Murray Moss: ‘Good Taste Doesn’t Exist’

Whatever you do, don’t tell Murray Moss he has good taste. “I know that’s meant to be complimentary, but good taste doesn’t exist,” he explains in a new series of video interviews created by Phillips de Pury & Company on the occasion of the Moss-curated art and design auction held today in New York. “It’s not what I would want if it were able to exist.” Keep reading—or at least clicking—below for the full series of enlightening shorts, in which Moss expounds on the devaluation of décor (“Let’s rename it in a more palatable way, and let’s call it collage.”), how to live with art and design, and the sensual delights of sipping Coca-Cola through the most delicate of Lobmeyr glasses.


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ELLE, Yes: Joe Zee on Life as a Creative Director

At a time when “creative director” can mean everything from head designer to heavily remunerated brand ambassador, Joe Zee is the real deal. In this second installment of our three-part interview, he peers out from his perch near the tippy-top of the Elle masthead to describe his typical day (or lack thereof). “I work with all the visuals from cover to cover, so when you read the magazine, whether it’s the model, the celebrity, the styling, the fashion, the photography, all those things come into my play,” Zee explains. “It’s really sort of helping to define a visual signature for the magazine.”

Watch Part 1: Joe Zee puts it All on the Line

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Georges Seurat Masterpiece Comes to Life, Bursts into Song at Art Institute of Chicago


(Photo: Michael Litchfield)

Who says Pointillism is dead? Georges Seurat’s “A Sunday on La Grande Jatte—1884” (1884–86) came to life yesterday at the Art Institute of Chicago, where figures from the well-known painting appeared at the top of the Grand Staircase leading to the Impressionist Galleries. Standing in front of a full-sized replica of the beloved canvas that had been stripped of many foreground characters (thanks to the digital manipulations of Michael Lande), the costumed ensemble broke into song: “Sunday,” from Stephen Sondheim and James Lapine’s Sunday in the Park with George. The painterly flash mob—alas, sans monkey—was out to promote Chicago Shakespeare Theater’s upcoming production of the the Tony- and Pulitzer Prize-winning musical, which opens September 26 under the direction of Gary Griffin, and features Jason Danieley as George and Carmen Cusack as Dot/Marie.

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ABC in 3D: Marion Bataille’s Mesmerizing Alphabet

At a time of year when our inbox runneth over with word of imminent fall happenings, it’s refreshing to receive a package by post, particularly when it contains a design classic in the making. Such was the case when a beautifully wrapped copy of Marion Bataille’s ABC3D (Roaring Brook Press) arrived at UnBeige HQ. The Paris-based graphic designer’s first U.S. publication has been rapidly embraced (and widely lauded) by the kiddie lit set, but design lovers of all ages will be entranced by this pop-up tour through the alphabet, which begins with a lenticular cover and moves through shape-shifting letterforms that involve spinning discs, collapsing lattices, mirrors, scrim-like pages, and other feats of paper engineering. Photos don’t begin to convey the typographical magic Bataille has wrought. Digital media to the rescue! Experience ABC3D in 2D with this video:

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Watch This: Tim Barber Goes Native

Pause for a moment to join New York photographer Tim Barber on an urban skateboard adventure in this dreamy wisp of a film from Native Shoes. The Vancouver-based makers of foam-injection molded-EVA (read: ultralight) kicks—we like the Jimmy boot in Shuttle Grey—tapped Barber for the first installment of “The Natives,” a series of shorts by Corey Adams and Alex Craig (Machotaildrop) that aim to “capture the spirits of a variety of humans across the world, each selected for their creativity, uniqueness, and innovation, showcasing what sets them apart from the other seven billion people on this planet.” New films spotlighting passionate people from Los Angeles to Budapest will be posted every two weeks on Nativision and YouTube.

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Watch This: At Home with John Waters

John Waters followed his “Zen-like” cross-country hitchhiking adventure (research for his next book) with a busy summer. In June, the filmmaker, writer, artist, and curator took to the stage at Lincoln Center’s Alice Tully Hall to honor Comme des Garçons designer Rei Kawakubo on the occasion of her 2012 CFDA Award. “I wear Comme des Garçons the same way Andy Warhol wore $100,000 women’s necklaces underneath his Brooks Brothers turtlenecks—to be fashionable in secret,” said Waters in his remarks, which are excerpted in this month’s issue of Harper’s Bazaar. “Only you know you spent money when you wear Rei’s creations. In fact, some of the more fashion-impaired public actually feel sorry for us!”

