dailai Conference Hall by Vo Trong Nghia

Above: front elevation – click above for larger image

Dailai Conference Hall by Vo Trong Nghia

Above: rear elevation – click above for larger image

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Dutch architects to use 3D printer to build a house

Landscape House by Universe Architecture

News: Dutch architecture studio Universe Architecture is planning to construct a house with a 3D printer for the first time.

Landscape House by Universe Architecture

The Landscape House will be printed in sections using the giant D-Shape printer, which can produce sections of up to 6 x 9 metres using a mixture of sand and a binding agent.

Landscape House by Universe Architecture

Architect Janjaap Ruijssenaars of Universe Architecture will collaborate with Italian inventor Enrico Dini, who developed the D-Shape printer, to build the house, which has a looping form based on a Möbius strip.

Landscape House by Universe Architecture

3D printing website 3ders.org quoted Ruijssenaars as saying: “It will be the first 3D printed building in the world. I hope it can be opened to the public when it’s finished.”

The team are working with mathematician and artist Rinus Roelofs to develop the house, which they estimate will take around 18 months to complete.

The D-Shape printer will create hollow volumes that will be filled with fibre-reinforced concrete to give it strength. The volumes will then be joined together to create the house.

In 2009 architect Andrea Morgante used the D-Shape printer to create a 3m high pavilion, which was the largest object ever created on a 3D printer at the time.

In October last year, architects Softkill Design unveiled a proposal to print a house based on bone structures.

See all our stories about 3D printing.

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The Light Pavilion by Lebbeus Woods with Christoph a. Kumpusch

The first and only built project by the late experimental architect Lebbeus Woods is the Light Pavilion, one of of three large-scale installations at Steven Holl’s recently completed Sliced Porosity Block in Chengdu, China (+ slideshow).

Light Pavilion by Lebbeus Woods

Conceived as an entanglement of light and geometry, the four-storey construction of steel rods and glass platforms is suspended within a large opening in one of the five towers that make up the new mixed-use complex.

Light Pavilion by Lebbeus Woods

Staircases wind up through a series of illuminated columns, leading to balconies overlooking the pools and terraces of Sliced Porosity‘s central plaza and the buildings of the city beyond.

Light Pavilion by Lebbeus Woods

Woods designed the space in collaboration with architect and professor Christoph a. Kumpusch and it was completed shortly before his death last October.

Light Pavilion by Lebbeus Woods

“Too much could be made of the fact that the Light Pavilion is Lebbeus Woods’ first and, sadly, last ‘built’ work,” said Kumpusch. “This project, from my perspective, was an extension of drawing, a condensation of thoughts as a material manifestation.”

Light Pavilion by Lebbeus Woods

Kumpusch describes the pavilion as a “prototypical space of the future”. He explained: “The Light Pavilion is designed to be an experimental space, one that gives us the opportunity to experience a type of space we haven’t experienced before.”

Light Pavilion by Lebbeus Woods

By day the structure appears as a deconstruction of the tower’s gridded steel framework, but by night it transforms into lines of glowing colour that change in relation to the time of day, the month and the year.

Light Pavilion by Lebbeus Woods

“The space has been designed to expand the scope and depth of our experiences,” added Kumpusch. “That is its sole purpose, its only function, encouraging us to encounter new dimensions of experience.”

Light Pavilion by Lebbeus Woods

Steven Holl’s Sliced Porosity Block is a mixed-use commercial complex conceived as an alternative to the “towers and podium” approach commonly adopted projects of a similar scale. The five towers surround a plaza that wraps over a ground floor shopping centre.

Woods (1940-2012) was long admired by students and academics for his fantastical drawings that verged on science fiction. See some of his early sketches from the 1980s in our earlier story.

Photography is by Iwan Baan.

Here’s the full statement from Christoph a. Kumpusch:


Too much could be made of the fact that the Light Pavilion is Lebbeus Woods’ first and, sadly, last “built” work as if building was valued over drawing or thinking. This project, from my perspective, was an extension of drawing, a condensation of thoughts as a material manifestation. Pouring over construction documents with Lebbeus again and again, I can safely say that the ideas did not stop when the building process began. Rather, the demands of a “real project” triggered more conceptualization.

The Light Pavilion is designed to be an experimental space, one that gives us the opportunity to experience a type of space we haven’t experienced before. Whether it will be a pleasant or unpleasant experience; exciting or dull; uplifting or frightening; inspiring or depressing; worthwhile or a waste of time, it is not determined by the fulfillment of our familiar expectations, never having encountered such a space before. We shall simply have to go into the space and pass through it. That is the most crucial aspect of its experimental nature, and we – its transient inhabitants – are experimentalists.

