Misha Kahn on Avoiding Rulers, Letting Design Be Greedy, and Finding the Perfect Equilibrium Between Passion and Flippancy

MishaKahn-QA-1.jpg

This is the latest installment of our Core77 Questionnaire. Previously, we talked to Karim Rashid.

Name: Misha Kahn

Occupation: Designer

Location: Brooklyn

Current projects: Right now I’m producing a series of lamps for a room made by Bjarne Melgaard for the Whitney Biennial.

Mission: I think that, especially in the U.S., we have such a rigid aesthetic view of how things get built and constructed, and it can be very constraining. So I’m hoping to help infuse the material culture with a little more looseness and an easier, more accessible way of making things.

MishaKahn-QA-2.jpgAbove: Misha Kahn. Top image: Kahn’s Neon Table

MishaKahn-QA-3.jpgKahn’s Pig Bench, made with urethane resin and layers of trash

When did you decide that you wanted to be a designer? I think, for most people, you kind of stumble into it, because there’s not much else that you could be. I dabbled in a lot of things. As a kid, I liked to make Claymation films, with lots of miniature furniture. I also like making clothes a lot, and I segued into making furniture at school. For me, furniture is a really nice scale to work on. You can make it by yourself or with a few people—it’s kind of the largest thing that’s possible to realize in a very tangible way.

Education: I mostly went to RISD—that’s where I got my furniture degree. I also did a Fulbright right after school and took some classes at Bezalel Academy of Arts and Design.

First design job: My first internship was doing windows at Bergdorf’s, which I think had a weird amount of influence on me.

Who is your design hero? I promised my roommate/partner-in-crime Katie Stout that I would say it’s her. We’re both working in a similar vein, so it’s very consoling that there’s someone else who sees things in much the same way.

MishaKahn-QA-4.jpgA table from Kahn’s Geometric Figures and Solids series

(more…)

No Responses to “Misha Kahn on Avoiding Rulers, Letting Design Be Greedy, and Finding the Perfect Equilibrium Between Passion and Flippancy”

Post a Comment