Port and The Guardian: new takes on iPad apps

Port magazine and The Guardian have provided us with two very different but thoughtful approaches to the challenges of publishing for the iPad

As a small circulation, high-quality quarterly, Port offers a luxury experience in print. It’s tactile and it’s sumptuous, from the paper to the typography. How then to transpose these qualities to the iPad?

Port’s new app, its second go at iPad publishing, succeeds admirably. Unlike many early magazine iPad apps, Port resisted the temptation to throw the design equivalent of the kitchen sink at things: this is a calm, measured experience. Where there are interactions, such as the annotated photograph below, they are appropriate and useful.

 

The contents page in particular is lovely, feature titles subtly change to short standfirsts as they are touched.

Images take advantage of the iPad’s fantastic resolution – the majority run full-screen with text that pops over if selected.

One other particularly nice innovation comes in the fiction section where writers read out their contributions.

Overall, the Port team, which included developer Tim Moore and magCulture‘s Jeremy Leslie working with Port’s Matt Willey, have created an appropriate, beautifully crafted app that chimes absolutely with the values of the print magazine.

The Guardian is a response to a different challenge entirely. Publishers saw the iPad and thought ‘at last, after years of giving it away for free online, people will once again pay for our content’. But how to persuade them when they could just as easily go to your website for free?

The Guardian app is an attempt to re-imagine the functions of a daily paper for a new medium. Unlike other newspaper apps which closely mimic their printed other-selves, the Guardian app takes a a fresh approach. The Front page is in the form of a grid, giving hierarchy but also plenty of choice. Sections are colour-coded. It’s bright and inviting. Usability issues (so many early iPad apps were labrynthine) are neatly addressed with a horizontally-scrolling list of sections at the top of the page.

 

Each section has a ‘hero’ lead story that is presented with a full-screen image overlayed by headline and standfirst. You scroll down to read the copy, across to go to the next story in that section. Again, navigation is aided by a right-hand column detailing the previous and next stories in that section. Full-page ads appear after every sixth story (incorporating ads into iPad apps is a particularly thorny issue).

The layout of the stories themselves combines stylistic elements from the Guardian online and in print – no bad thing. In fact, as creative director Mark Porter explains in this blog post about the app’s development, it “actually recycles the already-formatted newspaper pages. A script analyses the InDesign files from the printed paper and uses various parameters (page number, physical area and position that a story occupies, headline size, image size etc) to assign a value to the story. The content is then automatically rebuilt according to those values in a new InDesign template for the app.”

Porter’s post is well worth a read for the detail it goes into regarding the development process (in conjunction with interactive studio Berg) and the sheer scale of back end work needed. Also, The Guardian itself has a good slide show on the various itereations of the design here and this video explains more:

Overall, it’s the kind of thoughtful, innovative approach we have come to expect from The Guardian. Quibbles? There’s a distinct lack of video, perhaps in a bid to keep file sizes low. And the mechanism for sharing content is problematic. Sharing is a tricky one for iPad apps – what exactly are your readers going to share that will have any meaning to the person they send it to? The Guardian attempts to get round this by sending an email with a URL, but the URL takes you to the content on the paper’s website, thereby almost undermining the need for the app instead of promoting it. And there are no comments, another difficult issue for app publishers. Readers have become used to being able to comment on stories. It is possible with the iPad but means constantly having to update the app. Not everyone enjoys reading comments, however, so perhaps some readers will enjoy the relative quiet of a commentless publication.

All this is extremely relevant to CR as we are currently developing our own iPad app – yes, we have been saying that for ages but it’s coming we promise. When The Guardian app launched many readers, via the website, queried the point of the app when the website worked so well. That seems to us to be key. CR’s app will not simply be the magazine on screen with a few interactive bells and whistles added. Nor will it be the website in another form. We’re aiming for an experience that makes the most of the medium and provides a different, complementary experience with plenty of unique content – lots of hi-res images and video, longer articles than you’ll find here on the blog, beautiful slideshows and so on. Watch this space.

