House in Takamatsu by Yasunari Tsukada

This renovated family home in Japan by designer Yasunari Tsukada features large internal windows and a mezzanine loft, creating apertures and vantage points for looking into different rooms (+ slideshow).

House in Takamatsu by Yasunari Tsukada

Adapting part of a three-storey house, Yasunari Tsukada planned the interior as a grid of partitioned rooms that maintain the same clarity as an open-plan residence.

House in Takamatsu by Yasunari Tsukada

“The client requested a home where he could feel the presence of his family throughout the building, while at the same time having the calm and relaxing sensation of being in a private room,” explains the designer.

House in Takamatsu by Yasunari Tsukada

The mezzanine floor runs across the centre of the space, accessed by a metal staircase near the entrance. There are no walls around it, only balustrades, so residents can look down onto any of the surrounding rooms.

House in Takamatsu by Yasunari Tsukada

Large windows and doorways also open rooms out to one another. There are a few sliding doors, so some of the spaces can be made more private when necessary.

House in Takamatsu by Yasunari Tsukada

“Each space also contains two or more windows or openings, giving rise to a multilayered space with no sense of hierarchy within it,” says Tsukada.

House in Takamatsu by Yasunari Tsukada

An existing glass-block wall that previously encased a stairwell gives a curved outline to a new living room, plus a single concrete wall is the backdrop for a television.

House in Takamatsu by Yasunari Tsukada

The ceiling of the residence follow the angle of the roof. Bare lightbulbs hang down from it on long cables, while others are mounted sideways onto the walls.

House in Takamatsu by Yasunari Tsukada

Japanese designer Yasunari Tsukada more recently completed a beauty salon in Osaka with a timber lattice stretching across one wall.

House in Takamatsu by Yasunari Tsukada

Other new Japanese residences include an apartment with a sunken circular living room and an opaque house balanced above a pet shop. See more architecture in Japan.

House in Takamatsu by Yasunari Tsukada

Photography is by Stirling Elmendorf.

Here’s some more information from Yasunari Tsukada:


House in Takamatsu

Our client was initially inclined to build a new house. After much consideration, however, he decided to partly renovate his three-storey family house, and use it as a residence for a two-generation family.

House in Takamatsu by Yasunari Tsukada

The client requested a home where he could feel the presence of his family throughout the building, while at the same time having the calm and relaxing sensation of being in a private room. By enveloping each room with a sloping ceiling to make use of the existing building, we wondered if we could create an ambiguously defined space that would feel as if it had been partitioned, while still maintaining a sense of coherence and unity.

House in Takamatsu by Yasunari Tsukada

The components that make up each individual room are gate-like walls, which consist mainly of openings. The roof gradient and heights of the sash windows were determined in accordance with the original height of the living room, which was 2400mm. The heights of the walls also took their cue from this figure, and were set at 2400mm. Although it seems as if this height has been deployed with excessive frequency within the space, doing away with ceilings for the individual rooms while covering them with a single, sloping ceiling and installing windows at a number of positions along the walls allowed us to create a sort of landscape that presented a very different face to the familiar surroundings. Each space also contains two or more windows or openings, giving rise to a multilayered space with no sense of hierarchy within it.

House in Takamatsu by Yasunari Tsukada

The renovation process involves thinking about how we can devise new spaces while respecting a given set of conditions imposed by the existing building, as well as the client’s requirements. The glass blocks from the large staircase and stairwell were transformed into a part of the living room and the reading space, while the innocuous reinforced concrete wall that originally supported the staircase was given a new lease of life as the wall that one notices most of all on a daily basis. For our client, this space helped to give things and objects new meanings, and became invested with new stories and narratives – a process that prompted him to rethink the possibilities of design through renovation.

