Tell me about yourself…

I would like to include more Subscriber Profiles (for subscribers of UPPERCASE magazine only) in the magazine. Rather than select randomly or ask people that I know a bit about, I thought I’d put it out there and see who responds. I know I have a lot of keen subscribers out there and it would be nice to hear from a variety of folks! I’ll publish some in the forthcoming issue (answer before December 27 to be considered for issue 8) and post some here on the blog as well.

Please copy the following text and answer the questions by email to janine@uppercasemagazine.com and attach a photograph of yourself labeled with your last name (file should be at least 2” wide at 300dpi). Please title your email Subscriber Profile, it makes my inbox easier to handle! This is for current subscribers only, please!

Name:

Country:

Email:

How are you creative in your daily life?

What are you most curious about?

What is your most prized possession?

What is your favourite letter of the alphabet and why?

What is your favourite colour?

What is your preferred creative tool?

website url, if applicable:

blog, if applicable:

shop, if applicable:



Living in his world: Antonio Sant’Elia 1888-1916

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On one of my daily walks to work through San Francisco I was struck by a particular composition of buildings including SF’s iconic Transamerica building. It reminded me so strongly of the futurist architect Antonio Sant’Elia, who I mentioned a few weeks ago in my post “Three Artists Every Designer Should Know” that I had to research him further. I realized that we are largely living in a world that he envisioned in his very short career, 1912 to 1914. Very little of his work was built, but his drawings for various Futurist exhibitions and the Manifesto of Futurist Architecture, which is attributed to him, lived on past his death at age 28 during WWI. Sant’Elia’s ability to foresee and celebrate the layered, chaotic effect of what became of the contemporary city is uncanny.

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Check out the books “The Work of Antonio Sant`Elia: Retreat into the Future (Yale Publications in the History of Art)” and “Antonio Sant’ Elia (Archipockets)” for more information.

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Casa Puglia by Peter Pichler

Casa Puglia by Peter Pichler

Architect Peter Pichler has converted an existing 14th century farmhouse into a family home in Puglia, Italy, adding these perforated shutters over its facade.

Casa Puglia by Peter Pichler

Called Casa Puglia, the building is situated on a hill and features a series of arches on the interior, covered by the new shutters.

Casa Puglia by Peter Pichler

The shutters are made of water-cut aluminium panels and feature a graduated pattern derived from Arabic designs.

Casa Puglia by Peter Pichler

The arched doorways connect each room to the outside.

Casa Puglia by Peter Pichler

Photographs are by Domingo Milella and Victoria Ebner.

Casa Puglia by Peter Pichler

More residential architecture on Dezeen »

Casa Puglia by Peter Pichler

The following information is from the architect:


Santa Maria Al Bagno is a small fishermen village, district of Nardò in the province of Lecce, and it is located on the coastline of the Gulf of Taranto, Ionian west coast between Gallipoli and porto Cesareo.

Casa Puglia by Peter Pichler

The project embraces a conversion of an existing old house from the 14th century in Puglia, south Italy. The house was part of a so called “masseria”, a traditional farmhouse to be found in the countryside of Puglia and usually built in “tufo”, a local sandstone.

Casa Puglia by Peter Pichler

In the past 500 years the masseria has been the center of production of apulian agricultural economy where most people lived and worked in the countryside producing wheat, almonds, wine, olive oil, milk and cheese.

Casa Puglia by Peter Pichler

After world war II most people moved to towns leaving most masserias abandoned. In the past 5 or 6 years masserias have found new life as country hotels, museums and private residences.

Casa Puglia by Peter Pichler

The house is located on the top of a small hill and is oriented towards the sea. It consists of a small kitchen connected to the living room, 3 bedrooms and 2 bathrooms. The house is surrounded by a handsome garden with classic mediterranenan plants which expands towards east.

Casa Puglia by Peter Pichler

The most dominant feature of the old existing house were interior arches, that span the width of the rooms and are cut into the exterior walls as a kind of interior relief (old walls with a depth of almost 80cm at some points).

Casa Puglia by Peter Pichler

The idea was to expand those “decor” arches in the exterior facade to provide light and direct access from each room towards the exterior space.

Casa Puglia by Peter Pichler

The characteristic Apulian architecture of the 11th–13th centuries reflects Greek, Arab and Norman influences.

Casa Puglia by Peter Pichler

Those influences were taken as inspiration for generating a pattern which was applied to 36 water-cutted aluminium panels in the facade, used as sunshading elements and furthermore preventing against incursion.

Casa Puglia by Peter Pichler

The pattern was developed with parametric techniques in order to test the density of the structure, which filters the amount of light in the interior space.

Casa Puglia by Peter Pichler

It gradually changes and goes from an open thin structure to an almost closed surface, evoking a new interpretation of the classic arabic “linear” pattern.

Casa Puglia by Peter Pichler

The constant play of light and shadow through the structure changes during the daytime and is inverted by night, ending up with the effect of a glowing facade.

Casa Puglia by Peter Pichler

Project: casa in Puglia
Type: leisure residence

Casa Puglia by Peter Pichler

Location: Santa Maria al Bagno, Puglia, Italy
Status: built

Casa Puglia by Peter Pichler


See also:

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House for a photographer by Peter PichlerLadderstile House by ThreefoldArchitectsRestello by
Piercy Conner Architects

Google Adwords – Thank You

Une vidéo de promotion à l’occasion du 10ème anniversaire de Google Adwords et de leur 1er million de clients dans le monde. Un travail de l’agence AKQA en collaboration avec la post-production de PostPanic. Filmé dans les bureaux de Google en Californie, à découvrir dans la suite.



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Previously on Fubiz

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Berlin Under the Rain

Un shooting de 5 jours sous la pluie et dans la ville de Berlin, suivant le parcours et le destin de plusieurs skaters pour le client Oxelo Skateboards. Un film efficace réalisé par le français Guilhem Machenaud, à découvrir en images et vidéo dans la suite de l’article.



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Previously on Fubiz

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A look at the next cover

And there she is, a cover design-in-progress for issue 8, out in early February! Thanks to Sarah and Ryan at Lab Partners for the illustration. I love the simple concept and the play on the notion of a type slug (a strip of metal used to space lines of type).

(Lab Partners were previously featured in the magazine, as part of our dynamic duo column. Below is the illustration that they made for that article.) Quite the dapper pair!

In addition to the usual topics, the issue explores themes of small and miniature, as well as articles about letterpress. Each issue will have an actual letterpress sample inserted within its pages and subscriber copies will include an authentic vintage european matchbox label.

The Bloesem Gift Guide 2010

Tape Christmas tree ideas by pimpelwit styling

Pimpelwit_boomi*Guest post by Marieke van Proosdij aka pimpelwit styling

I just love to experiment, besides the usual christmas tree, with different materials. With tape you get the most great effects on your wall. And Christmas is the time where candlelight is a must. I taught of a lot of little lights in different colors which gives you an extra happy and colorful feeling

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The greatest thing for me with christmas is that I can invite a lot of people. For the cooking I will ask someone else but the decoration for the table setting I will be working on the whole day. For example these glasses with a name tag, so everyone find his place at the table..

Thank you and we wish you a Merry Christmas Marieke.

Renegade San Francisco

We’re there in spirit! (and as a prize at the raffle table)

Open Saturday afternoon

Hi there! Glen, Finley and I are downtown in the UPPERCASE headquarters if you’d like to stop by for some Christmas shopping in Art Central! Books, Eclectonotes and magazine subscriptions make good gifts! (Issue 7 is available here in person while supplies last.) We’re open from noon until around 3ish. The button maker is set up, too, if you are so inclined.