 

 

CR in Print

Thanks for reading the CR Blog but if you’re not also reading the magazine in print, you’re really missing out. Our October issue includes the story of Blackpool’s Comedy Carpet, a profile of Jake Barton whose studio is currently working on the 9/11 Memorial Museum, plus pieces on branding and the art world, guerilla advertising coming of age, Google’s Android logo, Ars Electronica, adland and the riots, and loads more.

And, if you subscribe to CR, you also receive our award-winning Monograph booklet every month for free.

If you would like to buy this issue and are based in the UK, you can search for your nearest stockist here. Based outside the UK? Simply call +44(0)207 292 3703 to find your nearest stockist. Better yet, subscribe to CR for a year here and save yourself almost 30% on the printed magazine.

The fusion of athlete and equipment

Freestyle kajaking is a relatively young offshoot of the canoe sport, where athletes perform tricks (moves) similar to those of skaters, snowboarders ..

Monarch Coffee Table

As stated by Leonardo da Vinci, “Simplicity is the ultimate sophistication”. Presenting the Monarch coffee table by Gitane Workshop. The beauty of t..

LODZ Design Festival

Lodz Design Festival is an event which, since its creation in 2007,
has been the ground for thought and experience exchange for artistic
circles w..

Special feature: music

Startup City by 00:/ and Space Station

Startup City by 00

Architects 00:/ and Space Station have designed digital advert-covered offices to straddle Old Street roundabout, located down the road from Dezeen’s offices in London and dubbed Silicon Roundabout due to the number of technology companies and start-ups in the area.

Startup City by 00

Startup City would accommodate start-up businesses directly above Old Street tube station. Digital adverts would flash across the faceted exterior of the office block, interrupted only by windows.

Startup City by 00

The electronic canvas would be one of the most expensive advertising spaces in the capital, available for rent per pixel per minute. Behind the walls, the building would enclose a ground-level public square containing station entrances, a big screen, market stalls and cafes.

Startup City by 00

Click above for larger image

Other recent architecture projects in London include a fire-damaged former market hall converted into Corten-clad university offices and a house clad in flint, timber and leadsee more projects in London here.

The following information is from the architects:


London-based design practice 00:/ ∫(‘zero zero’), in partnership with Space Station, have published proposals for the redevelopment of the Old Street roundabout in East London. The proposals outline a new enterprise and start-up institution at the central hub of Old Street, Hoxton and Shoreditch; an area which in recent years has been dubbed ‘Silicon Roundabout’ due to the rising success of new technology and .com enterprises concentrated in the area.

At a time when much of the economic and employment news in the UK makes for gloomy reading, Silicon Roundabout stands out as a remarkable success story, with a number of successful British technology companies emerging in one small area, and myriad new start-ups seeking to establish themselves in the area.Yet the roundabout which gave its name to this phenomenon remains, by contrast, unloved and fallow but for a small number of popular shops which inhabit the concrete underpass.

Boosted by government support for the ‘Tech City’ emerging in the East of London, the effort is now on to bring together investors, backers and the tech community to build upon this emerging London success story. “The roundabout is a landmark opportunity to articulate and amplify what is happening in the area”, explains Space Station director Russell Chopp.

Space Station is widely acknowledged as one of the pioneers for the regeneration of Shoreditch since 1997 working closely with many of the successful founding .com and media start up companies that originally moved into Shoreditch in the late 1990’s.

Architecture and strategic design practice 00:/, themselves based in the area, have led the design for the proposals. 00:/ are established leaders in innovative enterprise environments and future workspaces: having been co-designers and partners behind the Hub network in London, which provides collaborative workspace for social entrepreneurs. Not surprisingly then, their proposals go far beyond the kind of corporate office design often associated with business campuses.

“It’s partly about realising why this place is already successful in the first place”, explain 00:/. “This is an economy which works in a completely different way, it’s far more open, far more sociable. It’s about the aggregation of many small, energetic, and rapidly growing start-ups with a sharing culture rather than the single, large corporate setup which has driven the design of the office buildings we got used to during the boom.”