House in Takamatsu by Yasunari Tsukada

Project Name: House in Takamatsu
Project Type: residence renovation
Location: Takamatsu-city, Kagawa, Japan
Completion: 2012 May
Design: Yasunari Tsukada design
Contractor: Shikoku Housing

The post House in Takamatsu
by Yasunari Tsukada
appeared first on Dezeen.

end…Link beauty salon by Yasunari Tsukada

A timber lattice supports shelves, worktops, lighting and mirrors down one side of this beauty salon in Osaka by Japanese designer Yasunari Tsukada (+ slideshow).

end…Link beauty salon by Yasunari Tsukada

Located in the Kitahorie neighbourhood, the salon occupies a long and narrow building, so Yasunari Tsukada designed a clean white interior with few partitons to keep the space as open as possible.

end…Link beauty salon by Yasunari Tsukada

The gridded wall of timber runs along the right-hand side of the space to create workstations for seven stylists, each with a number of possible shelving configurations.

end…Link beauty salon by Yasunari Tsukada

“We wondered if we could create flexible, extensible walls without imposing any limitations on their functionality,” explains Tsukada. “In concrete terms, our solution involved building three-dimensional lattice screens resembling parts of a jungle gym that function as architectural pieces of furniture.”

end…Link beauty salon by Yasunari Tsukada

Openings in the grid create spaces for mirrors, while pendant lights hang through from above and glass panels can be slotted in and out to rearrange the shelving layout.

end…Link beauty salon by Yasunari Tsukada

Two extra seats face a large mirror on the opposite wall, while a plywood screen accommodates a reception desk.

end…Link beauty salon by Yasunari Tsukada

A narrower wooden framework provides additional shelves towards the rear of the 28-metre-long room, plus a hair-washing area is tucked away at the back.

end…Link beauty salon by Yasunari Tsukada

Named end…Link, the salon is one of the first completed projects by Yasunari Tsukada, who launched his studio in 2012.

end…Link beauty salon by Yasunari Tsukada

Other recently completed salons in Japan include one lined with ceramic tiles and another with birch trees wedged between the floor and ceiling. See more salon interiors.

end…Link beauty salon by Yasunari Tsukada

Photography is by Stirling Elmendorf.

end…Link beauty salon by Yasunari Tsukada

Here’s some more information from Yasunari Tsukada:


end…Link / beauty salon

The name of this beauty salon was inspired by the owner’s passionate desire to turn it into a destination for “the last word in beauty”. Although the design was first completed about five years ago, the previous premises soon grew to feel a little cramped due to the rapidly expanding size of the team, which prompted the owner to move to a new and larger location.

end…Link beauty salon by Yasunari Tsukada

The rented unit that the owner had prepared as the new platform for his venture was a slender, elongated space measuring 28m deep, with a frontage of 4.4m. Taking advantage of this narrow frontage, we configured each of the spaces in a straightforward manner by taking cues from the existing frame and contours of the property. In addition, by making efficient use of the length of the unit, we were able to maintain a certain distance between each space while connecting them seamlessly to each other. Keeping the number of partitions to an absolute minimum and painting the entire space white achieved a feeling of abstraction, as well as a sense of giving equal importance to both the new and old materials that comprise the walls, ceilings, and floors. The result was an interior that gave pride of place to the people and objects within it.

end…Link beauty salon by Yasunari Tsukada

The styling space is where the owner’s particular obsessions and passions came to the fore. He requested that we incorporate various functional elements into the mirrored surfaces (for storing or hanging objects). In response, we wondered if we could create flexible, extensible walls without imposing any limitations on their functionality. In concrete terms, our solution involved building three-dimensional lattice screens resembling parts of a jungle gym that function as architectural pieces of furniture. These screens were created using only a structural framework, with no particular significance attached to the form of the lattice itself. When lighting fixtures, glass panels, hooks and other objects are attached, however, the lattice begins to take on a new dimension. Affixing glass panels turns them into display shelves, or tables for the use of customers. Just imagine the transformations that these lattice screens will undergo, thanks to the multiple efforts and innovations of the staff.

end…Link beauty salon by Yasunari Tsukada

Our heated, passionate discussions with the owner gave us real food for thought. Over the course of many meetings, our plans and designs continued to evolve and change repeatedly. Before long, we found ourselves starting to enjoy the progress of these changes. Thus was born a space that would serve as a base for the owner and his team to communicate their ideas and thoughts to their clients, promising the start of a new phase in its evolution and growth.

end…Link beauty salon by Yasunari Tsukada

Project information
Project Name: end…Link
Location: Kitahorie Nishi-ku, Osaka, Japan
Use: Beauty Salon
Built area: 114.56m2
Completion : 2012 November
Design: Yasunari Tsukada design
Contractor: Infinity

The post end…Link beauty salon
by Yasunari Tsukada
appeared first on Dezeen.