In July, Waters knocked ‘em dead on the left coast, where he performed a one-man show at Hollywood Forever Cemetery (treat yourself to Linda Yablonsky’s take on it here) and later collected the annual Outfest achievement award. Meanwhile, Frieze caught up with him at his Baltimore home to discuss sex, death, God, and the art world. “[T]he Pope of Trash has found an escape hatch from his own instantly recognizable cultural legibility in the hermetic domain of contemporary art,” notes Frieze’s Drew Daniel. Here’s the highlight reel:

Thirsty for more Waters? Pick up a copy of Role Models (Farrar, Straus and Giroux), a self-portrait told through chapter-size portraits of everyone from Kawakubo to Johnny Mathis, or watch Paul Holdengräber‘s 2010 chat with Waters at the New York Public Library.

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Watch This: Everynone’s Cinematic Ode to Symmetry

Begin your week with a bit of balance, in the form of Everynone‘s “Symmetry” (below). The dreamy short, created in collaboration with WNYC’s Radiolab and inspired by a 2011 episode of the show entitled “Desperately Seeking Symmetry,” earned the filmmaking team—which consists of Daniel Mercadante, Will Hoffman, and Julius Metoyer III—the $25,000 grand prize in this year’s Vimeo Awards. Sucked in by Symmetry? Check out Everynone’s newest video, “Ball,” which debuted last week on Vimeo.

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Atipo Breathes New Life into A.M. Cassandre Posters

It may be impossible to improve upon an A.M. Cassandre poster, but Spanish design studio Atipo has outdone itself with this tribute to his famous “Dubo, Dubon, Dubonnet” triptych (above). Once you’re savored the last drop of loving homage, treat yourself to Cassannet, Atipo’s Art Deco-flavored font based on the lettering in Cassandre posters.

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Flashback: Jean-Paul Goude’s Bastille Day Parade


Jessye Norman sings the French national anthem in Paris on July 14, 1989.

Bastille Day comes but once a year, and what luck that in 2012 it’s on a samedi. After you’ve secured a giant box of macarons and tracked down an elusive DVD of Jean Renoir‘s 1938 flick La Marseillaise (sip your champagne every time the proto-anthem is sung!), join us for a brief trip in the international time machine that is YouTube. Click below to journey back to 1989, when Jean-Paul Goude was charged with creating a massive parade as part of the French Revolution bicentennial. As if that wasn’t pressure enough, then-president François Mitterrand was adamant that he didn’t want anything nostalgic for the commemorative megabash. Inspired by the dual themes of the rights of man and world music, Goude delivered an incredible production that sent down the the Champs Elysées thousands of musicians, cheeky global stereotypes (the British contingent toted umbrellas and was accompanied by a persistent downpour, while the Russians moved in a flurry of faux snow), and an American marching band that played James Brown‘s greatest hits—meanwhile, the Godfather of Soul himself RSVPed non from his own kind bastille (South Carolina’s State Park Correctional Institute). Get more Goude in So Far So Goude (Assouline), which includes the 30-minute DVD from which this clip was taken.

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Watch Chip Kidd Knock ‘Em Dead at TED Conference

Innovative. Refreshing. Full of ideas. Three ways to describe both TED and Chip Kidd. The charismatic graphic designer, author, editor, Batman expert, and rock star made his TED debut at the recent Full Spectrum conference in Long Beach, California, thanks to “guest curators” Chee Pearlman and David Rockwell, who organized a smashing session entitled “The Design Studio” that featured creative superstars including architect Liz Diller, Metropolitan Museum of Art director Tom Campbell, and IDEO’s David Kelley, bracketed by the whimsy of Maira Kalman‘s tapestry-cum-stage set and the wisdom of John Hodgman, who provided interstitial interrogations on design classics such as Philippe Starck‘s Juicy Salif citrus squeezer (“When you fall asleep it comes alive,” warned Hodgman. “Mr. Starck, I have revealed your terrible secret.”) In the leadoff spot was Kidd, who managed to bring the tech-heavy crowd to its feet by talking about the wonders of books: the analog kind, with dustjackets, odors, and, according to Kidd, “tradition, a sensual experience, the comfort of thingy-ness—a little bit of humanity.” Treat yourself to his freshly posted TED talk:

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