Their proposal has a number of key distinctive features. First, the base of the structure is not a corporate lobby or a shopping mall, but a large, enclosed public space.

“In a sense, London already has another major public space, sitting there, waiting to be found, used and loved” say the designers. “It should be something like a cross between Trafalgar Square and Grand Central Terminal in NewYork.”

The design has to respond to the very tight constraints of building around an existing underground and railway station, located at the centre of one of London’s busiest traffic junctions. Its structure and construction would have to be strongly shaped by these factors.

The resultant building, sitting astride this new public space, could not be more different from the glass office buildings of the City of London a few hundred metres further south. Not a series of floor plates, but a kind of city-within-a-city.

Within this compact city would be workspaces for companies which range in size from large to tiny, as well as shared resources and flexible workspaces for start-up enterprises of only one or two people.

On the outside, the faceted facade is a vast, programmable advertising board, reminiscent of Tokyo’s Shinjuku district. “We’re told the advertising space on the roundabout is some of the most expensive in Britain. Rather than resist that, we saw an opportunity in turning that onto its head, by opening the whole thing up. By selling the façade per pixel, per minute, the building creates a system which allows small, local companies, individuals and online campaigns to use it, alongside the big global players.”The result is a kind of neighbourhood- based ‘million-dollar homepage’, reflecting outwardly the energetic entrepreneurialism which is driving the change in this part of London.


See also:

.

Office Building VDAB by BOB361Offices by Barbosa & Guimaraes10 Hills Place by AL_A

POPI – intelligent foldable umbrella

This umbrella solves all the problems related to foldable umbrellas improving comfort and portability. The handle also works as housing allowing to cl..

DesignPhiladelphia 2011: Mayor Michael Nutter, Design Champion

DP_MG_3741.jpgPhotos by Jamie Newkirk

DesignPhiladelphia 2011 has officially arrived! DesignPhiladelphia is a week-long celebration of design that not only offers great lectures, exhibitions, street installations and workshops—but also allows creative individuals to network and collaborate across a breadth of design disciplines. Philadelphia is quickly proving itself to be one of the up-and-coming design capitals of the world. DesignPhiladelphia helps showcase the role that design has played historically in Philadelphia, the “workshop of the world,” but—most importantly—showcases the city as a hub for innovation and design.

To begin the festivities, DesignPhiladelphia hosted a benefit kick-off party Thursday evening at the Liao Collection, an Asian antique emporium located in a large brick-exposed showroom on the first floor of an old warehouse building. While the house band snared their drums and plucked the bass, guests in their best dress sipped on margaritas and picked at gourmet finger-foods, anxiously awaiting the arrival of the evening’s most notable guest—Mayor Michael Nutter. Not a stranger to the public eye and known for his late arrivals, Mayor Nutter arrived surprisingly on time—perhaps eager to accept the first annual Design Champion Award from DesignPhiladelphia.

DP_IMG_9055.jpg

“Design matters,” says Mayor Nutter. “The industry is growing in Philadelphia. It is open in Philadelphia. It’s creating jobs and economic opportunity. It’s actually drawing people to this city; it’s a part of the reason why our population actually went up for the first time in 60 years.” Mayor Nutter humbly accepted his award; a curious shadowbox with a painted bird and LED lights, presented to him by DesignPhiladelphia’s founder & executive director Hilary Jay, exclaiming that Mayor Nutter has helped Philadelphia’s design community “soar.”

(more…)


Chris James Retrospective

Suite à une blessure au genou qui l’a mis à l’écart durant plus de 7 mois, voici le retour du sportif Chris James avec cette vidéo sous la forme d’une rétrospective jusqu’à son dernier déplacement à Tahiti. Une mise en scène de ses exploits en bodyboarding, à découvrir dans la suite.



Previously on Fubiz

Copyright Fubiz™ – Suivez nous sur Twitter et Facebook

Teanest

The Teanest set consists of a table and two chairs that nest neatly into one elegant compact unit. Available as a hand finished numbered limited editi..