Located within an innovative mixed-use complex of towers designed by Steven Holl Architects, the Light Pavilion offers visitors the opportunity to explore a prototypical space of the future. Visitors walk up and through a complex network of luminous spaces that are ephemeral, evocative and changing. Following sloping glass and steel stairs suspended between glowing structural columns, visitors ascend by several possible paths to balconies overlooking pools and landscaped gardens in the plaza below while framing views of the city of Chengdu beyond. The elements defining it do not always follow the rectilinear geometry of its architectural setting, but instead obey a geometry defined by dynamic movement. Their deviation from the rectilinear grid releases its spaces from static stability and sets them in motion. The structural columns articulating the Pavilion’s interior spaces are illuminated from within and visibly glow at night, creating a luminous space into which the solid architectural elements appear to merge.

From distances across the city, the Pavilion is a beacon of light. The structure radiates subtly changing colors for different holidays and times of day, months and years. The space has been designed to expand the scope and depth of our experiences. That is its sole purpose, its only function, encouraging us to encounter new dimensions of experience.

I prefer to see this not as a stand-alone built work, but merely the last leaf of a stunning portfolio and a culmination of so many dreams.

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Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

One building is the inverse of another at this pair of museums that architect Steven Holl has designed for a new city quarter of Tianjin, China.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

The Ecology and Planning Museums will be located within Tianjin Eco-City, a new city quarter under construction on China’s east coast that is set to accommodate at least 350,000 inhabitants.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

Steven Holl Architects conceived the Planning Museum as a large cuboidal building with a series of blob-shaped voids piercing its volume, while the neighbouring Ecology Museum will have a non-linear form that copies the shape of these openings.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

The architects compare the buildings to the Chinese concept of yin and yang, which symbolises the natural balance of the universe. “The Planning Museum is a ‘subtractive’ space, while the Ecology Museum is an ‘additive’ complement,” they explain.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

Visitors to the Ecology Museum will spiral through floors of exhibitions dedicated to the evolution of the galaxy, the biology of the earth and the development of the human race. These will include a large balcony of living exhibits that can be rotated with the changing seasons.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

The Planning Museum next door will contain exhibitions related to technology and development, from transport and infrastructure to architecture and industry.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

A public plaza will be positioned between the two museums and a high-speed tram will connect the site with the Eco-City’s main business district.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

New York-based Steven Holl Architects recently completed the Sliced Porosity Block office complex in Beijing. Other projects in China by the firm include the Linked Hybrid complex of eight connected towers in Beijing and a “horizontal skyscraper” in Shenzhen.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

See more architecture by Steven Holl »
See architecture in China »

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

Here’s some more information from the architects:


Tianjin Ecocity Ecology and Planning Museums Tianjin, China

On reclaimed salt pan and polluted tide flats at Bohai Bay, China (just over a two hour drive from Beijing), a new city for 350,000 inhabitants is being built from scratch. Founded as a collaboration of the governments of Singapore and China, this new Eco-City aims to demonstrate state of the art sustainable aspects. One third of the city is already constructed, and substantial completion is projected for 2020.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

The Ecology and Planning Museums are the first two buildings of the cultural district of Eco-City Tianjin. The Planning Museum is a “subtractive” space, while the Ecology Museum is an “additive” complement, a reversal of the space carved out from the Planning Museum. Like the Chinese “Bau Gua” or “Yin Yang,” these forms are in reverse relations.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

Both museums will be 20,000 m2 with a service zone connecting them below grade, bringing the total construction to 60,000 m2. A high speed tram running between these two museums connects to the central business district of Eco-City.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

The Ecology Museum experience begins with an orientation projection space next to a restaurant and retail opening to the ground level. From there, visitors take the elevator to the highest exhibition floor. Visitors proceed through the three ecologies in a descending procession of ramps: Earth to Cosmos, Earth to Man, Earth to Earth.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

Above: site section – click above for larger image

Exhibits for Earth to Cosmos speak to the vast complexities of intergalactic ecology, from the beginnings of the universe and its governing forces, to the formation of planet Earth and its place in the galaxy. Visitors learn that ecology is a subject much larger and deeply rooted than is currently inscribed in the modern discourse.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

Above: Ecology Museum front elevation

Descending to lower levels in the museum, the visitors arrive at Earth to Human. Exhibits take a turn to explore ancient and current schools of thoughts regarding Spirit and Matter, while revisiting Earth’s creation myths from various cultures. Exhibits also narrate Man’s origins and imprint on earth over the ages, concluding with the “Manmade Ecology” exhibit where current schools of ecology are shown.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

