Emily Kehe Named Design Director of Fortune; New York Appoints First ‘Photographer-in-Residence’
Posted in: UncategorizedNew year, new masthead additions! Over at Fortune, Emily Kehe (pictured) has been doing the heavy lifting on the art side since August, when creative director John Korpics left the Time Inc. title to get sporty, as vice president and creative director for print and digital media for ESPN The Magazine and ESPN.com. Kehe jumped into designing Fortune covers and layouts, overseeing the iPad edition, and managing the department, according to managing editor Andy Serwer. “So much so that when it came time to find a permanent replacement for John, and while we did consider other candidates, I really needed to look no further than a few doors down to Emily’s office,” he wrote in an e-mail announcing Kehe’s appointment as design director. A native of Colorado, she studied publication design and photography at the University of Miami School of Communication before working at publications including The Miami Herald and The Boston Globe. Kehe began her career at Fortune as a freelancer in 2008 and later returned to help Korpics with the magazine’s 2010 redesign.
And over at New York, editor-in-chief Adam Moss and photography director Jody Quon have tapped Christoper Anderson as the magazine’s first photographer-in-residence, a position created both to showcase his work and deepen New York’s commitment to original photography. “We thought that we could be the ideal outlet for Chris to explore his painter’s palette of image-making,” said Quon in a statement issued Monday by the magazine. “Chris’s commitment to journalism combined with his range of artistry makes him the perfect partner for the magazine.” Anderson, an acclaimed photographer and member of Magnum Photos, will shoot editorial work exclusively for New York on an array of subjects in a full range of styles, from photojournalism to portraiture to conceptual work. His photography will appear regularly beginning with this week’s issue, which features Anderson’s surveillance-style photos in its “Classifieds” cover story.
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