In addition to unveiling their redesigned Mac Pro, yesterday Apple also previewed their forthcoming iOS 7. This is the one many an industrial designer has been waiting to see; we all know Jonathan Ive can do hardware, but iOS 7 will be the first real indication of what software will look like under Ive rule—and if he’d be given free reign. Former Apple executive Scott Forstall was famously a proponent of skeuomorphism, the inclusion of real-world elements—stitched leather, lined legal pads, spiral bindings—that many in the design community found tacky and backwards-looking. Following his ouster, Ive was placed in charge of iOS design, and he’s made it no secret that he intended to Think Different.
Well, based on what we’re seeing, we’re happy to report that it seems Ive’s creative control is complete.
The first thing users will likely note is the change in typography. Just as Forstall’s beloved word “skeuomorphism” has an unusual sequence of three vowels in a row, Ive has switched the font to what looks to be Helvetica Neue Ultra Light, which has an equally foreign sequence of contiguous vowels. The resultant look is undoubtedly more modern (though your correspondent prefers thicker fonts for legibility’s sake).
“Flatness” is the adjective of the day, and the new iOS has it in spades. In the past decade-and-a-half icons have spun steadily out of control; what were once simple representations of objects, necessarily drawn in low-res due to computing constraints, unpleasantly evolved into overcomplicated, miniaturized portraits. Ive’s flat design approach returns to the roots of the graphic icon, eschewing 3D shading and instead using line to tell the tale. With the exception of a couple of icons—the Settings gears and Game Center’s balloons—shading is completely absent. The cartoonish highlights on the text message word bubbles are gone. Background gradations are the only non-flat visual variation allowed.
Interestingly enough, the keypad now looks like something graphically designed by the Braun of yore…
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