Crossing Over: Side Projects from Six Graphic Design Icons, by John Clifford

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By John Clifford

While writing my book Graphic icons: Visionaries Who Shaped Modern Graphic Design, I was impressed by how many of the legendary designers I was profiling pushed themselves and branched out to other disciplines, such as industrial design and architecture. Such explorations can inspire creativity and bring fresh perspectives to each area of practice.

JohnClifford-GraphicIcons-Sutnar.jpgCatalog cover for Cuno Engineering Corporation, 1946; Build the Town building block set, c.1942

Ladislav Sutnar

Influenced by the functional Constructivist and De Stijl movements, Sutnar always worked at developing a visual language that communicated directly. Charts, graphs and images simplified information, helping busy people save time. The way, Sutnar steered readers through complex information sounds much like what we now call information design or information architecture, which has been further developed by Edward Tufte and Richard Saul Wurman, as well as by digital and web designers everywhere.

As someone who believed that design should influence every part of daily life, Sutnar designed pretty much everything: furniture, fabrics, glassware and dishes, even toys. His colorful and geometric building block set, “Build the Town,” was never actually produced, in spite of Sutnar’s efforts to design packaging and promotional materials for it.


JohnClifford-GraphicIcons-Lustig.jpgIndustrial Design magazine cover, 1954; 3 Tragedies book cover, paperback version, 1955; Staff magazine cover, 1944.

Alvin Lustig

Magazines, interiors, book jackets, packaging, fabrics, hotels, mall signage, the opening credits of the cartoon Mr. Magoo—even a helicopter—Alvin Lustig designed all of them. He always felt the title “graphic designer” was too limiting, and it’s clear why: He designed everything. And he did it all before dying at the young age of 40.

Lustig started designing interiors while working for Look magazine in the 1940s. Work like this inspired him to design the total package for his clients, from corporate identity to office environments. Though he is best known for his book covers, his experience among many disciplines gave him more freedom and opportunities.

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