Above: Ecology Museum side elevation

At the last section of the 3-Ecologies exhibits, the Earth to Earth section covers the extensive history of planet Earth from its formation in the Hedean Eon through Pangea, formation of the continents and the Ice Ages. The understanding of the origins of our eco systems provides a background to learn about our modern times and the ecological challenges we face as changes in earth atmosphere, global warming, melting of the polar cap and sea level raising.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

Above: Ecology Museum rear elevation

At the ground floor, the Earth to Earth Exhibition turns clockwise, moving down towards the Ocean Ecology Exhibition located under the reflecting pond of the plaza. Exhibits on the ocean’s various eco systems are naturally lit with shimmering light from the skylights at the bottom of the pond.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

Above: Ecology Museum side elevation

Four outdoor green roof terraces open out from Level 2 (Earth to Earth) with living exhibits changing with the seasons.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

Above: Planning Museum front elevation

The Planning Museum, entered directly from the shared public plaza defined by the two buildings, opens to an introduction area and a temporary exhibition area. A large Urban Model Exhibition (all of the Eco-City) is followed by a theory and practice zone. Digital projections will facilitate the potential to update and increase information. Transportation and industry exhibits follow on Level 2 with escalators loading to an interactive section and 3D Cinema on Level 3. On Level 3, there is a restaurant with views out to the sea. Escalators lead to Level 5 with Green Architecture, landscape and water resources exhibitions. This skylit large open top level has access to the green roofscape.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

Above: Planning Museum side elevation

The nearby Bohai Sea site has an ancient history as part of the Great Ridges of Chenier, which developed over thousands of years. The huge mounds of shells, a magnificent testimony to the power of nature, inspire the sliced edges of the mounds defining the public space around the new Ecology and Planning Museums.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

Above: Planning Museum rear elevation

A slice through the mounds, like a slice through time, exposes these shell specimens embedded in concrete. People can also walk to the tops of the mounds for great views of the cultural buildings with the Eco-Forum and government center across the river in the distant view.

Tianjin Ecocity Ecology and Planning Museums by Steven Holl Architects

Above: Planning Museum side elevation

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MoMA PS1’s 2013 Young Architects Program Winner CODA’s Party Wall, a Three-Story Facade of Skateboard Offcuts

CODA-PartyWall-MoMAPS1YAP.jpg

Per its progressive mission, the Young Architects Program at MoMA PS1 is a perennial celebration of experimental urban architecture, a design-build complement to their beloved summer event series Warm-Up. Each year for over a decade now, the contemporary art space has solicited proposals for a temporary ‘pavilion’ in the enclosed schoolyard space, selecting a winner from the five finalists. Earlier this week, they announced that CODA‘s Party Wall had been selected over proposals by Leong Leong, Moorehead & Moorehead, TempAgency and French 2D [Note: we also covered last year’s winner].

CODA-PartyWall-MoMAPS1YAP-final.jpg

CODA-PartyWall-MoMAPS1YAP-renderWide.jpg

The Ithaca, New York-based firm’s design is a three-story tall structure that spans much of the length of the courtyard, a freestanding steel scaffolding that is bedecked, in a manner of speaking, with offcuts from fellow eco-minded, Ithaca-based company Comet Skateboards. “Byproducts of Comet Skateboards’ manufacturing process, called “bones,” are woven together to form an imperfect and porous façade using off-the-shelf hardware.”

CODA-PartyWall-MoMAPS1YAP-CometSBfeasbility.jpg

CODA-PartyWall-MoMAPS1YAP-maquetteDetail.jpg

Party Wall sits on a low, stage-like platform—made from the extant VW Dome in the courtyard—which also serves to connect the multiple outdoor spaces of the schoolyard. The movable benches (also “prototyped using the uncut but misprinted bones”) can be configured for various scenarios: “not only the pool party, the dance party and some architectural tourists [but also] lectures, classes, discussions, dining, performances, film screenings and even, perhaps, a wedding.”

CODA-PartyWall-MoMAPS1YAP-renderBenches.jpg

CODA-PartyWall-MoMAPS1YAP-CometSB.jpg

Full description from CODA after the jump…

(more…)

"A lot of what we do is about testing public space"– Suzanne O’Connell of The Decorators

Suzanne O’Connell of Hackney studio The Decorators introduces a temporary restaurant in a local market and a community event on top of a multi-storey car park in this movie filmed by Dezeen at our Designed in Hackney Day.

