Whitney Biennial 2012

Four dynamic contemporary American artists

Now in its 76th year, the bi-annual compendium has gathered a new group of 51 contemporary artists to take over the museum through 27 May. While the focus on performance has become a central one in 2012, we found a group of four artists across different mediums—from sculpture, painting, film and living installation—each dynamic in their own right. Here, just a small selection of highlights from our walk through the Whitney Biennial.

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K8 Hardy

The multi-faceted multi-media artist behind the lesbian zine FashionFashion and the “feminist queer artists’ collective” LTTR presents a set of characteristically contemplative wall-mounted sculptures. The conversation around gender identity can grow noisy, but Hardy manages to cut through the chatter with a genuine, thoughtful perspective addressing fashion advertising. Besides her installations, which combine flashy and everyday products, and accessories like hair extensions oddly plucked out of context, Hardy will stage a runway show 20 May.

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Dawn Kasper

Turn a corner on the third floor and Dawn Kasper’s lilting voice—along with the whirring of a spinning tennis racket on a motorized stand—carries through the hushed gallery. In the spirit of Marina Abramovic‘s seemingly hot-again performance stylings, the LA-based artist brings her Nomadic Studio Practice Experiment to the Whitney for the duration of the Biennial. Living, working and interacting with museum-goers for three months turns her creative process into a real-time, interactive installation.

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George Kuchar

The venerable underground filmmaker passed away in September 2011, and the Biennial pays tribute with a series of screenings of his lauded Weather Diaries. In characteristic revelatory fashion, Kuchar’s Hi-8 films document the mundanity and anticipation of his yearly trips to the El Reno motel in “tornado-alley” Oklahoma.

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Nicole Eisenman

Nicole Eisenman’s installation dominates almost an entire room. The artist’s powerful and introspective portraits are deeply striking, instantly drawing the viewer in for a closer look. The work, which at times appears crude, instead offers deep insight into the human experience through shifting lines, wild expressive characters and a feeling of general chaos combined with melancholy detachment.


Mark Grotjahn at Aspen Art Museum

Lift tickets, lodges and museums carry the artist’s abstract representations

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Surveying more than two decades of work by contemporary artist Mark Grotjahn, the new exhibition at the Aspen Art Museum provides a comprehensive overview of his paintings, drawings, installations and sculptures. Known for his rigidly geometric Op Art-like compositions, which earned him the honor of exhibiting at the 2006 Whitney Biennial, in Aspen Grotjahn will also move beyond museum walls with a sculptural invasion spread across the four peaks of Snowmass Mountain.

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A limited-edition ski pass bearing images of Grotjahn’s mask sculptures will sell from Aspen resorts this weekend, where skiers and riders can enjoy the public sculptures that have been erected around the mountain. Grotjahn’s ability to walk the line between representation and abstractions is something that really comes through in this sculptural series.

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The sculptures themselves are made of primed cardboard that has been mounted on linen. The layered effect of the artist’s brush and palette knife creates the textures that define the mask sculptures. The pieces are featured on five different lift passes, and Grotjahn’s physical works be on display in the museum and surrounding areas through 22 April 2012.