The Decorators

Above: Ridley’s Temporary Restaurant

O’Connell looked back at The Decorators’ work over the past year as part of the day’s Pecha Kucha talks, a presentation format where 20 slides are shown for 20 seconds each.

The Decorators

Above: the site of the temporary restaurant

“A lot of what we’ve done over the past year, because we’re a new practice, is about rehearsals and testing public space,” says O’Connell as she introduces a temporary restaurant in east London’s Ridley Road market. “It’s not just about designing the space, but about designing the programme for that space.”

The Decorators

Above: constructing the restaurant

Collaborating with London studio Atelier ChanChan, The Decorators set up a restaurant that encouraged visitors and locals to exchange raw ingredients for a cooked meal.

The Decorators

Above: section showing the restaurant’s moving table attached to a pulley

“We didn’t really have a brief, so we spent two or three months doing research on the market, speaking to the traders, our core collaborators, and trying to figure out what existed there,” says O’Connell.

The Decorators

“We wanted to find a mechanism where we could bring people together and bring an alternative economy to the market.”

The Decorators

The Decorators came up with a system where diners could look over the shopping list on the restaurant’s blackboard, purchase an ingredient from the market and swap it for their lunch, with enough left over for the restaurant to serve an evening meal.

The Decorators

“With the design, we wanted to highlight the process of what was happening,” says O’Connell, explaining that the studio came up with a table that could be winched up from the ground floor kitchen to the first floor dining room.

The Decorators

“We were playing with the normal etiquette of how you share a meal,” she says, “and we also played with the way the knives and forks were placed, and glasses, so it was a way of having a shared collective experience.”

The Decorators

Above: the first floor of the restaurant with the table seen on the floor below

The second project O’Connell introduces is a collaboration with Croydon Council and Kinnear Landscape Architects to make use of Croydon’s empty car parks before they’re eventually demolished.

The Decorators

Above: kitchen staff prepare plates on the ground floor

“On first investigation of Croydon, all the places seem quite empty,” she explains, “but on further investigation you see there’s actually a buzz of activity – you’ve got Croydon College, you’ve got Fairfield Halls, you’ve got the skaters; so the car park becomes a great opportunity to bring all these people into the public space together.”

The Decorators

Above: the table is winched up to the first floor dining room

The Decorators planned an event for the roof of the multi-storey car park to include a cook-out by a local barbecue chef, five-minute speeches from locals outlining their visions for the town, and a football game. “All of the teams are from various stakeholders and they’re playing for this future idea of what Croydon can be,” explains O’Connell.

The Decorators

Above: Croydon, south London

“This is an experiment, we don’t really know how it’s going to go, but we hope that the results from this event will inform the architectural interventions over the next year,” she concludes. The car park event took place in October last year.

The Decorators

Above: diagram for an open event on top of a multi-storey car park

Dezeen’s Designed in Hackney initiative was launched to highlight the best architecture and design made in the borough, which was one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices.

The Decorators

Above: plan for a social space in Croydon

Watch more movies from our Designed in Hackney Day or see more stories about design and architecture from Hackney.

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After the Mayan Calendar, Fernando Romero’s You Are The Context

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In the midst of the Mayan calendar predictions, prophecies came and went and on 12-12-12 in New York, the Mexican architect Fernando Romero released his book You Are The Context at the Guggenheim Museum. The launch was a celebration of what comes next, a young career full of potential and a designer with the means to create change in and out of Mexico.

Romero and his firm FR-EE published the book as a catalog of architecture projects erected and for consideration around the world. In an email he writes, “It is a manifesto of today’s context for designers.” The book reads like an architecture self-help guide: a serious investigation of trending topics in building and social design: museums, mixed-use, responsible vertical, cities, convention centers, bridges, etc.

The book starts “Since the mid-1960s, as a reaction against the formalism and functionalism of Modernism, the word context has seen a common and frequently used term in architectural discourse.” Romero and FR-EE are pushing an agenda with regards to careful attention to the key elements of site, culture, time and society. These are considerations for a future architecture.

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You Are The Context is self-published and reads as part calling card/part industry resource. FR-EE hopes to ignite conversations around key issues, shed light on the positive developments in Mexico, and also to bid for some US territory or at least make it’s voice more laudable.

Romero won international acclaim for designing Museo Soumaya in 2011, a sequined hourglass of a museum housing Carlos Slim Helú’s prestigious art collection in Mexico City. Romero is prone to organic shapes and experimental forms. His mentors include Enric Miralles, Jean Nouvel and Rem Koolhaas.

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